Wednesday, April 02, 2025

APRIL 2, 1948 
FR. ACHAD 
(CHARLES STANSFIELD JONES) 
DECLARED THE AEON OF MAAT\ OR MA-ION


Wisdom in the Aeon of Maat 

I have recently been getting excited about the release of this forthcoming book published by those wonderful people at Starfire  and thought I’d share a piece of writing that appeared in my book The Heretic’s Journey that sought to explore the key role of Nema’s work in manifesting the aeon of Maat:

In reflecting upon the Aeon of Maat and how Nema’s own work developed the initial articulation by Frater Achad, I feel one of her wisest insights relates to the importance of “the double current” in seeking to develop a more balanced magical path. In contrast to simply seeing our current age as needing the mono-message of Thelema or Will, Nema’s own journey has been towards a place where the overlapping Aeons of Horus and Maat dialogue with each other.

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Horus; “Welcome!” Ma’at; “In peace.”

The issue of how Magicians in the West quantify progress has always been a tricky one. Yes, we may choose to rely on the grade system mapped out by a given Order that we participate in, but this is no guarantee of personal evolution. Grades and titles are not without value, but they seem to function primarily as markers of progress within the given sub-culture of that Order. I think a more interesting and potentially demanding question is how we translate any claimed maturation into social or cultural change.

Such dilemmas are not unique to overtly Gnostic or Magical religious paths, with most religions having to grapple with the more collective or political dimensions of their original spiritual message. Certainly in the Buddhist tradition the historical development of the Mahayana tradition (from the earlier Theravarda) reflects an attempt to explore the more collective implications of that philosophy.

The pursuit of true will as a project for the contemporary Mage certainly resonates with the existential and individualistic concerns of the 20th century that birthed Thelema, but is it enough? The icon of Horus as the conquering child certainly seems to capture the type of surging technological change of the last century, but to my mind this energy needs some counter-balance.

The primary symbolism in ancient Egypt regarding the goddess Maat reflect her position as the neter (divine principle) of justice and balance. The hieroglyph of the feather is seen as representing the breath of life, as well as the standard against which the human heart will be weighed at the judgement. Her other symbol of the ruler is in keeping with these ideas of accuracy, assessment and truth.

For Nema (and Achad) the importance of the Horus/Maat “double current” is that it at once acknowledges the need for a prophetic cleansing of a corrupt Piscean/Osirian age, while at the same time recognizing that such change needs balance and stabilization in order to prevent “Will” becoming egoic megalomania. I see great parallels between Maat and the Gnostic Sophia as the embodiment of wisdom. The punk rock energy of Horus may get the revolution started, but in the longer term we need our Aeons to overlap and to allow a multiplicity of perspectives to support us in the cultivation of a fairer society.

maat2

This idea of the Aeons being sequential and dominated by mono-mythologies is frequently promoted in esoteric lore, and while it may have been helpful and even accurate in times past, I believe that the value of such an approach is now limited. What Nema seems to be pointing towards (and which Maat herself embodies) is the importance of allowing these differing Aeonic currents to dance with and inform each other, and create what she describes as a “PanAeonic Magick”.

In my view Pete Carroll highlights something similar in his seminal “Mass of Chaos B”:

“In the first aeon, I was the Great Spirit
In the second aeon, Men knew me as the Horned God, Pangenitor Panphage. 
In the third aeon, I was the dark one, the Devil. 
In the fourth aeon, Men knew me not, for I am the Hidden One
. In this new aeon, I appear before you as Baphomet The God before all gods who shall endure to the end Of the Earth.”

Liber Null and Psychonaut

In contrast to those ages ruled by a singular narrative or dominant discourse, now is the time of Baphomet, a deity more overtly borne of humanity’s creative imagination. Baphomet embodies duality itself and transcends it, within their being they hold the ongoing process of dissolving and coming together.

I believe the Aeon of Maat with its core message of balance holds within it the possibility of the multiple, and the aspiration of being able to recognize numerous perspectives and approaches. Nema’s artistic depiction of N’Aton captures much of this as the half of their face that is visible contains a multitude of individuals dwelling in a futuristic city scape. N’Aton represents the potentiality of a future in which dualities are played with by the Magician: transcended, discarded, redefined and embraced in accordance with a true will that balances both individual freedom and collective responsibility.

The icon of N’Aton provides a potential map for the Magician’s project of self-sovereignty. N’Aton seeks to balance the needs for individual self-definition and collective connection. Rather than getting overly focused the type of brittle, self-obsession that can tip into solipsism or megalomania, for me N’Aton asks that any claims to insight are pressure tested in the realm of wider society. In many ways the Aeon of Maat closely parallels the description of the Aquarian age as described one of Nema’s magical colleagues Louise Martinie of the New Orleans Voodoo Spiritual Temple:

The Aeon in which we are presently incarnate has been called by various names. “Aquarian” seems to be the designation which is most widely used in the New World cultures. The Aquarian mode emphasizes profound searching, a reliance on experiential knowledge, and a uniting of diverse occult systems. Aeonic Voodoo seeks to incorporate these dispositions in its structure. 

Waters of Return: The Aeonic Flow of Voudoo

He then goes on to describe this Aeon’s defining features:

Anarchism; the state of being without a “frozen” hierarchy. Postdrogeny; the abrogation of all existent gender roles so that new perceptions may manifest. Feminism; as it is in the forefront in its stand against restriction and for human liberation. Equalitarianism; the belief that all people have equal political and social rights, and Nonviolence; a refusal to subject the self or others to physical coercion. 

Whether we define this Aeon as being Aquarian, of Maat, or holding a multiplicity of overlapping words, we seem to be moving towards a place where language and definitions are being asked to become more plastic and amorphous in trying to stay alive to the diversity of human experience.

Steve Dee

 November 22, 2019


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6 Pages

2008, Silver Star: A Journal of New Magick, Issue 9 (Spring Equinox, 2008)

Page numbers: 76-81
Publication date: 2008
Publication name: Silver Star: A Journal of New Magick, Issue 9 (Spring Equinox, 2008)

The brief ritual Nexus of Horus/Maat, composed by Aion 131 (= Denny Sargent) in 1995, is here given in full with commentary from various online sources. Many of the webpages and sites from which material was drawn in 2006-2007 are now defunct.


Methods of Maat (2024) excerpts: Introduction and The Distractions of Liber Salomonis

By Don Karr
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26 Pages

2024, Methods of Maat

Methods of Maat shows the inner workings of two Maat-centered entities, the OAI and 416, offering full transcripts of their most revealing texts.




SEE

https://ia8SEE00601.us.archive.org/35/items/KennethGrant/Nightside-of-Eden-KennethGrant_text.pdf

Fellowship of Ma-Ion. Secret magic order founded by "Frater Achad" (Charles Stansfeld Jones ), a close associate and magical child of magician Aleister Crowley.
35 See Chapter 8 for Frater Achad's interpretation of the Aeon of Maat. Page 14. 18. Cults of the Shadow. Immediately after this critical stage in the rite the ...

Charles Robert Stansfeld Jones aka Frater Achad, was a Canadian occultist and ceremonial magician. An early aspirant to the A∴A∴ (the 20th to be admitted as ...
The Frater Achad Library: 31 Hymns to the Star Goddess, Anatomy of the Body of God, Chalice of Ecstasy, Crystal Vision Through Crystal Gazing, Freedom an Essay.

METHODS OF MAAT. (excerpts). INTRODUCTION. THE DISTRACTIONS OF LIBER SALOMONIS. METHODS OF MAAT. Don Karr. © 2024. ####### © 2019/2024 Don Karr.

The 42 ideals of Ma'at · The following translation is by E. A. Wallis Budge from his original work of the Egyptian Book of the Dead. Each confession is preceded ...



Web Results

Jul 12, 2020 ... The Seven Principles of Ma'at. An error occurred. Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your ...

The seven principles are Truth, Justice, Harmony, Balance, Order, Propriety, and Reciprocity. What is Maat known for? Ma'at was an Ancient Egyptian Goddess who ...

Maat or Maʽat comprised the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice. Maat was also the goddess who ...



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