SPACE ENTHUSIASTS
Looking up: Amateur meteorite hunters search for clues to origins of universe
French astronaut Sophie Adenot made history this month as the first French woman to perform a spacewalk. Back on Earth, space enthusiasts across France are finding their own ways to reach for the stars. In the third of a five-part series, RFI hears from volunteers in south-west France who are searching for meteorites as part of a citizen science project designed to help researchers recover fragments from space.
Issued on: 26/08/2026 - RFI
Concentration, patience and sharp eyesight are needed to find a meteorite no bigger than a golf ball. © Baptiste Coulon / RFI
At the Fleurance Astronomy Festival in south-west France, 50 volunteers have gathered across four freshly cut fields of wheat. The group, kitted out in caps, rucksacks and trainers, includes space enthusiasts as well as families with young children.
The volunteers have been told that a meteorite fell to Earth during the night, just a few hundred metres from where they are standing.
“We saw a huge flash of light at an altitude of 30 kilometres, then the fireball broke into many pieces. The aim is to find them,” said planetary scientist Sylvain Bouley, who is leading the search.
This meteorite hunt is actually just an exercise, a fact the volunteers are aware of. An hour before the public arrived, Bouley hid 20 meteorite fragments across the fields. The group then split into four teams and began searching.
The task quickly proves tougher than it first appears. The fragments are no bigger than a dice and the search area covers about five hectares.
“When we have to find a two-centimetre stone over such a large area, we need members of the public – citizens who've learned how to observe,” Bouley said. “So the aim is to train people all over France so we can call on them when a real meteorite falls to Earth.”
That is not a hypothetical scenario. In February 2023, a 650-kilogramme fireball broke apart over Normandy and scattered around 100 fragments across an area seven kilometres wide.
Within hours of the impact, Bouley and his team had gathered 200 volunteers to search the area. Several pieces were found.
At the Fleurance Astronomy Festival in south-west France, 50 volunteers have gathered across four freshly cut fields of wheat. The group, kitted out in caps, rucksacks and trainers, includes space enthusiasts as well as families with young children.
The volunteers have been told that a meteorite fell to Earth during the night, just a few hundred metres from where they are standing.
“We saw a huge flash of light at an altitude of 30 kilometres, then the fireball broke into many pieces. The aim is to find them,” said planetary scientist Sylvain Bouley, who is leading the search.
This meteorite hunt is actually just an exercise, a fact the volunteers are aware of. An hour before the public arrived, Bouley hid 20 meteorite fragments across the fields. The group then split into four teams and began searching.
The task quickly proves tougher than it first appears. The fragments are no bigger than a dice and the search area covers about five hectares.
“When we have to find a two-centimetre stone over such a large area, we need members of the public – citizens who've learned how to observe,” Bouley said. “So the aim is to train people all over France so we can call on them when a real meteorite falls to Earth.”
That is not a hypothetical scenario. In February 2023, a 650-kilogramme fireball broke apart over Normandy and scattered around 100 fragments across an area seven kilometres wide.
Within hours of the impact, Bouley and his team had gathered 200 volunteers to search the area. Several pieces were found.
A meteorite fragment about two centimetres across and weighing around 10g, found by a participant. © Baptiste Coulon / RFI
'Fan of rocks'
The apprentice hunters in Fleurance are hoping to do the same. Their search involves two hours of walking in closely spaced lines, eyes fixed on the ground.
Aurélie has joined the exercise with her daughter Abygaëlle, an energetic little girl who describes herself as a “fan of rocks”.
“I'm a very big collector,” Abygaëlle says, making her mother laugh.
“She has a whole shelf in her bedroom,” her mother says, suggesting the collection has become somewhat overwhelming.
So far, Abygaëlle has found only “pretty rocks” rather than meteorites. She thinks she knows how to tell them apart.
“Meteorites don't have too many holes, whereas other rocks have very deep holes,” she says.
The reality is a little more complicated.
“A meteorite has a black fusion crust, caused by the heating of the rock through compression and friction as it enters the atmosphere," Bouley explains. "It also has flat, rounded and fairly clean surfaces that can be distinguished from rocks that have been there for some time. They might look like meteorites, but they aren't.”
The possibility of finding a meteorite only to discover that it is an ordinary rock makes the search demanding. After an hour of careful observation, none of the meteorites has been found.
The teams turn around and begin searching in the opposite direction, led by Claire Loubière, one of the supervisors. A physics and chemistry teacher at a school in the Paris region, Loubière says she was excited by the citizen science project.
“It's great to think that we've helped a scientist move forward with their research. It's not at all the image of the researcher alone in their laboratory or out in the field," she explains. "You realise that it's a field open to everyone, including 10-year-olds who can find rocks that are useful to science."
The apprentice hunters in Fleurance are hoping to do the same. Their search involves two hours of walking in closely spaced lines, eyes fixed on the ground.
Aurélie has joined the exercise with her daughter Abygaëlle, an energetic little girl who describes herself as a “fan of rocks”.
“I'm a very big collector,” Abygaëlle says, making her mother laugh.
“She has a whole shelf in her bedroom,” her mother says, suggesting the collection has become somewhat overwhelming.
So far, Abygaëlle has found only “pretty rocks” rather than meteorites. She thinks she knows how to tell them apart.
“Meteorites don't have too many holes, whereas other rocks have very deep holes,” she says.
The reality is a little more complicated.
“A meteorite has a black fusion crust, caused by the heating of the rock through compression and friction as it enters the atmosphere," Bouley explains. "It also has flat, rounded and fairly clean surfaces that can be distinguished from rocks that have been there for some time. They might look like meteorites, but they aren't.”
The possibility of finding a meteorite only to discover that it is an ordinary rock makes the search demanding. After an hour of careful observation, none of the meteorites has been found.
The teams turn around and begin searching in the opposite direction, led by Claire Loubière, one of the supervisors. A physics and chemistry teacher at a school in the Paris region, Loubière says she was excited by the citizen science project.
“It's great to think that we've helped a scientist move forward with their research. It's not at all the image of the researcher alone in their laboratory or out in the field," she explains. "You realise that it's a field open to everyone, including 10-year-olds who can find rocks that are useful to science."
Adults and children take part in the hunt for meteorites. © Baptiste Coulon / RFI
Clues from space
The first find is eventually made by 10-year-old Emmanuel, to applause from his group. He immediately puts the fragment into their bag.
Brigitte Zanda, the astrophysicist who first recovered the fragment – dated to 4.56 billion years old – says it could provide information about the origins of the universe.
“Most meteorites come from small bodies that have changed very little since the formation of the solar system and were therefore present when the sun was forming," Zanda explains. "Until we've analysed a new meteorite, we can't know whether it might have incredible information to teach us."
Involving members of the public has become increasingly important because the number of meteorites recovered in France has fallen sharply over the past 200 years.
"We found 45 during the 19th century, but only nine during the 20th century," Zanda says. Yet the number of impacts remains stable, at about two to three per year in France and several tens of thousands worldwide each year.
“To find a meteorite, you have to see it fall,” Zanda says. “But our lifestyles have changed. We look at the sky less than we used to because fewer of us live in the countryside. And television and smartphones also distract us from the stars.”
The 364-kg Mont Dieu meteorite, found in the Ardennes region in 2010, is 4.65 billion years old and one of the largest ever found in France. Sold for €51,000 at auction, the owner refused to let it go, considering the price too low. AP - Thibault Camus
Watching the skies
Some of the search work is now automated. In 2014, Zanda and Bouley created the FRIPON programme – a network of about 100 cameras installed at observatories, universities and museums. The cameras monitor the sky day and night to detect meteorite falls.
Since then, similar networks have been established across Europe as well as in Africa.
After two hours, the organisers signal the end of the hunt. Not all the hidden meteorites have been found. Fortunately, Bouley and his teams had recorded the exact location of every fragment they had hidden, so the remaining pieces can be recovered.
At the end of the day, all the participants – including those who found nothing – leave with a meteorite and a certificate of authenticity.
Abygaëlle and her mother Aurélie found two fragments.
“We'll be able to add them to our collection, but these ones will have a special value,” Aurélie says with a smile.
Abygaëlle already knows where they will go: “On the shelves of the bookcase in the living room.”
This article has been adapted from the original version in French by Baptiste Coulon.
Looking up: French collector gathers lunar photos that changed our view of space
Astronaut Sophie Adenot made history this month as the first French woman to perform a spacewalk. Back on Earth, space enthusiasts across France are finding their own ways to reach for the stars. In the last of a five-part series, space historian and collector Victor Martin-Malburet talks to RFI about his passion for Nasa's Moon missions and the photos they produced. He began searching around the world for original prints aged 15 and has now amassed a collection of 1,500 photographs.
Issued on: 27/08/2026 - RFI
Astronaut Sophie Adenot made history this month as the first French woman to perform a spacewalk. Back on Earth, space enthusiasts across France are finding their own ways to reach for the stars. In the last of a five-part series, space historian and collector Victor Martin-Malburet talks to RFI about his passion for Nasa's Moon missions and the photos they produced. He began searching around the world for original prints aged 15 and has now amassed a collection of 1,500 photographs.
Issued on: 27/08/2026 - RFI
Martin-Malburet holding one of 1,500 photographs he's collected from Nasa's lunar programmes. He inherited his passion from his father, a collector of modern and contemporary art. © Baptiste Coulon / RFI
Martin-Malburet keeps his precious photo collection in 50 acid-free boxes, protected by plastic film. They're stacked away from the light on a shelf in his Paris living room.
The pictures trace 11 years of Nasa's race to the Moon, from 1961 to 1972. They include the US space agency's Mercury, Gemini and Apollo missions, all painstakingly catalogued.
He carefully takes the "Apollo 11" box, documenting the first mission to put humans on the Moon in July 1969, and selects the picture that kicked off his collection.
“In this image, we see Buzz Aldrin in his spacesuit on the lunar surface. In the reflection of his visor, we can see Neil Armstrong taking the photograph. It's a bit like the Mona Lisa of the Moon,” Martin-Malburet says.
Martin-Malburet keeps his precious photo collection in 50 acid-free boxes, protected by plastic film. They're stacked away from the light on a shelf in his Paris living room.
The pictures trace 11 years of Nasa's race to the Moon, from 1961 to 1972. They include the US space agency's Mercury, Gemini and Apollo missions, all painstakingly catalogued.
He carefully takes the "Apollo 11" box, documenting the first mission to put humans on the Moon in July 1969, and selects the picture that kicked off his collection.
“In this image, we see Buzz Aldrin in his spacesuit on the lunar surface. In the reflection of his visor, we can see Neil Armstrong taking the photograph. It's a bit like the Mona Lisa of the Moon,” Martin-Malburet says.
An original Nasa print showing Buzz Aldrin in his spacesuit, photographed by Neil Armstrong, whose reflection can be seen in the astronaut's visor. © Baptiste Coulon / RFI
A new perspective
The photographs show all of Nasa's crewed space missions from Mercury to Apollo.
“We don't realise that these missions were also photographic missions,” Martin-Malburet says. “At that time, every minute was a first and every mission was an opportunity for a new, extraordinary view that humans had never seen before and that the astronauts captured.”
Nasa produced the prints a few days after the astronauts returned to Earth. Their value comes from their authenticity, the texture of the paper and the quality of the colours captured by Kodak cameras.
“They record light in a way that digital doesn't,” Martin-Malburet says.
Each photograph also has an identification number and an original Nasa stamp, adding to the value of the prints.
The collector began the painstaking search for the photographs when he was 15. In some cases, it took him as long as 10 years to find the original prints.
“I went to get them from the archives of astronauts, former Nasa employees or scientists who worked on these lunar programmes,” he says.
A new perspective
The photographs show all of Nasa's crewed space missions from Mercury to Apollo.
“We don't realise that these missions were also photographic missions,” Martin-Malburet says. “At that time, every minute was a first and every mission was an opportunity for a new, extraordinary view that humans had never seen before and that the astronauts captured.”
Nasa produced the prints a few days after the astronauts returned to Earth. Their value comes from their authenticity, the texture of the paper and the quality of the colours captured by Kodak cameras.
“They record light in a way that digital doesn't,” Martin-Malburet says.
Each photograph also has an identification number and an original Nasa stamp, adding to the value of the prints.
The collector began the painstaking search for the photographs when he was 15. In some cases, it took him as long as 10 years to find the original prints.
“I went to get them from the archives of astronauts, former Nasa employees or scientists who worked on these lunar programmes,” he says.
Nasa astronaut and Artemis II mission specialist Christina Koch peers out of one of the Orion spacecraft's main cabin windows, looking back at Earth, as the crew travels towards the Moon, 2 April 2024. @ NASA via REUTERS
Astronaut artists
Part of the reason the search took so long is that Nasa simply threw away some of the prints. Their value was not always recognised at the time.
“Photography was mainly used for scientific purposes. We didn't realise its artistic value,” Martin-Malburet says.
He regards the astronauts themselves as artists.
“They have the status of explorers. They brought humanity a new visual vocabulary that goes beyond science and becomes art,” he insists.
The collection is not intended to remain in Martin-Malburet's living room.
He is in contact with museums about displaying the photographs to the public and sharing this visual record of the space race.
The idea is particularly fitting, the collector says, as Nasa prepares for another Moon landing in 2028.
This article was adapted from the original version in French by Baptiste Coulon.
Astronaut artists
Part of the reason the search took so long is that Nasa simply threw away some of the prints. Their value was not always recognised at the time.
“Photography was mainly used for scientific purposes. We didn't realise its artistic value,” Martin-Malburet says.
He regards the astronauts themselves as artists.
“They have the status of explorers. They brought humanity a new visual vocabulary that goes beyond science and becomes art,” he insists.
The collection is not intended to remain in Martin-Malburet's living room.
He is in contact with museums about displaying the photographs to the public and sharing this visual record of the space race.
The idea is particularly fitting, the collector says, as Nasa prepares for another Moon landing in 2028.
This article was adapted from the original version in French by Baptiste Coulon.
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