Thursday, March 16, 2006

Dimiti Shostakovich 1906-2006












It is the hundredth birthday of the Russian avante-garde/modernist composer Dimitri Shostakovich.

His work was always heroic, some say bombastic. It was played by the orchestra in Stalingrad as the Germans advanced, and Shostakovich himself composed during the seige of Lenningrad.

The Leningrad Blockade Museum

September 16, 1941

"An hour ago I finished the score for the two movements of a large symphonic composition.

If I succeed in bringing it off, that is if I manage to finish the third and the fourth movements, I'll be able to call the work the Seventh Symphony.

Why am I telling you this?

I am telling you this to show that life in our city is normal.

We are all at our battle stations.

Soviet musicians, my dear numberless comrades in arms, my friends!

Remember, our art is in peril. So let us defend our music, let us work honestly and selflessly!"

Dmitry Shostakovich, speaking in a Leningrad Radio broadcast


His work was critical of the Stalinist regime while a paen to the revolutionary struggles of 1905 and 1917. The hero in his music was not an individual but the people and their struggles. His music ironically spoke to the soul of the listener. His is the voice of the dialectic, the struggle of humanity is also the struggle of the individual. He remains a major Socialist voice in modern music.

He was trashed in the West during the Cold War as a Stalinist hack. Without regard for the rigours of trying to remain within that regime while existing with personal and musical integrity.

As in death, he was fated to be at the heart of controversy during his life. However, if, during the Thirties and Fifties, Shostakovich was subjected to so-called 'right-wing' criticism from official circles professing the most reactionary conservatism, today he often becomes the target of attacks from the 'left', either from those post-war avant-garde adepts who see him as a traditionalist, or from 'truth lovers' bitten by the bug of unmasking, who smirk at his imagined conformity. Today it is very easy to be more Catholic than the Pope. It is more difficult to find what can be called the historical ear -- something that anyone who has pretensions to the title of music historian or music theorist should actually possess. Naturally, it is naive to expect younger generations to be informed of the social experience of the previous generations, for they will never be able to bridge this gap. They hear and see the recent past differently from those who experienced it, and that is not in the least surprising. Nevertheless, those who study the art of the past ought at least to try to correlate it with what used to be social practice during that time. The lack, among the young, of personal knowledge of these matters can be compensated by the study of historical facts and, naturally, as far as possible, by their correct interpretation. Otherwise, distortions -- or, at the least, superficial judgements -- will become etched in stone. To restore the historical truth and take a fresh look at Shostakovich's work are endeavors that are equally imperative today.

Shostakovich was an artist with a complex and tragicfate. Persecuted for almost his entire life and almost sharing the fate of Meyerhold, Mandel'shtam, and [the writer Varlam] Shalamov, he courageously endured hounding and persecution for the sake of what was most important in his life: his art. Occasionally, however, during the most complex conditions of political repression, he had to manoeuver. Without this manoeuvering, there would have been no Shostakovich art at all. Many of those who had started with him perished, while many others were brought to their knees. He survived and persevered, endured everything and, in the end, fulfilled his calling. And we can only bow before his fortitude and steadfastness.

What is important is not only how he is perceived and listened to today, but also who he was for his contemporaries. For those who listened attentively to his strong voice, filled with anxiety and, at times, breaking with despair, Shostakovich became a crucial symbol of intellectual integrity. For many years his music remained a safety valve which, for a few short hours, allowed listeners to expand their chests and breathe freely. At the time, his music was that truly indispensable lungful of freedom and dissidence, not only in its content, but also -- which is no less important -- in its musical form. However, first and foremost, we were grateful to Shostakovich for the fact that during those precious minutes of communion with his music, we were free to remain ourselves -- or, perhaps, to revert to ourselves. The sound of Shostakovich's music was not only always a celebration of high art, but also an interlude of truth. Those who knew how to listen to his music would take it away with them from the concert hall. His music became an emblem of spiritual experience and of hope for the future. It can be said, without exaggerating, that Shostakovich was the authentic conscience of his time. I would suggest that it is our task to carry over that understanding of his work into the present and to instill it into the coming generations of musicians and listeners.

The Dissident
Mark Aranovsky's introductory article in the Shostakovich issue
of Muzykal'naya Akademiya, Winter 1997



COMPOSITIONS by DMITRI SHOSTAKOVICH Internet Edition compiled by Onno van Rijen


Listen to: Written With The Heart's Blood

The five parts of Quartet No. 8 depict significant moments -- both positive and negative -- in the composer's life. The piece is dominated by the repeated use of Shostakovich's musical "signature" of D, E flat, C, and B. This recurring motif both binds the piece together and gives it an oppressive, almost inescapable quality. In the second movement (Allegro Molto, featured here as arranged by Barshai for the New Century Chamber Orchestra), the relentless repetition conjures images of prison or endless pursuit: the strings race around each other with a manic urgency, swelling and spreading until they form a seemingly inescapable web. The piece's breathless, unsettling quality influenced both the work of Bernard Hermann, who composed the music for Psycho, and the band Faith No More, who sampled it in "Malpractice," on their 1992 album Angel Dust.





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A little taste

"Wow you are right Hamid that opium is great, thanks for the taste."

"Yep Stephen it gives you something to smile about."

"Better than Timmies."




Opium poppy cultivation in Afghanistan, 2002-2003








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Seal Hunt Disinformation

A debate yesterday on Mike Duffy live between the advocate of a ban on seal hunting, and a Senator from the Rock (Newfoundland).

No matter how often the Senator tried to convince Duff and the anti-sealing advocate that clubbing baby seals does not happen, it was blissfully ignored.
The hunt is not for babies. Killing baby harp seals has been illegal since 1987.

Yep never let the 'facts' get in the way of propaganda, since of course this IS NOT ABOUT SEALS. Its about the annual fundraising drive for Green NGO's. How many times do I have to say this?

Well until the deaf grow ears I guess. Besides think of all that Green Anti-Sealing propaganda that would have to be changed. Yet you still see this everywhere;

The image “http://www.harpseals.org/images/littlesavethesealswithblackborder.jpg” cannot be displayed, because it contains errors.

Which is a baby seal. Not a Harp seal, a white coat. And the hunt on them has been banned since 1987, and skinning seals alive, which is another piece of this propaganda, is also banned.

And this is the image of the hunt that is still used by those who want to foist their morality on fishers on the Rock.

And that's what it's about. It's not about the seals being endagered, its about the morality of the hunt. Its linked in many cases to the Animal Rights movement which is not about animals but about the moral superiority of the vegan diet.

Of course with the usual stars arriving on the ice flows to continue the propaganda campaign, like
the McCartney's and Bridgette Bardot, folks on the Rock are getting a bit upset. Not only Senators and the Premier but ordinary bloggers. Which leads some of them to start their own campaigns. Like this one;

http://photos1.blogger.com/blogger/1165/1006/1600/clubamccartney.jpg



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Deja Vu

Wait a minute this isn't new, or news, this is the same policy that led to the invasion of Iraq.

US document cites Iran ‘confrontation’
Deccan Herald - 1 hour ago
A new US national security strategy document warns of a possible “confrontation” with Iran if “diplomatic efforts” fail to pressure Tehran to give up its aspirations to develop nuclear weapons. Preemption remains US policy option


Also See: Making Iran Nervous


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Iraqi Distraction

When you get bad news;

Like the lowest poll numbers ever, for both your Presidency and your private war.

The folks that are supposed to govern Iraq meet for for less than an hour and adjourns.
34 Iraqis Killed, Sectarian Parliament Meets for Just 30 Minutes

Your allies the Brits announce they are withdrawing 10% of their troops.

The leader you have deposed is calling on his people to end sectarian violence and unite against you.
Saddam Urges Iraqis to Unite Against GIs

The people you were supposed to liberate burn down a monument to the masacre of their relatives because they still don't have housing, water or electricity,
Kurds attack Halabja memorial and govt offices

And you want to let folks think that all is going well, than make a big announcement about a standard training mission for the Iraqi Army. Don't include the press, and you create a distraction from a bad news week.

Which is what this is all about;
US launches major air assault in Iraq


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Nosferatu Fortier


The saying goes is that the Red House, the Senate is where the dead play.

Hmmm perhaps this is why the Harpocrite's newly appointed Conservative Senator Michael Fortier looks like Nosferatu.


See: Abolish the Senate






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Carrots Scream

Does the carrot scream like mandrake when you put it in the blender?

You have to listen vewy , vewy carefully.

Which is probably why the makers of vegimatic blenders make them so loud,
so you don't hear the screaming.

I missed the meeting the other day of People for the Ethical Rights of Vegetables, or I could have raised this point there.

I love those PETA folks who want to stop us from having any relationships with our animal friends other than petting them and taking care of them.

I too support helping our animal friends and relations since we are animals too. So when right wingers get their knickers in a twist over animal rights being different than human rights, they forget that point. We are animals too. So it should behoove us to protect all our rights as sentient beings.

But in being animals and thus members of the animal kingdom we also eat our fellow creatures. We are not naturally vegan or vegetarian, never have been never will be. At best we have evolved into omnivores, in the transition from Hunter Gatherers to agriculturalists.

Veganism and Vegetarianism is a moral dietary choice. Sort of like not drinking milk. Which PETA also promotes. PETA's agenda has never been about saving animals or even animal rights its about getting us all to become something we aren't, vegans.

Killing, per se, is not the central concern of AR philosophy, which is
concerned with the avoidance of unnecessary pain and suffering.
Thus, because plants neither feel pain nor suffer, AR philosophy
does not mandate fruitarianism (a diet in which only fruits are eaten because they can be harvested without killing the plant from which they issue).
Animal Rights FAQ


In doing so they forget the fact that vegetables and fruits, members of the flora family, also have feelings. Indeed one could argue that the inherent nature of living, of being alive is to have 'feelings'. How of course one expresses those feelings is another question. If one is mute like most veggies then it is hard to communicate, to humans, however they do communicate.

But like lobsters, which PETA also opposes eating, we know when veggies are done, are cooked, are dead, because they change colour in boiling water. And again you don't hear them scream cause you drowned them you cad.

Now as far a moral diets go there are those out there that do go further than PETA and the vegans. Such as fruitarians a particular cult from good old cult heaven, California. They believe you should only eat fruit. Tell that to the Inuit.

But better yet are the breatherians, who believe you should not harm any living creature, and should survive only on breathing and sunlight. Of course by breathing you do obsorb bacteria, spores, germs etc. and thus are consuming some innocent creature. And living on sunlight only would again be hard for Inuit and northern peoples where sunlight vanishes completely. Which maybe why this is the only honest moral diet, since very few breatherians exist. Thank goodness.



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