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Monday, July 27, 2020
SEX POSITIVE***
Maitland Ward: How Porn Saved Me From Hollywood
SECOND ACT
OPINION
Maitland Ward
The former “Boy Meets World” star writes about how the world of adult film gave her the opportunities and freedom to be herself that Hollywood wouldn’t.
Maitland Ward
Published Jul. 25, 2020
“Excuse me, are you…” a voice in a restaurant catches me just as salmon flakes off my fork. I look up. My silverware is settling onto my plate as a man with shaky hands gives me the back of a menu to sign. He’s smiling as he tells me he loves my work. Really smiling. Really really loves my work. Did I mention he was smiling? But he’s also wearing a Frozen the musical T-shirt. He hands me a pen and I loop his name onto the paper. As I finish, he asks me what I’m working on next. My jaw slacks in the expectant pause. It’s moments like this that I have to take a quick scan of the evidence before me and assess: Does he know me from Disney or from porn?
A decade prior the answer would be clear. A dad and his boy would approach. The kid skipping up to see the redhead from Boy Meets World. We’d chat about episodes or story points, and how a penguin really is a fish (if you watch the show, you know). The kid would pose for a selfie as the dad would look on. Well today, more than ever, the dads are looking on. And the kids that watched me in their family rooms on Friday nights are all grown up. They’re in their twenties and thirties, and are part of the porn generation, where internet access to viewing sex has always been easily accessible and readily attained. They’re parents themselves now, too. And while their kids may binge me on Disney+, the grown-ups are viewing me in a whole new way.
The Christopher Nolan of Porn Is Breaking Down Barriers
TRAILBLAZER
Marlow Stern
It was a big deal when I starred in my first hardcore adult feature. The college roommate of Eric and Jack, who used to dance around washing dishes in her purple underwear, was now taking them off. And she was doing a whole lot more than that. The day Drive, the film I made with Kayden Kross for Deeper.com, was announced, the site’s traffic skyrocketed. Subscriptions for the site and Vixen Media Group went wild. The headlines were international and viral. I trended No. 1 on Google all day, topping Bernie Sanders’ heart attack (the joke was that I gave it to him). I guess you’d have to expect news of a TV teen crush becoming a full-fledged porn star to have legs, but I don’t think anyone expected they’d have such long-running ones. Celebs, especially ones from children’s TV of yesteryear, are always trying to grab their 15 minutes from TMZ. If this had been my intention, I would’ve followed the formula: make a bad sex tape, cry that it was a mistake to make said bad sex tape, then start a YouTube channel where you gain followers and sponsors by constantly wailing in your shame about your really bad sex tape.
Yawn.
This was not me. It would never be me. I am not ashamed.
Many expected my rise in the adult world, including many in the adult world itself, to be a flash in the pan. It was a stunt. I wasn’t serious. No one from mainstream ever is—like mainstream is a place you go and can never look back. But that’s what makes this story different: my genuine love for adult performance and for colorful cinema. My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.
My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.
Shortly after the massive success of Drive, I signed an exclusive contract, partnering with Kayden and Vixen Media Group, to be the face of Deeper. To marry art house with taboo. I was fortunate enough to find someone in Kayden who not only has the talent and vision, but also the belief that we can do both. Not long after that, I won six awards at XBIZ and AVN—not only for the acting, but also the sex. I can’t say there’s ever been a prouder moment for me than when I was recognized for both.
I like that people ask me questions about what I do now. Whether it be total strangers or shell-shocked friends, it usually starts out in a whisper, like if the words are at full volume one of us might die. People are curious and a little afraid. Their vision of a porn set is some version of Ron Jeremy behind the camera, cigarette hanging from his lip, as a drug-infused orgy plays out before his lens. He’s always sweaty and it’s eternally 1975. But then they see me. A typical comment is, “Wow, you’re so normal”—as if porn, or the desire to perform sexually, is not. They wouldn’t feel comfortable coming up and asking a performer they saw on the internet in a double penetration gang bang these questions, but they feel safe with me. They know me. I was in their living room every week. And that means something. I’m happy to be that bridge; to normalize something that is absolutely normal.
Aurora Snow
Porn’s Brave New World of Camming
GET YOUR COINS
Lily LaBeau
A lot of people tell me they’ve been masturbating to me for more than 20 years. Think about that. That’s no easy task—being fap material for someone for nearly three decades. It’s so rare, I don’t think Guinness World Records has a category for it. But my fans can now buy my Fleshlight! How many of you can say your childhood crush’s vagina is in your nightstand drawer?
Porn sets are run much like mainstream. The same lights. The same cameras. Just different actions. People will ask me if I fear that the adult industry has ruined me for mainstream. It’s quite the opposite. Mainstream ruined me for mainstream. It became limiting and I was bored. This pigeonhole they put me in grew smaller and smaller. I was light. I was funny. That’s all I was allowed to be. When I hit my thirties, I was told I couldn’t be sexy. A publicist said to me, in a way that seemed polite to him, that if they wanted sexy they’d get someone who was 25. I’m glad I didn’t listen.
Now, I’m playing roles that I want to play. I can be dark and twisted and sexual. I’m afforded the freedom to find my voice, and that isn’t something mainstream often allows you to do. I have porn to thank for that. I have Kayden and Deeper. I have my fans. Now, it’s time for the walls to come down. It’s time for porn to be mainstream and mainstream to accept porn.
As for the guy in the restaurant—the one in the Disney shirt with the smile—I have my answer for him. It doesn’t matter where he knows me from. I’m proud of what I do and who I am becoming. I’m always unapologetically just me.
I smile as I hand him back the autograph and say, “I’m going to do whatever the hell I want.”
He gives me a smile back and says, “Well, I really hope it’s anal.”
Maitland Ward’s Journey From ‘Boy Meets World’ to Porn’s A-List
DIFFERENT STROKES
Handout
The former soap opera star and “Boy Meets World” actress opens up to Marlow Stern about her decision to walk away from playing “Disney moms” and enter the world of porn.
Marlow Stern
Senior Entertainment Editor
Updated Dec. 16, 2019
“Everything bad happened to me,” discloses Maitland Ward. “I had diabetes, I was in a coma, my mother had an affair with my boyfriend, I was raped, I was almost set on fire in a gas leak…”
The journeywoman actress—who, with her fiery mane and piercing blue eyes, resembles a more statuesque Amy Adams—is describing her roller-coaster ride of a tenure on The Bold and the Beautiful. She landed the role of Jessica Forrester, whom she calls an “innocent little flower,” at the age of 16, wading its comically treacherous soap-opera waters for two years before her big break: being cast as Rachel McGuire, a college student from Texas artfully dodging the romantic overtures of Eric (Will Freidle) and Jack (Matthew Lawrence), on the sitcom Boy Meets World.
Now, nearly 20 years after her two-season arc on the celebrated teen comedy, Ward has decided to pursue a decidedly more risqué career: porn star. “I thought I’d be more nervous, but I wasn’t,” she offers. “It’s been way easier and I’ve enjoyed it so much more than I’d expected. And I’m good at it. It feels natural to me. If you talked to my younger, more virginal soap-opera self, I never would have seen this coming out of me.”
Ward, who is now 42, recently collected two nominations at the AVN Awards, otherwise known as the Oscars of Porn, for Best Three-Way Sex Scene and Best Supporting Actress. They came thanks to her turn in Drive, an ambitious erotic thriller directed by Kayden Kross that clocks in at three hours and 29 minutes—just one minute shy of Scorsese’s The Irishman. She’s also been anointed the face of Deeper, a high-end XXX brand helmed by porn auteur Greg Lansky, placing her firmly on porn’s A-list.
And she’s only been at it five months.
How Much Do Porn Stars Actually Get Paid for Sex Scenes?
SEX WORK
“It’s insane! At my age, to come in and become a porn star?” she says. “I don’t have a label either. I’m just this grown woman who loves sex. One thing I really like is to surprise people, to shock them, and to get them stirred up. I’m going to keep doing that.
After her stint on Boy Meets World, which lasted from 1998 to 2000, bit parts in various projects followed, including the series Boston Public and a supporting role in the cult comedy White Chicks as Brittany Wilson, a very rich, very blonde socialite targeted by kidnappers in the Hamptons. In the mid-aughts she swapped coasts, moving to New York to study theater and screenwriting, and married her husband Terry Baxter, a real-estate investor. She then moved back to L.A. to continue her studies at UCLA whilst weathering the unforgiving transition into thirtysomething Hollywood actress.
In 2013, she gained notice cosplaying at comics’ conventions—including a female Robin getup at the Playboy Mansion that made headlines—and posting racy photos to her social media. “It was cool because on social media I could be my authentic self, and sometimes, in acting, they put you up to be who they want you to be,” she says. “So I could finally have fun, and be crazy, and be sexy, and be out there—to an extent.”
Her publicist at the time was, shall we say, less than thrilled with her foray into semi-nude modeling. “I had a publicist who was like, ‘Stop putting up sexy pictures. They will not hire you for anything if you do that. Once you get past 30, 35, they don’t hire you for doing sexy stuff. You should be auditioning to play Disney moms.’ He thought he was giving me good advice but it just wasn’t my thing,” she recalls. “I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.”
I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.
Ward maintains that porn happened somewhat “by accident.” Her dedicated army of online fans—she currently has over a million Instagram followers—asked her about selling various adult content, including nude photos, and begged her to set up a premium Snapchat account. She obliged, and later set up a Patreon. It blew up. After one day, she’d amassed 2,500 paying subscribers. “For 2018, I was the No. 1 adult-content creator for Patreon. And it put the power back in my hands. Studios wouldn’t give me that.”
She’s also immensely popular on OnlyFans, a subscription site where stars provide exclusive content to devotees. Ward says she makes five figures a month on OnlyFans, and her biggest month for 2018 was $62,000. “So when people say she had to turn to porn I laugh, because this is a good thing and I’m making more now.”
Then, she “started wanting to explore the more sexual side of me, and take the people who’d been following me along on this sexual journey.” So she began by participating in girl-girl sex scenes on her premium Snapchat, and then eventually transitioned to studio XXX productions. “My husband has been supportive of me, because this is something that’s in me, that I need to do, and that I like to do,” she says. “And it’s just another kind of performance.”
Her experience filming Drive with Kayden Kross really opened her eyes to the differences between the adult world and Hollywood: “I was blown away. I was like, this is nothing anyone in porn has seen before—and by a powerful female director. That’s something a lot of people don’t talk about: how many more female directors there are in porn than in Hollywood, and the women are the ones winning awards.
Ward is showing no signs of slowing down, either. She’s already filmed another glossy porn production with Kross, which she calls “an anti-Hallmark Christmas featurette,” wherein she plays a woman who seduces a man at a Sex Addicts Anonymous meeting. “I get him to go away from abstinence for the holidays,” she chuckles.
There are also a number of other “insanely-hot scripted films,” including several for Lansky, that are in the pipeline. Most of all, she says she’s grateful for this new stage of her career, and that her fans from the Boy Meets World days have stuck by her through it.
“They say, I’ve been masturbating to you all these years,” she says, adding, “And you know, that’s a feat that I will be proud of."
PORN IS NO DIFFERENT THAN ANY OTHER FORM OF SEXUAL EXPRESSION IN
TODAY'S INTERNET WORLD, IN FACT THIS PICTURE IS TAME COMPARED TO
WHAT IS ON PAGE 3 IN BRIT TABLOIDS.
https://www.instagram.com/p/B2sj66in-Cq/?utm_source=ig_embed
Maitland Ward: How Porn Saved Me From Hollywood
SECOND ACT
OPINION
Maitland Ward
The former “Boy Meets World” star writes about how the world of adult film gave her the opportunities and freedom to be herself that Hollywood wouldn’t.
Maitland Ward
Published Jul. 25, 2020
“Excuse me, are you…” a voice in a restaurant catches me just as salmon flakes off my fork. I look up. My silverware is settling onto my plate as a man with shaky hands gives me the back of a menu to sign. He’s smiling as he tells me he loves my work. Really smiling. Really really loves my work. Did I mention he was smiling? But he’s also wearing a Frozen the musical T-shirt. He hands me a pen and I loop his name onto the paper. As I finish, he asks me what I’m working on next. My jaw slacks in the expectant pause. It’s moments like this that I have to take a quick scan of the evidence before me and assess: Does he know me from Disney or from porn?
A decade prior the answer would be clear. A dad and his boy would approach. The kid skipping up to see the redhead from Boy Meets World. We’d chat about episodes or story points, and how a penguin really is a fish (if you watch the show, you know). The kid would pose for a selfie as the dad would look on. Well today, more than ever, the dads are looking on. And the kids that watched me in their family rooms on Friday nights are all grown up. They’re in their twenties and thirties, and are part of the porn generation, where internet access to viewing sex has always been easily accessible and readily attained. They’re parents themselves now, too. And while their kids may binge me on Disney+, the grown-ups are viewing me in a whole new way.
The Christopher Nolan of Porn Is Breaking Down Barriers
TRAILBLAZER
Marlow Stern
It was a big deal when I starred in my first hardcore adult feature. The college roommate of Eric and Jack, who used to dance around washing dishes in her purple underwear, was now taking them off. And she was doing a whole lot more than that. The day Drive, the film I made with Kayden Kross for Deeper.com, was announced, the site’s traffic skyrocketed. Subscriptions for the site and Vixen Media Group went wild. The headlines were international and viral. I trended No. 1 on Google all day, topping Bernie Sanders’ heart attack (the joke was that I gave it to him). I guess you’d have to expect news of a TV teen crush becoming a full-fledged porn star to have legs, but I don’t think anyone expected they’d have such long-running ones. Celebs, especially ones from children’s TV of yesteryear, are always trying to grab their 15 minutes from TMZ. If this had been my intention, I would’ve followed the formula: make a bad sex tape, cry that it was a mistake to make said bad sex tape, then start a YouTube channel where you gain followers and sponsors by constantly wailing in your shame about your really bad sex tape.
Yawn.
This was not me. It would never be me. I am not ashamed.
Many expected my rise in the adult world, including many in the adult world itself, to be a flash in the pan. It was a stunt. I wasn’t serious. No one from mainstream ever is—like mainstream is a place you go and can never look back. But that’s what makes this story different: my genuine love for adult performance and for colorful cinema. My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.
My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.
Shortly after the massive success of Drive, I signed an exclusive contract, partnering with Kayden and Vixen Media Group, to be the face of Deeper. To marry art house with taboo. I was fortunate enough to find someone in Kayden who not only has the talent and vision, but also the belief that we can do both. Not long after that, I won six awards at XBIZ and AVN—not only for the acting, but also the sex. I can’t say there’s ever been a prouder moment for me than when I was recognized for both.
I like that people ask me questions about what I do now. Whether it be total strangers or shell-shocked friends, it usually starts out in a whisper, like if the words are at full volume one of us might die. People are curious and a little afraid. Their vision of a porn set is some version of Ron Jeremy behind the camera, cigarette hanging from his lip, as a drug-infused orgy plays out before his lens. He’s always sweaty and it’s eternally 1975. But then they see me. A typical comment is, “Wow, you’re so normal”—as if porn, or the desire to perform sexually, is not. They wouldn’t feel comfortable coming up and asking a performer they saw on the internet in a double penetration gang bang these questions, but they feel safe with me. They know me. I was in their living room every week. And that means something. I’m happy to be that bridge; to normalize something that is absolutely normal.
Aurora Snow
Porn’s Brave New World of Camming
GET YOUR COINS
Lily LaBeau
A lot of people tell me they’ve been masturbating to me for more than 20 years. Think about that. That’s no easy task—being fap material for someone for nearly three decades. It’s so rare, I don’t think Guinness World Records has a category for it. But my fans can now buy my Fleshlight! How many of you can say your childhood crush’s vagina is in your nightstand drawer?
Porn sets are run much like mainstream. The same lights. The same cameras. Just different actions. People will ask me if I fear that the adult industry has ruined me for mainstream. It’s quite the opposite. Mainstream ruined me for mainstream. It became limiting and I was bored. This pigeonhole they put me in grew smaller and smaller. I was light. I was funny. That’s all I was allowed to be. When I hit my thirties, I was told I couldn’t be sexy. A publicist said to me, in a way that seemed polite to him, that if they wanted sexy they’d get someone who was 25. I’m glad I didn’t listen.
Now, I’m playing roles that I want to play. I can be dark and twisted and sexual. I’m afforded the freedom to find my voice, and that isn’t something mainstream often allows you to do. I have porn to thank for that. I have Kayden and Deeper. I have my fans. Now, it’s time for the walls to come down. It’s time for porn to be mainstream and mainstream to accept porn.
As for the guy in the restaurant—the one in the Disney shirt with the smile—I have my answer for him. It doesn’t matter where he knows me from. I’m proud of what I do and who I am becoming. I’m always unapologetically just me.
I smile as I hand him back the autograph and say, “I’m going to do whatever the hell I want.”
He gives me a smile back and says, “Well, I really hope it’s anal.”
Maitland Ward’s Journey From ‘Boy Meets World’ to Porn’s A-List
DIFFERENT STROKES
Handout
The former soap opera star and “Boy Meets World” actress opens up to Marlow Stern about her decision to walk away from playing “Disney moms” and enter the world of porn.
Marlow Stern
Senior Entertainment Editor
Updated Dec. 16, 2019
“Everything bad happened to me,” discloses Maitland Ward. “I had diabetes, I was in a coma, my mother had an affair with my boyfriend, I was raped, I was almost set on fire in a gas leak…”
The journeywoman actress—who, with her fiery mane and piercing blue eyes, resembles a more statuesque Amy Adams—is describing her roller-coaster ride of a tenure on The Bold and the Beautiful. She landed the role of Jessica Forrester, whom she calls an “innocent little flower,” at the age of 16, wading its comically treacherous soap-opera waters for two years before her big break: being cast as Rachel McGuire, a college student from Texas artfully dodging the romantic overtures of Eric (Will Freidle) and Jack (Matthew Lawrence), on the sitcom Boy Meets World.
Now, nearly 20 years after her two-season arc on the celebrated teen comedy, Ward has decided to pursue a decidedly more risqué career: porn star. “I thought I’d be more nervous, but I wasn’t,” she offers. “It’s been way easier and I’ve enjoyed it so much more than I’d expected. And I’m good at it. It feels natural to me. If you talked to my younger, more virginal soap-opera self, I never would have seen this coming out of me.”
Ward, who is now 42, recently collected two nominations at the AVN Awards, otherwise known as the Oscars of Porn, for Best Three-Way Sex Scene and Best Supporting Actress. They came thanks to her turn in Drive, an ambitious erotic thriller directed by Kayden Kross that clocks in at three hours and 29 minutes—just one minute shy of Scorsese’s The Irishman. She’s also been anointed the face of Deeper, a high-end XXX brand helmed by porn auteur Greg Lansky, placing her firmly on porn’s A-list.
And she’s only been at it five months.
How Much Do Porn Stars Actually Get Paid for Sex Scenes?
SEX WORK
“It’s insane! At my age, to come in and become a porn star?” she says. “I don’t have a label either. I’m just this grown woman who loves sex. One thing I really like is to surprise people, to shock them, and to get them stirred up. I’m going to keep doing that.
After her stint on Boy Meets World, which lasted from 1998 to 2000, bit parts in various projects followed, including the series Boston Public and a supporting role in the cult comedy White Chicks as Brittany Wilson, a very rich, very blonde socialite targeted by kidnappers in the Hamptons. In the mid-aughts she swapped coasts, moving to New York to study theater and screenwriting, and married her husband Terry Baxter, a real-estate investor. She then moved back to L.A. to continue her studies at UCLA whilst weathering the unforgiving transition into thirtysomething Hollywood actress.
In 2013, she gained notice cosplaying at comics’ conventions—including a female Robin getup at the Playboy Mansion that made headlines—and posting racy photos to her social media. “It was cool because on social media I could be my authentic self, and sometimes, in acting, they put you up to be who they want you to be,” she says. “So I could finally have fun, and be crazy, and be sexy, and be out there—to an extent.”
Her publicist at the time was, shall we say, less than thrilled with her foray into semi-nude modeling. “I had a publicist who was like, ‘Stop putting up sexy pictures. They will not hire you for anything if you do that. Once you get past 30, 35, they don’t hire you for doing sexy stuff. You should be auditioning to play Disney moms.’ He thought he was giving me good advice but it just wasn’t my thing,” she recalls. “I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.”
I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.
Ward maintains that porn happened somewhat “by accident.” Her dedicated army of online fans—she currently has over a million Instagram followers—asked her about selling various adult content, including nude photos, and begged her to set up a premium Snapchat account. She obliged, and later set up a Patreon. It blew up. After one day, she’d amassed 2,500 paying subscribers. “For 2018, I was the No. 1 adult-content creator for Patreon. And it put the power back in my hands. Studios wouldn’t give me that.”
She’s also immensely popular on OnlyFans, a subscription site where stars provide exclusive content to devotees. Ward says she makes five figures a month on OnlyFans, and her biggest month for 2018 was $62,000. “So when people say she had to turn to porn I laugh, because this is a good thing and I’m making more now.”
Then, she “started wanting to explore the more sexual side of me, and take the people who’d been following me along on this sexual journey.” So she began by participating in girl-girl sex scenes on her premium Snapchat, and then eventually transitioned to studio XXX productions. “My husband has been supportive of me, because this is something that’s in me, that I need to do, and that I like to do,” she says. “And it’s just another kind of performance.”
Her experience filming Drive with Kayden Kross really opened her eyes to the differences between the adult world and Hollywood: “I was blown away. I was like, this is nothing anyone in porn has seen before—and by a powerful female director. That’s something a lot of people don’t talk about: how many more female directors there are in porn than in Hollywood, and the women are the ones winning awards.
Ward is showing no signs of slowing down, either. She’s already filmed another glossy porn production with Kross, which she calls “an anti-Hallmark Christmas featurette,” wherein she plays a woman who seduces a man at a Sex Addicts Anonymous meeting. “I get him to go away from abstinence for the holidays,” she chuckles.
There are also a number of other “insanely-hot scripted films,” including several for Lansky, that are in the pipeline. Most of all, she says she’s grateful for this new stage of her career, and that her fans from the Boy Meets World days have stuck by her through it.
“They say, I’ve been masturbating to you all these years,” she says, adding, “And you know, that’s a feat that I will be proud of."
PORN IS NO DIFFERENT THAN ANY OTHER FORM OF SEXUAL EXPRESSION IN
TODAY'S INTERNET WORLD, IN FACT THIS PICTURE IS TAME COMPARED TO
WHAT IS ON PAGE 3 IN BRIT TABLOIDS.
https://www.instagram.com/p/B2sj66in-Cq/?utm_source=ig_embed
Sex-positivity is "an attitude towards human sexuality that regards all consensual sexual activities as fundamentally healthy and pleasurable, encouraging sexual pleasure and experimentation." The sex-positive movement also advocates for comprehensive sex education and safe sex as part of its campaign.
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Sexual Revolution - Wilhelm Reich Infant Trust
https://www.wilhelmreichtrust.org › sexual_revolution
by W Reich - 1974 - Cited by 2 - Related articles
The book forms a comprehensive whole in reJecting the sexual political conditions of the 1920's; essentially, it is still valid today. The scientific and medical ...
by ML Berneri
Wilhelm Reich and the Sexual Revolution. Marie Louise ... sexuality is offensive and the book itself has been written, declares Dr. Reich, not without humour,.
by RA Blasband
Keywords: book review, Wilhelm Reich, orgone, sexual revolution, ORAC, psychoanalysis. Subtle Energies & Energy Medicine • Volume 21 • Number 2 • Page ...
by Wilhelm Reich. Translated by ... publication. The present volume, The Sexual Revolution, has also ... The book fonns a comprehensive whole in reflecting the sexual- political ... The combining of manual work \Vith intellectual learning no ...
by FS Back - Cited by 3 - Related articles
The idea of the sexual revolution is closely associated with the name of Wilhelm Reich. (1897-1956). ... papers that led to his book The Function of the. Orgasm ...
Book of Dreams by Peter Reich, Harper & Row, reprinted by permission of Peter ... Orgasm, Character Analysis, The Sexual Revolution, The Mass Psychology of ... it entails jumping from therapist to therapist, partner to partner, sex manual.
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The Sexual Revolution, Multiculturalism, and the Rise ... - AWS
thf_media.s3.amazonaws.com › pdf
Aug 27, 2013 - tors be smashed and his books burnt. ... Wilhelm Reich, The Sexual Revolution: Toward a Self-Governing Character Structure (New York: Pocket Books, 1975), p. 28. ... PortHuronStatement-draft.pdf (accessed July 22, 2013).
Marxist of Reich's books in English prior to the present volume is to read texts ... cient condition) for the sexual revolution, but Reich believed that recognition of ...
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Wilhelm Reich's work is concerned with a form of sexual ... Reich, the price men pay is sexual impotence in various forms ... coming revolution without a consciousness of its full ... The less you eat, drink, buy books, go to the theatre or balls, or ...
Elisabeth Moss Opens Up About Scientology and Resisting Trump: ‘The Only Place I Can Speak From Is My Own’
IN CONVERSATION
ORIGINALLY SCIENTOLOGY PROMOTED RELIGIOUS FREEDOM BECAUSE IT WAS NOT CLASSIFIED AS SUCH ANYWHERE ELSE BUT THE USA WHERE ANYONE CAN CREATE A NOT FOR PROFIT RELIGIOUS CHARITY FOR ANY PURPOSE, INCLUDING WORSHIPPING THE GREAT SPAGHETTI MONSTER.
IT WAS AND IS DESCRIBED AROUND THE WORLD AS A CULT, THOUGH IT HAS SUCCEEDED IN SOME COUNTRIES IN BEING DEFINED AS A RELIGION INCLUDING CANADA BUT NOT GERMANY.
BUT OTHER COUNTRIES STANDARDS OF RELIGIOUS FREEDOM THAT RESTRICT SCIENTOLOGY BUT ACCEPT CULTS LIKE JEHOVAH WITNESSES, MORMONS, PENTECOSTALS, ETC. ETC. ARE ENGAGING IN RELIGIOUS DISCRIMINATION AND WOULD PROBABLY RESTRICT WICCANS, PAGANS AND OTHER NEW RELIGIOUS MOVEMENTS.
IN CONVERSATION
Being on Mad Men and The Handmaid’s Tale and playing these fiercely feminist characters, people have criticized you for being a Scientologist, which some see as being at odds with the themes of those shows—particularly Handmaid’s. I’m sure you’ve heard those criticisms before, but what do you say to those criticisms?
Listen, it’s a complicated thing because the things that I believe in, I can only speak to my personal experience and my personal beliefs. One of the things I believe in is freedom of speech. I believe we as humans should be able to critique things. I believe in freedom of the press. I believe in people being able to speak their own opinions. I don’t ever want to take that away from anybody, because that actually is very important to me. At the same time, I should hope that people educate themselves for themselves and form their own opinion, as I have. The things that I believe in personally, for me, The Handmaid’s Tale, and the ability to do something that is artistically fulfilling but is also personally fulfilling, I’ve never had that. The Handmaid’s Tale lines up so perfectly parallel with my own beliefs in freedom of speech, freedom of religion, and the things that this country was actually built on.
I once spoke with Neil deGrasse Tyson about Scientology and he argued that much of the criticism it receives is because it’s newer and weirder. But I’m sure you’ve heard the criticisms of Scientology—from “disconnection” to the sums of money some adherents have been forced to fork over to it. Is the argument, then, that what it’s doing is not worse than, say, what the Catholic Church has done with its systematic abuse of children? I’m curious where you stand.
Right. It’s funny, there’s two things you’re never supposed to talk about at a dinner—politics or religion—and of course I’m doing The Handmaid’s Tale, which is politics and religion, so it’s a strange situation where you’re going to be asked about these topics. I choose to express myself in my work and my art. I don’t choose to express myself about it in interviews. I don’t choose to talk about not just religion, but my personal life—who I’m dating and that kind of thing. So for me, it’s so hard to unpack in a sound bite or an interview, but I will say that the things that I truly believe in are the things that I’ve mentioned, and I think that they’re very important. I think people should be allowed to talk about what they want to talk about and believe what they want to believe and you can’t take that away—and when you start to take that away, when you start to say “you can’t think that,” “you can’t believe that,” “you can’t say that,” then you get into trouble. Then you get into Gilead. So whatever happens, I’m never going to take away your right to talk about something or believe something, and you can’t take away mine.
Scientology—especially in L. Ron Hubbard’s writings—has a history of being quite anti-LGBT.
Which is not where I stand. It’s like, it’s a lot to get into and unpack that I can’t do. But that is not my bag. I am obviously a huge feminist and huge supporter of the LGBTQ community and believe so strongly—I can’t even tell you—in people being able to do what they want to do, to love who they want to love, to be the person that they want to be—whoever that is. To me, it’s a huge reason why I love doing the show. That’s all I can say. I can’t speak to what other people believe, I can’t speak to what other people’s experiences have been. That’s where I stand and the only place I can speak from is my own.
The Handmaid’s Tale does seem remarkably in tune with the times. Just last week there was the case of an Alabama man suing an abortion clinic on behalf of an aborted fetus, as well as Georgia’s controversial “heartbeat bill.” And that powerful Super Bowl ad really brought home how much the show is seen by many as an act of resistance against this administration, and the assault on reproductive rights.
It’s an honor. We went to D.C. and shot at the Lincoln Memorial, and I find it incredibly moving what Lincoln stood for, what’s written on the walls, what those monuments stand for. The principles that this country was built on are important and we’re losing them—and perhaps we’ve already lost them. You feel a sense of responsibility and you feel honored telling this story at this time. When you’re kneeling on the steps in front of the Lincoln Memorial, you’re looking at where MLK gave his ‘I Have a Dream’ speech, you’re in the outfit of complete lack of freedom, and your president is a few blocks away arguing about putting up a wall, you can’t help but feel that you have the responsibility to tell this story, and I feel honored to be able to express what I think, what I feel, and what a lot of other people feel through what I love doing. For me, it’s an unfortunate thing. I wish this was crazy, and I wish Handmaid’s Tale was insane Game of Thrones shit and pure fantasy. I wish that were true. But it’s not.
And you’re the face of the show, which in and of itself is a tremendous responsibility.
I’m not a politician—I’m just a person, and a woman. I believe that June stands for any person—man, woman, whatever you want to identify as, whoever you want to love, whoever you want to believe—who’s had their human rights taken away, who’s been abused, or who’s felt like they didn’t have a choice, or felt like they couldn’t live the life they wanted to live. You can take the personal and make it political very quickly, and that’s my job: to put a face to the people who don’t have that, and to give a voice to the people who don’t have a voice. What’s really gratifying to me is when someone in another country—that’s far closer to Gilead than we are—who’s gay comes up to me and says, “I feel like I’ve watched the show and it’s given me hope; I feel like I’m not alone.” That, to me, is what I value. That’s important to me.
Elisabeth Moss as Peggy Olson on 'Mad Men'
AMC
You were brilliant on Mad Men. Have you thought about how the show’s aged, amid #MeToo, Time’s Up and our current cultural climate?
It wouldn’t be so cute now, would it?
It seemed there were different camps of Mad Men viewers. There were people like myself who watched the show and respected these courageous women pushing back against this patriarchal system, and there were people who watched it as some sort of cultural wish-fulfillment fantasy, and wished America could return to those times where men behaved badly with impunity.Totally—except I think the thing that Mad Men did is we actually did show the consequences of that behavior. We did show the consequences of drinking, smoking, infidelity, and harassing women. I think Mad Men lines up perfectly with the #MeToo movement and Time’s Up because it’s a feminist show, and if you watch the entire thing, Don starts out as the hero, the sex symbol, the guy on top, the guy you want to be, and near the end, he’s broken, he’s alone and he’s miserable. And it’s Peggy who has it all. So for me, there was a way to go with that show which is what you just said, which was like, “Oh god, that’s not very feminist!” but I think the way that Matt [Weiner] did it was brilliant because he told the story accurately and he gave the women the power.
I need to re-watch it now and see how it’s aged, but I agree.
Same with Joan, too—Christina Hendricks’ character. It’s one of the most powerful female characters ever written and one of the most harassed. That’s something that will make that show timeless, and I’m so glad it went that way. And that’s the truth: women fought back, women started to demand equal pay, women started to say “you can’t do that anymore.” Women did that. So we just followed history.
Listen, it’s a complicated thing because the things that I believe in, I can only speak to my personal experience and my personal beliefs. One of the things I believe in is freedom of speech. I believe we as humans should be able to critique things. I believe in freedom of the press. I believe in people being able to speak their own opinions. I don’t ever want to take that away from anybody, because that actually is very important to me. At the same time, I should hope that people educate themselves for themselves and form their own opinion, as I have. The things that I believe in personally, for me, The Handmaid’s Tale, and the ability to do something that is artistically fulfilling but is also personally fulfilling, I’ve never had that. The Handmaid’s Tale lines up so perfectly parallel with my own beliefs in freedom of speech, freedom of religion, and the things that this country was actually built on.
Whatever happens, I’m never going to take away your right to talk about something or believe something, and you can’t take away mine.— Elisabeth Moss
I once spoke with Neil deGrasse Tyson about Scientology and he argued that much of the criticism it receives is because it’s newer and weirder. But I’m sure you’ve heard the criticisms of Scientology—from “disconnection” to the sums of money some adherents have been forced to fork over to it. Is the argument, then, that what it’s doing is not worse than, say, what the Catholic Church has done with its systematic abuse of children? I’m curious where you stand.
Right. It’s funny, there’s two things you’re never supposed to talk about at a dinner—politics or religion—and of course I’m doing The Handmaid’s Tale, which is politics and religion, so it’s a strange situation where you’re going to be asked about these topics. I choose to express myself in my work and my art. I don’t choose to express myself about it in interviews. I don’t choose to talk about not just religion, but my personal life—who I’m dating and that kind of thing. So for me, it’s so hard to unpack in a sound bite or an interview, but I will say that the things that I truly believe in are the things that I’ve mentioned, and I think that they’re very important. I think people should be allowed to talk about what they want to talk about and believe what they want to believe and you can’t take that away—and when you start to take that away, when you start to say “you can’t think that,” “you can’t believe that,” “you can’t say that,” then you get into trouble. Then you get into Gilead. So whatever happens, I’m never going to take away your right to talk about something or believe something, and you can’t take away mine.
Scientology—especially in L. Ron Hubbard’s writings—has a history of being quite anti-LGBT.
Which is not where I stand. It’s like, it’s a lot to get into and unpack that I can’t do. But that is not my bag. I am obviously a huge feminist and huge supporter of the LGBTQ community and believe so strongly—I can’t even tell you—in people being able to do what they want to do, to love who they want to love, to be the person that they want to be—whoever that is. To me, it’s a huge reason why I love doing the show. That’s all I can say. I can’t speak to what other people believe, I can’t speak to what other people’s experiences have been. That’s where I stand and the only place I can speak from is my own.
The Handmaid’s Tale does seem remarkably in tune with the times. Just last week there was the case of an Alabama man suing an abortion clinic on behalf of an aborted fetus, as well as Georgia’s controversial “heartbeat bill.” And that powerful Super Bowl ad really brought home how much the show is seen by many as an act of resistance against this administration, and the assault on reproductive rights.
It’s an honor. We went to D.C. and shot at the Lincoln Memorial, and I find it incredibly moving what Lincoln stood for, what’s written on the walls, what those monuments stand for. The principles that this country was built on are important and we’re losing them—and perhaps we’ve already lost them. You feel a sense of responsibility and you feel honored telling this story at this time. When you’re kneeling on the steps in front of the Lincoln Memorial, you’re looking at where MLK gave his ‘I Have a Dream’ speech, you’re in the outfit of complete lack of freedom, and your president is a few blocks away arguing about putting up a wall, you can’t help but feel that you have the responsibility to tell this story, and I feel honored to be able to express what I think, what I feel, and what a lot of other people feel through what I love doing. For me, it’s an unfortunate thing. I wish this was crazy, and I wish Handmaid’s Tale was insane Game of Thrones shit and pure fantasy. I wish that were true. But it’s not.
And you’re the face of the show, which in and of itself is a tremendous responsibility.
I’m not a politician—I’m just a person, and a woman. I believe that June stands for any person—man, woman, whatever you want to identify as, whoever you want to love, whoever you want to believe—who’s had their human rights taken away, who’s been abused, or who’s felt like they didn’t have a choice, or felt like they couldn’t live the life they wanted to live. You can take the personal and make it political very quickly, and that’s my job: to put a face to the people who don’t have that, and to give a voice to the people who don’t have a voice. What’s really gratifying to me is when someone in another country—that’s far closer to Gilead than we are—who’s gay comes up to me and says, “I feel like I’ve watched the show and it’s given me hope; I feel like I’m not alone.” That, to me, is what I value. That’s important to me.
Elisabeth Moss as Peggy Olson on 'Mad Men'
AMC
You were brilliant on Mad Men. Have you thought about how the show’s aged, amid #MeToo, Time’s Up and our current cultural climate?
It wouldn’t be so cute now, would it?
It seemed there were different camps of Mad Men viewers. There were people like myself who watched the show and respected these courageous women pushing back against this patriarchal system, and there were people who watched it as some sort of cultural wish-fulfillment fantasy, and wished America could return to those times where men behaved badly with impunity.Totally—except I think the thing that Mad Men did is we actually did show the consequences of that behavior. We did show the consequences of drinking, smoking, infidelity, and harassing women. I think Mad Men lines up perfectly with the #MeToo movement and Time’s Up because it’s a feminist show, and if you watch the entire thing, Don starts out as the hero, the sex symbol, the guy on top, the guy you want to be, and near the end, he’s broken, he’s alone and he’s miserable. And it’s Peggy who has it all. So for me, there was a way to go with that show which is what you just said, which was like, “Oh god, that’s not very feminist!” but I think the way that Matt [Weiner] did it was brilliant because he told the story accurately and he gave the women the power.
I need to re-watch it now and see how it’s aged, but I agree.
Same with Joan, too—Christina Hendricks’ character. It’s one of the most powerful female characters ever written and one of the most harassed. That’s something that will make that show timeless, and I’m so glad it went that way. And that’s the truth: women fought back, women started to demand equal pay, women started to say “you can’t do that anymore.” Women did that. So we just followed history.
DAILY BEAST APRIL 2019
EXCERPT
READ THE REST HERE
ORIGINALLY SCIENTOLOGY PROMOTED RELIGIOUS FREEDOM BECAUSE IT WAS NOT CLASSIFIED AS SUCH ANYWHERE ELSE BUT THE USA WHERE ANYONE CAN CREATE A NOT FOR PROFIT RELIGIOUS CHARITY FOR ANY PURPOSE, INCLUDING WORSHIPPING THE GREAT SPAGHETTI MONSTER.
IT WAS AND IS DESCRIBED AROUND THE WORLD AS A CULT, THOUGH IT HAS SUCCEEDED IN SOME COUNTRIES IN BEING DEFINED AS A RELIGION INCLUDING CANADA BUT NOT GERMANY.
BUT OTHER COUNTRIES STANDARDS OF RELIGIOUS FREEDOM THAT RESTRICT SCIENTOLOGY BUT ACCEPT CULTS LIKE JEHOVAH WITNESSES, MORMONS, PENTECOSTALS, ETC. ETC. ARE ENGAGING IN RELIGIOUS DISCRIMINATION AND WOULD PROBABLY RESTRICT WICCANS, PAGANS AND OTHER NEW RELIGIOUS MOVEMENTS.
New Evidence Says US Misled Canada About Case Against Huawei's CFO - Chinese Media
© REUTERS / TINGSHU WANG 25.07.2020
Meng Wanzhou is the chief financial officer of Huawei, the company at the heart of a multi-faceted conflict between the United States and China. The executive argues that the United States misrepresented her statements that served as the basis for charges of wire and bank fraud.
Lawyers for Meng Wanzhou have submitted new evidence to a Canadian court suggesting that US prosecutors have mislead Canada about the case, Xinhua reports, citing new court filings.
Meng, Huawei’s chief financial officer, was arrested at Vancouver International Airport in December 2018 on a US warrant and is currently fighting extradition to the United States.
She is accused of lying to the bank HSBC about the nature of Huawei’s relationship with its Hong Kong affiliate Skycom. According to US prosecutors, Huawei used Skycom as a shell company to do business with Iranian telecommunications companies, in violation of sanctions the US had in place against Iran at the time.
Huawei and Meng, who is the daughter of the company’s founder, deny any wrongdoing and insist that Skycom was a separate business partner in Iran.
Meng’s charges are based on a 17-slide PowerPoint presentation she gave to a senior HSBC employee in August 2013, which describes the links between Huawei and Skycom as “normal business cooperation”.
According to Xinhua, Meng’s defence argues in a new filing that the US had intentionally omitted crucial parts of that presentation. These include her statements about “cooperative relationship with Skycom in Iran” and the “regulatory compliance measures Huawei was taking so as not to violate the US relevant export controls”.
The new disclosure says that Meng admitted during the presentation that Huawei had once held shares in Skycom and she was a director of the Hong Kong firm. By the time of the meeting, however, Huawei had sold all its shares and Meng stepped down as Skycom director, her lawyers claim.
© SPUTNIK / ALEXEI DRUZHININ
Meng Wanzhou, Chief Executive Officer, Huawei Technologies, attending the 6th Annual VTB Capital Investment Forum "Russia Calling" at the World Trade Center, October 2, 2014
Expert testimony included in this new filing also claimed, according to the report, that HSBC “only needed to understand that Huawei and Skycom had business cooperation in Iran to assess its own compliance risks” and didn’t need to be informed about their relationship in this case.
Meng’s defence team maintains that by not disclosing this information in their submissions to Canadian court, US prosecutors have been “seriously misleading” Canada about the case.
Meng’s lawyers on Thursday also accused President Donald Trump of using the Huawei executive as a “bargaining chip” in his trade war with China.
The US president has cracked down on Huawei and other Chinese tech firms in recent years, citing allegations of espionage and intellectual property theft which Huawei strongly denies. The United States has also pushed its allies to cut Huawei out of their burgeoning next-generation wireless networks, banned the telecoms giant from doing business with American firms, and sought to choke off its supplies of vital microchips.
China’s Foreign Ministry has repeatedly urged Canada to release Meng and ensure her safe return to China. Her extradition case, originally scheduled to wrap up this October, has been stretched until April 2021 because of the coronavirus pandemic.
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