Showing posts sorted by relevance for query MIKE DAVIS. Sort by date Show all posts
Showing posts sorted by relevance for query MIKE DAVIS. Sort by date Show all posts

Sunday, January 22, 2023

The Construction Disaster that Changed BC

Sat, January 21, 2023 

Mike Davis’s last outing with his dad was a bike ride to the worksite where his father was helping to build a massive office building.

They had bought the bikes at an RCMP auction and fixed them up like new. They rode the 10-speeds from Burnaby down Kingsway, zipped through back streets and found themselves at the shell of the Bentall IV, a 35-storey building that Donald Davis was helping build as a carpenter.

To Donald’s chagrin, the site was locked up for the weekend. He’d wanted his son to see it. They headed home, stopping briefly to buy a snack at a convenience store with the spare change they had in their pockets.

Soon after, Donald Davis went to Bentall IV and never came back.

He and three other carpenters — Brian Stevenson, Gunther Couvreux and Yrjo Mitrunen — fell to their deaths from 100 metres when the platform that held them collapsed on Jan. 7, 1981. Donald was 34. Mike was only 13.

“My dad would come home from work, put down his lunchbox and play basketball with me in the driveway. It seemed he was the loudest one on the sides at my soccer games,” Mike Davis said at a memorial this month. “And one day, he just didn’t come home.”

The Bentall tragedy inspired a slew of changes, revolutionizing occupational health and safety in construction. Government officials and families gather every year at a small nearby plaque to commemorate the lives lost and reaffirm their commitment to health and safety regulations.

But many labour advocates say there is still much work to be done. About 30 British Columbians who work in construction die every year, a figure that union leaders say is unacceptably high.


“I think the lessons that we learned have been forgotten,” said Lee Loftus, an insulator and former president of the BC Building Trades. “These are lessons that will be learned again tomorrow, and that’s a shame.”

The day of the fall

Loftus remembers when the platform collapsed. In 1981, he was a young journeyperson working as an insulator in downtown Vancouver. He had worked on Bentall IV just weeks earlier.

Within 30 minutes of the accident, Loftus had gotten word; within 45 minutes, workers from across construction sites downtown had rushed to the scene.

“That’s just what you do. We were all at a loss,” Loftus said. He remembers chaos: ambulances and firetrucks everywhere. “We just stood there dumbfounded, trying to figure out what the hell? What happened?”

That was the question families had, too. They lobbied aggressively for a coroner’s inquest into the death. Over an eight-day hearing the next month, that inquest found a series of problems plaguing the site: designs were approved without minimum testing, adjustments were made to equipment without the green light from engineers and there were effectively no written safety policies.

And then there was the platform — a “flying” or “slip” form meant to allow workers to pour concrete on each floor as the building rose. “Panel E,” as it was called, had modifications that made it atypical.

The result of the coroner’s inquest was a joint union/employer inquiry into the state of B.C.’s construction industry and a blitz of activity from what was then called the Workers Compensation Branch to get construction companies to comply with existing rules.

“Employers were not talking about occupational health and safety. They weren’t doing safety education. There were some issues with compliance and safety structures,” Loftus said.

Overnight, he said, things changed. Suddenly safety committees were a regular feature at worksites. There were new rules around scaffolding and meetings about known hazards.

Leading that charge were members of the families, who testified at the coroner’s inquest and led a push to commemorate the tragedy at a plaque that now sites near the Burrard SkyTrain station — a request Vancouver’s Park Board had originally rejected.

The ripple effect


Every year, government officials and union leaders gather on the anniversary of the Bentall tragedy to remember the lives lost. The families, though, do this every day.

“I’ve always believed that my grief was like the ocean,” Davis said. “There’s a lot of it, and sometimes the tide is out and it’s not close enough to touch me. Then there’s other times the waves will get you, and you don’t know when they’re going to come. It’s random as you walk along the beach. And there’s days you’re hit with huge waves.”

In the immediate aftermath of his father’s death, Davis was in shock. Then the grief set in. It comes and goes, he says. When his oldest son turned 13, it hit him hard.

“I didn’t know what a father-son relationship looked like after that age. And me being the father, I didn’t know what the future held,” Davis said.

He found ways to use his grief. At one point, he worked as a chef, and parlayed that into a job with BC Ferries. He joined the union there and became a member of the local safety committee.

“It struck a nerve. It struck a chord. Later I realized I was putting some of my pain I had been carrying for years and putting it to some positive purpose,” Davis said.

The legacy of Bentall IV is one of hard lessons and policy change.

But few in the labour movement believe worker protections in construction are strong enough today, and many feel they’ve been slipping back.

“We have big changes, and some of those changes have been enduring. But we have also drifted back into complacency,” BC Building Trades executive director Brynn Bourke said.


Bourke says many of the recommendations made by the inquiry — like monthly construction site inspections and automatic penalties when orders are disregarded — are still things unions are calling for today.

Since the Bentall disaster, Bourke says 1,441 construction workers in B.C. have died. The fact that roughly 30 construction workers die in B.C. every year makes the industry one of the province’s most dangerous, Bourke says.

Loftus attended this year’s memorial at Discovery Park, near where Bentall IV still stands. Wearing a hardhat and safety vest, he laid a white rose atop the plaque. Like many, he comes here every year, not because the work is done but because he knows it isn’t.

“It reminds me of something we need to try to get back to. It reminds me there is more loss of life in front of us if we don’t,” Loftus said.

Zak Vescera, Local Journalism Initiative Reporter, The Tyee




Friday, May 13, 2022

WAR CRIMES BEFORE THE ATOMIC BOMB
Japanese writer who documented WWII Tokyo firebombing dies

Wednesday

TOKYO (AP) — Katsumoto Saotome, a Japanese writer who gathered the accounts of survivors of the U.S. firebombing of Tokyo in World War II to raise awareness of the massive civilian deaths and the importance of peace, has died. He was 90.



One of his publishers, Iwanami Shoten, confirmed his death. He died on Tuesday of organ failure related to old age at a hospital in Saitama, north of Tokyo, NHK public television reported.

A native of Tokyo, Saotome was 12 when he narrowly survived the firebombing of the city on March 10, 1945, that turned the densely populated downtown area of the Japanese capital into an inferno. “I ran for my life as countless cluster bombs rained down,” Saotome recalled in one of his storytelling events.

More than 105,000 people are estimated to have died and a million made homeless in a single night, but the devastation has been largely eclipsed in history by the U.S. atomic bombings of two Japanese cities several months later.

After the war, Saotome pursued his writing while working in a factory. His debut autobiographical story, “Downtown Home” was nominated for the prestigious Naoki literary prize in 1952.

In 1970, Saotome began visiting survivors of the firebombing to hear their stories to let their voices be heard.

He established a civic group to document the firebombing and collect documents and artifacts about the attack, leading to the establishment of a museum, the Center of the Tokyo Raids and War Damage, in 2002. He served as its director until 2019.

As head of the museum, he published magazines about the firebombing, while continuing to write books for children and young adults to raise awareness of the tragedy.

“We must hand the baton to the younger generation” to keep retelling the story, he said in an interview with NHK in 2019.

Many of the survivors of the firebombing feel they were forgotten by history and by the government.

Postwar governments have provided a total of 60 trillion yen ($460 billion) in welfare support for military veterans and bereaved families, and medical support for survivors of the atomic bombings of Hiroshima and Nagasaki, but nothing for civilian victims of the firebombings.

Acclaimed filmmaker Yoji Yamada, known for his highly popular film series “Otoko wa Tsuraiyo" ("It’s Hard Being a Man"), featuring a lovable wandering peddler named Tora-san, was a longtime friend of Saotome. He told Japanese media that he was “deeply saddened by the loss of his precious friend with whom he discussed postwar Japan, war and peace.”

Yamada often visited the firebombing museum. Sometimes Saotome took him around the area, making him a big fan of the Shibamata area, which became home to the Tora-san series.

Mari Yamaguchi, The Associated Press

by M SeldenCited by 67 — As Michael Sherry and Cary Karacas have pointed out for the US and Japan ... Father Flaujac, a French cleric, compared the firebombing to the Tokyo ...

On the night of 9/10 March 1945, the United States Army Air Forces (USAAF) conducted a devastating firebombing raid on Tokyo, the Japanese capital city.
Background · ‎Preparations · ‎Attack · ‎Aftermath


Firebomb. How to Stop Worrying and Love the Incendiary Bomb. By Mike Davis. MacArthur fellow Mike Davis is the author of “City of Quartz”, “Ecology of Fear” ...

Sunday, February 18, 2024

Dubai’s Golden Visas Are Helping City Defy Global Office Slump




Zainab Fattah
Sun, February 18, 2024

(Bloomberg) -- At the height of the global pandemic, as Dubai faced an exodus of expatriates and mounting competition from neighboring business hubs, the government opened up. That decision is now helping the city dodge the commercial real estate crisis rippling across the globe.

The United Arab Emirates — of which Dubai is a part — started to break away from a decades-old economic model that prevails across the oil-rich region, linking residency to employment. Officials widened the eligibility net for long-term ‘golden’ visas, abolished a requirement for companies to have a majority local partner, switched to a Monday-Friday working week and made it legal for unmarried couples to live together.

Policymakers wanted to help Dubai shed its reputation of being a transient city by attracting expatriates and encouraging some of them to set up businesses. That seems to have paid off.

In response to questions from Bloomberg, authorities released data for last year, revealing the scale of the turnaround. The city had 411,802 active business licenses in 2023. That’s a 30% jump from 2022 levels and a 75% increase from 2021.

Earlier this month, Dubai International Financial Centre said the number of entities registered there rose 26% in 2023 from a year earlier to over 5,500. The free-zone now employs about 41,600 people — a 15% increase.

The impact is most evident in the emirate’s commercial real estate market. Occupancy is at record highs in contrast to slumping demand in other cities including London and New York. In Dubai’s financial district, known as DIFC, office space is scarce and rents are still rising.

The business hub’s most prominent tower is up for sale, and could be valued at as much as $1.5 billion. That property in DIFC is among Brookfield’s best performing assets globally at a time when other assets — including in Los Angeles and London’s Canary Wharf — have been hit by falling occupancy.

“The market is quite divorced from the trends we see across the world,”said Prathyusha Gurrapu, head of research and advisory at the property firm Cushman & Wakefield Core. “While a lot of western markets are still working on a hybrid or work from home model, here there is a surge in demand and almost everyone is back in the office.”

Listen to the Big Take podcast on iHeart, Apple Podcasts, Spotify and the Bloomberg Terminal. Read the transcript.

Economic Freedom

To be sure, a number of external factors also boosted arrivals. Bankers relocated from Asia to escape lockdowns, while wealthy Russians moved in to shield assets after their country invaded Ukraine in 2022. Crypto investors flooded in, alongside rich Indians looking for second homes, as well as young job seekers from Europe and the wider Middle East.

Government reforms enabled some of the new arrivals to set up businesses.

“When taken holistically, the changes made are significant,” said Ryan Bohl, a senior Middle East & North Africa analyst at risk intelligence consultancy Rane Network. Saudi Arabia and Qatar “are both going to be pressured to try to find ways to liberalize their economies in ways that make sense for themselves, if they want to compete with the economic freedom Dubai gives businesses,” he said.

Apart from the commercial property boom, signs of the influx are visible elsewhere. Waiting lists for schools and clubs run long, while key roads are routinely jammed. The government has announced a $5 billion public transit project and policymakers predict Dubai’s population will surge to 5.8 million in 2040 from over 3.5 million currently.

Residential property prices are closing in on records, despite mortgage rates hovering at the highest levels in two decades. Average annual rents for villas have surged to nearly $88,500. Last year, buyers queued up for $5 million homes and one developer sold houses worth $844 million in hours. At the high end, sales of homes worth $25 million or more doubled in 2023.

One Year at a Time

The new rules have upended Dubai’s real estate market in other ways. End users now account for 44% of property purchases, compared with 29% in 2019, according to property broker Betterhomes.

Londoner Jake El-Rasoul is one the thousands of expatriates looking to buy a home in Dubai. Since moving to the city a decade ago, the 40-year old has lived year-to-year, aware that he’d likely need to to leave if he lost his job.

But in May 2022, encouraged by the government’s visa reforms, he opened a financial advisory firm. “I sort of saw an opportunity and thought it was a good time to set up my own business,” he said. “It’s not so daunting anymore and the flexibility around visas is definitely a big factor.”

Policymakers across the Middle East see knowledge-based industries as the future and have been plowing oil wealth into high-tech sectors. To attract the right people for such jobs, UAE authorities recognized the importance of providing long-term horizons and predictability — the bedrock of decision making for executives. Golden visas ensure that to a degree, even though citizenship remains largely off the table.

While Saudi Arabia’s also announced initiatives to make Riyadh a more attractive destination, challenges remain. One big question is whether it’s ready from an infrastructure, housing, lifestyle and administrative standpoint for an influx of foreign white-collar workers and their families. Equally, a question mark hangs over whether people will abandon the relatively freer and more cosmopolitan Dubai to move there.

El-Rasoul, for his part, plans to make Dubai his home for at least the next decade. “It feels like there’s more people coming here to live for a long time,” he said. “Dubai has changed in that respect.”

Oil Wealth

Part of the draw is the the Middle East’s immense oil wealth — the UAE capital, Abu Dhabi, alone is home to state funds that control $1.5 trillion in assets. That’s prompted a number of multinational firms to consider expanding in the region.

Nathan Gatland, director at Open Hub, says his firm now helps sets up about 80 companies a month on average — up from about 25 trade licenses per month a year earlier. That’s despite the UAE’s decision to introduce corporate tax.

“I thought the corporate tax would have a negative effect but we’ve seen bigger companies come here due to the market potential,” Gatland said. “When they move staff here, it opens up a whole new market where a lot of high net worth individuals are moving to.”

Still, limitations remain. Among them: what happens when residents stop working? Dubai needs to establish retirement programs and health insurance plans to allow residents to retire in the city, according to Renee McGowan, CEO of India, Middle East & Africa at Marsh McLennan.

Dubai’s diminishing tax-free status may also hinder its ability to lure more foreigners. In addition to corporation tax, the UAE introduced value added taxes in 2018 on top of the slew of government fees on services in a city that already ranks among the world’s most expensive.

“Dubai and the UAE in general are facing clashing imperatives of finding ways to develop comparative advantage to keep people in the country on the one hand, while rationalizing their budgets by increasing taxes and broadening the tax base,” Rane Network’s Bohl said.

--With assistance from Nicolas Parasie, Farah Elbahrawy and Abeer Abu Omar.

Bloomberg Businessweek












Newleftreview.org

https://newleftreview.org/issues/ii41/articles/mike-davis-fear-and-money-in-dubai.pdf

We begin with Mike Davis's portrait of Dubai—an extreme concentration of petrodollar wealth and Arab- world contradiction. Future issues will carry reports from ...


Files.libcom.org

https://files.libcom.org/files/Planet%20of%20Slums1.pdf

In addition to being super-exploited, Dubai's helots are also expected to be generally invisible.

 ... These three articles by Californian Marxist Mike Davis deal ...







Saturday, March 02, 2024

Los Alamos sees tourism boost as 'Oppenheimer' fame grows

Los Alamos (United States) (AFP) – Christopher Nolan's $1 billion-grossing "Oppenheimer" hasn't just lined the pockets of Hollywood studio executives -- it has also brought an unexpected windfall to the secretive community of Los Alamos.



Issued on: 02/03/2024
A Los Alamos tourist shop sells bobbleheads of J. Robert Oppenheimer, who is referred to around town by his affectionate nickname 'Oppie'
© VALERIE MACON / AFP

The movie, the clear frontrunner to win best picture at the Oscars on March 10, tells the story of the invention of the atomic bomb.

Much of the action takes place in Los Alamos, a town built around a top-secret lab that was created from scratch in New Mexico at the suggestion of physicist J. Robert Oppenheimer, who had a lifelong passion for the surrounding mountains.

Since the film's release last July, tourists have been flocking to sites like the Oppenheimer House, and Fuller Lodge, where nuclear scientists held parties to celebrate their success in building the bomb.

Visitor numbers leapt by 68 percent last year, town officials say.

"We started seeing a huge influx" last spring, even before the film hit theaters, said Kathy Anderson, a tour guide for the local historical society, which had to triple the number of daily tours.

The century-old home where the Oppenheimers lived, which is shown in the film 'Oppenheimer,' is in dire need of repairs 
© VALERIE MACON / AFP

"If it does win Oscars, I think we're going to see a lot more interest."

But the success shrouds a complicated relationship that Los Alamos has with its past and with Oppenheimer, who is still widely referred to around town by his affectionate nickname "Oppie."

'Very complicated'

On the one hand, the tourist boom could help raise the $2 million needed to restore the century-old home where the Oppenheimers lived, which is in dire need of repairs.

"Oppenheimer was renowned for his martinis and for being a very accommodating host. A lot of history happened just in these rooms," said Los Alamos National Laboratory historian Nic Lewis.

Shane Fogerty, an astrophysicist and Christopher Nolan fan, ended up explaining nuclear fusion and the genesis of the Moon to actors Cillian Murphy and Robert Downey Jr in between takes during the filming of 'Oppenheimer' 
© VALERIE MACON / AFP

On the other hand, there is no escaping the destruction caused by the nuclear bombs forged in this town -- where 15,000 scientists and staff still work at the same high-security lab.

As the film shows, Oppenheimer himself became a vocal critic of nuclear proliferation during the Cold War.

Oppenheimer even later confessed, "I am responsible for ruining a beautiful place," according to "American Prometheus," the book on which Nolan's film is based.

"We do recognize here that he was a person, who had flaws, who made mistakes," said Lewis.

"He was very complicated. He was very thoughtful. I think Nolan very accurately depicted that part of Oppenheimer."

Still, Nolan's decision to shoot many scenes in the very Los Alamos buildings where they occurred caused enormous excitement around town.

An ad in the local newspaper called for the lab's actual scientists to appear as extras.

Statues of J. Robert Oppenheimer (Cillian Murphy, in the film) and Brigadier General Leslie R. Groves Jr. (portrayed by Matt Damon) are among the tourist draws in Los Alamos © VALERIE MACON / AFP

Shane Fogerty, an astrophysicist and Nolan fan, ended up explaining nuclear fusion and the genesis of the Moon to stars Cillian Murphy and Robert Downey Jr between takes.

"Chris (Nolan) would have to remind everyone, 'We're at work, quiet down, please. Let's go to the next take,'" said Fogerty.

It is an anecdote he frequently shares with the growing number of tourists he meets in town these days.

"It is harder to get a reservation at the few restaurants in town," he said.

© 2024 AFP


Christopher Nolan rebuilt Los Alamos 'in secret' for 'Oppenheimer'

Abiquiu (United States) (AFP) – An entire town filled with nuclear laboratories, built from scratch in the remote mountains of New Mexico, with every single person involved sworn to secrecy?



Issued on: 02/03/2024 

View of the New Mexico set where director Christopher Nolan shot the Los Alamos scenes for his Oscar-nominated movie 'Oppenheimer'
 © VALERIE MACON / AFP

It is not just the plot of "Oppenheimer," but also the story of how Christopher Nolan's Oscar-nominated movie about the invention of the atomic bomb was made.

"This is the most I've ever spoken about it," said David Manzanares, field producer for Ghost Ranch, as he took AFP on a recent tour of the location for the movie's Los Alamos scenes.

"It definitely took on the air of secrecy," he recalled.

A few miles from the nearest paved road, through gates marked "RESTRICTED AREA," many of the wooden homes, offices, security checkpoints and even a chapel built for the film remain standing.

The buildings line a dusty street that is bookended by stunning purple-hued mountains.

The real Los Alamos -- an hour's drive away -- is now a modern town that remains home to a giant, top-secret government lab charged with safeguarding the US nuclear stockpile. Its historic buildings were used for several interior scenes.

But Nolan selected this far corner of the southwestern US state to double as the town for exterior scenes, constructing a 1940s-era replica of its main street.

The British filmmaker famously insists on using authentic, practical sets to inspire his actors.

A few miles from the nearest paved road, through gates marked RESTRICTED AREA, many of the wooden homes, offices, security checkpoints and even a chapel built for 'Oppenheimer' remain standing 
© VALERIE MACON / AFP

The movie's atomic bomb test was shot with minimal computer effects, and real Los Alamos scientists were hired as extras.

This meant the replica of the town had to be built at full-scale, offering Nolan the possibility of filming from every angle at a moment's notice.

But until a month after the film premiered last July, Manzanares and his Ghost Ranch team were not even allowed to acknowledge that the movie had been shot there.

"There was no conversation, there was no posting" allowed, he said.

"That's just the way business is conducted on a Christopher Nolan shoot."
Mesas

In mid-October 2021, Manzanares was contacted by a friend who works as a location manager for movies, asking if he knew of any pristine sites with wide, sweeping vistas.

David Manzanares served as Ghost Ranch's field producer for the Los Alamos scenes in 'Oppenheimer' 
© VALERIE MACON / AFP

The friend could not say what the project was, but shared that it was set in 1940s New Mexico -- enough for Manzanares to hazard a guess, given the buzz already surrounding Nolan's next big film.

Ghost Ranch fit the bill, and the following month, Nolan himself came to check it out.

"He loved it right off the bat," recalled Manzanares.

Nolan gave his blessing, before adding a complication: "Oh, by the way, we need a double of it."

The movie first needed to shoot a scene of Cillian Murphy's titular scientist showing a US army general (Matt Damon) an empty, proposed site for the Manhattan Project's new base.

The following day, they would need to get the cameras rolling on the Los Alamos town set itself.

Set designers for 'Oppenheimer' had to build the Los Alamos set in secret -- and then tear it down 
© VALERIE MACON / AFP

Having found two sufficiently similar-looking "mesas" -- the elevated rock shelves that make up northern New Mexico's distinctive mountains -- the production set to work.

Crews worked through multiple blizzards that winter to get the set ready in time for eight packed days of shooting, with the A-list cast hunkered down at a hotel down the road.

The secrecy applied to "everyone, even the actors," recalled Manzanares.

"They would get pages, they'd go to their hotel room and read, but they couldn't take the script out."

Rattlesnakes

The secrecy surrounding "Oppenheimer" was not entirely unusual for a film of its scale and fame.

Media outlets are hungry for any on-set photos, production gossip or script fragments, any of which can spoil a major movie before its premiere.

Once the Los Alamos scenes were complete, the fake town's "laboratories" were removed, as were telephone poles that would soon have blown down in gusty winds.

Ranch owners plan to launch an 'Oppenheimer' tour to capitalize on the movie's popularity 
© VALERIE MACON / AFP

But producers agreed to leave around a dozen wooden structures standing -- the first time a movie production filmed at Ghost Ranch has been allowed to do so.

That meant the set needed to remain secret for more than a year after filming wrapped.

The site will eventually be used for other movies, such as Westerns.

But before then, from next month, the ranch owners will start offering an "Oppenheimer Tour."

They hope to capitalize if -- as expected -- the movie wins multiple Oscars, including best picture, on March 10.

Employees are currently working to prepare the remote site, which was left to the elements for months.

"We went up there, we found rattlesnakes and black widows," said Ghost Ranch tours manager Julia Haywood.

"It is perfectly safe now," she added.

© 2024 AFP


MIKE DAVIS ON LOS ALAMOS

Files.libcom.org

https://files.libcom.org/files/[Mike_Davis,_Robert_Morrow]_City_of_Quartz_Excava(Bookos.org).pdf

in Los Angeles. MIKE DAVIS. Photographs by. Robert Morrow. VERSO. London. New York. Page 2. for my sweet Roísín to remember her grandmother by .. First ...


Kpfa.org

https://kpfa.org/area941/program/mike-davis

His books include City of Quartz: Excavating the Future in Los Angeles, Planet of Slums: Urban Involution and the Informal Working Class, Buda's Wagon: A Brief ...


OTHER


Sgp.fas.org

https://sgp.fas.org/othergov/doe/lanl/docs1/00460048.pdf

This dissertation is dedicated to Michael Henderson, nuclear weapons wizard and mentor to this historian. vi. Page 6. Table of Contents. TITLE PAGE .


Nps.gov

https://www.nps.gov/mapr/learn/historyculture/upload/Study-African-Americans-at-Los-Alamos-and-Oak-Ridge.pdf

... Davis; and Keith Williams and Carbide and Carbon.140 This entirely African ... pdf. US Army. 1943.

 Manhattan District History, S13;. “Clinton Engr. Works.








Sunday, October 09, 2022

WHAT THEY LEARNED FROM DRESDEN
Searing 'Scorched Earth' revisits American bombing campaigns in Korean War

By Thomas Maresca


Scorched Earth, a documentary by director Mi Young Lee, offers detailed accounts of the U.S. bombing campaign during the Korean War that devastated much of the peninsula. 















Scorched Earth features declassified U.S. military footage along with pilot mission reports and testimony by South Korean survivors. 















Refugees in both North and South Korea were killed by airstrikes during the 1950-53 war, which the documentary argues was the result of deliberate policies. 

Screen capture courtesy of Busan International Film Festival/Mi Young Lee

BUSAN, South Korea, Oct. 8 (UPI) -- Scorched Earth, a new documentary by filmmaker Mi Young Lee, examines the U.S. campaign of mass airstrikes during the 1950-53 Korean War, a devastating aerial bombardment that leveled much of North Korea.

The film, which premiered at the Busan International Film Festival on Saturday, is based on declassified U.S. military reports from over a million aircraft sorties, archival footage and testimonies from Korean survivors.

It paints a damning picture of the scorched-earth policy that used overwhelming air superiority against not just military targets but cities, villages, industrial facilities and dams -- as well as civilians in both North and South Korea.














Director Mi Young Lee premiered Scorched Earth on Saturday at the Busan International Film Festival. Photo by Thomas Maresca/UPI

Lee, a South Korean director and teacher based in Halifax, Canada, told UPI that the inspiration for this project came during the "fire and fury" period of 2017, when nuclear tensions were sky-high between the United States and North Korea.

"Friends and acquaintances in Canada asked me a question: why does North Korea hate the U.S. so much?" Lee said in an interview at the Busan festival.


"I was able to only give them very simple answers but I knew I needed to learn more about this history," she said. "I started to read Korean War history books and wanted to research more, and I ended up at the National Archives in D.C."

There she found troves of declassified material, including previously unreleased pilot mission reports that document or correlate accounts of bombings and strafing runs -- such as attacks on North Korean refugees crossing the Imjin River on Jan. 1, 1951.

"I think the U.S. government didn't know what kind of evidence was in those documents," she said. "It wasn't even organized -- just tons of papers in boxes, like finding a needle in a haystack."


The United States has never acknowledged a policy of targeting civilian populations during the Korean War. The Pentagon's 2001 investigation of a July 1950 wartime civilian massacre near the South Korean village of No Gun Ri concluded the killings were "not deliberate." (Scorched Earth starts with footage from a press conference by defense officials announcing the findings.)

In all, American planes dropped 635,000 tons of bombs on Korea -- including 32,557 tons of napalm -- more than was dropped in the entire Pacific theater of World War II. The majority of the war's victims were civilians, with as many as two million killed.

For the film, Lee pieced together the written records of the bombing campaigns with U.S. military film footage, some previously unseen, as well as newsreels and propaganda clips of the time.

She also turned to survivor accounts compiled by South Korea's Truth and Reconciliation Commission, which operated from 2005-10 and conducted investigations of civilian massacres during the Korean War.

Snippets of testimony are read in voiceover by South Korean students, with gruesome recollections of victims set ablaze by napalm, rolling in the dirt and crying out for water.

There are no Ken Burns-style reenactments, on-camera interviews or historians providing context in Scorched Earth. Instead, the film weaves an impressionistic tapestry of text, graphics and voices over grainy footage and an ominous, pulsating score -- an avalanche of information that at times overwhelms the emotional impact of the narrative.

The Korean conflict is often called the "forgotten war" in the United States but Lee argues that much about it has been systematically hidden, not just by Washington but Seoul as well.

For decades after the war, South Korea stifled public claims of civilian attacks under its draconian National Security Law -- creating a culture of silence that Lee said extended to her own grandmother, who lost three children to an airstrike.

"While I was researching all these records, I remembered my family's story, where my grandmother lost all three of her children during the war," Lee said. "My family never talked about it, I just vaguely heard it when I was a kid. It motivated me even more to complete this project."

Lee said she is currently working on a second film that focuses on specific airstrikes in South Korea and incorporates contemporary interviews with survivors, some of whom attended the Busan screening on Saturday.

"The immense sacrifice of these victims has almost been forgotten," Lee said. "This history should be spoken [about]. It's been 70 years, and while the Korean War survivors are still alive I think their stories should be made public. I think they want that, too."

Scorched Earth does not yet have a commercial release date. Lee said she plans to enter it on the festival circuit in North America.

https://chindits.wordpress.com/2015/06/08/dresden-1945

Jun 8, 2015 ... The policy of nocturnal area bombing had much to do with Bomber Command pursuing a flawed military doctrine and punishing the Germans for their ...


https://academic.oup.com/book/9859/chapter/157134577

Arthur Harris, undoubtedly the most strident public advocate of area bombing, ... According to Mark Connelly, throughout the war the media provided the ...


https://media.defense.gov/2010/Oct/27/2001330220/-1/-1/0/davis_bombing_european.pdf
Bombing the European Axis Powers - Department of Defense
Dr. Richard G. Davis is a member of the historical staff at the ... signed to the Royal Air Force (RAF) Bomber Command and RAF ... 40 percent firebombs.

https://www.icrc.org/en/doc/assets/files/other/irrc_859_maier.pdf

ted St. Michael's Cathedral and destroyed the centre of the city, ... far heavier bomb loads, were legitimate military actions (with Dresden perhaps.


https://guaciara.files.wordpress.com/2010/05/mike-davis-how-to-stop-worrying-and-love-the-incendiary-bomb1.pdf

Firebomb. How to Stop Worrying and Love the Incendiary Bomb. By Mike Davis. MacArthur fellow Mike Davis is the author of “City of Quartz”, “Ecology of Fear” ...

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A Forgotten Holocaust: US Bombing Strategy, the Destruction of Japanese Cities & the American Way of War from World War II to Iraq
Mark Selden 
May 2, 2007
Volume 5 | Issue 5
Article ID 2414

World War II was a landmark in the development and deployment of technologies of mass destruction associated with air power, notably the B-29 bomber, napalm and the atomic bomb. An estimated 50 to 70 million people lay dead in its wake. In a sharp reversal of the pattern of World War I and of most earlier wars, a substantial majority of the dead were noncombatants. [1] The air war, which reached peak intensity with the area bombing, including atomic bombing, of major European and Japanese cities in its final year, had a devastating impact on noncombatant populations.

What is the logic and what have been the consequences—for its victims, for subsequent global patterns of warfare and for international law—of new technologies of mass destruction and their application associated with the rise of air power and bombing technology in World War II and after? Above all, how have these experiences shaped the American way of war over six decades in which the United States has been a major actor in important wars? The issues have particular salience in an epoch whose central international discourse centers on terror and the War on Terror, one in which the terror inflicted on noncombatants by the major powers is frequently neglected.

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