Monday, October 18, 2021


Was There Life beyond the Life Beyond? 

Byzantine Ideas on Reincarnation and Final Restoration

Reincarnation: The Politics of the Psychonoetic Body in Western Esotericism

Reincarnation in Abrahamic Religions

Perspectives on Reincarnation: Hindu, Christian, and Scientific (January 2019, MDPI)

Reincarnation in America: A Brief History

Reincarnation (Tanāsukh) According to Islam: Comparative, Historical and Contemporary Analyses

Reincarnation in The Secret Doctrine

A Gateway To Europe’s Orient(s): Austria in Nineteenth- Century British Travel Writing and Vampire Fiction

The Hunt for an Eternal Legacy: 

Putin and the Vampire Legend in Modern Russia


FOLKLORICA 201
8, Vol. X
XII25

'The Hunt for an Eternal Legacy: Putin and the Vampire Legend in Modern
Russia
Colleen Lucey
University of Arizona
Tucson, AZ, USA

Melissa Miller
University of Notre Dame Notre Dame, IN, USA

Abstract
Today’s image of the vampire in Russia is a fascinating case study in how people both bring Slavic folklore to life in the digital age and how they make use of developing technologies to participate in political protest. For instance, online commentators and political cartoonists portray Russia’s current president, Vladimir Putin, as a modern-day vampire who feeds on the dual policies of expansionism and political repression. On the other hand, his uncanny ability to avoid the signs of aging bolsters his hold on power and further aligns Putin with the vampire and the character’s subsequent iterations in popular culture. Using the vampire t o convey political and social anxieties predates Putin’s presidency. Given the vampire’s possession of taboo knowledge and its ability to wreak havoc on communities, the figure appears as a simulacrum for a politically savvy, yet heinously unjust, ruler. 

From the tyrannical Vlad Dracula (1431-1476) who impaled his advisories, to the display of Vladimir Lenin’s (1870-1924) embalmed, seemingly “undead” body on Moscow’s Red Square, longevity of the state has paralleled the search for ultimate sovereignty, both in life and in death. 

This article examines a variety of folktales, fiction (including Stoker's Dracula and
Pelevin's Empire V ) and media (including film and memes). We argue that the supernatural in modern Russia in the form of the vampire legend performs
paradoxical functions, in that it both serves to legitimize the autocratic state, while at the same time is weaponized (by journalists, artists, Internet users) to critique the Putin regime.

“Unfortunately, he is a vampire.”
-
Liudmila Putina describing her husband Vladimir Putin  

In the summer of 2008, the Russian tabloid Tainy zvёzdSecrets of the Stars featured a youthful, smiling Vladimir Putin on its cover (Figure 1). the issue created a frenzy at kiosks


Figure 1: Image reproduced courtesy of Bauer Media Group, Russia.
around the country, setting a new sales record as the Russian public eagerly purchased available copies. What drove citizens from all parts of the country to buy this particular tabloid? 

 Certainly, it promised titillating reading material: unpublished photos of the president; provocative details on his past relations with women; and two pin-up posters of a topless Putin to share with friends and family. 


But one cover story likely caught the eye of potential buyers —an exposé from none
other than the president’s wife, Lyudmila Putina. According to the tabloid, she had shocking news to share with the public: her husband was a vampire.































 THE SYMBOLIC CONSTRUCTIONOF THE MONSTROUS – THE ELIZABETH BATHORY STORY 



This article analyzes several kinds of monsters in western popular culture today: werewolves, vampires, morlaks, the blood-countess and other creatures of the underworld. By utilizing the notion of the monstrous, it seeks to return to the most fundamental misconception of ethnocentrism: the prevailing nodes of western superiority in which tropes seem to satisfy curiosities and fantasies of citizens who should know better but in fact they do not. The monstrous became staples in western popular cultural production and not only there if we take into account the extremely fashionable Japanese and Chinese vampire and werewolf fantasy genre as well. In the history of East European monstrosities, the story of Countess Elizabeth Bathory has a prominent place. Proclaimed to be the most prolific murderess of mankind, she is accused of torturing young virgins, tearing the flesh from their living bodies with her teeth and bathing in their blood in her quest for eternal youth. The rise and popularity of the Blood Countess (Blutgräfin), one of the most famous of all historical vampires, is described in detail. In the concluding section, examples are provided how biology also uses vampirism and the monstrous in taxonomy and classification. 

Key words: scholarship; monstrosity; vampirism; blood-countess; Elizabeth Bathory  



Nar. umjet. 46/1, 2009, pp. 133-159, 
L. Kürti, The Symbolic Construction of the Monstruous…
Original scientific paper Received: 2nd Jan. 2009 Accepted: 15th Feb. 2009UDK 392.28:291.13]
133
LÁSZLÓ KÜRTIUniversity of Miskolc, Miskolc



The Proliferating Undead (Review Essay)


Review Essay:The Proliferating Undead
Jeffrey Andrew Weinstock 
 Vol. 19, No. 3,
 Journal of the Fantastic in the Arts
Copyright © 2008, International Association for the Fantastic in the Arts.
 
 Abbott, Stacey.
Celluloid Vampires: Life After Death in the Modern World.
 Austin:University of Texas Press, 2007. 266 pp. Soft cover. ISBN 9780292716964.$24.95.Bak, John S., ed.

Post/Modern Dracula: From Victorian Themes to PostmodernPraxis.
Newcastle: Cambridge Scholars Press, 2007. 162 pp. Hardcover.ISBN 9781847182005. $49.99.Keyworth, David.

Troublesome Corpses: Vampires & Revenants from Antiquity to the Present.
Essex: Desert Island Books Limited, 2007. 320 pp. ISBN9781905328307. £30.McClelland, Bruce A.

Slayers and Their Vampires: ACultural History of Killing the Dead.
 Ann Arbor: University of Michigan Press, 2006. 260 pp. Softcover. ISBN 9780472069231. $19.95.

As Stephen D. Arata observes in his seminal essay on Dracula , “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization,” what marks the vampire in Stoker’s vampire ur-text is his monstrous  fecundity.

What Dracula does and aspires to do (much to the dismay of Stoker’s “Crew of Light,” to borrow from Christopher Craft) is to procreate, to create more vampires—a premise that has been elaborated upon to the point of absurdity in twentieth- and twenty-first century vampire fiction and film (if everyone is a vampire, what's left to eat?). A hallmark of the vampire tradition in fiction and cinema is thus the anxiety of the living over the potential proliferation of the undead. But vampires seem to breed more vampires wherever they go.


Blood Spirits: A Jungian Approach to the Vampire Myth


282 Pages
PhD Thesis on the vampire myth in history and the media.


Possibly Oriental elements in Slavonic folklore. Upiór ~ wampir

2017, M. Németh, B. Podolak and M. Urban (ed.). Essays in the history of languages and linguistics. Dedicated to Marek Stachowski on the occasion of his 60th birthday
58 Pages
The two creatures in the title have attracted the attention of ethnographers and etymologists alike for more than a century now, resulting in several theories, more than twenty etymologies, and no consensus. The present paper evaluates these proposals and adds to them yet another one. It also presents linguistic and extra-linguistic data that strengthens some of them and weakens others. The proposal favoured by the authors is presented in more detail, and with new supporting evidence.