Wednesday, June 03, 2020

New Yahoo News/YouGov poll: Most Americans say Trump is a 'racist' and want him to stop tweeting

Andrew Romano
West Coast Correspondent,
Yahoo News•June 1, 2020



By a bare majority, Americans think President Trump is a racist and want him to stop tweeting, according to a new Yahoo News/YouGov poll.


The survey, conducted on May 29 and 30, found that 52 percent of Americans answered yes when asked whether they “think that President Trump is a racist.” Only 37 percent said no. Just 33 percent said the president should continue “posting messages on Twitter.” Fifty-four percent said no to the question.

A similar majority of Americans said they disapprove of Trump’s handling of race relations — among them, 41 percent of the total agreed “strongly” and 12 percent agreed “somewhat.”


The poll lands at a moment when violent protests against police brutality and the death of George Floyd continue to roil American cities, and when Trump’s leadership strategy has been called into question. Over the weekend, the president did not deliver a national address on the crisis, instead choosing to hunker down inside the White House and at one point rushing to a secret bunker as hundreds of protesters gathered outside the executive mansion. The Associated Press reported Monday morning that in a conference call with governors, the president urged them to crack down on demonstrators, telling them they were “weak.”

According to the Washington Post, the lack of a public response by the president was deliberate. “Trump and some of his advisers calculated that he should not speak to the nation because he had nothing new to say and had no tangible policy or action to announce yet, according to a senior administration official,” the Post reported. “Evidently not feeling an urgent motivation Sunday to try to bring people together, he stayed silent.”

Yet Trump continued to tweet. One tweet “attacked the Democratic mayor of Minneapolis; another announced that his administration would designate the antifa movement a terrorist organization; a third accused the media of fomenting hatred and anarchy; and in yet another, he praised himself for the deployment of the National Guard and denigrated former vice president Joe Biden,” according to the Post.

The public’s response to Trump’s tweets and racial attitudes is predictably divided along party lines. Eighty-six percent of Democrats say Trump is a racist; 56 percent of independents agree. Yet only 13 percent of Republicans characterize the president that way.

Likewise, 82 percent of Democrats say Trump shouldn’t be tweeting; 60 percent of independents concur, a jump of roughly 10 percentage points since the protests began. Yet only 21 percent of Republicans want Trump to quit Twitter.

Race plays a role as well: black Americans are far more likely than white Americans to say that Trump is a racist (74 percent vs. 43 percent) and that he should stop tweeting (76 percent vs. 48 percent).


Despite these divisions, most Americans agree that specific Trump tweets are out of bounds. Shown an image of a recent tweet in which he called MSNBC host and former Florida Rep. Joe Scarborough a “Nut Job” and baselessly insinuated that he was involved in the murder of one of his congressional staffers, 52 percent said they disapproved. Only 23 percent said they approved (though a majority of Republicans, 53 percent, found something to approve of).

Shown another recent Trump tweet in which the president quoted a phrase popularized by segregationist politician George Wallace — “when the looting starts, the shooting starts” — and asked whether they consider the message racist, Americans were torn, with 44 percent saying yes and 44 percent saying no. A majority of Democrats (71 percent) and a plurality of independents (46 percent) said the tweet was racist; only 14 percent of Republicans agreed. Three-quarters of African-Americans (76 percent) said the message was racist; 54 percent of whites said it was not.
President Trump on the South Lawn of the White House after arriving on Marine One on Saturday. (Stefani Reynolds/Bloomberg via Getty images)

There’s no indication Trump won’t keep tweeting for the remainder of his presidency (and beyond). Acknowledging that reality, Americans largely agree with Twitter’s recent decision to flag individual tweets from the president as false or dangerous. A plurality — 47 percent vs. 37 percent — say the social media platform was right to call out Trump’s looting-shooting tweet for “glorifying violence.” Overall, 56 percent think social media sites such as Facebook and Twitter should fact-check user posts, while only 28 percent say they shouldn’t.

When asked which statement “comes closest to your opinion,” a full 85 percent of Americans said that “Twitter should apply the same rules to political leaders as it does to other users.”

Just 15 percent said that “Twitter should not censor posts by political leaders, even if they are false or threatening.”

_________

The Yahoo News survey was conducted by YouGov using a nationally representative sample of 1,060 U.S. adult residents interviewed online between May 29 and 30, 2020. This sample was weighted according to gender, age, race and education, as well as 2016 presidential vote, registration status and news interest. Respondents were selected from YouGov’s opt-in panel to be representative of all U.S residents. The margin of error is approximately 4.3 percent.
Ford, VW finalize autonomous vehicle deal with Argo AI
Fnord (@fnord) | Twitter

The Ford logo is displayed at the Chicago Auto Show on February 11, 2014. Ford announced it has closed a deal with Volkswagen to work on autonomous vehicles with Argo AI. Photo by Brian Kersey/UPI | License Photo

June 2 (UPI) -- Ford and Volkswagen finalized a deal Tuesday with Pittsburgh-based Argo AI to introduce autonomous vehicle technology to the United States and Europe.

In a statement, Ford said Volkswagen would join in its investment in Argo AI in an effort to improve "cost and capital efficiencies." Ford and Volkswagen will spend more than $4 billion through 2023 in developing the self-driving service.

"At Ford, we believe self-driving technology can make people's lives easier and provide new and more efficient mobility solutions for our congested cities," Ford said in its statement. "Building a safe, scalable and trusted self-driving service, however, is no small task. It's also not a cheap one."

Argo AI's founders Bryan Salesky and Pete Rander, who worked in Google and Uber's automated driving programs, helped win an initial investment from Ford in early 2017.

Argo has been working to develop the automated driving system that Ford hopes to put into production in 2021. Earlier this year, Ford said that rollout would be delayed until 2022.

"While our companies are sharing Argo AI's technology development costs, Ford will remain independent and fiercely competitive in building its own self-driving service," Ford said. "Sharing the development costs with Volkswagen doesn't mean Ford is reducing its overall spend in the autonomous vehicle space."

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Center for Democracy and Technology challenges Trump social media executive order



The Center for Democracy and Technology filed a lawsuit challenging President Donald Trump's executive order seeking to limit legal protections of social media companies that censure or edit user posts. Pool Photo by Doug Mills/UPI |
License Photo



June 2 (UPI) -- The Center for Democracy and Technology on Tuesday filed a lawsuit challenging an executive order by President Donald Trump seeking to limit legal protections of social media companies that censure or edit user posts.

CDT, a Washington, D.C.-based nonprofit, challenged the order stating that it violates the First Amendment by "curtailing and chilling" the speech of online platforms and individuals as protected by the Constitution.


"The executive order is designed to deter social media services from fighting misinformation, voter suppression and the stoking of violence on their platforms," CDT President and CEO Alexandra Givens said.

Trump signed the order on Thursday directing the Commerce Department to ask the Federal Communications Commission to reinterpret Section 230 of the Communications Decency Act, which protects Internet companies from lawsuits targeting the content of their sites.

"A small handful of social media monopolies controls the vast portion of all public and private communications in the United States," said Trump. "They've had unchecked power to censor, restrict, edit, shape, hide, alter, virtually any form of communication between private citizens and large public audiences."

The decision came two days after Twitter flagged a pair of Trump's tweets about the process of mail-in voting as potentially misleading.

CDT said the order was intended to intimidate social media companies to change how they moderate content.

"The government cannot and should not force online intermediaries into moderating speech according to the President's whims," Givens said. "Blocking this order is crucial for protecting freedom of speech and continuing important work to ensure the integrity of the 2020 election."



RELATED Twitter places fact-checking label on Trump tweets for first time
ON THIS DAY THE FIRST SELFIE IN SPACE 
 In 1965, Gemini IV astronaut Ed White made the first American "walk" in space. White, attached to a 25-foot cord, was outside the spacecraft for 23 minutes. He later s aid the order to end his spacewalk was the "saddest moment" of his life.  

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On This Day: Radical feminist author shoots Andy Warhol

On June 3, 1968, radical feminist author and actor Valerie Solanas shot artist Andy Warhol at his New York City studio The Factory.

By
UPI Staff


Andy Warhol (C) stands in front of a limited edition serigraph of Princess Grace of Monaco on June 1, 1984, in Philadelphia. 

In 1968, radical feminist author and actor Valerie Solanas shot artist Andy Warhol at his New York City studio The Factory. Warhol survived the shooting after a five-hour operation to repair damage to several internal organs.
File Photo by George Bilyk/UPI | License Photo

On June 3, 1968, the militant feminist writer Valerie Solanas shot Andy Warhol at The Factory, his famous studio/club house in New York City. Although two bullets missed Warhol, the third went through his spleen, liver, stomach, and esophagus. He almost died during the five-hour surgery that followed, and remained bedridden for three months afterward. While at home, he painted small portraits of Mrs. Nelson Rockefeller, marking his return to portraiture, a theme that had preoccupied him since the 1950s and dominated his output for the remainder of his life. Through commissioned portraits, Warhol could control his public interactions and reliably earn a living. 
https://carolinaarts.com/1015/1015carolinaarts-sp.pdf

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Artist Christo who wrapped Reichstag in fabric dies aged 84

AFP/File / Niklas HALLE'NChristo made transforming internationally known landmarks his speciality
The artist known as Christo, who made his name transforming landmarks such as Germany's Reichstag by covering them with reams of cloth, died on Sunday aged 84, his official Facebook page announced.
Christo Vladimirov Javacheff died of natural causes at his home in New York City, the statement said.
The Bulgarian-born artist worked in collaboration with his wife of 51 years Jeanne-Claude until her death in 2009.
Their large-scale productions would take years of preparation and were costly to erect; but they were mostly ephemeral, coming down after just weeks or months.
"Christo lived his life to the fullest, not only dreaming up what seemed impossible but realising it," said a statement from his office.
"Christo and Jeanne-Claude's artwork brought people together in shared experiences across the globe, and their work lives on in our hearts and memories."
In accordance with Christo's wishes, the statement added, a work in progress, "l'Arc de Triomphe, Wrapped", would be completed.
The event is now scheduled to be shown from September 18, 2021, having been postponed from this year because of the coronavirus pandemic.
Born on June 13, 1935 in Gabrovo, Bulgaria, Christo left his home country in 1957, living briefly in several countries before arriving in Paris, where he met his future wife, a fellow artist.
But in their subsequent collaborations, he was credited more as the artist and Jeanne-Claude as the organiser.
"This is not the work of Christo, it's the work of Christo and Jeanne-Claude," she would say.
To finance their massive, ambitious projects and thus maintain their artistic freedom, the couple would sell their preparatory work, including collages and drawings, at exorbitant prices.
- An 'enchanter' -
Next year's work in Paris will be accompanied by an exhibition at the city's Pompidou Centre about their time in the city. That show is due to start in July this year, running until the end of October 2020.
A statement sent to AFP by the Pompidou Centre on Sunday paid tribute to the artist as an "enchanter" who was "essential to the history of art of our time".
"Christo was a great artist, capable of giving new depth to our everyday," said the Pompidou Centre's president, Serge Lasvignes.
AFP / Pierre GUILLAUDHis 1985 project covering Paris's oldest bridge, the Pont Neuf, is one of his most famous works
The centre's director, Bernard Blistene, said they had worked "passionately" with Christo's team to put the exhibition together in parallel with the Arc de Triomphe project.
"Let the exhibition that we will be opening on July 1 pay tribute to this exceptional body of work, bestriding all disciplines and so essential to the history of art of our time," he added.
The exhibition will focus on the time Christo and his wife spent in Paris, 1958 to 1964, during which they developed their signature style.
As well as the German Reichstag, another of their major projects was wrapping the Pont Neuf, Paris's oldest bridge, in 1985.
Sunday's statement from Christo's office concluded: "In a 1958 letter Christo wrote, 'Beauty, science and art will always triumph'. We hold those words closely today."

Christo, master of the monumental wrap-up

AFP/File / Niklas HALLE'NBulgarian-born Christo insisted on the ephemeral nature of his work, even though they took years of planning
From Paris's oldest bridge to Berlin's Reichstag, Bulgarian-born US artist Christo spent decades wrapping landmarks and creating improbable structures around the world.
Christo, who died on Sunday in New York at the age of 84, collaborated with his wife of 51 years, Jeanne-Claude, until her death in 2009. Afterwards, he continued to produce dramatic pieces into his 80s.
Their large-scale productions would take years of preparation and were costly to erect: but they were mostly ephemeral, coming down after just weeks or months.
"Totally useless," said Christo of their work in the 2019 documentary, "Walking on Water".
"Art is all about pleasure. Visual pleasure is very important — very invigorating, very engaging," he told The New York Times in 2016.
Gaunt, bespectacled, his long hair becoming wispy and white in age, Christo had been planning to cover Paris' Arc de Triomphe in silvery-blue recyclable material in 2021 to coincide with a retrospective at the city's Pompidou Centre.
The statement from his office Sunday announcing his death said that, in accordance with his wishes, that project would go ahead and was on schedule for September next year.
- Bulgarian fugue, Paris romance -
Born in 1935 in Gabrovo, Bulgaria, Christo Vladimiroff Javacheff fled the communist regime in 1956 aboard a goods train.
Arriving in Paris, he mixed with artists such as Yves Klein and Niki de Saint-Phalle, and dabbled in abstract painting.
Christo and Jeanne-Claude - 2019 Christo/AFP / Andre GROSSMANNChristo's final project, 'L'Arc de Triomph, Wrapped' is due to go ahead as planned despite his death, in accordance with his wishes
He met Jeanne-Claude Denat de Guillebon in 1958, as he was doing a portrait of her mother, and they married the same year.
Their work was collaborative but they at first called themselves just Christo, creating the impression that their production was his alone.
Their son Cyril was born in 1960 and the family moved to the United States in 1964, Christo obtaining US nationality in 1973.
- The art of covering up -
Their first large-scale public installation appeared in 1968 when the couple wrapped Swiss art museum the Kunsthalle, in Berne, in 2,430 square metres (26,160 square feet) of fabric.
Among the most famous of similar works across the world were the Pont Neuf in Paris which was entirely draped in silky sandstone material in 1985, and 10 years later Germany's Reichstag covered in silvery shimmering fabric.
AFP / Pierre GUILLAUDAn earlier Paris project, in 1985, focussed on the city's oldest bridge, the Pont Neuf
There have been islands surrounded in floating pink material, an Australian beach covered in white, and a 39-kilometre-long (24-mile) cloth fence through the Californian hills.
The cost of these temporary installations can be astronomical.
"The Umbrellas" in 1991, for example, cost $26 million, entirely financed by the artists, according to their website. The simultaneous installation in California and Japan of hundreds of giant blue and yellow umbrellas was dismantled after 18 days.
Christo never accepted sponsorship, funding the projects through the sale of his sketches, collages, scale models and original lithographs.
- Fleeting and free -
The installations also required permits that could take lengthy negotiations to secure. Over 50 years, just 22 had been achieved by 2011 with 37 not receiving official permission, according to the website.
Some of the work has been controversial: the Reichstag wrap-up required a vote by German deputies, getting 292 in favour and 223 against.
AFP / NIKLAS HALLE'NOne of Christo's last projects was 'The Mastaba' on the Serpentine lake in Hyde Park in London: more than 7,000 coloured, horizontally stacked barrels on a floating platform
But the uncertainty and intense collaboration required each time were all welcome parts of the adventure.
"I think it would be absolutely boring to work the way many artists do," Christo said in The New York Times in 2014.
The temporary quality of the productions was also important to the artist.
When asked by Berlin authorities to prolong the Reichstag cover-up beyond its 14 days, Christo refused.
"It is a kind of naivete and arrogance to think that this thing stays forever, for eternity," he said in an interview with the Journal of Contemporary Art in 1991.
"All these projects have this strong dimension of missing, of self-effacement... they will go away, like our childhood, our life.
"They create a tremendous intensity when they are there for a few days."

Spectre of oil giant Rosneft looms over Russian independent media

Sputnik/AFP / Alexey NIKOLSKYJournalists at Russia's top liberal business daily Vedomosti say they were barred from covering negative opinion polls of President Vladimir Putin
Russian oil giant Rosneft, run by a close ally of President Vladimir Putin, is wielding growing influence over Russia's remaining independent media outlets, already squeezed by tightening press freedoms and pressure from the Kremlin.
Now, reporters at the country's top liberal business daily Vedomosti -- shaken in March by an announcement from owner Demyan Kudryavtsev that he planned to sell the newspaper -- have denounced censorship under its new acting editor-in-chief.
Andrei Shmarov was appointed in late March, ahead of the sale's completion. Journalists say they were barred from covering negative opinion polls of Putin, and that editors interfered in coverage of Rosneft.
On Friday, the new owner was announced as the head of a little-known regional news agency called FederalPress, Ivan Yeryomin.
An investigation in May by several Russian news outlets including Vedomosti revealed that Rosneft leveraged control over the paper through debts owed by owner Kudryavtsev to the oil giant's bank.
Kudryavtsev denied these allegations while Rosneft has not reacted.
- 'Real owner Rosneft' -
"The real owner is Rosneft through a chain of debt," said Vedomosti editor-at-large Maxim Trudolyubov, who has worked at the paper since it started in 1999.
Trudolyubov said the new editor-in-chief was "selected to run the newspaper favourably to the new owner".
"They just wanted to silence it."
He described Rosneft chief Igor Sechin as "some sort of a hitman" employing aggressive tactics.
"He plays a complicated game of takeovers to build his empire at the expense of other oligarchs. It's about assets, money, influence."
The newspaper wrote in a recent editorial: "Vedomosti will just become another dependent and controlled media outlet."
On Friday, the newspaper wrote that the change of ownership deal undoubtedly had "not only commercial aims".
Its editorial suggested that "unnamed figures who really stand behind the official buyers... see the publication as an instrument of influence, not a business".
"This is a public humiliation of the Vedomosti brand and its editorial staff," Galina Timchenko, editor-in-chief of Meduza news site, told AFP.
In May, it was the turn of another respected business daily, RBK. Rosneft is suing the newspaper for a record 43 billion rubles ($612 million) over an article about the oil company's activities in Venezuela.
"We aren't worried, because we know our work is correct and honest," said Timofei Dzyadko, an energy reporter at the newspaper.
But Pyotr Kanayev, the RBK editor-in-chief, said the lawsuit was surprising.
"We published (an) article based on public information and we're not the source of this information," he said.
The news coverage at RBK "doesn't serve anybody's interests, only our audience", he told AFP.
A legal defeat against the oil giant would deal the media outlet a serious blow.
The two decades of Putin's rule have seen all the national television channels as well as a number of radio stations and newspapers pass into the hands of Kremlin-friendly owners.
In one of the most high-profile takeovers, NTV television, known for its independent stance in the 1990s, was taken over in 2001 by the media arm of the state gas giant Gazprom.
- Choice to make -
Vedomosti launched in September 1999 as Putin emerged as Russia's dominant political figure.
The paper was co-founded and co-owned by Dutch entrepreneur Derk Sauer's Independent Media, the London-based Financial Times and US business daily The Wall Street Journal, demonstrating Russia's entry into the fold of Western capitalist countries.
Vedomosti's independent editors and reporters covered the businesses beginning to emerge from the ashes of a severe financial crisis in 1998.
Editors at the newspaper have been lauded for mostly keeping at bay pressure from the Kremlin and private business interests.
The newspaper has changed hands several times since its first print run as lawmakers introduced new legislation limiting foreign ownership of Russian media.
While traditional media has come under increasing pressure, new media projects are mushrooming online, such as news sites Meduza and The Bell and numerous YouTube projects such as the video channels of opposition leader Alexei Navalny.
"Russian independent media does still operate (and is) more successful now than it has been in a while," said Trudolyubov, describing such new projects as "quite promising".
As for Vedomosti, its journalists now have a choice: they must either quit or conform, observers have said.
"I can barely imagine a way the Vedomosti journalists can hold for a long time," said Trudolyubov.

YOUNG WHALE TRAVELS THE SEAWAY TO MONTREAL

Reseau Quebecois d'Urgences Mammiferes Marins/AFP / HandoutSince Saturday, the humpback has been seen exploring the waters off Montreal, hundreds of kilometres (miles) from the waters it usually calls home
A young humpback whale that swam up one of Canada's major rivers and has been exploring the waters off Montreal for a few days was likely led astray while on a hunting trip, authorities have said.

Since Saturday, the giant creature has been swimming in the St Lawrence river against the backdrop of the Montreal skyline -- hundreds of kilometres (miles) from the waters it usually calls home.

The humpback is likely to be the same creature as that seen a few days ago further downstream near Quebec City, said Marie-Eve Muller of the Quebec marine mammal emergency network (RQUMM).

Humpback whales live near both the Arctic and Antarctic, with adults growing up to 17 metres (55 feet) and weighing up to 40 tonnes.

Each pod spends the summer near the poles and travels to tropical areas in their respective hemispheres during the winter to breed.

The Montreal visitor, thought to be two or three years old, was likely led astray while chasing prey, or made a navigation error, Muller said.

It is possible that the whale could extend its stay in the city for several months, she added, although locks and rapids further upstream would likely prevent it from exploring any further west.

A team from RQUMM has been deployed to monitor the humpback to prevent any possible collisions with ships, she said, although there were no plans to redirect the whale yet, since it could survive for a short while in freshwater.

"For the moment, the whale is in good health... The best option is to let nature take its course," and hope that the animal decides to return to the open ocean itself, she added

Deadly Tropical Storm Amanda hits El Salvador, Guatemala

AFP / Marvin RECINOSAt least 14 people were killed when Tropical Storm Amanda struck El Salvador, unleashing heavy rain, landslides and flash floods across the country
Tropical Storm Amanda triggered flash floods, landslides and power outages as it barrelled through El Salvador and Guatemala Sunday, killing 14 people, authorities said, warning of further heavy rain to come.
El Salvador President Nayib Bukele declared a 15-day state of emergency to cope with the effects of the storm, which he estimated to have caused $200 million in damage, but which weakened later in the day as it moved into Guatemala.
Amanda, the first named storm of the season in the Pacific, unleashed torrents of floodwater that tossed vehicles around like toys and damaged about 200 homes, the head of the Civil Protection Service William Hernandez said.
AFP / Yuri CORTEZFlash-floods unleashed by Tropical Storm Amanda tossed cars around like toys in several San Salvador neighborhoods
The fatalities were all recorded in El Salvador, Interior Minister Mario Duran said, warning that the death toll could rise.
One person is still missing, senior government official Carolina Recinos added.
 
AFP / Yuri CORTEZMembers of a volunteer stretcher corps prepare to carry out a woman who fainted in an area flooded by Tropical Storm Amanda in San Salvador's Modelo neighborhood
"We are experiencing an unprecedented situation: one top-level emergency on top of another serious one," San Salvador mayor Ernesto Muyshondt said, referring to the coronavirus pandemic.
He added that half of those killed died in the capital, and that 4,200 people had sought refuge in government-run shelters after losing their homes or being forced to leave because they were in high-risk areas.
In some flooded areas, soldiers worked alongside emergency personnel to rescue people.
AFP / Yuri CORTEZLandslides and swollen rivers destroyed homes in working-class neighborhoods of El Salvador's capital San Salvador
"We lost everything, we've been left with nowhere to live," said Isidro Gomez, a resident of hard-hit southeastern San Salvador, after a nearby river overflowed and destroyed his home.
Another victim, Mariano Ramos, said that at dawn residents of his San Salvador neighborhood were slammed by an avalanche of mud and water. An elderly man died in the area, officials said.
 
AFP / MARVIN RECINOSFlooding was especially intense in the Santa Lucia neighborhood of Ilopango, El Salvador, where the roof of a vehicle is barely visible in the flood water
El Salvador's environment ministry warned residents of the "high probability" of multiple landslides that could damage buildings and injure or kill people.
Nearly 90 percent of El Salvador's 6.6 million people are considered vulnerable to flooding and landslides due to its geography.
In neighboring Guatemala, officials said roads had been blocked by at least five landslides and some flooding was reported, but no evacuations were underway.
Even though Amanda weakened to tropical depression status, Guatemalan officials warned that heavy rain would continue, with swollen rivers and possible "landslides affecting highways ... and flooding in coastal areas."