Saturday, July 17, 2021

Environmental concerns grow as space tourism lifts off

Issued on: 18/07/2021 - 
Virgin Galactic's SpaceShipTwo uses a type of synthetic rubber as fuel and burns it in nitrous oxide, a powerful greenhouse gas Patrick T. FALLON AFP/File

Washington (AFP)

After years of waiting, Richard Branson's journey to space this month on a Virgin Galactic vessel was supposed to be a triumphant homecoming. Instead, the jaunt attracted significant criticism -- about its carbon footprint.

With Jeff Bezos set to launch on a Blue Origin rocket on July 20, and Elon Musk's SpaceX planning an all-civilian orbital mission in September, the nascent space tourism industry finds itself facing tough questions about its environmental impact.

Right now, rocket launches as a whole don't happen often enough to pollute significantly.


"The carbon dioxide emissions are totally negligible compared to other human activities or even commercial aviation," NASA's chief climate advisor Gavin Schmidt told AFP.

But some scientists are worried about the potential for longer term harm as the industry is poised for major growth, particularly impacts to the ozone layer in the still poorly understood upper atmosphere.

Virgin Galactic, which came under fire in op-eds on CNN and Forbes, as well as on social media, for sending its billionaire founder to space for a few minutes in a fossil fuel-guzzling spaceship, says its carbon emissions are about equivalent to a business-class ticket from London to New York.

The company "has already taken steps to offset the carbon emissions from its test flights and is examining opportunities to offset the carbon emissions for future customer flights, and reduce our supply chain's carbon footprint," it said in a statement to AFP.

But while transatlantic flights carry hundreds of people, Virgin's emissions work out to around 4.5 tonnes per passenger in a six passenger flight, according to an analysis published by French astrophysicist Roland Lehoucq and colleagues in The Conversation.

That's roughly equivalent to driving a typical car around the Earth, and more than twice the individual annual carbon budget recommended to meet the objectives of the Paris climate accord.

"The issue here is really one of disproportionate impacts," Darin Toohey, an atmospheric scientist at the University of Colorado, Boulder told AFP.

"I actually grew up on the space program and that got me into science.... but if someone offered me a free ride, I would be very nervous taking it because I would know that my own footprint is way larger than it should be," he said.

- Cleaner fuels possible -

Virgin Galactic's SpaceShipTwo uses a type of synthetic rubber as fuel and burns it in nitrous oxide, a powerful greenhouse gas.

The fuel pumps black carbon into upper stratosphere, 30-50 kilometers (18 to 30 miles) high.

Once there, these particles can have multiple impacts, from reflecting sunlight and causing a nuclear winter effect, to accelerating chemical reactions that deplete the ozone layer, which is vital to protecting people from harmful radiation.

"We could be at a dangerous point," said Toohey, who wants more scientific investigations into these effects before the launches become more frequent.

Virgin has said it wants to conduct 400 flights a year.

Compared to Virgin Galactic's SpaceShipTwo spaceplanes, Blue Origin's are much cleaner, according to a recent paper by scientist Martin Ross of Aerospace, which Bezos' company plugged on Twitter.

That's because it burns liquid hydrogen and liquid oxygen, which combusts as water vapor.

Ross' paper found Blue Origin's vertical launch reusable rocket causes a hundred times less ozone loss and 750 times less climate forcing magnitude than Virgin's, according to ballpark calculations.

But that doesn't mean it's totally clean.

"It takes electricity to make liquid oxygen and liquid hydrogen," Ross told AFP.

"You could go back and calculate how much electricity was used to make the propellant," he said. "It depends how far back in the supply chain you look."

- Space shaming? -

The impact of suborbital launches such as those by Virgin and Blue Origin pale in comparison to the impact of rockets that achieve orbit.

When SpaceX puts four private citizens into space in September, it will use its Falcon 9 rocket, which calculations show puts out the equivalent of 395 transatlantic flights-worth of carbon emissions.

"We are living in the era of climate change and starting an activity that increases emissions as part of a tourism activity is not good timing," Annette Toivonen, author of the book "Sustainable Space Tourism," told AFP.

The world is far more aware of the climate crisis now than when these companies were founded in the early 2000s and that could encourage businesses to look at ways to minimize pollution through cleaner technologies to get ahead of the problem.

"Who would want to be a space tourist if you can't tell people you were a space tourist?" argued Toivonen, who lectures at Finland's Haaga-Helia University of Applied Sciences.

© 2021 AFP
Deal! Sports trading cards boom in pandemic-era US

Issued on: 18/07/2021
Traders try to strike deals on sports cards at Bleecker Trading in New York on July 06, 2021 Kena Betancur AFP


New York (AFP)

Inside an unassuming store in New York's Greenwich Village, around a dozen men unlock black briefcases, remove sports cards and begin to trade them -- a growing hobby and industry that has boomed during the pandemic.

Excitement is high after a San Francisco-based investment fund announced earlier that day that it had bought a card of Golden State Warriors' basketball star Stephen Curry for $5.9 million, setting a new record.

Michael Campobasso, a 38-year-old jewelry dealer, hopes that sale will spur interest in his highly graded card of Curry from the three-time NBA champion's rookie 2009-10 season.


"After that card this is probably one of his more coveted cards. I'd sell it for $80,000," says Campobasso, who paid $25,000 for it last year.#photo1

The sports trading card industry has been growing for several years but coronavirus lockdowns reinvigorated hobbyists and attracted new ones, with investors helping to send prices skyrocketing.

"It's had a massive impact," Jacob Salter, product manager at Bleecker Trading which hosted the trade night in New York, said of the pandemic.

"People were home, they were bored, cooped up in their house, reliving their childhood. They started buying sports cards," added the 25-year-old.

The early days of lockdown coincided with the release in April 2020 of hit Netflix series "The Last Dance," about Michael Jordan's celebrated Chicago Bulls team of the 1990s.

It sent demand for Jordan memorabilia soaring and contributed towards basketball cards taking center stage in the sports trading card world, which had long been dominated by baseball.

In February this year, a rare Jordan card signed by the six-time NBA champion himself sold for $1.44 million at auction, breaking the previous record for a card of his by $500,000.

A LeBron James rookie card fetched $5.2 million in April.

Basketball cards dominate exchanges at the Bleecker Trading event, where organizer Salter estimates the total value of cards in the room over the course of the night at $20 million.

The authenticity of the cards have all been attested to by grading companies, which rate them on a scale of one to ten, with ten being the highest. Ratings factors include rarity and condition.

All of the cards are encased in see-through plastic "slabs," which the traders proudly display on racks inside hard suitcases that have combination number locks due to their contents' high-value.#photo3

For 28-year-old Vahe Hekimian, collecting sports cards started as a hobby that morphed into his main source of income.

"It's a passion. I love it. But I also sell to keep going," he tells AFP, explaining that sports stars' performances impact the value of their cards.

- 'Assets' -

He once paid $50,000 in a partial cash-trade transaction for rising NBA star Luka Doncic of the Dallas Mavericks who will represent Slovenia at this summer's Olympics.

The most valuable trade of the night exceeds $90,000 and involves multiple cards, including of baseball hotshot Shohei Ohtani and young NFL quarterback Justin Herbert. Those involved want to remain anonymous.#photo4

Campobasso doesn't sell his card of Curry but he does strike a deal worth $11,000.

A 44-year-old collector calling himself Cage Lawyer, who owns a Jordan card worth half a million dollars, says trading cards are now increasingly seen as astute investments.

"People view them as an alternative asset class now, something akin to art and cryptocurrency. People are looking for something to put their money in to hedge against inflation," he explains.

The frenzy is a boon for the growing number of investment groups now trading in sports cards.

Alt, which invests in untraditional assets, estimates that the trading card market is currently worth $15 billion. It splashed out the $5.9 million on the autographed Curry card.

Collectable is another company that engages in fractional ownership where investors buy shares in cards.#photo5

PWCC is a trading card marketplace that holds auctions and runs a secure vault where owners can store their cards.

It expects to do over $500 million in sales this year, roughly three times what it did in 2020, according to business development director Jesse Craig.

"We're very confident that our industry is going to keep growing," he told AFP.

© 2021 AFP
Cuban president denounces unrest as a 'lie'

Issued on: 17/07/2021 -
A woman holds a flag with the image of late Argentinian revolutionary Che Guevara in Havana, on July 17, 2021 YAMIL LAGE AFP


Havana (AFP)

Cuba's President Miguel Diaz-Canel on Saturday denounced what he said was a false narrative over unrest on the Caribbean island, speaking during a rally alongside ex-president Raul Castro and before thousands of supporters in Havana.

"What the world is seeing of Cuba is a lie," Diaz-Canel said.

He decried what he said was the dissemination of "false images" on social networks that "encourage and glorify the outrage and destruction of property."


Diaz-Canel's comments come days after historic demonstrations against the communist government.

On July 11 and 12, thousands of Cubans took to the streets in 40 cities around the island shouting "Freedom," "Down with the dictatorship," and "We're hungry."

One person has died and more than 100 have been arrested, including independent journalists and opposition activists, since the protests broke out over the worst economic crisis in decades.

There is an "overflowing hatred on social networks," the president insisted on Saturday.

Cuba cut off internet access on the island from Sunday for three days after the protests erupted last weekend.

It restored access on Wednesday, but social media and messaging apps such as Facebook, WhatsApp and Twitter remained blocked on 3G and 4G networks.

Social media is the only way Cubans can reach independent news outlets while messaging apps are their main means of communicating among themselves.

US President Joe Biden has said Washington is considering ways to ease internet restrictions, though analysts have warned it could be tricky for technological and political reasons.

- 'Cold calculation' -


Diaz-Canel said the "lie" was not committed "by chance or mistake; all this is the cold calculation of an unconventional-war manual."#photo1

The rallies are the largest since the Cuban revolution of the 1950s and come as the country endures its worst economic crisis in 30 years, with chronic shortages of electricity, food and medicine, just as it records a spike in coronavirus infections.

Havana, under US sanctions since 1962, has blamed the show of discontent on Washington pursuing a "policy of economic suffocation to provoke social unrest."

Biden called Cuba a "failed state" on Thursday and said it is "repressing their citizens." He said the US was prepared to potentially send significant amounts of Covid vaccine to the island. Cuba has also been developing its own vaccines.

"Born to conquer and not to be conquered!" shouted the crowd at the rally, which had gathered at dawn on the Malecon, Havana's famed oceanfront boulevard.

Castro, 90, was drawn out of retirement by the gravity of the protests.

Shortly before the rally began, police arrested a man who shouted "Patria y Vida" ("Homeland and Life"), the title of a protest rap song which has become the anthem of anti-government demonstrators.

The official newspaper Granma said similar rallies were called in other cities including Santiago de Cuba, Bayamo, Camaguey and Santa Clara.

© 2021 AFP
Billionaires in space: Jeff Bezos' Blue Origin touts rocket safety



Blue Origin launches its New Shepard rocket and capsule from the company's launch site in West Texas on January 23, 2019. Photo courtesy of Blue Origin

July 16 (UPI) -- As Jeff Bezos prepares to become the second billionaire to blast into space on his own company's rocket next week, his Blue Origin is touting the safety of its rocket system.

The New Shepard suborbital rocket is scheduled for liftoff at 9 a.m. EDT Tuesday from the company's Corn Ranch launch site 160 miles east of El Paso, Texas -- pending any weather or technical delays.

Blue Origin officials said New Shepard's safety is elevated by an abort method. At any point in the launch process, the capsule is capable of popping off the rocket and flying to a safe landing under its parachutes.

"Blue Origin has been flight-testing the New Shepard rocket and its redundant safety systems since 2012," Gary Lai, senior director of design for New Shepard, said in a video released by the company.

"The program has had 15 successful consecutive test missions, including three successful escape tests, showing the crew escape system can activate safely in any phase of flight," Lai said.

Blue Origin's method not only is safer, but also feels more like a true astronaut experience because it is a rocket with vertical liftoff, compared to Virgin Galactic, whose plane that launched last Sunday takes off on a runway, said John Spencer, a space architect and president of the non-profit Space Tourism Society.

"The Bezos approach is more into the ethos of spaceflight, you might say," Spencer said in an interview. "There's even a gantry tower and a walkway. There's a countdown, a liftoff."

The capsule has "the largest windows to have flown in space," according to a Blue Origins fact sheet.


Bezos' vision to build an infrastructure that will permanently enable space exploration is his ultimate goal, Spencer said.

Bezos has said he chose July 20 for the launch because it is the anniversary of the Apollo 11 moon landing in 1969.

"Like Elon Musk, Bezos' long-term plan from Day 1 one was to inspire people and eventually build orbital rockets and facilities on the moon," Spencer said.

The Blue Origin trip, however, will be over quick, he noted. After reaching space, passengers will experience a few minutes of weightlessness and then return to Earth under parachutes. Most New Shepard flights last about 11 minutes.

British billionaire Richard Branson's Virgin Galactic flights last about 90 minutes. The length of time spent in weightlessness is about the same for both.

Riding with Bezos will be his brother, Mark Bezos, 82-year-old aviator Wally Funk and 18-year-old Oliver Daemen of the Netherlands. They will become the oldest and youngest people to fly in space, respectively, doing so on Blue Origin's first crewed flight.

"I want to go on this flight because it's a thing I wanted to do all my life. It's an adventure. It's a big deal for me. I invited my brother to come ... because we're closest friends," Bezos said in a June video posted on Instagram.

Bezos, who amassed a fortune from e-commerce giant Amazon, which he founded, bought the remote, 165,000 acre Corn Ranch in 2004 to make it a spaceport. Blue Origin has built several launchpads and engine testing stands there.

The historic launch is planned just nine days after Branson flew into space aboard his company's VSS Unity spaceplane, marking the first time the founder of a commercial space company did so.


Blue Origin also made a point on social media that its 59-foot-tall rocket will go at least a dozen miles higher than Branson's vehicle -- to the 62-mile Kármán line that much of the world defines as true outer space.

Space industry analysts will be watching closely to see which the public prefers, said Dallas Kasaboski, senior analyst with Northern Sky Research.

"Going to space will be a once-in-a-lifetime experience for most passengers, so they're going to study the difference between a rocket and a spaceplane," Kasaboski said. "Blue Origin has some advantages, but some may want a more leisurely, longer trip."

The big unknown about Blue Origin is the cost of a ticket under normal operations, Kasaboski said. Regardless, both new space tourism companies have proved there is plenty of demand, he said.

Blue Origin held an auction to sell a seat on the trip, and the winning bid was $28 million. But the bidder, whose name was not released, could not fly because of what was described as a schedule conflict.

Daemen's father, the CEO of a private equity firm, put the teen on the trip when his bid, the second highest, was then selected for Tuesday's launch. The teenager has a pilot's license and plans to major in physics in college.


Bezos says he expects the space experience will be profound.

"To see the Earth from space, it changes you. It changes your relationship with this planet, with humanity. It's one Earth," he said.
Cannabis first domesticated 12,000 years ago: study

Issued on: 17/07/2021 
Cannabis has been used for millennia for textiles (THAT'S HEMP) and for its medicinal and recreational properties Fabrice COFFRINI AFP/File

Geneva (AFP)

Cannabis was first domesticated around 12,000 years ago in China, researchers found, after analysing the genomes of plants from across the world.

The study, published in the journal Science Advances on Friday, said the genomic history of cannabis domestication had been under-studied compared to other crop species, largely due to legal restrictions.

The researchers compiled 110 whole genomes covering the full spectrum of wild-growing feral plants, landraces, historical cultivars, and modern hybrids of plants used for hemp and drug purposes.

The study said it identified "the time and origin of domestication, post-domestication divergence patterns and present-day genetic diversity".

"We show that cannabis sativa was first domesticated in early Neolithic times in East Asia and that all current hemp and drug cultivars diverged from an ancestral gene pool currently represented by feral plants and landraces in China," it said.

Cannabis has been used for millennia for textiles and for its medicinal and recreational properties.

The evolution of the cannabis genome suggests the plant was cultivated for multipurpose use over several millennia.

The current highly-specialised hemp and drug varieties are thought to come from selective cultures initiated about 4,000 years ago, optimised for the production of fibres or cannabinoids.

The selection led to unbranched, tall hemp plants with more fibre in the main stem, and well-branched, short marijuana plants with more flowers, maximising resin production.

- 'New insights' -

The study was led by Luca Fumagalli of the University of Lausanne and involved scientists from Britain, China, India, Pakistan, Qatar and Switzerland.

"Our genomic dating suggests that early domesticated ancestors of hemp and drug types diverged from Basal cannabis", around 12,000 years ago, "indicating that the species had already been domesticated by early Neolithic times", it said.

"Contrary to a widely-accepted view, which associates cannabis with a Central Asian centre of crop domestication, our results are consistent with a single domestication origin of cannabis sativa in East Asia, in line with early archaeological evidence."

It said that some of the wild plants currently found in China represent the closest descendants of the ancestral gene pool from which hemp and marijuana varieties have since derived.#photo1


"East Asia has been shown to be an important ancient hot spot of domestication for several crop species... our results thus add another line of evidence," the study said.

The researchers said their study offered an "unprecedented" base of genomic resources for ongoing molecular breeding and functional research, both in medicine and in agriculture.

The study, they said, also "provides new insights into the domestication and global spread of a plant with divergent structural and biochemical products at a time in which there is a resurgence of interest in its use, reflecting changing social attitudes and corresponding challenges to its legal status in many countries."

© 2021 AFP
Iraq hospital heads abandon posts after fire tragedy

Issued on: 17/07/2021
Fire engulfs the Covid isolation unit of Al-Hussein hospital in the southern Iraqi city of Nasiriyah Asaad NIAZI AFP


Nasiriyah (Iraq) (AFP)

Several hospital administrators in a southern Iraqi province have abandoned their posts, local authorities said Saturday, after arrest warrants were issued for senior staff following a deadly hospital fire in the city of Nasiriyah.

Saad al-Majid, health director of the southern governorate of Dhi Qar, told AFP that management teams of five hospitals had quit as "they're unwilling to assume responsibility" over any possible repeat of the tragedy.

At least 60 people were killed in the blaze late Monday at a temporary facility for Covid-19 patients at Nasiriyah's Al-Hussein Hospital in Dhi Qar fuelled by oxygen canisters exploding.

It was the second such tragedy in Iraq in three months.


In April, a fire at a Covid hospital in Baghdad -- also sparked by exploding oxygen cylinders -- killed 82 people, prompting the country's health minister to resign.

Local journalist Adnan Toame said the resignations among senior hospital staff at a time of public outrage were "embarrassing".

"They are shirking their responsibilities when they should instead be redoubling efforts to face up to this crisis," he said.

"This is a clear sign of the collapse of the health system in the governorate," chimed in Nasiriyah activist and journalist Adnan Dhafar.

On Saturday, a small fire broke out at Al-Haboubi hospital in Nasiriyah but it was quickly put out by fire crews, with no fatalities recorded.

Iraq -- whose oil-dependent economy is still recovering from decades of war and international sanctions -- has recorded more than 1.4 million coronavirus cases, including over 17,000 deaths.

Much of its health infrastructure is dilapidated, and investment in public services has been hamstrung by endemic corruption.

© 2021 AFP
DO I DETECT A THEME HERE
Gore queen Julia Ducournau wins Cannes top prize


Issued on: 17/07/2021 - 
Ducournau has a passion for all aspects of the human body
 Valery HACHE AFP


Cannes (France) (AFP)

French film director Julia Ducournau, who on Saturday won the Cannes festival's top prize for "Titane", developed a taste for skin-crawling bodily transformations early on in life thanks to her parents, both doctors.

Exploding into the spotlight at just 34 with her debut feature film "Raw", Ducournau quickly established herself as a singular and audacious filmmaker.

The coming-of-age tale with a gory twist, featuring a teenage vegetarian who finds she likes human flesh and blood, brought critics close to fainting when it was shown at the 2016 Cannes festival.


The impact of "Titane", about a young woman who has sex with cars and kills without a care, was much the same, with critics shielding their eyes during several scenes.

Getting a horror film short-listed for the top prize at Cannes was in itself a success, she told AFP during the first week of the festival.

"I've always wanted to bring genre cinema or outlandish films to mainstream festivals so this part of French movie production would stop being ostracised," she said.

"People need to understand that genre cinema is a way to talk about individual people and about our deepest fears and desires in a profound, raw and direct way."

The polished appearance of Ducournau, now 39, appears in stark contrast to the messy array of gore seen in her films.#photo1

The Paris-born daughter of a dermatologist father and a gynaecologist mother, both film lovers, suggests her fascination with some of the most disturbing aspects of the human body has deep roots.

"Even as a little girl, I would hear my parents talk about medical topics without taboo. That was their job. I liked to stick my nose in their books," she said while promoting "Raw".

Ducournau was visibly pleased at Cannes's "Titane" news conference when a critic compared her film to David Cronenberg's "Crash" and David Lynch's "Blue Velvet".

She also cites Brian de Palma, Pier Paolo Pasolini and Na Hong-jin as influences.

When she was only six, she watched "The Texas Chainsaw Massacre" in secret and, growing up, devoured the chilling gothic stories of Edgar Allan Poe.

Ducournau was a brilliant student, earning a double degree for French literature and English before studying script-writing at the prestigious Femis film school in Paris.

Her 2011 short film "Junior", shortlisted for the Cannes festival's critics' prize, already showed a liking for physical transformation.

"Genre cinema is an obvious choice for me, in order to talk about the human body. The human body that changes and that opens up," she told Telerama magazine.

Caleb Landry Jones, best actor at Cannes for playing mass killer

Issued on: 17/07/2021
Mothball-blue stare: US actor Caleb Landry Jones at Cannes 
CHRISTOPHE SIMON AFP

Cannes (France) (AFP)

"You can be too good at your job," joked Caleb Landry Jones, who has fast developed a reputation for playing creepy characters.

The Texan farm boy with an avant-garde heart won best actor at Cannes on Saturday, and at just 31 is already seen as one of the most interesting and unusual actors in Hollywood.

"I can't do this, I am going to throw up," a clearly shaken Landry Jones said as he accepted the prize.

Unafraid to take on roles like that of Australian mass murderer Martin Bryant in "Nitram" -- which had rave reviews at Cannes -- his career has stretched from the "X-Men" to the mould-breaking horror flick "Get Out".

In that movie poking fun at liberal white America's racism he played the scary lacrosse-stick wielding brother.

He also turned up in indie gems at the Oscars like "The Florida Project" and "Three Billboards Outside Ebbing, Missouri", acting as the catalyst for chaos.

- Run of good ol' boys -

In fact, Landry Jones has done such a run of racist good ol' boys, it was a shock to see him as Orphan Annie in gay drama "Stonewall".

"It's all about trusting the director, writer and the material," he told AFP, resplendent in a tangerine orange flared suit and tie in the style of 1970s Miami pimps.

Even his screen debut at 13 as a boy on a bike in the Coen brothers' "No Country for Old Men" was freaky -- "Mister, you got a bone sticking out of your arm."#photo1

His intense screen presence and what "Nitram" director Justin Kurzel calls his penchant for "completely inhabiting his characters, really living in them" also sets him apart.

He spent three months trying to get under Bryant's skin, a deeply disturbed young man who killed 35 people at Port Arthur in Tasmania in 1996.

Many critics were sceptical of another movie about a mass shooter, particularlyas many in Australia were appalled by the idea of glorifying Bryant.

But they were blown away by the intimate family drama about mental illness that exploded into the headlines.

Kurzel also stops the story in the seconds before Bryant starts shooting at the former convict colony.

- Mothball-blue stare -

Yet with his mothball-blue stare, and irises that seem to leak into the rest of his eyes, Landry Jones can sometimes come over as both distant and strange.

On the Cannes red carpet he pulled a few expressions for the cameras that seemed at odds with the sombre mood of the rest of the movie's team.#photo2

But the musician-turned-actor seems to embrace his own eccentricity and sense of difference.

"I've always been really into the extreme," he said of his passion for music. "My highs are very high and my lows are very low."

And he told AFP he doesn't ever let thoughts like "'Oh no, that is going to get me in trouble" stop him in his tracks.

- Sensitive portrayal -


With the memory of the Port Arthur massacre still raw, he said "it was very evident that people were going to be angry.

"Some people probably pegged the film to be a certain kind of movie... but it is a very sensitive piece and very respectfully made."

Being Texan helped with his role: "The film is in many ways about the Australian male. I found a lot of similarities with Texas. So I knew what that was."

Months of prep and Kurzel's notes were also invaluable.

"I really worked on the dialect for two months in Texas. But I arrived a month before we began shooting and if it wasn't for that I think I would have failed miserably."

"Some brutal feedback" from ordinary Aussies about his accent hit home.

For some time Landry Jones suffered the ultimate indignity of "apparently sounding like a Kiwi, a New Zealander," he laughed.

Kurzel also steered him to material "I have never gotten from a director before", including total immersion in 1990s Australian TV, including "Neighbours", the soap that launched Kylie Minogue on the world.

© 2021 AFP


CANNES 2021

In late surprise, Cannes screens powerful tribute to Hong Kong democracy protests


Issued on: 16/07/2021 - 
A still from Kiwi Chow's "The Revolution of Our Time", which screened at the Cannes Film Festival on Friday. © Courtesy of Cannes Film Festival

Text by: Benjamin DODMAN


In a last-minute addition to its line-up, the Cannes Film Festival has given a world premiere to Kiwi Chow’s “Revolution of Our Times”, a defiant chronicle of Hong Kong’s 2019 pro-democracy protests, taking a diplomatic gamble on a sensitive topic that could provoke China’s ire.
ADVERTISING


After ten days of blazing sunshine, the rain descended on the Cannes Film Festival on Friday – a tribute, no doubt, to the defiant protesters who fashioned a global symbol of freedom out of an unlikely item: the umbrella.

The humble brolly has been an emblem of Hong Kong’s pro-democracy protests since 2014, first as a means of expression and then as a shield against police cameras, pepper spray, gas canisters and rubber bullets. But even the sturdiest umbrella cannot protect the protagonists of Kiwi Chow’s shocking documentary “Revolution of Our Times”, which chronicles the massive street protests that gripped Hong Kong in 2019 and their brutal suppression by police.

Protesters use an umbrella as a shield during the turmoil in Hong Kong in September 2019. © Mehdi Chebil

The secretive, last-minute inclusion of Chow’s film – announced only as a “surprise documentary” in an email to the press on Thursday – had aroused plenty of curiosity, as well as speculation that Cannes might be heading for a showdown with China’s criticism-averse authorities. As it turns out, fears of a fallout with Beijing are entirely justified: “Revolution of Our Times” is a powerful tribute to the courage and resilience of Hongkongers battling for their freedom, and an uncompromising critique of Chinese threats to the city’s semi-autonomous status.

“We’re not playing a game with this surprise screening,” festival director Thierry Frémaux told the audience ahead of the film’s premiere, perhaps hoping to defuse a potential diplomatic spat. Frémaux said the documentary had reached Cannes at the 11th hour, adding: “We saw it, we loved it, and in accordance with Cannes’ long tradition of showing films about what’s happening in the world, we decided it was important to screen it.”

The film chronicles the turmoil that shook the former British colony between June and November 2019, starting with the authorities’ attempts to introduce an extradition bill with mainland China that effectively hollowed out the “one country-two systems” principle agreed upon by London and Beijing. It then charts the protest movement’s gradual shift from civil to uncivil disobedience, culminating in the bloody 12-day siege of the city’s Polytechnic University that sanctioned the protesters’ defeat.

Chow has amassed extensive footage of the marches and the protesters’ pitched battles with police, much of it chillingly graphic. His film also features a wealth of interviews with ordinary citizens involved in the movement, their voices altered and their faces hidden by masks or blurred in post-production. The film states that it was “made by Hongkongers” and that most people involved use pseudonyms in the credits. Endnotes stress that several people in the film are now in exile or in jail.

Protesters wear gas masks, helmets and other protective gear at a Hong Kong protest in September 2019. © Mehdi Chebil

“Over the past fifty years, Hongkongers have fought for freedom and democracy but have yet to succeed,” reads the film’s synopsis, published on the festival’s website. “In 2019, the Extradition Bill to China opened Pandora’s box, turning Hong Kong into a battlefield against the Chinese authoritarian rule.”

That Hongkongers broadly support the protests is immediately obvious from images of a monster demonstration bringing two million people – almost a third of the total population – to the city’s streets. But the film’s focus is really on the so-called “Valiant”, the overwhelmingly youthful, black-clad protesters who believe that attacking is the best defence. “Be water” is their motto, constantly changing shape and flow, and the film is perhaps most absorbing in its portrayal of their fluctuating tactics (some inspired by video games).

A visceral experience, “Revolution of Our Times” brings to the fore the texture of protest: the energizing kick of revolutionary action, the bonds of comradeship, the pain from pepper spray and rubber bullets, the agony of parents who cannot reach their children, and the anguish of girls whose menstrual blood runs black from inhaling too much tear gas. It also documents the dismay of Hongkongers at the rapid escalation of violence in a city unaccustomed to this level of brutality (French viewers might argue that the police clampdown was, in its early stages, less brutal than the roughly simultaneous crackdown on Yellow Vest protesters in France).

“Do you even realise your police force is out of control?” a human rights activist asks stoned-faced officials at a police briefing as bloodcurdling footage of an officer shooting an 18-year-old in the chest at point-blank range goes viral. While youths drive the protests, older generations look on aghast as their cherished city-state is altered beyond recognition. “In such a civilised place, how can the governance be so barbaric?” asks one veteran campaigner, appalled by the police’s growing violence.

Chow makes little attempt to give the police’s perspective; his film is very clear as to which side we should all be rooting for. It is both a tribute to the bravery and extraordinary resilience of youths in the face of brutal repression, and a plea for help. As one activist puts it, “Hong Kong is the frontier of the free world against totalitarian systems.”

Riot police fire tear gas at protesters in Hong Kong in September 2019. © Mehdi Chebil

The director expressed his gratitude to the Cannes Film Festival for screening his documentary. In an emailed statement, Chow wrote: “It is our honor to have the World Premiere of ‘Revolution of Our Times’, a film documenting the struggle of Hongkongers, at Cannes; and receive great attention. Hong Kong has been losing far more than anyone has expected, this good news will be a comfort to many Hongkongers who live in fear; it also shows that whoever fights for justice and freedom around the world, ARE with us! And Hongkongers are staying strong!”

It is safe to assume that Chow’s film will not enjoy an official screening in Hong Kong. Under a controversial National Security Law imposed by Beijing in 2020, the director and others involved in the film could even face arrest and prosecution.

As for Cannes organisers, they will now surely be waiting nervously for reactions from the Chinese government, which has moved swiftly in the past to punish instances of support for Hong Kong’s pro-democracy camp. Beijing’s decision earlier this year to block all broadcasts of the 2021 Oscars ceremony has been widely interpreted as punishment for the nomination of the Hong Kong protest film “Do Not Split” in the best short documentary category.
The Olympic ban on Afro swim caps - and the backlash it has received - is a huge lesson for business leaders

insider@insider.com (Marguerite Ward)
© Luke Hutson Flynn The Soul Cap, which fits over Afros and thick hair, was banned by the international swimming federation. British Olympic swimmer Alice Dearing is a brand partner with Soul Cap. Luke Hutson Flynn

Soul Cap tried to have its swim caps - which fit over Afros - approved for the 2021 summer Olympics.

The governing Olympic body rejected the request, saying it didn't conform to the "natural" head.

Fortune 500 consultants explain why the decision is a teachable moment for other leaders.


Maritza McClendon, the first Black woman to make a US Olympic swim team and a 2004 Olympic silver medalist, vividly remembers the sound of her white teammates in high school and college laughing as she struggled to fit her thick, curly hair into her swim cap.

She'd laugh along with them, but inside, she had an awful, sinking feeling. It was one of many microaggressions she endured over the years.

To be Black and a swimmer, she said, is difficult. And a new ruling by the International Swimming Federation, or FINA, makes it even more difficult.

A company called Soul Cap recently tried to have its swim caps - which fit over Afros, locs, extensions, and thick hair - approved for the 2021 summer Tokyo Olympics. FINA rejected the product, saying the caps didn't follow "the natural form of the head." Following swift backlash, FINA is revisiting the ban.

In response to a request for comment, FINA pointed to its latest press release on the matter, which said the federation understood the "importance of inclusivity and representation," and that it would be revisiting the decision at an undisclosed date. As of this writing, no formal announcement has been made.

"It's just really disappointing," McClendon said. "The Olympics is the C-suite of sports. What kind of message does this send? It excludes the diversity the sport so desperately needs."

In addition to calling the ban "ridiculous" and "racist," consultants who work with Fortune 500 companies on issues of diversity said FINA's decision is a learning moment not only for Olympic leaders but also for business leaders.

Corporate America has been engulfed in a racial reckoning ever since George Floyd's murder in May 2020, and many experts said FINA's swim-cap ban highlights a problematic status quo. Decision-makers must not only welcome opportunities to be inclusive, these experts told Insider, but also question whom these standards of dress and behavior are serving.

"When we talk about something like the Afro cap not conforming to the 'natural shape of the head' - Well, the natural shape of whose head exactly?" said Tiffany Jana, the founder of the diversity, equity, and inclusion consulting firm TMI who works with Fortune 500 companies.

A lesson for all leaders

© Cat Harper Maritza McClendon, a 2004 Olympic silver medalist and the first Black woman to make a US Olympic swim team, said the ban excluded diversity that the sport "so desperately needs." Cat Harper

The backlash against FINA has been swift.

Soul Cap has spoken out against the ruling, saying it discourages many younger athletes from underrepresented backgrounds from pursuing the sport. And an online petition for FINA to remove the ban has garnered more than 59,000 signatures.

That FINA snubbed the opportunity to be more inclusive is a lesson for business leaders, said Jana, the author of "Subtle Acts of Exclusion."

Jana, who is nonbinary, called the decision "utterly ridiculous" and "a demonstration of white supremacy." "What is being stated is that the white standard is normal, that it is best, and that it is what's acceptable."

Some writers have said that FINA's language is reminiscent of phrenology, a pseudoscience from the 1800s involving the measurement of bumps on the skull to predict mental traits. It was used to argue that nonwhite people were inferior because of the shapes of their heads.

Jana said the decision showed a lack of historical and emotional awareness and "overall intelligence." Kerryn Agyekum, a DEI principal at the consultancy The Raben Group, agreed. Both said it's no longer OK for leaders to not be aware of how racism has influenced their sector, field, or even company or sport.
Stop policing Black and other nonwhite bodies

There's a parallel to draw between the ban on the Afro swim cap and the ban, in many professional spaces, of braids, locs, and other ways Black people care for their hair.

Both bans, DEI experts said, are knowingly or unknowingly racist.

"It's just another expression of how different people, their needs, their expressions, their well-being, and their way of being are not taken into consideration, honored, or privileged," Jana said.

Oftentimes, the "standard" or "professional" way of doing things - whether in sports or the office - is how white, able-bodied, cisgender, heterosexual people have existed, Agyekum said. The US Army has gone through a reckoning regarding what hairstyles are and aren't permitted, with new guidelines released this year that allow styles such as cornrows, braids, and ponytails.

The CROWN Act, a bill that prevents workplace discrimination based on one's hair texture or style, has passed in 11 states, including New York and California. Still, there is no law preventing such discrimination on the national level.

But business leaders shouldn't wait for the CROWN Act. They should question the status quo, Jana said, and stop policing Black and other nonwhite bodies, or making it harder for them to exist in work spaces.

For example, leaders should reexamine workplace rules around presentation, adjust healthcare policies to include trans and nonbinary people, and make sure their offices are accessible to differently abled people.

"Historically, there was a lack of the ability for Black people to actually swim in pools that were for whites only. Now you have this generation of people who don't know how to swim for that reason. In the present day, now hair becomes the issue," Agyekum said. "It's about exclusion."

Workplace culture and sports culture can change, Jana said, but only if leaders are willing to put in the work. Take, for example, how women have made gains in the professional world. Many companies now have lactation rooms, offer free menstruation products such as pads, and offer paid parental leave.

"This only happened after we stopped and took a hard pause," Jana said.
Embrace mistakes to usher in progress

No leader or organization will always get things right, especially when it comes to diversity, equity, and inclusion. But it's what leaders do after they make a mistake that defines what they stand for, DEI consultants said.

"You don't get from institutionalized slavery and racism to any kind of international, global utopia without tripping, without learning," Jana said. "What I'm interested in now is what FINA does next."

In order for FINA to be an anti-racist organization, Jana said, its committee should not only withdraw the ban but also issue an apology and commit to a full review of its practices.

"Show me you're doing the work," Jana said.

Read the original article on Business Insider
'Hockey Night in Canada' theme song composer Dolores Claman dead at 94

SHE WAS PRECEDED BY CBC HOCKEY NIGHT IN CANADA

© Provided by The Canadian Press

TORONTO — Dolores Claman, the woman behind the catchy tune that used to introduce CBC's "Hockey Night in Canada" broadcasts, has died at 94.

Claman's daughter Madeleine Morris said Saturday that her mother died in Spain this week, about two years after she was diagnosed with dementia.

"She was a good, ripe old age, and she had an incredible life," Morris told The Canadian Press. "I'm teary from time to time, but mostly I'm thankful she's in peace."

Claman was born in Vancouver, grew up with an opera singer for a mother and studied at the University of Southern California, before being accepted to the Juilliard School in New York to train as a performing concert pianist, said Morris.

By the time she graduated, Claman decided she would rather be a composer and had developed a love of jazz, Morris recalled.

After graduating and the end of Second World War, her mother moved to England and met and married Richard Morris.

They later moved to Toronto and co-wrote thousands of jingles, including "A Place To Stand" with its popular "Ontari-ari-ari-o" lyric for the 1967 Expo.

Claman was working for Maclaren Advertising in 1968 when she was hired to write the theme song that opened CBC's "Hockey Night in Canada" broadcasts.

She never expected the song, often called Canada's second anthem, to become as successful as it did and said it wasn't until at least 10 years after the tune's debut that she really realized its popularity.

"Some of my son’s friends at school thought I was amazing. They came to the door to see me. And it became more and more popular," Claman told The Canadian Press in 2016.

"I wanted my name on it because I was watching hockey and at the end they say 'lighting by' and 'best boy.' I phoned CBC and wrote to somebody (there). They wouldn’t give it to me. They saw no reason why."

She eventually negotiated the credit before licensing rights for the beloved track were sold to CTV in 2008, when Claman and the music agency representing her were unable to negotiate a deal with CBC’s sports division.

Claman was always pleased with the song, but the attention it got seemed to surprise her, Morris said.

"She was pretty stunned when people started making a really big fuss about it," Morris said.

"I remember watching her listen to a recording of it way later in life... She was analyzing it and she said, 'I am really proud of that. It was good, it was good for what it should have been.' "

The song landed her a spot in the Hockey Hall of Fame in 2010.

Morris remembers her mom always having a deep love of music and said she'd often analyze and comment on chord progressions or other elements of songs.

She also said her mother was a "strong feminist" and said sexism in the advertising business never seemed to faze her.

"I just did what I do. The mostly men (who) worked with me were very nice," Claman said in 2016, when discussing how she was one of few women in her industry.

"Rarely did I have any problems with them not wanting to work with a woman — well yeah, a couple of times, but that’s fair enough. I was lucky that I didn’t worry about it at the time."

But Morris did recall at least one incident, when Claman went out for dinner decades ago with a client in Toronto. The restaurant refused to serve Claman because women were supposed to wear skirts and dresses. She was wearing an emerald green top and bell bottoms.

"She just stood there...in front of the maître d' and the whole table and just unzipped her pants and took them off," said Morris.

The family will scatter her ashes at the park and in the Mediterranean because Morris said her mother loved travelling and admired the gardens in the U.K.'s Regent's Park.

— with files from David Friend in Toronto

This report by The Canadian Press was first published July 17, 2021.

Tara Deschamps, The Canadian Press