Monday, May 11, 2020

UPDATED
RIP THE QUEEN OF ROCK N ROLL LITTLE RICHARD
A-lop-bam-boom: Little Richard’s saucy style underpins today’s hits




May 10, 2020 

Little Richard was washing dishes at a Greyhound bus station in Macon, Georgia when he wrote Tutti Frutti, Good Golly Miss Molly and Long Tall Sally. The singer, who died Saturday at 87, sent the songs as demos to Specialty Records.

Soon he was having lunch with talent scout Robert “Bumps” Blackwell at a New Orleans nightclub, leaping onto the piano and belting out:

Tutti Frutti, good booty

if it don’t fit, don’t force it

you can grease it, take it easy

tutti frutti, good booty.

Watching the flamboyant performer sing about the pleasures of anal sex, Blackwell knew he had a hit.

The recorded lyrics were toned down for the conservative 1950s, but Little Richard’s wild whoops and falsetto screeches infused the song with the saucy spirit of the original.
Long Tall Sally then Tutti Frutti from the film Don’t Knock The Rock.
Preaching as Princess Lavonne

Born Richard Wayne Penniman and nicknamed for his smallness as a child, Little Richard was one of 12 children. He developed his charismatic singing, piano and performance styles playing in black and Pentecostal churches.

He was thrown out of home at age 13 by his father who didn’t like his loudness, in music or dress – a clear rejection of his queerness. As a teenager Little Richard performed in minstrel shows across the American South as the drag queen Princess Lavonne.

He brought his charismatic style and drag persona into his showmanship as Little Richard, with a camp style that enabled him to call himself the “king and queen of the blues”.

Historian Marybeth Hamilton argues Little Richard came out “of a black gay world and a tradition of black drag performance that formed an integral part of the culture of rhythm and blues”. Even when young audiences didn’t understand his lyrics, he “made the drag queen’s sly ironies part of every white teenager’s soundtrack”.

He described his songs as ballads that covered a range of experiences. The term “molly” in Good Golly Miss Molly referred to a male sex worker. Long Tall Sally was about a drunk woman Richard used to see as a child. Lucille was about a female impersonator.
Lucille in 1957.

Threatening the status quo

Little Richard confronted audiences with his suggestive lyrics and sexually charged sound, his gender bending falsetto, high hair and makeup, and his blackness.

Journalist Jeff Greenfield recalled his parents’ horror when he picked up the 1957 debut record Here’s Little Richard.

On a yellow background, a tight shot of a Negro face bathed in sweat, the beads of perspiration clearly visible, mouth wide open in a rictus of sexual joy, hair flowing endlessly from the head.

In conservative, racially segregated, 1950s America, when interracial marriage was illegal, and homosexuality was a crime, Little Richard’s popularity embodied the perceived dangers of the new generation’s music. There was particular concern that young people would be influenced into alternative lifestyles including via mixing across lines of race and class at dance halls.

To counter the perceived threat he posed to conservative white America, Richard worked to present himself as so outré, so out there – dressing as the pope and the Queen at different performances – as to present no menace. 
Little Richard’s 1957 debut album. Wikipedia/Speciality

After he had a religious epiphany during his Australian tour, he took a break from music, returning in the 1960s. This was the first of many times he quit rock ‘n’ roll for God.

Despite having once described himself as gay and “omnisexual”, in the final years of his life Richard called gay and trans identities “unnatural”, a position that hurt some of his queer fans.

Generations

Little Richard’s urgent, intense delivery, the drama of his falsetto, his exuberant costuming and moves, his howling wildness, influenced generations of musicians and public figures including Muhammad Ali.

Artists who owe enormous debts to his influence include Tina Turner, Bob Dylan, The Beatles, Rolling Stones, Bob Dylan, Otis Reading, Jimi Hendrix, James Brown, Patti Smith, Led Zeppelin, Elton John, Prince and Bruce Springsteen. Following news of his death, artists from Bob Dylan to Paul McCartney to Janelle Monáe posted tributes on social media.


In 1991, as part of the campaign to get Little Richard recognised with a Grammy award, David Bowie said, “without him, I think myself and half of my contemporaries wouldn’t be playing music”.

For younger generations, his name might not be as recognisable as those of his peers like Elvis Presley. This is in part likely the result of Richard’s own ambivalent relationship with rock ’n’ roll. But it’s also the result of the combined impact of racism, homophobia, and respectability politics. For some (including himself) he was at various times, too queer, too black, too feminine, too close to the devil.

And yet his gift lay, through music, in transmuting this otherness into a transcendent, shared permission to be free.

As one 1970 reviewer described his stage performance, Little Richard was “mesmerizing because he hits the cosmic mainline, a source of radiant energy that has the power to dissolve the ghosts of identity”.

As Little Richard sang it: “A-wop-bop-a-loo-bop-a-lop-bam-boom”.


Author
Lecturer in the Sociology of Gender and Program Director of Gender Studies, Macquarie University AU 
Little Richard, flamboyant rock ‘n’ roll pioneer, dead at 87

By KRISTIN M. HALL


1 of 9
FILE - In this July 22, 2001 file photo, Little Richard performs at the 93rd birthday and 88th year in show business gala celebration for Milton Berle, in Beverly Hills, Calif. Little Richard, the self-proclaimed “architect of rock ‘n’ roll” whose piercing wail, pounding piano and towering pompadour irrevocably altered popular music while introducing black R&B to white America, has died Saturday, May 9, 2020. (AP Photo/John Hayes, File)

LITTLE RICHARD GREATEST HITS PLAYLIST YOU TUBE
https://www.youtube.com/playlist?list=PLbqlYXEyLVwbdvLteIci7Ot3oZnjnLeds


NASHVILLE, Tenn. (AP) — Little Richard, one of the chief architects of rock ‘n’ roll whose piercing wail, pounding piano and towering pompadour irrevocably altered popular music while introducing black R&B to white America, died Saturday after battling bone cancer. He was 87.


Pastor Bill Minson, a close friend of Little Richard’s, told The Associated Press that Little Richard died Saturday morning. His son, Danny Jones Penniman, also confirmed his father’s death, which was first reported by Rolling Stone.


Bill Sobel, Little Richard’s attorney for more than three decades, told the AP in an email that the musician died of bone cancer at a family home in Tullahoma, Tennessee.


“He was not only an iconic and legendary musician, but he was also a kind, empathetic, and insightful human being,” Sobel said.


Born Richard Penniman, Little Richard was one of rock ‘n’ roll’s founding fathers who helped shatter the color line on the music charts, joining Chuck Berry and Fats Domino in bringing what was once called “race music” into the mainstream. Richard’s hyperkinetic piano playing, coupled with his howling vocals and hairdo, made him an implausible sensation — a gay, black man celebrated across America during the buttoned-down Eisenhower era.



He sold more than 30 million records worldwide, and his influence on other musicians was equally staggering, from the Beatles and Otis Redding to Creedence Clearwater Revival and David Bowie. In his personal life, he wavered between raunch and religion, alternately embracing the Good Book and outrageous behavior and looks - mascara-lined eyes, pencil-thin mustache and glittery suits.


“Little Richard? That’s rock ‘n’ roll,” Neil Young, who heard Richard’s riffs on the radio in Canada, told biographer Jimmy McDonough. “Little Richard was great on every record.”


It was 1956 when his classic “Tutti Frutti” landed like a hand grenade in the Top 40, exploding from radios and off turntables across the country. It was highlighted by Richard’s memorable call of “wop-bop-a-loo-bop-a-lop-bam-boom.”


A string of hits followed, providing the foundation of rock music: “Lucille,” “Keep A Knockin’,” “Long Tall Sally,” “Good Golly Miss Molly.” More than 40 years after the latter charted, Bruce Springsteen was still performing “Good Golly Miss Molly” live.


The Beatles’ Paul McCartney imitated Richard’s signature yelps — perhaps most notably in the “Wooooo!” from the hit “She Loves You.” Ex-bandmate John Lennon covered Richard’s “Rip It Up” and “Ready Teddy” on the 1975 “Rock and Roll” album.


When the Rock and Roll Hall of Fame opened in 1986, he was among the charter members with Elvis Presley, Berry, Buddy Holly, Jerry Lee Lewis, Sam Cooke and others.


“It is with a heavy heart that I ask for prayers for the family of my lifelong friend and fellow rocker Little Richard,” said Lewis, 84, in a statement provided by his publicist. “He will live on always in my heart with his amazing talent and his friendship! He was one of a kind and I will miss him dearly. God bless his family and fans.”


Mick Jagger called Little Richard “the biggest inspiration of my early teens” in a social media post Saturday.


“His music still has the same raw electric energy when you play it now as it did when it first shot through the music scene in the mid 50’s,” Jagger wrote. “When we were on tour with him I would watch his moves every night and learn from him how to entertain and involve the audience and he was always so generous with advice to me. He contributed so much to popular music. I will miss you Richard, God bless.”


Few were quicker to acknowledge Little Richard’s seminal role than Richard himself. The flamboyant singer claimed he paved the way for Elvis, provided Mick Jagger with his stage moves and conducted vocal lessons for McCartney.



“I am the architect of rock ‘n’ roll!” Little Richard crowed at the 1988 Grammy Awards as the crowd rose in a standing ovation. “I am the originator!”


Richard Wayne Penniman was born in Macon, Georgia, during the Great Depression, one of 12 children. He was ostracized because he was effeminate and suffered a small deformity: his right leg was shorter than his left.


The family was religious, and Richard sang in local churches with a group called the Tiny Tots. The tug-of-war between his upbringing and rock ‘n’ roll excess tormented Penniman throughout his career.


Penniman was performing with bands by the age of 14, but there were problems at home over his sexual orientation. His father beat the boy and derided him as “half a son.”


Richard left home to join a minstrel show run by a man known as Sugarloaf Sam, occasionally appearing in drag.


In late 1955, Little Richard recorded the bawdy “Tutti Frutti,” with lyrics that were sanitized by a New Orleans songwriter. It went on to sell 1 million records over the next year.


When Little Richard’s hit was banned by many white-owned radio stations, white performers like Pat Boone and Elvis Presley did cover versions that topped the charts.


Little Richard went Hollywood with an appearance in “Don’t Knock the Rock.” But his wild lifestyle remained at odds with his faith, and a conflicted Richard quit the business in 1957 to enroll in a theological school and get married.


Richard remained on the charts when his label released previously recorded material. And he recorded a gospel record, returning to his roots.


A 1962 arrest for a sexual encounter with a man in a bus station restroom led to his divorce and return to performing.


He mounted three tours of England between 1962 and 1964, with the Beatles and the Rolling Stones serving as opening acts. Back in the States, he put together a band that included guitarist Jimi Hendrix — and later fired Hendrix when he was late for a bus.


In 1968, Richard hit Las Vegas and relaunched his career. Within two years, he had another hit single and made the cover of Rolling Stone.


By the mid-1970s, Richard was battling a $1,000-a-day cocaine problem and once again abandoned his musical career. He returned to religion, selling Bibles and renouncing homosexuality. For more than a decade, he vanished.


“If God can save an old homosexual like me, he can save anybody,” Richard said.


But he returned, in 1986, in spectacular fashion. Little Richard was inducted into the Rock and Roll Hall of Fame, and appeared in the movie “Down and Out in Beverly Hills.”


A Little Richard song from the soundtrack, “Great Gosh A’Mighty,” even put him back on the charts for the first time in more than 15 years. Little Richard was back to stay, enjoying another dose of celebrity that he fully embraced.


Macon, Georgia, named a street after its favorite son. And Little Richard was given a star on the Hollywood Walk of Fame. In August 2002, he announced his retirement from live performing. But he continued to appear frequently on television, including a humorous appearance on a 2006 commercial for GEICO insurance.


Richard had hip surgery in November 2009 at Vanderbilt University Medical Center in Nashville, and asked fans at the time to pray for him. He lived in the Nashville area at the time.


_____


Former Associated Press writer Larry McShane; AP writer Anthony Izaguirre in Charleston, West Virginia; and AP Music Writer Mesfin Fekadu in New York contributed to this report.




Little Richard, rock's flashy founding father, dies at 87

AFP/File / STEPHANE DE SAKUTINUS singer Little Richard transfixed audiences as he transformed the blues into the feverish new style of rock 'n' roll
Little Richard, whose outrageous showmanship and lightning-fast rhythms intoxicated crowds with hits like "Tutti Frutti" and "Long Tall Sally," has died. He was 87 years old.
Reverend Bill Minson, a friend of the legendary musician, told AFP Little Richard died Saturday morning following a battle with cancer.
With a distinctive range from robust belting to howling falsetto, Richard transfixed audiences and inspired artists including The Beatles as he transformed the blues into the feverish new style of rock 'n' roll alongside Fats Domino and Chuck Berry.
His raunchy 1955 song "Tutti Frutti" became a sort of opening salvo of rock 'n' roll's entry into American life, starting with his nonsensical but instantly thrilling first line: "Awop bop a loo mop / Alop bam boom."
Getty Images North America/Getty Images/AFP/File / VINCE BUCCIBefore catapulting to celebrity Little Richard developed a low-key career singing around Georgia, including in underground drag performances
Richard stunned buttoned-down post-World War II America with an otherworldly look of blindingly colorful shirts, glass-embedded jackets, a needle-thin moustache and a six-inch (15-centimeter) high pompadour.
A consummate entertainer, he would play piano with one leg hoisted over the keys and, in one legendary concert in Britain, played dead on stage so effectively that the venue sought medical help before he resurrected himself to an astounded crowd.
Richard's lifestyle -- he spoke fondly of bisexual orgies -- became the epitome of rock 'n' roll decadence.
But he never became an obvious icon for the African-American or gay communities.
Once openly -- by standards of the time -- attracted to men, Richard became a born-again Christian and renounced homosexuality as a temporary choice, anathema to the modern gay rights movement and psychologists.
And while he was one of the first African-American artists to cross the racial divide, a younger generation of black DJs had little interest in an artist seen as embedded in the white mainstream.
- Mentor to rock's greats -
Getty Images North America/AFP/File / Chris StanfordA consummate entertainer since childhood, Richard would play piano with one leg hoisted over the keys
But his influence was incalculable. Early white rockers including Buddy Holly, Jerry Lee Lewis and Elvis Presley all pursued Richard's sound.
The upstart Beatles and Rolling Stones served separately as opening acts when Richard toured England, and a young Jimi Hendrix and members of Earth, Wind and Fire played in his back-up band.
"He was the biggest inspiration of my early teens," Mick Jagger tweeted Saturday.
"His music still has the same raw electric energy when you play it now as it did when it first shot through the music scene in the mid 50's."
Bob Dylan called Richard "my shining star and guiding light back when I was only a little boy. His was the original spirit that moved me to do everything I would do."
"Of course he'll live forever," he said in a series of tweets. "But it's like a part of your life is gone."
David Bowie was mesmerized when he saw one of Richard's movies, with the then nine-year-old deciding to learn the saxophone and later saying, "If it hadn't have been for him, I probably wouldn't have gone into music."
The superstar was aware of the debt his successors owed him. "Prince is the Little Richard of his generation," he told Joan Rivers in 1989.
He then turned to face the camera directly and said: "I was wearing purple before you was wearing it!"
The estate of Prince, who died in 2016, said Saturday that Richard "didn't just open doors, he smashed entire walls to pieces to make way for all who would come after him."
- 'Tutti Frutti' reborn -
AFP/File / ANDRE DURANDUS rock legend Little Richard inspired scores of musicians including David Bowie, The Beatles, Elvis Presley and Buddy Holly
Born Richard Wayne Penniman on December 5, 1932, he was raised in grinding poverty in Macon, Georgia. His father sold bootleg liquor and owned a tavern, where he was shot dead in a dispute when Richard was starting his career.
Richard, despite his stage name, stood a skinny five-foot-10 (1.8 meters) and was born with different sized legs. A mischievous child, he lingered in churches for their music and was noticeably effeminate.
In his 1984 authorized biography, Richard recalled his father telling him, "'My father had seven sons and I wanted seven sons. You've spoiled it, you're only half a son.'"
"And then he'd hit me. But I couldn't help it. That was the way I was," Richard said.
A key break came in 1947 when gospel singer Sister Rosetta Tharpe spotted him singing at the Macon City Auditorium, where Richard sold soft drinks.
Richard had developed a low-key career singing around Georgia, including in underground drag performances, when he was approached by record labels.
Success was not immediate. Early recording ventures with RCA Victor and Peacock Records fell flat.
AFP/File / STEPHANE DE SAKUTINThe upstart Beatles and Rolling Stones served separately as his opening acts when Richard toured England and a young Jimi Hendrix and members of Earth, Wind and Fire played in his back-up band
Richard never thought to record "Tutti Frutti," a staple of his live performances driven by frantic piano and whose lyrics -- in a wink likely lost on many -- were a light-hearted depiction of anal sex: "Tutti frutti / Good booty... If it don't fit / Don't force it."
But the song caught the ear of Bumps Blackwell, a producer from Specialty Records, which had reluctantly signed Richard after he persistently phoned its office.
Blackwell asked young songwriter Dorothy LaBostrie to quickly pen some more radio-friendly lyrics.
Within 15 minutes and only three takes, Little Richard had recorded his defining hit, now with the tame lines: "Tutti frutti / Aw rootie... I've got a girl named Sue / She knows just what to do."
- 'True king' -
Getty Images North America/AFP/File / Kevin WinterWith a distinctive voice that ranged from robust belting to howling falsetto, Richard transfixed audiences and became an inspiration for artists including The Beatles as he transformed the blues into the feverish new style of rock 'n' roll
The song -- with its infectious rhythm, high decibel level and lingering sense of naughtiness -- triggered an unprecedented reaction.
In a 1956 Baltimore concert, women threw underwear as police prevented fans from rushing the stage or leaping from the balcony in euphoria.
"Richard arrives and he's attacking the piano; he's banging on it. He's not crooning; he's screaming," said Chris Morris, a music scholar who remastered his 1957 album "Here's Little Richard."
"There had never really been a figure who came out of R&B who was that extroverted or loud or wild."
Richard followed with 1956's "Good Golly, Miss Molly."
But then he abruptly canceled a tour and became a missionary for the evangelical Church of God.
His turn to religion complicated his relationship with the music world -- but his legacy as a titan who ushered in a new musical age held.
Tributes poured in Saturday, with Chic co-founder Nile Rodgers mourning "the loss of a true giant" and former president Bill Clinton hailing his "unforgettable charisma."
Questlove of The Roots was more emphatic: "LITTLE RICHARD is THE TRUE KING. LONG LIVE THE KING."

Founding father of rock Little Richard has died: Rolling Stone

AFP/File / STEPHANE DE SAKUTINUS singer Little Richard transfixed audiences as he transformed the blues into the feverish new style of rock 'n' roll
Little Richard, whose outrageous showmanship and lightning-fast rhythms intoxicated crowds in the 1950s with hits like "Tutti Frutti" and "Long Tall Sally," has died. He was 87 years old.
Citing the rock 'n' roll pioneer's son, Rolling Stone magazine said Saturday the cause of death was unknown.
With a distinctive voice that ranged from robust belting to howling falsetto, Richard transfixed audiences and became an inspiration for artists including The Beatles as he transformed the blues into the feverish new style of rock 'n' roll alongside Fats Domino and Chuck Berry.
His raunchy 1955 song "Tutti Frutti," even with its gay sex theme toned down for radio, became a sort of opening salvo of rock 'n' roll's entry into American life, starting with his nonsensical but instantly thrilling first line: "Awop bop a loo mop / Alop bam boom."
But if his contemporaries kept the respectabilities of old-time musicians, Richard stunned buttoned-down post-World War II America with an otherworldly look of blindingly colorful shirts, glass-embedded dinner jackets, a needle-thin moustache and a 15-centimeter (six-inch) high pompadour haircut.
Getty Images North America/Getty Images/AFP/File / VINCE BUCCIBefore catapulting to celebrity Little Richard developed a low-key career singing around Georgia, including in underground drag performances
A consummate entertainer since his childhood, Richard would play piano with one leg hoisted over the keys and, in one legendary concert in Britain, played dead on stage so effectively that the venue sought out medical help before he resurrected himself to an astounded crowd.
While touring, Richard's lifestyle became the epitome of the decadence of rock 'n' roll. Well before the notorious wild parties of rockers in the 1960s, Richard spoke fondly of nightly orgies in his hotel rooms where he was both an avid, bisexual participant and a self-gratifying voyeur.
But Richard was one of rock's most torn personas and he never became an obvious icon for the African American or gay communities.
Once open by the standards of his time about his attraction to men, Richard became a born-again Christian and renounced homosexuality, treating it as a temporary choice in a manner that is anathema to the modern gay rights movement and psychologists.
And while he was one of the first African American artists to cross the racial divide, a younger generation of black DJs had little interest in an artist seen as embedded in the white mainstream.
Tributes quickly poured out Saturday for the late rock king, with co-founder of Chic Nile Rodgers dubbing it "the loss of a true giant."

Legendary Rock 'N' Roll Performer Little Richard Has Died At 87

The larger-than-life star's over-the-top persona and flamboyance inspired other legends like Prince and Elton John.

Olivia Niland BuzzFeed News Reporter May 9, 2020

Yui Mok / AP

Little Richard, the legendary rock 'n' roll musician whose musical style and larger-than-life persona broke barriers, has died, his former bass player Charles Glenn and agent Jeff Epstein confirmed to BuzzFeed News. He was 87.

His cause of death was not immediately known.

Born Richard Wayne Penniman in Macon, Georgia, Little Richard rose to fame in the 1950s with hits like “Tutti Frutti," "Long Tall Sally" and "Rip It Up." He was known for his high-energy piano performances, which included flailing and screaming.

His androgynous, over-the-top persona, as well as makeup and flamboyant clothing were a source of inspiration for legends like Prince and Elton John, while his pioneering rock 'n' roll heavily influenced Elvis Presley.

Little Richard also helped launch the careers of The Beatles — who got their start opening for him on his European tour in 1962, covering his songs on tour and on the radio — and the Rolling Stones, who opened for him in 1963.

"Little Richard drove the whole house into a complete frenzy," Mick Jagger said. "There is no single phrase to describe his hold on the audience."


Be A King@BerniceKing

A rare, electric gift. A pioneer and genius. Thank you, #LittleRichard.04:48 PM - 09 May 2020
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"He was definitely one of the most powerful music people that I’ve ever met in my life and I’ve been around some of the largest," said Glenn, who last performed with Little Richard in Las Vegas in 2012 "We did shows for 30 years, and it was really some of the most incredible shows that you could ever want to go see."

Glenn said the musician had been sick for a while, and had called him on March 27 asking him to visit his home in Tennessee, but Glenn was unable to due to coronavirus pandemic.

After Glenn's parents died, Little Richard became a father figure to him.

"He was also like my second dad too," Glenn said. "I was the young one in the group, and when my parents passed away he felt like he really wanted to make sure I was OK and took care of me. He introduced me as his son on stage. He was definitely my second dad — I used to call him dad, actually."

Following the peak of his rock 'n' roll career, Little Richard became an ordained minister and released a gospel album called God Is Real.

Musicians and other celebrities paid tribute to Little Richard on Twitter after Rolling Stone broke the news of his death Saturday morning.


#RingoStarr@ringostarrmusic
God bless little Richard one of my all-time musical heroes. Peace and love to all his family. 😎✌️🌟❤️🎵🎶💕☮️03:57 PM - 09 May 2020
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Brian Wilson@BrianWilsonLive
I’m very sorry to hear about Little Richard. He was there at the beginning and showed us all how to rock and roll. He was a such a great talent and will be missed. Little Richard’s music will last forever. Love & Mercy, Brian03:10 PM - 09 May 2020
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Gene Simmons@genesimmons
Sadly, Little Richard passed away today. A founding Father of Rock And Roll, his contributions simply can’t be overstated. I had the honor of meeting Richard in his later years and was awed by his presence. He told me, “I am the architect of Rock And Roll.” Amen! ..Rest In Peace. https://t.co/ceQuNU6pkF03:15 PM - 09 May 2020
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juicy j@therealjuicyj
R.I.P. Rock & Roll Legend Little Richard02:49 PM - 09 May 2020
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Chance The Rapper@chancetherapper
A couple weeks ago I randomly decided to read up on the legendary Little Richard on wiki. I learned then about how he developed The Beatles and saved The Rolling Stones03:20 PM - 09 May 2020
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Spike Lee@SpikeLeeJoint
Rest In Peace To One Of The True Creators Of Rock And Roll. This Is The Commercial I Directed With Little Richard And Michael Jordan, 1991.03:48 PM - 09 May 2020
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Little Richard was briefly married to Ernestine Campbell in the late 1950s and early 1960s, but had struggled publicly with his sexuality for decades, telling Penthouse in a 1995 interview he was gay, but denouncing homosexuality at times.

He is survived by his son, Danny Jones Penniman.

Rock'n'roll pionee Little Richard dies aged 87

Little Richard, the self-proclaimed “architect of rock ‘n’ roll” whose piercing wail, pounding piano and towering pompadour irrevocably altered popular music while introducing black R&B to white America, died Saturday. He was 87.

Pastor Bill Minson, a close friend of Little Richard's, told The Associated Press that Little Richard died Saturday morning. His son, Danny Jones Penniman, also confirmed his father's death, which was first reported by Rolling Stone.

Danny Jones Penniman said his father had cancer.

Born Richard Penniman, Little Richard was one of rock ‘n’ roll’s founding fathers who helped shatter the color line on the music charts, joining Chuck Berry and Fats Domino in bringing what was once called “race music” into the mainstream. Richard’s hyperkinetic piano playing, coupled with his howling vocals and hairdo, made him an implausible sensation — a gay, black man celebrated across America during the buttoned-down Eisenhower era.

He sold more than 30 million records worldwide, and his influence on other musicians was equally staggering, from the Beatles and Otis Redding to Creedence Clearwater Revival and David Bowie. In his personal life, he wavered between raunch and religion, alternately embracing the Good Book and outrageous behavior and looks - mascara-lined eyes, pencil-thin mustache and glittery suits.

“Little Richard? That’s rock ‘n’ roll,” Neil Young, who heard Richard’s riffs on the radio in Canada, told biographer Jimmy McDonough. “Little Richard was great on every record.”

Little Richard, the founding father of rock'n'roll, dies at age 87.#RIPLittleRichard
pic.twitter.com/Wee7kiVSvy— Karine Jean-Pierre (@K_JeanPierre) May 9, 2020

It was 1956 when his classic “Tutti Frutti” landed like a hand grenade in the Top 40, exploding from radios and off turntables across the country. It was highlighted by Richard’s memorable call of “wop-bop-a-loo-bop-a-lop-bam-boom.”

A string of hits followed, providing the foundation of rock music: “Lucille,” “Keep A Knockin’,” “Long Tall Sally,” “Good Golly Miss Molly.” More than 40 years after the latter charted, Bruce Springsteen was still performing “Good Golly Miss Molly” live.

The Beatles’ Paul McCartney imitated Richard’s signature yelps — perhaps most notably in the “Wooooo!” from the hit “She Loves You.” Ex-bandmate John Lennon covered Richard’s “Rip It Up” and “Ready Teddy” on the 1975 “Rock and Roll” album.

When the Rock and Roll Hall of Fame opened in 1986, he was among the charter members with Elvis Presley, Berry, Buddy Holly, Jerry Lee Lewis, Sam Cooke and others.

“It is with a heavy heart that I ask for prayers for the family of my lifelong friend and fellow rocker Little Richard,” said Lewis, 84, in a statement provided by his publicist. “He will live on always in my heart with his amazing talent and his friendship! He was one of a kind and I will miss him dearly. God bless his family and fans.”

Few were quicker to acknowledge Little Richard’s seminal role than Richard himself. The flamboyant singer claimed he paved the way for Elvis, provided Mick Jagger with his stage moves and conducted vocal lessons for McCartney.

Little Richard (1932-2020) consenting to pose with obscure opening act in Hamburg, 1962: pic.twitter.com/HRFyE3knJE— Michael Beschloss (@BeschlossDC) May 9, 2020

“I am the architect of rock ‘n’ roll!” Little Richard crowed at the 1988 Grammy Awards as the crowd rose in a standing ovation. “I am the originator!”

Richard Wayne Penniman was born in Macon, Georgia, during the Great Depression, one of 12 children. He was ostracized because he was effeminate and suffered a small deformity: his right leg was shorter than his left.

The family was religious, and Richard sang in local churches with a group called the Tiny Tots. The tug-of-war between his upbringing and rock ‘n’ roll excess tormented Penniman throughout his career.

Penniman was performing with bands by the age of 14, but there were problems at home over his sexual orientation. His father beat the boy and derided him as “half a son.”

Richard left home to join a minstrel show run by a man known as Sugarloaf Sam, occasionally appearing in drag.

In late 1955, Little Richard recorded the bawdy “Tutti Frutti,” with lyrics that were sanitized by a New Orleans songwriter. It went on to sell 1 million records over the next year.

When Little Richard’s hit was banned by many white-owned radio stations, white performers like Pat Boone and Elvis Presley did cover versions that topped the charts.

Little Richard went Hollywood with an appearance in “Don’t Knock the Rock.” But his wild lifestyle remained at odds with his faith, and a conflicted Richard quit the business in 1957 to enroll in a theological school and get married.

Richard remained on the charts when his label released previously recorded material. And he recorded a gospel record, returning to his roots.

A 1962 arrest for a sexual encounter with a man in a bus station restroom led to his divorce and return to performing.

He mounted three tours of England between 1962 and 1964, with the Beatles and the Rolling Stones serving as opening acts. Back in the States, he put together a band that included guitarist Jimi Hendrix — and later fired Hendrix when he was late for a bus.

In 1968, Richard hit Las Vegas and relaunched his career. Within two years, he had another hit single and made the cover of Rolling Stone.

By the mid-1970s, Richard was battling a $1,000-a-day cocaine problem and once again abandoned his musical career. He returned to religion, selling Bibles and renouncing homosexuality. For more than a decade, he vanished.

“If God can save an old homosexual like me, he can save anybody,” Richard said.

But he returned, in 1986, in spectacular fashion. Little Richard was inducted into the Rock and Roll Hall of Fame, and appeared in the movie “Down and Out in Beverly Hills.”

A Little Richard song from the soundtrack, “Great Gosh A’Mighty,” even put him back on the charts for the first time in more than 15 years. Little Richard was back to stay, enjoying another dose of celebrity that he fully embraced.

Macon, Georgia, named a street after its favorite son. And Little Richard was given a star on the Hollywood Walk of Fame. In August 2002, he announced his retirement from live performing. But he continued to appear frequently on television, including a humorous appearance on a 2006 commercial for GEICO insurance.

Richard had hip surgery in November 2009 at Vanderbilt University Medical Center in Nashville, and asked fans at the time to pray for him. He lived in the Nashville area at the time.


CANADA PARKS
 Coronavirus closures could lead to a radical revolution in conservation

Animals in national parks are sometimes harassed by tourists. (AP Photo/Matthew Brown)

May 10, 2020


In the early days of the COVID-19 lockdowns, social media was flooded with reports of animals reclaiming abandoned environments. According to one widely shared post, dolphins had returned to the canals of Venice.

While many of those stories have since been debunked, conservationists are providing legitimate reports of cleaner air and water, and wildlife reclaiming contested habitats.

With widespread closures of parks and conservation areas around the world, could this be an opportunity to transform the way we manage and use these protected environments?
The ecological benefits of park closures

In Canada, wildlife sightings are on the rise. Cole Burton, a conservation biologist at the University of British Columbia, says that the pandemic has provided an opportunity to study how animals respond to less human recreation. Camera traps set in Golden Ears Provincial Park in British Columbia have captured amazing footage of wildlife, including cougars and bears, and rangers note some animals are becoming more active during the day.

In Yosemite National Park, California, where 400 bears have been hit by cars since 1995, staff have noted reduced noise and air pollution, and a surge of megafauna into the park’s fields and open spaces. Asked in a Facebook Live event how animals have responded to the park’s closure, Ranger Katie Patrick said, “for the most part, I think they’re having a party.”

In Sri Lanka, park closures have created greater freedom for animals stressed by over-visitation and unregulated feeding. Experts there have urged authorities to use the closures to enact a shift in the country’s wildlife tourism sector. Suggestions include restricting high-end tourism to select parks, diverting visitors to less visited areas, and limiting vehicle access.


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Healthy parks, healthy people

Awareness of the health benefits of parks and natural areas has grown over the past 20 years. In the early 2000s, visitation rates to parks and conservation areas declined internationally, leading to concerns of “nature deficit disorder,” a term coined by Richard Louv. Louv blames “nature deficit disorder” on the separation of people from natural world, and argues it results in decreased emotional and physical well-being, including obesity, stress and dulled senses.

The concept of nature deficit disorder has been widely adopted by park managers as it helped to re-position parks as important sites of health promotion. Parks Victoria, in Australia, for example, launched the “Healthy Parks Healthy People” campaign in 2000 to encourage the connections between a healthy environment and healthy society. It has since become a dominant paradigm in park management around the world.

In 2006, the Canadian Parks Council produced its strategy “Healthy by Nature” and has promoted increased visitation as a means of “connecting Canadians with nature.” This approach is based on the idea that human health depends on access to healthy parks, and that healthy parks are dependent on support generated through visitation.
Unhealthy parks, unhealthy people

In North America, the number of visitors to national parks has been on the rise. In the United States, the national parks system saw 331 million visits in 2016, an 18 per cent rise over 2011. Canada experienced a similar five-year upswing, rising 15 per cent to 15.5 million visits in 2016. 
Tourists crowd along the top of Angels Landing in Zion National Park in October 2015. (Shutterstock)

But critics have argued that Parks Canada’s renewed focus on boosting attendance has come at the expense of ecological integrity. From 2005-15, spending on conservation dropped to $99 million from $161 million, just 13 per cent of Parks Canada’s budget. At the same time, funding for “visitor experience” increased to $204 million from $163 million.

A recent evaluation of Canadian parks showed a significant increase in rule violations, with a strong correlation to the number of visitors at a site. Moreover, a 2016 State of the Parks Report found that 46 per cent of national park ecosystems in Canada were in just fair or poor condition. While this was a slight improvement from 2011, indicators in the monitoring program were cut by 28 per cent, raising questions about the scientific rigor of the reporting system.

When COVID-19 lockdowns were instituted, commentators encouraged people to seek out the health benefits of parks and natural areas. As parks saw a surge in visitors, these spaces were transformed from sites of health promotion to public health threats, leading to widespread closures across North America.



Parks and planetary health

A 2015 report by The Lancet Commission on Planetary Health found that recent gains in public health (rising life expectancy, lower death rates in children under five) have come with biodiversity loss and environmental degradation. In response, the commission advanced the concept of “planetary health” to direct attention to the complex connections between the “health of human civilization and the state of the natural systems on which it depends.”

While some have called on Parks Canada to return to its mandate to protect ecological integrity, we need to move beyond stale debates about use versus preservation. Current closures provide an opportunity for a radical revolution in conservation and park management.

The adoption of a Planetary Health framework that aims to balance human and ecological well-being, builds on emerging partnerships with local communities and fosters innovative approaches to Indigenous-led conservation, would be a meaningful step in this direction.


Authors
Postdoctoral Fellow, Dahdaleh Institute of Global Health Research and Faculty of Education, York University, Canada
James Stinson receives funding from the Social Sciences and Humanities Research Council as part of the project Canadian Conservation in Global Context.
Associate Professor, School of Public Service, Boise State University
Disclosure statement
Libby Lunstrum receives funding from the Social Sciences and Humanities Research Council of Canada (SSHRC) and Boise State University's School of Public Service.
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