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Wednesday, March 03, 2021



How Tarot & Astrology Became Black & Brown Women’s North Star

Stephanie Long 

© Provided by Refinery29

Amber Finney, known as Amber The Alchemist, is steeping a cup of tea when we connect over Google Hangouts. The soft smoke of what is likely sage, incense or palo santo languidly billows from the bottom of her screen. Behind her hangs a tapestry of planets and constellations, as well as a poster illustrating various crystals. Below that sits a table of bottles and oils. Even through a screen, it’s exactly the backdrop you’d expect from someone whose life’s work includes ancestral healing through rituals and magic.

“I am from Hackensack, New Jersey,” Finney, a tarot reader and spiritual practitioner, says. “My grandparents are from Georgia and South Carolina, so I’m a product of the Great Migration.” Her great-great-grandfather was likely born into slavery, she shares, and was a root worker and healer in the 1800s; her mother, Jeannell, has been practicing divination for decades. Together, Finney and her mother run Brown Girl Alchemy, an online community dedicated to the ascension and healing of Black womanhood. “[My spirituality has] always been within me,” she states with a smile. “The work that I’m doing and the work that my mom is doing is a continuation [of my great-great-grandfather’s work]. We’re bridging the gap and bringing that spiritualism back to our ancestral.”

Finney and her mother aren’t the only ones. In the last 10 years, and especially amidst the COVID-19 pandemic when many have turned to divination as a means of solace and self-healing, Black and brown women have pivoted from Christianity and reconnected with spiritual practices rooted in African, Indigenous, and Latinx ancestry. Many of those practices — like tarot, astrology, and crystal healing — have become increasingly popular on social media, making conversation surrounding non-Christian Black and brown spirituality less taboo. In pop culture, superstars like Beyoncé have paid homage to figures like the Yoruba Orisha Oshun, goddess of female sensuality and fertility. Songs like Princess Nokia’s “Brujas” have become anthems for Black and brown witches everywhere. But before the age of Twitter, Tumblr, and Instagram, it was rare that you’d find Black and brown women speaking publicly of sacred practices. Until recently, much of the spiritual community represented online featured a more Eurocentric version of divination — “Black and Silver witchcraft,” a term The Hood Witch’s Bri Luna uses to describe the whitewashed “American Horror Story aesthetic” popular on Tumblr years ago — leaving little room for Black and brown women to feel seen or safe in an already stigmatized space. It’s why the spiritual resurgence happening amongst Black and brown women is more than a revival — it’s a reclamation.

“My grandmother practiced hoodoo. She’s from Louisiana and she lived in Texas,” Luna says. “I feel like most American Black families with Southern roots, there’s magic there, regardless of if they wanna call it that or not.” When she first launched The Hood Witch around 2014, the Los Angeles native — who is of Black and Mexican descent — was one of the only brujas representing Black and brown women in the online world of mysticism. “I was sharing metaphysical information; I was sharing tarot; I was sharing things that were already in my family, doing this visual storytelling [in my way]. I really think that opened doors for other women of color to connect back to their roots. This is something that was long overdue and very necessary.”

In order to understand where spirituality stands today, we look back at where Black spirituality was born, and how our relationship with it has evolved across generations.

The Roots Of Black Diasporic Religion
Provided by Refinery29

According to the Pew Research Center, Black Americans are more religious than the American public at-large. Because of this, many — particularly those of older generations — shy away from sharing their non-Christian spiritual practices, lest they risk condemnation from the community. Malorine Mathurin, for example, is a Brooklyn-based intuitive and hellenistic astrologer of Haitian descent, and says she kept her work “under wraps” during her early years as a diviner after being shunned by friends. “I had one friend who actually went and told everyone in junior high school that I was a witch,” she says. “It was very disturbing and very upsetting. People wouldn’t talk to me and would be very wary of me.”

This type of fear-driven response toward non-Christian spirituality is unfortunately typical from those who adhere to institutional Christianity. But, it didn’t have to be like this. As historical texts show, the word “religion” itself is fraught with a colonialist history. “In fact, the term gained popularity in the sixteenth century and was also imposed on native peoples and their practices during conquest and colonizing regimes,” says Khytie Brown, ethnographer and scholar of African diaspora religions and African American studies, and a research fellow at Princeton University. “‘Knowledge of God’ was often the Euro-Christian deployment of the term in which non-European peoples and their humanity were judged against,” she says. “That is, to ‘have religion’ meant that these cultures and peoples conformed to European notions of a belief in a higher power, usually a monotheistic one, with accompanying practices that they could approximate and compare with Christianity.”

Although Eurocentric Christianity has often been used as a tool of oppression, Black diasporic religion has long been a beacon in the Black community. Religion is both a spiritual and cultural anchor, as Brown describes, and its many forms offer identity and belonging. “In some sense, these practices predate the rupture caused by the TransAtlantic slave trade,” says Kijan Bloomfield, Assistant Professor of Religious Studies at Rhodes College. “Black religions also developed as a response to the violence of white supremacy. We often describe Black religion in the West as traditions that emerged in the ‘hush harbors’ or spaces that enslaved Blacks gathered in secret to worship and commune beyond the gaze of their white enslavers. However, Black religion also includes Islam and Judaism — both of which are part of a diverse tapestry of Black religious traditions.”

Bloomfield explains that when enslaved Africans were brought to the Americas, they came with their own set of indigenous spiritual and religious practices — including Christianity. As early as 1491, for example, the Kongo Kingdom in Central Africa had adopted Catholicism as its official religion. As a result, some of the people who were enslaved in places like Jamaica and Haiti — where large portions of the enslaved population came from Central Africa, and Kongo specifically — brought with them an African Christian background outside of the Christianity encountered in the new colonies. Conjure and hoodoo (U.S.), vodou (Haiti), and obeah (Jamaica) are all African diasporic religious practices that provided protection and healing. Back in the days of slavery, Black people looked to divination as a salve amid the terror and violence — both physical and psychological — inflicted upon them by entrapment and colonialism.

“Divination is part of this method of accessing knowledge and insight,” Bloomfield adds. “Living in an anti-Black world that continues to denigrate Black existence and ways of knowing, divination provides a powerful tool to ‘see’ and discern the answers to individual and communal problems that are personal and systemic.”

As for tarot and particularly astrology, which is perhaps the most mainstream and widely understood form of divination, Black women have used the stars as their guide for generations. Bloomfield points out that the old spiritual “Follow the Drinking Gourd” is a nod to Harriet Tubman, who used the North Star (the most prominent star in the Big Dipper constellation) to chart the path of the Underground Railroad. And in Octavia Butler’s Parable of the Sower, Bloomfield adds, the protagonist, a Black teenager named Lauren Olamina, develops a belief system called Earthseed. “The ultimate destination, Lauren argues, is for humans to ‘take root amongst the stars’ — to develop a more liberating framework for community and care. Contemporary astrology, I believe, continues a tradition in which Black people have looked to the universe and it’s wonders to circumvent the kind of Enlightenment logic whose ultimate end led to our enslavement and denigration.”


The Seeding Of Stigma Surrounding Non-Christian Spirituality© Provided by Refinery29

The term occult — which is from the French word occulte and directly from the Latin occultus meaning “hidden, concealed, secret” — often carries with it a negative connotation. In the Black Christian community in particular, the word is typically used to describe something that is evil or “of the devil.” It’s synonymous with the terms “pagan” and “magic,” both of which were and still are looked down upon in Black religious spaces.

“I believe this is a common impulse and, in many ways, it is misguided,” says Bloomfield. “Religion practiced by Black people throughout the diaspora is syncretic — it draws on African worldviews about power, the spirit world, and the divine that is always in conversation with Christianity. After all, Christianity was a tool of colonialism which enslaved Africans interpolated with their traditional beliefs.”

In Black Magic: Religion and the African American Conjuring Tradition, as Bloomfield notes, author Yvonne Chireau argues that alternative forms of Black religion such as conjure and hoodoo are a complement to African-American Christianity. Bloomfield believes that the suspicion and fear that often shroud divination and occult practices stems from the prominence Christianity achieved within Black diasporic communities, particularly in the U.S. and the Caribbean. “Aligning oneself with Christian values was a strategy to cope with the terror of enslavement and the precarity of Black life, and was also a cloak for more traditional African-derived practices that continued in the New World,” she says. “However, at the apex of the movement for civil rights, Christianity became the primary language to call out the hypocrisy of enslavers and demand justice.”

Finney describes herself and her mother as the “black sheep” of their family, sharing that it wasn’t until this past year when Finney began to receive public attention that she felt comfortable sharing her profession with her family, who are members of the church. “They were like, ‘Okay, somehow you’re accredited, so you must be doing something right,’” she says. “But even still, we don’t talk about it because it’s not for them.”

Afro-Puerto Rican Tarot reader, espiritista, and Ifa Orisha priestess Tatianna Morales — known as Tatianna Tarot — shares a similar story. Born to a Puerto Rican father and a Black mother, Morales says she was raised predominantly by the Puerto Rican side of her family, which is mostly religious with the exception of her father, who is a spiritual medium. “He has studied so many occult and metaphysical topics and is big on personal development, so he and I are like two peas in a pod. This is where I get my juju from.” Her mother’s side of the family, however, is composed of devout Christians, and is “very, very religious.”

“Unfortunately [my mother and I] don’t have a close relationship, but if I were to mention any of this she’d faint and die,” she continues with a laugh. “The irony is that a lot of my gifts come from my Black side of the family. My grandma and my great-great-grandma were practitioners and priestesses in their time in Brooklyn. They did a lot of work for the community [as hairdressers]. So they would essentially mask spiritual workings, spellcasting, and ceremonies that they would do under the guise of them being hairdressers.”


© Provided by Refinery29


Pandemic Revival & The Future Of Black Mysticism

As the COVID-19 pandemic continues and many people spend more time indoors, the stigma associated with non-Christian, Black religious practices and belief systems is beginning to fade as Black diasporic traditions become more mainstream online. For some, it’s a homecoming. For others, dispelling the negative stereotypes of divination has become a tool of self-healing during a time of loss and trauma.

“The more widespread embrace of Black diasporic traditions I believe is an effort to reclaim ancestral ways of knowing and to assert Black personhood, particularly in the midst of the twin pandemics of COVID-19 and anti-Black racism,” says Bloomfield. Bloomfield’s latest project, Lived Africana Religion in the Time of COVID-19, documents the many ways in which Black communities have sustained their religious practices during this turbulent time in history. “I have learned that communities marginalized by the mainstream Black church — namely Black queer people of faith and practitioners of African traditional religions — have creatively used social media and virtual meeting spaces to reach new audiences and provide opportunities for connection and healing,” Bloomfield says.

“I think, outside the pandemic, there was always a search for spirituality and wanting to connect spiritually, but there had to be a medium because that’s what we’re taught in religion,” says Finney. “The medium is to connect to Jesus or to go to church to connect to the divine, but I think because we are physically not able to step outside of ourselves, we literally had to step within ourselves and initiate our own healing.”

As accessibility to learning resources increases and the online spiritual community continues to grow, Finney says Black and brown women are realizing they never needed a medium. “We’re getting our spiritual swag back because we’re able to recognize that this is what we do. It’s within us. It’s not something that we ever had to seek.”

R29Unbothered continues its look at Black culture’s tangled history of Black identity, beauty, and contributions to the culture. In 2021, we’re giving wings to our roots, learning and unlearning our stories, and celebrating where Black past, present and future meet.

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Saturday, August 08, 2020

Conspiracy-mongering Republican seeking John Lewis seat gets social media boost from Trump

ACTUAL HEADLINE, NOT MINE

WHO DOES
THE WOMAN
WHAT WOMAN
THE WOMAN WITH POWER 
WHAT POWER 
THE POWER OF HOODOO
HOODOO
YOU DO
I DO
NO,SHE DOES
WHO DOES
(ABBOTT & COSTELLO MEET FRANKENSTEIN)
Abbott and Costello Meet Frankenstein Movie Review

Caitlin Dickson
Reporter,
Yahoo News•August 8, 2020




President Trump sits next to Terrence Williams and Angela Stanton-King during a meeting with African-American leaders at the White House in February. (Nicholas Kamm/AFP via Getty Images)

On Thursday evening, amid a fairly typical burst of presidential Twitter activity, President Trump retweeted two recent posts from the account of Angela Stanton-King, a Republican congressional candidate who has repeatedly used her social media feeds to promote content related to QAnon and other fringe conspiracy theories, including wildly implausible internet rumors about sex trafficking of children.

Trump has also flirted with QAnon memes on social media, although his retweets of Stanton-King were not related to the loosely knit group whose followers have been described by the FBI as “conspiracy theory-driven domestic extremists.”

In the first tweet, which was originally posted last week, Stanton-King describes herself as “a proud Black woman who supports @realDonaldTrump” and is “done with the Democrat Party lying to my community.” Stanton-King is running in the Georgia congressional district that was represented by the late John Lewis.

Trump also passed along her tweet citing recently reported police data showing that Chicago experienced a 139 percent increase in murders this July compared to the same month last year. “Barack Obama, Joe Biden, and every single NBA player are silent,” Stanton-King charged in the second tweet. “They don’t care about black lives. They care about capitalizing on black lives!”


Stanton-King, who served over two years in prison following a 2004 conviction on federal conspiracy charges related to her role in a vehicle theft ring, was pardoned by Trump earlier this year and has since appeared at the White House along with a handful of other Black Trump supporters.

“I have never run for office, and I don’t have political experience,” Stanton-King told the Atlanta Journal-Constitution Back in March. “But I do have life experiences.”

According to the Atlanta Journal-Constitution, Stanton-King, 43, is a native of Buffalo, N.Y., and the goddaughter of former Georgia state Rep. Alveda King, a niece of Rev. Martin Luther King Jr., and an antiabortion advocate. She said she would fight against what she calls “a Democratic war in support of abortion,” and that criminal justice reform would be a big part of her agenda, noting that during her time in prison she gave birth to a daughter and lost both her mother and grandmother.

Like the president, Stanton-King — who also dabbled in reality TV before pursuing a career in politics — is prolific on social media. Besides parroting many of Trump’s favorite talking points, she has frequently repeated ideas related to QAnon, the pro-Trump conspiracy theory centered on the belief that Trump is secretly working to dismantle an international child sex trafficking ring run by a cabal of “deep state” actors and global elites.
Screenshot: Angela Stanton-King via Instagram.

The FBI has warned that QAnon’s growing network of believers poses a potential domestic terrorism threat. In an intelligence bulletin first reported by Yahoo News last year, the bureau warned that the threat of conspiracy-theory-driven violence would likely increase leading up to the 2020 election, noting that “the advent of the Internet and social media has enabled promoters of conspiracy theories to produce and share greater volumes of material via online platforms that larger audiences of consumers can quickly and easily access.”

In June, Stanton-King ran unopposed in the Republican primary for Georgia’s Fifth Congressional District, which had long been represented by the late Democratic Rep. John Lewis, who died on July 17. Georgia State Sen. Nikema Williams has since been selected by the state Democratic Party to replace Lewis on the ballot in November and is favored to beat Stanton-King in the heavily Democratic district, which includes most of Atlanta.

Still, while her chances of getting elected to the U.S. House of Representatives in November may be small, Stanton-King is among a growing list of QAnon-linked congressional candidates who’ve managed to secure a spot on the general election ballot this year. According to federal election records, Stanton-King’s campaign has received $2,200.00 from the Republican National Committee and $2,800 from the Georgia Republican Party. 



THEY ARE TOUCHING THE CHOSEN ONE

African-American supporters with President Trump at the White House on February. (Chip Somodevilla/Getty Images)

On Twitter and Instagram, Stanton-King has posted QAnon-related videos as well as the movement’s well-known hashtags and slogans, such as “Trust the Plan” and “Where We Go One We Go All,” or #WWG1WGA. In a statement to the Associated Press last month, Stanton-King disputed the notion that such posts are evidence that she is an adherent of the movement, suggesting instead that she’s used the QAnon hashtags “to extend her reach” on social media.

Nonetheless, Stanton-King has continued to promote the core beliefs and language used by QAnon followers, tweeting on July 11, for example, about “Globbal [sic] elite pedophiles trafficking children.” On Thursday evening, after Trump’s back-to-back retweets had already brought Stanton-King to the attention of his 84.8 million followers, she tweeted in all caps, “THE STORM IS HERE,” a popular QAnon rallying cry. In Q parlance, “the storm” refers to the highly anticipated moment when former presidents and other members of the “deep state” and global elite are rounded up for their alleged involvement in pedophilia and child sex trafficking rings.

In an emailed response to questions from Yahoo News Friday, Stanton-King again denied having any association with QAnon, writing, “I am familiar with the name only. I am not familiar with the group, movement or any of its core principles or beliefs.

“I have an obligation to listen to my constituents,” Stanton-King continued in her statement to Yahoo News. “It is their right to express their concerns and my job [to] look into them.”



THE STORM IS HERE 🇺🇸

— Angela Stanton King 🇺🇸 (@theangiestanton) August 6, 2020

QAnon isn’t the only fringe conspiracy theory Stanton-King’s social media posts have touched on. Other recent tweets have included references to an older, thoroughly disputed internet rumor known as Pizzagate, which claimed that prominent Democrats including Hillary Clinton and John Podesta were running a child sex ring out of a Washington, D.C., pizza parlor. She has also made reference to a current, thoroughly debunked rumor that the online furniture retailer Wayfair is a front for child prostitution.

“Did Ghislane Maxwell tip authorities off about #Wayfair?” Stanton-King tweeted on July 10. Maxwell, a British socialite and longtime companion of the late Jeffrey Epstein, was indicted earlier this year by the U.S. attorney for the Southern District of New York for her alleged involvement in Epstein’s recruitment and sex trafficking of underage girls. Trump, who has known both Maxwell and Epstein socially for years, has said of Maxwell, who is in jail awaiting trial, “I wish her well. ... Let them [Department of Justice] prove somebody was guilty.”

With regard to her posts about the Wayfair conspiracy, Stanton-King told Yahoo News, “There are major concerns of pedophilia and child trafficking. For me, if there is an implication of danger towards children anywhere, no matter the source, I’m on the front lines against it.”

According to a report by the Washington Post on the rapid online spread of the baseless Wayfair claims, “An increase in calls prompted by the [Wayfair] conspiracy theory is straining the National Human Trafficking Hotline, which provides emergency help to victims.”

Yahoo News sent requests to spokespeople for both the White House and Trump’s reelection campaign for comment on this story. Neither has responded.

Thursday, May 14, 2020

A CASEBOOK STUDY OF ISHMAEL REED’S
YELLOW BACK RADIO BROKE-DOWN
EDITED BY PIERRE-DAMIEN MVUYEKURE

Dalkey Archive Press Casebook Study Series
Robert L. McLaughlin, Managing Editor
© Center for Book Culture, 2003
All rights reserved
www.centerforbookculture.org

A Casebook Study of Ishmael Reed’s
Yellow Back Radio Broke-Down
Edited by Pierre-Damien Mvuyekure
http://www.dalkeyarchive.com/wp-content/uploads/pdf/YellowBackCasebook.pdf

TABLE OF CONTENTS
Introduction: “Scatting Arbitrarily” and Blowing Hoodoo
[Western] like Charlie “Bird” Parker: Loop Garoo’s Be-bop/
HooDoo Improvisations in Yellow Back Radio Broke-Down
PIERRE-DAMIEN MVUYEKURE................................................ 1
Westward Migration, Narrative, and Genre in African America
DAVID G. NICHOLLS ............................................................. 32
The Borg, Conjure, and Voodoo: An Analysis of Yellow Back
Radio Broke-Down
SCHARRON A. CLAYTON ....................................................... 51
Regeneration through Neo-Hoodooism: Yellow Back Radio
Broke-Down and Ishmael Reed’s Mythogenesis
AIMABLE TWAGILIMANA ...................................................... 88
Selected Bibliography ................................................................. 115

Notes on Contributors................................................................. 119

Tuesday, June 07, 2022

Curiosity Has Found Some Truly Weird-Looking, Twisty Rock Towers on Mars


Rock formations on Mars. (NASA, JPL-Caltech, MSSS)

CARLY CASSELLA
7 JUNE 2022

The Curiosity rover has found an outstanding rock formation piercing the alien landscape of Mars. Amongst the shallow sands and boulders of the Gale Crater rise several twisting towers of rock – the spikes of sediment look almost like frozen streams of water poured from an invisible jug in the sky.

In reality, experts say the columns were probably created from cement-like substances that once filled ancient cracks of bedrock. As the softer rock gradually eroded away, the snaking streams of compact material remained standing.

Rock formations found on Mars. (NASA, JPL-Caltech, MSSS)

The rock formations were snapped by a camera on board the Curiosity rover on May 17, but the image was only shared last week by NASA and experts at the SETI institute (which stands for the Search for Extraterrestrial Intelligence), as part of SETI's planetary picture of the day initiative.


As alien as the structures might look, they aren't without precedent.

In Earthly geology, a 'hoodoo' is a tall and thin spire of rock formed by erosion. It can also be called a tent rock, fairy chimney, or earth pyramid.

Hoodoos are usually found in dry environments, like the canyons of Utah or southern Serbia, and the columns can sometimes tower as high as ten-story buildings.

A hoodoo in Bryce Canyon, Utah. (Don Graham/Flickr/CC BY SA 2.0)

The natural structures are formed by hard rock layers that build up within softer sedimentary rock. As the rest of the rock erodes away from rain, wind or frost, you're left with a magnificent mould of an ancient fracture in the bedrock.

Hoodoos East Coulee, Alberta, Canada. (Darren Kirby/CC BY SA 2.0)

The two towers of rock on Mars look like they are about to topple over compared to the ones we see on Earth, but clearly they are solid enough to withstand the lighter surface gravity experienced on the red planet.

Another strange rock formation found by Curiosity earlier this year might have been created in a similar way, albeit with very different results.

This other, smaller rock looks sort of like a piece of coral or a flower with numerous little petals stretching up towards the sun.

"One theory that has emerged is that the rock is a type of concretion created by minerals deposited by water in cracks or divisions in existing rock," a press release from NASA explained at the time.

"These concretions can be compacted together, can be harder and denser than surrounding rock, and can remain even after the surrounding rock erodes away."

A flower-shaped rock found on Mars. (NASA, JPL-Caltech, MSSS)

The Gale crater isn't wholly flat, but the alien spires discovered by Curiosity stand out from the rest of their environment, although no height measurements accompany the image.

The towering tombstones of rock might look lifeless now, but their formation speaks volumes about ancient conditions on Mars and whether life could have once thrived there billions of years ago.

The Gale crater itself is thought to be a dried-up lake bed, though possibly shallower and more transitory than experts once assumed.

Rock formations in and around the ancient lake are helping to reveal the region's true history.

Thursday, May 14, 2020

The Good Book: Reading Ishmael Reed’s
Mumbo Jumbo as Neo-Hoodoo’s Sacred Text

The Albatross / Volume 5.1 2015
REUBEN COPLEY


https://journals.uvic.ca/index.php/albatross/article/view/13452/6092

Sacred - adjective \ˈsā-krəd\
worthy of religious worship : very holy : relating to
religion : highly valued and important : deserving
great respect
Text - noun \ˈtekst\
a verse or passage of Scripture chosen especially
for the subject of a sermon or for authoritative sup
port (as for a doctrine)
passage from an authoritative source providing an
introduction or basis (as for a speech)
source of information or authority
—Merriam Webster Dictionary

Ishmael Reed’s Mumbo Jumbo uses a bricolage of techniques,
forms, and styles to tell a tale of viral cultural and religious trans-
mission: the story of Jes Grew. Mumbo Jumbo is a trickster that
textually transmutes information (some true and some false) into
a sacred text detailing the influences and history of the Neo-Hoo-
doo.1 The text incorporates a large number of influences from a
diverse array of artistic and intellectual sources to make a case for
an alternative understanding of the cultural history of the world
that challenges the mountebank constructions of the White man:
the “White man will never admit his real references. He will steal
everything you have and still call you those names.


1 Neo-Hoodoo is a term coined by Ishmael Reed that refers to the growth of
traditional African religious practices within the modern context of American
culture and society: the religion of Dahomey translated and transported to
Haiti and then onwards to New Orleans.

Ishmael Reed's Mumbo Jumbo as Neo-Hoodoo Detective Fiction: A Bhabhaesque Mimicry of Mimetic Eurocentric Representation


Article PDF Available

December 2016

Zohreh Ramin

Farshid Nowrouzi

The relationship between dominators and the dominated has always been strained. Naturally, dominators struggle to bolster their grip on power and the dominated try to resist the prevalent hegemony. Before the rise of postmodernism in the second half of the twentieth century, the oppressed groups mostly resorted to direct violent confrontation with the supremacists in an attempt to undermine the discriminatory hierarchy. Nevertheless, postmodernism caused a drastic metamorphosis in the survival strategies adopted by the subalterns. Likewise, recent postcolonial critics have opted for a different plan of action than the costly and ruinous choice of violence. Homi Bhabha, for instance, posits the notion of mimicry to combat the hegemonic and repressive discourses. According to the Indian thinker, mimicry is the playful and subversive imitation of the dominant norms and discursive practices carried out only to puncture the autocratic power structure. Ishmael Reed, the contemporary African American writer, employs Bhabha's recommended strategy of mimicry in many of his works. In his renowned novel Mumbo Jumbo, he mimics the classic genre of detective fiction and its mimetic mode of realistic representation in order to divulge the contradictions and discriminations embedded in the Western thought system. Reed's aesthetics also attempts to promote the black hoodoo tradition as an eclectic system to counter the "Atonist" weltanschauung. This paper tries to analyze Reed's revisionist strategies in Mumbo Jumbo and how they dismantle both the novel of detection (as a cherished genre in the Western literary canon) and the Eurocentric worldview.


The political conspiracies of Ishmael Reed's Mumbo Jumbo

Historical relativism and the contemporary battle for power

by

Benjamin Clark Bishop, Jr.

A thesis submitted to the graduate faculty

in partial fulfillment of the requirements for the degree of

MASTER OF ARTS

Major: English (Literature)

AN AMERICAN EVANGELICAL PROTESTANT INTERPRETS MUMBO JUMBO

https://lib.dr.iastate.edu/cgi/viewcontent.cgi?article=8109&context=rtd

TABLE OF CONTENTS


INTRODUCTION 1


THE POLITICAL CONSPIRACY 13


THE MASONIC CONSPIRACY 36


THE LITERARY AND ART CONSPIRACY 44


CONCLUSION 53

WORKS CITED 57




Ishmael Reed's Mumbo Jumbo and the Uses of Parody

Lizabeth Paravisini-Gebert
Published 1991 8 Pages
https://www.academia.edu/3670280/Ishmael_Reeds_Mumbo_Jumbo_and_the_Uses_of_Parody


PERFORMANCE, HISTORY, AND MYTH: THE PROBLEM OF ISHMAEL REED'S "MUMBO-JUMBO"
Theodore O. Mason, Jr.
Modern Fiction Studies
Vol. 34, No. 1, SPECIAL ISSUE: MODERN BLACK FICTION (Spring 1988), pp. 97-109
Published by: The Johns Hopkins University Press
https://www.jstor.org/stable/26282406
Page Count: 13
Topics: Novels, United States history, Cultural history, Modern literature, Literary criticism, Selective employment taxes, Writers, Historicity, Verisimilitude

Laughter and Identity in Ishmael Reed’s Mumbo Jumbo
Sharon A. Jessee
MELUS, Volume 21, Issue 4, December 1996, Pages 127–139, https://doi.org/10.2307/467645
Published:
01 December 1996



Comparative American Studies An International Journal
Volume 5, 2007 - Issue 4
Published online: 18 Jul 2013



RETHINKING ISHMAEL REED'S MUMBO JUMBO: NEO-HOODOO WOMANIST TEXT? Northward and Cityward: Re-reading Literature of the Great Migration.


by K Wheeler - ‎2014 - ‎Related articles
Riffing on The Past: Jazz and Signifying in Ishmael Reed's Mumbo Jumbo ... read either Ishmael Reed's novel Mumbo Jumbo, or a number of venomously racist articles, ... inspection”—many can be read for meaning that pertains to Reed's ...





Expanded Course in the History of Black Science Fiction: Mumbo Jumbo by Ishmael Reed



In February of 2016, Fantastic Stories of the Imagination published an essay by me called “A Crash Course in the History of Black Science Fiction.” Since then Tor.com has published my in-depth essays on nine of the 42 works mentioned. The original “Crash Course” listed those 42 titles in chronological order, but the essays skip around a bit. This tenth one talks about Ishmael Reed’s magnum opus, Mumbo Jumbo.

JES GREW

Mumbo Jumbo is the story of a life-giving epidemic known colloquially as “Jes Grew,” a spiritual cure-all for soullessness sweeping across the continental U.S. during the 1920s. If the book has a human hero it’s Papa LaBas, a self-anointed houngan—that is to say, a priest of ancient African mysteries. LaBas searches alongside Jes Grew for its long-lost sacred text in the hope of grounding and legitimizing it, and thus defeating the prudish rulers of the status quo. Jes Grew is a natural force manifesting as music, love, literature, gardening, art, sex, cooking—manifestations that are the province, in my religious tradition, of Oshun, the deity in charge of luxury and abundance. And also of sudden evolutionary advancement—Oshun shows up on the scene and the universe expands to include divination, poetry, and other powerful improvements. Sans text, though, Jes Grew’s operation is limited to frivolous realms: dance crazes, fashion trends, and so forth.

SF OR F?

If there was ever a narrative that questioned received wisdom as to what constitutes stories of “magic” versus stories of “science,” Mumbo Jumbo is it. Challenging the validity of expectations for detachment and standardized replication associated with the scientific method, Reed makes a strong case that participation is a form of observation and variation on what’s observed is normal. Is his version of 2000 years of cultural trends and conspiracies based on a testable hypothesis? No. And yet he does examine the effects of the belief in and practice of magic on its adherents and opponents. Within the pages of Mumbo Jumbo, adherents of notoriously squishy social sciences such as anthropology Charleston madly with farmer-priests versed in divine agronomy; tracing the influence of Isis-and-Horus worship through reverence for Christianity’s Virgin Mary, the author arrives at surprising conclusions about the supposedly-objective Dr. Sigmund Freud’s bias towards the importance of the bonds between mother and child.

TRUE LIES, GRAPHIC CONTENT, SACRED SLANG

Mumbo Jumbo jumps back and forth over other boundaries besides those dividing the rational and the mystical. Illustrations liberally adorn its main body, free of captions, unrestricted to appendices. They comment on the writing as much as the writing comments on them. Quotations from and appearances by historical figures wind themselves in and out of Reed’s account of Jes Grew’s exploits. And in a metatextual moment the author has a character refer to his own Prince-like orthographic irregularities: Black Mason and famed number banker Buddy Jackson points out during an armed showdown with the Knights Templar that “The Charter of Daughters of the Eastern Star as you know is written in our mystery language which they call slang or dialect.”

SOME SORT OF CONTEXT

Mumbo Jumbo was finished, per the note Reed made at its end, at 3:00 p.m. on January 31, 1971, and published in 1972. I was 16 years old. Much of what’s now labeled “the 60s” was actually the early 1970s. I am here to tell you that in “the 60s” we believed we were about to save the world. Yes, my mother told me that was a naïve attitude. In vain. Books like this one convinced me and my peers we were in the throes of a new Jes Grew manifestation: the Funky, Downhome Dawning of the Age of Aquarius—and if its original liturgical text had been lost perhaps, as Reed hinted, we could write a new one!
Or perhaps Mumbo Jumbo was it. Reed had already wowed readers with The Freelance Pallbearers in 1967 and Yellow Back Radio Broke-Down (a “hoodoo Western”) in 1969. This latest might be his greatest, and who was to say his greatest couldn’t help us willing Jes Grew Converts re-enchant the world?
Who’s to say it didn’t?

PROMINENT J.G.C.s

Today, dozens of novels, awards, grants, art installations, lectures, poetry collections, anthologies, songs, essays, plays, and film scripts later, Ishmael Reed is a mighty and continuing influence on writers everywhere. Me for sure. Renowned Black publisher, editor, and author Bill Campbell claims that if not for Mumbo Jumbo, his wildly iconoclastic novel Koontown Killing Kaper just plain wouldn’t exist.
Victor LaValle, Colson Whitehead (whose novel The Intuitionist is also part of my “Crash Course”), and Reed’s former student Terry McMillan have also been influenced by this genius. I’m sure there must be many more.

GUN BARREL INFO DUMP

Some call Mumbo Jumbo a hoodoo detective novel, a revamping of the genre akin to Yellow Back Radio Broke-Down’s revamping of the Western. Certainly it can be read that way, with Papa LaBas the somewhat anachronistic private investigator and Jes Grew his elusive client. In that light the 30-page info dump toward the book’s end is only a rather extreme rendition of a bit typically found at a mystery’s denouement—you know, the part in which suspects and survivors are treated to a summarizing disquisition at the point of a pistol? Only this summary starts millennia ago in Egypt and finishes up circa 1923.

HOW MANY YEARS TO GO?

Reed’s several references to a previous bout of Jes Grew in the 1890s imply that its cyclical resurgences can’t be anticipated with clocklike regularity. Roughly three decades pass between that round of the epidemic and the one Mumbo Jumbo recounts. Another five passed between the events the novel depicts and its publication at a time when it seemed like we were experiencing a new bout of this enlivening “anti-plague.”
When are we due for the next one? Let’s get ready for it as soon as we can.
Everfair by Nisi ShawlNisi Shawl is a writer of science fiction and fantasy short stories and a journalist. She is the author of Everfair (Tor Books) and co-author (with Cynthia Ward) of Writing the Other: Bridging Cultural Differences for Successful Fiction. Her short stories have appeared in Asimov’s SF Magazine, Strange Horizons, and numerous other magazines and anthologies.