Thursday, July 13, 2023

ICTHYOLOGY

Deciphering fish species interactions for climate change insights


Peer-Reviewed Publication

HONG KONG UNIVERSITY OF SCIENCE AND TECHNOLOGY

One of the 11 sites where eDNA sampling was conducted, rocky shore in Mera in Chiba, Japan 

IMAGE: ONE OF THE 11 SITES WHERE EDNA SAMPLING WAS CONDUCTED (TOP LEFT; ROCKY SHORE IN MERA IN CHIBA, JAPAN). THE COLLECTED EDNA SAMPLES WERE ANALYZED USING A DNA SEQUENCER TO OBTAIN EDNA TIME-SERIES DATA (BOTTOM LEFT). THIS DATA WAS THEN ANALYZED USING CUTTING-EDGE TIME-SERIES ANALYSIS METHODS TO ESTIMATE FISH-FISH INTERACTIONS (RIGHT FIGURE; ARROWS INDICATE INTERSPECIFIC INTERACTIONS). view more 

CREDIT: HKUST




A team led by the Hong Kong University of Science and Technology (HKUST) has developed a technique to study how different fish species interact with each other in a coastal region, a breakthrough that helps explain the complex relationships among marine species and how global warming impacts fish populations.

By analyzing minute traces of fish DNA from samples of seawater, the team combined the use of environmental DNA – known as eDNA – and advanced statistical analysis to not only detect the presence of fish species, but also reveal how the species interact with each other.

The use of eDNA to monitor biodiversity has surged in popularity in recent years, particularly for detecting aquatic organisms like fish. As animals move through their environment, they shed fragments of genetic material, such as skin cells, waste products, and other body fluids. By extracting these traces of DNA from samples of water, soil, or air, scientists can determine the presence and diversity of species with high accuracy.

But previous eDNA studies have mostly been limited to detecting the presence or absence of certain species. To get a better understanding and monitoring of ecosystems, it is necessary to estimate the quantity of fish species and detect the interspecific interactions, or interactions among species.

The team, led by Prof. Masayuki USHIO, Assistant Professor of the Department of Ocean Science at HKUST and Dr. Masaki MIYA at Natural History Museum and Institute, Chiba, Japan, developed a new technique to achieve the abovementioned purpose by analyzing high-frequency time-series data from fish eDNA, making it possible to comprehensively monitor interactions among species.

Interspecific interactions, such as prey-predator, competitive, and mutualistic relations, have a significant impact on ecosystem dynamics. The research paves the way for scientists to contribute to more accurate assessment of the ecosystem status and future predictions of its dynamics.

The researchers set 11 study sites along the coast of the Boso Peninsula in Chiba Prefecture, Japan, where they conducted biweekly water sampling for two years. They extracted eDNA from the collected samples and analyzed fish communities using a method which generated the eDNA-based high-frequency time series of fish communities in coastal ecosystems. Then, they detected and quantified the strength of fish-fish interspecific interactions in the communities by analyzing the high-frequency eDNA time-series data using cutting-edge time-series analysis methods.

Among their important findings was that water temperature can have both positive and negative effects on how different fish species interact with each other. They also found that different fish species can react differently to changes in temperature, shedding light on how global warming can impact the complex relationships between fish species in coastal areas.

 

The findings were recently published in international academic journal eLife.

“By integrating state-of-the-art techniques from different scientific fields, we showed that eDNA analysis can estimate not only ‘what’ and ‘how many’ species are present, but also ‘who interacts with whom’”, Prof. Ushio says.

The framework can be used to study interactions between different types of organisms, not just fish. This includes microbes, crustaceans, and other invertebrates. For example, scientists could use the technique to study how different organisms interact in aquaculture systems. It could also help identify potential harmful pathogens that could impact commercially important fish species.

In the long run, he said the research could help scientists and policymakers better understand how climate change is impacting fish populations, including commercially important and rare species.

 

“This information can be used to develop better conservation strategies to protect these species and ensure the long-term sustainability of oceans. For example, to conserve a rare species, it may be important to also protect a fish species that has a significant impact on the rare species,” he says.

 

The team will soon explore new technologies, such as automated water sampling systems and seawater sampling with underwater drones, to make eDNA analyses more efficient and effective, to further our understanding of how organisms interact with each other in nature, such as how pathogens impact fish populations.

They also plan to use advanced DNA sequencing technology to investigate eDNA sequences in more detail, such as with long-read sequencing.

“By utilizing these new technologies and collaborating with experts from different fields, we can continue to advance our understanding of how climate change impacts marine ecosystems, and develop better ways to protect them,” he says.

 

Acoustics researchers decompose sound accurately into its three basic components


Any sound can now be perfectly replicated by a combination of whistles, clicks, and hisses, with implications for sound processing across the media landscape


Peer-Reviewed Publication

AALTO UNIVERSITY

Sound decomposed into sines, transients and noise with the SiTraNo app 

IMAGE: LEONARDO FIERRO AND VESA VÄLIMÄKI OF THE AALTO ACOUSTICS LAB DEMO THE SITRANO APP FOR SOUND DECOMPOSITION view more 

CREDIT: ANNA BERG/AALTO UNIVERSITY




Researchers have been looking for ways to decompose sound into its basic ingredients for over 200 years. In the 1820s, French scientist Joseph Fourier proposed that any signal, including sounds, can be built using sufficiently many sine waves. These waves sound like whistles, each have their own frequency, level and start time, and are the basic building blocks of sound.

However, some sounds, such as the flute and a breathy human voice, may require hundreds or even thousands of sines to exactly imitate the original waveform. This comes from the fact that such sounds contain a less harmonical, more noisy structure, where all frequencies occur at once. One solution is to divide sound into two types of components, sines and noise, with a smaller number of whistling sine waves and combined with variable noises, or hisses, to complete the imitation.

Even this ‘complete’ two-component sound model has issues with the smoothing of the beginnings of sound events, such as consonants in voice or drum sounds in music. A third component, named transient, was introduced around the year 2000 to help model the sharpness of such sounds. Transients alone sound like clicks. From then on, sound has been often divided into three components: sines, noise, and transients.

The three-component model of sines, noise and transients has now been refined by researchers at Aalto University Acoustics Lab, using ideas from auditory perception, fuzzy logic, and perfect reconstruction.

 

Decomposition mirrors the way we hear sounds

Doctoral researcher Leonardo Fierro and professor Vesa Välimäki realized the way that people hear the different components and separate whistles, clicks, and hisses is important. If a click gets spread in time, it starts to ring and sound noisier; by contrast, focusing on very brief sounds might cause some loss of tonality.

This insight from auditory perception was coupled with fuzzy logic: at any moment, part of the sound can belong to each of the three classes of sines, transients or noise, not just one of them. With the goal of perfect reconstruction, Fierro optimized the way sound is decomposed.

In the enhanced method, sines and transients are two opposite characteristics of sound, and the sound is not allowed to belong to both classes at the same time. However, any of two opposite component types can still occur simultaneously with noise. Thus, the idea of fuzzy logic is present in a restricted way. The noise works as a fuzzy link between the sines and transients, describing all the nuances of the sound that are not captured by simple clicks and whistles. ‘It’s like finding the missing piece of a puzzle to connect those two parts that did not fit together before,’ says Fierro.

This enhanced decomposition method was compared with previous methods in a listening test. Eleven experienced listeners were individually asked to audit several short music excepts and the components extracted from them using different methods.

The new method emerged as the winning way to decompose most sounds, based on the listeners’ ratings. Only when there is a strong vibrato in a musical sound, such as in a singing voice or the violin, all decomposition methods struggle, and in these cases some previous methods are superior.

A test use case for the new decomposition method is the time-scale modification of sound, especially slowing down of music. This was tested in a preference listening test against the lab’s own previous method, which was selected as the best academic technique in a comparative study a few years ago. Again, Fierro’s new method was a clear winner.

‘The new sound decomposition method opens many exciting possibilities in sound processing,’ says professor Välimäki. ‘The slowing down of sound is currently our main interest. It is striking that for example in sports news, the slow-motion videos are always silent. The reason is probably that the sound quality in current slow-down audio tools is not good enough. We have already started developing better time-scale modification methods, which use a deep neural network to help stretch some components.’

The high-quality sound decomposition also enables novel types of music remixing techniques. One of them leads to distortion-free dynamic range compression. Namely, the transient component often contains the loudest peaks in the sound waveform, so simply reducing the level of the transient component and mixing it back with the others can limit the peak-to-peak value of audio.

Leonardo Fierro demonstrates how the “SiTraNo” app can be used to break sound into its atoms – in this case himself rapping, in this video: https://www.youtube.com/watch?v=nZldIAYzzOs

Graphic novels help construct the discourse of historical memory


Graphic novels, which combine text and images, are an effective format for introducing readers to past events

Reports and Proceedings

UNIVERSITAT OBERTA DE CATALUNYA (UOC)




In Spain, 68.4% of the population over the age of 14 reads books. Most of these people read for pleasure in their spare time, choosing the genres that interest them most according to their personal tastes and preferences. One of the preferred genres among Spaniards, which is becoming ever more popular, is comics and graphic novels. According to GfK's report El mercado del libro en España (The Spanish Book Market), sales of comics and graphic novels grew by 10% between 2021 and 2022, accounting for 8% of all book sales.

One of the key features of comics and graphic novels is the use of visual impact to capture the reader's attention, give characters their own voice and share protagonists' experiences. This is why this format is often used to build the discourse of memory. Works such as Persepolis and Maus are examples of a historical memory recovery subgenre that also exists in Spain.

For her doctoral thesis, Carmela Artime Omil, a researcher at the Universitat Oberta de Catalunya (UOC), examined the contribution of comics to the construction of historical memory and the way their format and characteristics enable them to form a bridge in Spain between those who lived through the war and post-war period and the generations that came later.

 

Food for thought

Graphic novels tell stories through a combination of visual and written language. All kinds of artistic and literary resources are used in this genre, including illustrations, documents, photographs, and stories with several protagonists or a first-person narrator. As a result, many works in this genre successfully connect readers with their characters, making them a very effective way to build a memory discourse aimed at condemning facts.

"The graphic part of comics is very useful when it comes to making readers confront certain images and events from the past," said Artime, who wrote and defended her thesis Memory construction in the contemporary graphic novels (2005-2015): the Spanish Civil War and its aftermath under the doctoral programme in the Information and Knowledge Society. "Some graphic novels use visual impact to capture the reader's attention, even appearing to want to elicit a reaction," she said.

A good example of this is The Art of Flying, which brings emaciated bodies to the foreground as a symbol of suffering in exile and a condemnation of the way people in this situation were abandoned by the French authorities. Another example is Cuerda de presas, which, to explain how women's bodies became a battleground and a punishment system, shows how women had their genitals tortured and were raped by their jailers.

Furthermore, the language of comics leads to a reflective reading method in which readers are encouraged to focus on the graphic elements in order to fully understand the story. "The ability to go back and check something using a stimulus not involving words is an advantage of the language of comics," said Artime, whose research work was supervised by Teresa Iribarren, a researcher in the IdentiCat (Language, Culture and Identity in the Global Age) group of the UOC's Faculty of Arts and Humanities. "Readers can spend as long as they need on this reflection, as they can move quickly across the page or stop to look at an illustration and examine it more closely," she said.

Another advantage of using graphic novels in historical narrative is that they can combine the two separate aspects of fact and fiction. Many works contain real-life documents (such as letters or family photographs), make reference to historical events or mention the author's research process. All this helps to bring the protagonists' personal experience to the present day.

 

Narrating the Spanish Civil War

One of the main conclusions of Artime's thesis is that today's Spanish graphic novels are highly political in nature and clearly intended to denounce real situations. "What you can see in these novels is the need to tell history again, to reflect, celebrate and expose the lives of those who lived through the war and the post-war period. You can see a clear political intention and a desire to condemn events and demand a response."

"Many of these novels pay homage to personal stories and allow them to be told by their protagonists. This way, comics tell their stories by placing characters' voices and bodies at the centre, in a context in which recovering the bodies of the people who disappeared at the time of the events is a key part of the discussion on memory," said Artime.

Graphic novels thus seek to give their protagonists a tangible form, something known as "embodiment". According to Artime, the most obvious way of doing this is by assimilating participants' experiences. "This is what the narrator of The Art of Flying does by embracing his father's character and merging the two voices into one. Furthermore, the use and reproduction of personal items, such as letters, photographs, private notes and diaries, also help recover the memory of past experiences and bring them back to the present day," said the UOC researcher by way of illustration.

Artime's thesis also concludes that there is a change in the discourse of memory in contemporary novels. Personal pain clearly permeates the works written by the generation of the protagonists' children. But today's works, which were written by their grandchildren's generation, are marked by the authors' own political discourse and expectations of history.

 

A format for disseminating, educating and raising awareness

Graphic novels and comics have become a significant dissemination and education tool in recent years. The apparent simplicity of their format encourages the public to read them and helps to explain complex stories and concepts.

"Comics are increasingly being used in classrooms in all fields of knowledge, but I think their use could go much further," said Artime. "It can help students to develop their creativity and reading comprehension, as well as their love of reading. Furthermore, the large number of comic titles and the wide range of topics covered by them make this genre a good tool for use in the classroom and for encouraging reflection in any field".

There is a long list of novels that reflect on memory and historical memory. Artime highlighted Art Spiegelman's Maus, Marjane Satrapi's Persepolis and the works of Guy Deslisle and Joe Sacco as some of the most important and internationally renowned. "In addition to these best-known works, I usually recommend The Boxer by Reinhard Kleist and Fatherland by Nina Bunjevac," said the UOC researcher.

As for Spanish graphic novels about the Spanish Civil War, she recommends Cuerda de presasThe Art of FlyingLos surcos del azar and the works of Pablo Uriel. "But the most exemplary figure in the field of historical memory comics is Carlos Giménez, the author of Paracuellos and 36-39 Malos tiempos. Many of the images contained in modern graphic novels about the Spanish Civil War seem to have been inspired by the drawings of Giménez, who used comic strips to denounce events and express his opinions," said Artime.      

The next step for the UOC researcher is to publish her thesis as an essay in order to reach academic audiences. By doing so, she hopes to help include the case of Spain in the international study of historical memory and the construction of identity.

 

This research supports UN Sustainable Development Goal (SDG) 4, quality education.

 

UOC R&I

The UOC's research and innovation (R&I) is helping overcome pressing challenges faced by global societies in the 21st century by studying interactions between technology and human & social sciences with a specific focus on the network society, e-learning and e-health.

Over 500 researchers and more than 50 research groups work in the UOC's seven faculties, its eLearning Research programme and its two research centres: the Internet Interdisciplinary Institute (IN3) and the eHealth Center (eHC).

The university also develops online learning innovations at its eLearning Innovation Center (eLinC), as well as UOC community entrepreneurship and knowledge transfer via the Hubbik platform.

Open knowledge and the goals of the United Nations 2030 Agenda for Sustainable Development serve as strategic pillars for the UOC's teaching, research and innovation. More information: research.uoc.edu.

 

A Magical Handbook for the Afterlife


Book Announcement

UNIVERSITY OF WÃœRZBURG



The path to "paradise" is open to people who have led a pious life free of sins. With a clear conscience, they can recite the "negative confession of sins" after their death before 42 judges of the dead: 42 times they negate having committed 42 different sins such as murder, theft, adultery, cultic impurity.

Anubis, the god of embalming, then weighs their heart. If the heart is as light as a feather on the other side of the scale, the dead person may live forever. A sinful person’s destiny is quite different. If his heart is too heavy because of his sins, the devourer comes and annihilates the sinner. As a shadow, he is thus excluded from further existence.

Publication by Oxford University Press

At least that is what we read in the Book of the Dead—a collection of Egyptian texts on papyri or mummy bandages that were given to distinguished deceased persons in their graves from the New Kingdom onwards (1540 to 1075 BC). The Book of the Dead is the focus of a new handbook now published by Oxford University Press. The editors are Professor Martin Andreas Stadler, Chair of Egyptology at the Julius Maximilian University of Würzburg (JMU), and Rita Lucarelli, Associate Professor of Egyptology at the University of California, Berkeley.

"Among the broad spectrum of ancient Egyptian religious literature, the Book of the Dead is the most representative work for the study of the ancient Egyptian mortuary religion as well as the magical and ritual practices associated with it," explains Martin Andreas Stadler. Its rich corpus of texts and images, he says, provides unique information about the practices of scribes, the religion of the dead, myths and priestly rituals in ancient Egypt from the second millennium to the second century BCE. The Book of the Dead was thus itself an important manual for Egyptians with magical knowledge to help them master the difficult and dangerous path to the afterlife.

No Book of the Dead is like the other

However, anyone who wants to study the Book of the Dead is not only confronted with an extensive research literature dating back almost 200 years but is also literally overwhelmed by the sheer mass of surviving textual evidence. "No two books of the dead are alike. That's just the way it is in a manuscript tradition," says Stadler.

Over the almost 2,000 years, the reception has also changed. "We can observe how even the Ancient Egyptians no longer understood some words at some point and then replaced them with new ones that perhaps gave the text a completely different meaning, sometimes also established new myth traditions," says Stadler. That is why it is "immensely complex" to deal with the ancient Egyptian Book of the Dead.

First comprehensive orientation in the thicket of secret knowledge

This is where the new handbook comes in. In five parts, comprising 28 chapters, the new handbook presents the current state of research on the Book of the Dead. Twenty-five scholars from ten countries explain, among other things, the history of the text, the types of sources, the position of the Book of the Dead in ancient Egyptian religion, special aspects of its content and its reception in modern times. The Oxford Handbook of the Ancient Egyptian Book of the Dead is thus the first major handbook to collect and synthesise the wide-ranging scholarship on the Book of the Dead as well as the broader literature on ancient Egyptian religion and magic.

"This collection of contributions by experts will be useful for both curious students and experienced scholars, including those from neighbouring disciplines," Martin Andreas Stadler and Rita Lucarelli are certain. In their opinion, the handbook will become an important tool for any research on the Book of the Dead in the coming years.

The editors

Martin Andreas Stadler was appointed Heisenberg Professor of Ancient Egyptian Cultural History in the Ptolemaic-Roman Period at the University of Würzburg in 2011. He is full professor of Egyptology there since then. He taught as a acting professor at the University of Tübingen in 2009/10 and was a visiting professor in Paris in 2015. His research focuses on Egyptian funerary art, demotic literature and Egyptian religion, including the Ptolemaic-Roman period. In particular, he explores the question of whether and how Egyptians preserved their cultural identity during the period of Greek and Roman rule.

Rita Lucarelli is associate professor of Egyptology at the University of California Berkeley and curator of Egyptology at the Phoebe A. Hearst Museum of Anthropology in Berkeley. She worked as a research fellow and lecturer at the Institute of Egyptology at the University of Bonn, where she was part of the team of the "Book of the Dead Project" of the North Rhine-Westphalian Academy of Sciences. She is currently working on a project to create 3D models of ancient Egyptian coffins, the "Book of the Dead in 3D".