Saturday, May 29, 2021

 

Harris is 1st woman to make Naval Academy commencement speech: 'Our world is fragile'

Vice President Kamala Harris made history once again on Friday as the first woman to deliver the keynote commencement address at the U.S. Naval Academy, telling graduates the country faces a "significant turning point."

A WOMAN OF COLOUR AS WELL AS OF INDO SOUTH ASIAN ORIGIN

"Midshipmen, we are now entering the next era. A new age. A new epoch, with its own challenges, and with its own opportunities," Harris began, speaking at the Navy-Marine Corps Memorial Stadium in Annapolis, Maryland.

"The global pandemic, you see, of course, has accelerated our world into a new era," she said. "If we weren't clear before, we know now: Our world is interconnected. Our world is interdependent. Our world is fragile."

Kamala Harris wearing a suit and tie: Vice President Kamala Harris speaks at the graduation and commission ceremony at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.© Julio Cortez/AP Vice President Kamala Harris speaks at the graduation and commission ceremony at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.

In her nearly 20-minute speech, Harris addressed challenges facing the nation and its service members, citing cybersecurity threats and climate change, as well as COVID-19.

"A deadly pandemic can spread throughout the globe in just a matter of months. A gang of hackers can disrupt the fuel supply of a whole seaboard. One country's carbon emissions can threaten the sustainability of the whole Earth," she said.

Kamala Harris wearing a suit and tie: Vice President Kamala Harris gestures as she delivers remarks at the graduation and commissioning ceremony for the U.S. Naval Academy's Class of 2021 at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.© Kevin Lamarque/Reuters Vice President Kamala Harris gestures as she delivers remarks at the graduation and commissioning ceremony for the U.S. Naval Academy's Class of 2021 at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.

"The challenge before us now is how to mount a modern defense to these modern threats," she continued.

"The ransomware attack by criminal hackers earlier this month -- well, that was a warning shot," she said. "In fact, there have been many warning shots. So we must defend our nation against these threats."A day after Microsoft said Russian hackers had again targeted a U.S. government agency, Harris referred to the recent Colonial Pipeline cyberattack as an example of new threats ahead.

It has been only 46 years since Congress required service academies to admit women in their ranks -- and Harris took the opportunity to highlight the growing number of female officers even as she tied that to the Biden agenda.

"Just ask any Marine today, would she rather carry 20 pounds of batteries or solar panels, and I am positive, she will tell you a solar panel -- and so would he," she said to applause.

Kamala Harris wearing a blue shirt: Vice President Kamala Harris displays her U.S. Naval Academy jacket at the graduation and commission ceremony at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.© Susan Walsh/AP Vice President Kamala Harris displays her U.S. Naval Academy jacket at the graduation and commission ceremony at the U.S. Naval Academy in Annapolis, Md., May 28, 2021. 

MORE: Vice President Kamala Harris: We must 'speak truth' about history of racism in America

Harris, the first Black woman to be elected vice president, gave a shoutout to a new midshipman making history of her own -- the first Black woman in the school's almost 175-year history to serve as brigade commander, who oversaw roughly 4,000 students this year.

"My ceremonial office was once occupied by the Secretary of the Navy, and displayed there, I have placed the shoulder boards of your brigade commander, Midshipman Sydney Barber," Harris said to roaring applause.

a person standing posing for the camera: Midshipman Sydney Barber, who served as the first Black female Brigade commander at the U.S.Naval Academy this year, poses for a photo while gathering with other graduating midshipmen, May 28, 2021 in Annapolis, Md.© Brian Witte/AP Midshipman Sydney Barber, who served as the first Black female Brigade commander at the U.S.Naval Academy this year, poses for a photo while gathering with other graduating midshipmen, May 28, 2021 in Annapolis, Md.

Harris concluded by sharing that she stopped by the United States Naval Academy Cemetery ahead of her speech to pay respects to her former colleague in the Senate -- "a great and courageous American" -- GOP Sen. John McCain.

"Most people don't know, he wanted to be buried next to his best friend, who he met on the yard, Admiral Chuck Larsen. That is the ultimate example of what I mean, in it together," she said.

"You are the next links in the chain," she said.

Kamala Harris et al. standing in front of a crowd: Vice President Kamala Harris puts her hand to her heart during the graduation and commissioning ceremony for the U.S. Naval Academy's Class of 2021, at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.© Kevin Lamarque/Reuters Vice President Kamala Harris puts her hand to her heart during the graduation and commissioning ceremony for the U.S. Naval Academy's Class of 2021, at the U.S. Naval Academy in Annapolis, Md., May 28, 2021.

Presidents and vice presidents deliver graduation speeches at the nation's five military service academies each year on a rotating basis.

President Joe Biden delivered the commencement address at the U.S. Coast Guard Academy last week, telling graduates to "go out and be the future."

a man wearing a military uniform: Midshipmen stand at attention during a Blue Angels fly over prior to Vice President Kamala Harris delivering an address for the U.S. Naval Academy graduation and commissioning ceremony in Annapolis, Md., May 28, 2021.© Shutterstock Midshipmen stand at attention during a Blue Angels fly over prior to Vice President Kamala Harris delivering an address for the U.S. Naval Academy graduation and commissioning ceremony in Annapolis, Md., May 28, 2021.

Biden spoke at the U.S. Naval Academy in 2015, as did former President Donald Trump in 2018, when he said, "We are not going to apologize for America."


MORE: Trump delivers commencement at Naval Academy, declares 'America is back'

After holding its first-ever virtual ceremony for the first time last year due to the pandemic, the academy brought back the Blue Angels flyover tradition to kick off the socially distanced event -- timed with the unofficial start of summer.


CANADA
Nearly 75 per cent of federal prisoners have been vaccinated against COVID-19

John Paul Tasker 
CBC 
28/5/2021

© Lars Hagberg/Canadian Press Correctional Service Canada (CSC) has vaccinated 74.9 per cent of all federal prisoners as of May 24.

The Correctional Service of Canada (CSC) has administered COVID-19 vaccine shots to nearly 75 per cent of all federal prisoners — a vaccination rate that is much higher than the rate for the general population.

The federal government has been leading vaccine procurement efforts on behalf of the provinces and territories — but it also has held back a number of shots for its own purposes.

While health care is generally provincial jurisdiction, Ottawa alone is responsible for two groups: active Canadian Armed Forces (CAF) personnel and federal inmates.

Of the 25 million COVID-19 doses that have been delivered to Canada, 157,080 have been reserved for the "federal allocation," which also includes shots earmarked for the Public Health Agency of Canada and Global Affairs Canada.

The number of prisoners who have been vaccinated is high but, according to statistics released to CBC News by the Department of National Defence (DND), the number of CAF personnel who've had at least one dose is even higher.

More than 90 per cent of all eligible CAF members, including regular force and full-time reservists who serve more than 180 days a year, have had one dose and 20 per cent of them are fully vaccinated — a second dose vaccination rate that is nearly four times higher than what has been reported among the general population.

Less than 55 per cent of the broader Canadian population has had a first dose, while roughly 5 per cent are fully vaccinated.

Some CAF members have been at the forefront of the fight against COVID-19; personnel have been deployed to hard-hit long-term care homes in Ontario and Quebec and others have been sent to short-staffed intensive care units.

A DND spokesperson said the exact number of CAF personnel who have had first or second doses could not be released for "operational security reasons" but they did say more than 70 per cent of the 115,000 Moderna doses allocated to the armed forces have been administered.

"CAF members continue to show their dedication in the fight against COVID-19 in Canada by voluntarily being vaccinated to help stop the spread of this deadly virus," the spokesperson said.

More than 10,000 shots administered in prisons

According to data provided by CSC, 9,613 prisoners have received at least one dose of the Moderna vaccine, with 1,266 having been fully vaccinated with two doses.

The vaccine coverage rates are significantly higher among white (80.2 per cent) and Indigenous inmates (75.9 per cent) than they are among other racial groups.

Fewer than 60 per cent of non-Indigenous people of colour in federal prison have had a shot, according to the CSC data, which is current as of May 24.

Incarcerated women are slightly more likely to have been vaccinated; 77.6 per cent of prisoners at female sites have had a shot, compared to 74.7 per cent among those at male institutions.

Women in federal penitentiaries in the Pacific region (B.C. and Yukon), however, reported the lowest prisoner vaccination rates nationwide, with fewer than 63 per cent having had a shot compared to 85 per cent of female prisoners in Quebec.

While the Atlantic provinces have so far posted some of the lowest vaccination rates in the country — federal data show fewer than 60 per cent of adults in those four provinces have had a first dose — 76 per cent of CSC prisoners in the region have had a shot.

Justin Piché is a professor of criminology at the University of Ottawa and a director at the Carceral Studies Research Collective.

Since the early days of the pandemic, Piché and other prisoners' rights advocates have been calling on the federal government to reduce the inmate population to stop the spread of COVID-19 behind bars.

'No political will'


There have been more than 2,100 cases reported in CSC facilities — 1,530 prisoners and 607 staff — since the onset of the pandemic in March 2020. While numbers vary greatly, as many as 14,000 prisoners are in custody nationwide at any given time.

Piché said Ottawa has largely ignored demands to release some offenders to reduce crowding — "There was no political will," he said — and instead chose to focus on an aggressive vaccination campaign that now appears to be working reasonably well.

(The number of federal inmates has dropped by some 13 per cent over the last year but Piché attributes that decline to court delays that have resulted in fewer people sentenced.)

"The federal government has done far too little during the course of this pandemic to reduce the number of prisoners living in the biggest congregate settings in the country. Instead, they made the choice that vaccinations were the way to quell the heat they were getting from advocates," he said.

"Even though they got some flack from Conservative Leader Erin O'Toole for offering vaccines to prisoners, that heat was probably less than what they would've gotten if mass releases had happened."

© Sean Kilpatrick/Canadian Press Conservative Leader Erin O'Toole was highly critical of the government's plan to accelerate immunizations in prisons.

Late last year, the National Advisory Committee on Immunization (NACI) recommended prisoners be among the first groups to get vaccinated because they live in relatively cramped conditions where it may be easier to contract the virus.

Ottawa followed that advice when it began part of the prison vaccination program in early January.

O'Toole subsequently criticized the plan to vaccinate 600 elderly prisoners, saying it was unfair to give criminals vaccines before other groups. "Not one criminal should be vaccinated ahead of any vulnerable Canadian or front line health worker," he said in a Jan. 5 tweet.

A spokesperson for Conservative MP Shannon Stubbs, the party's public safety critic, did not respond to a request for comment on the robust CSC vaccination rates.

Piché said reducing COVID-19 transmission in prisons is important to the broader community because CSC workers can act as vectors, spreading the virus in the cities and towns that surround these institutions. And prisoners who are released after serving their sentences pose a risk as well.

"What happens behind the walls doesn't stay there. There are ramifications for all of us. It's not just about incarcerated people. It's about everyone," he said.

"It's great that CSC has gotten first doses to so many prisoners but we know that the first dose isn't enough to curb it altogether. They need those second doses. We need to address the vaccine hesitancy that some of them still have."

He attributes the comparatively high vaccination rates to CSC efforts to disseminate information about the safety and efficacy of shots to family members of prisoners.

CSC also works with Indigenous elders and liaison officers to offer culturally sensitive programming to First Nations, Metis and Inuit prisoners.

As for the lower vaccination rates among visible minorities, Piché said it's likely attributable to racialized groups being more distrustful of the health care system, given the legacy of racism in this field. "Something is definitely amiss here," Piché said.

A spokesperson for CSC said staff "continue to engage with anyone who has refused a vaccine," reminding them of the benefits of getting immunized.

Shots are still available for those who have skipped getting a shot and new admissions will also have a chance to be vaccinated, the spokesperson said.
Fauci Backs Investigation into Wuhan Lab Leak, But Stands by Animal Host Theory

Jenni Fink 
NEWSWEEK
5/28/2021


Because knowing the origin of COVID-19 could help prevent future outbreaks, Dr. Anthony Fauci, America's top infectious disease expert, said he supported investigating multiple theories as to where the virus came from, and that includes speculation it came from the Wuhan Institute of Virology.
















Once considered a fringe theory that appeared to put undue criticism on Chinese scientists, the possibility that a lab in Wuhan was the starting point for the pandemic is gaining traction. President Joe Biden asked the Intelligence Community to redouble their investigative efforts and the group has not eliminated the lab from a list of possible origin points.

Fauci came under criticism recently for telling National Geographic in May 2020 that the lab leak theory was a "circular argument" and the nature of the virus points to it being naturally occurring. He told SiriusXM's The Joe Madison Show he stands by the belief that it's "much more likely" that COVID-19 was natural and not the result of the Wuhan lab.

"But we can't say that for 100 percent certain," Fauci added. "For that reason, this hypothesis that it might have leaked out of a lab is something that you want to see if you can investigate that in a fair, unbiased, scientifically sound way."

Since the start of the pandemic, people have raised concerns about the world's ability to trust information coming out of China and its ability to be transparent about the outbreak. Censoring medical professionals who raised the alarm early on only magnified concerns and while the Wuhan Institute of Virology has said none of its staff have been infected, which would mean the outbreak couldn't have started in the lab, some aren't willing to take the lab at its word.

Fauci separated Chinese scientists from the government and told Madison that in his experience working with scientists in China they've been "of good faith."


China vehemently denies that it's been anything less than transparent and that the Wuhan lab was the source of the pandemic, often pointing to a report a team of researchers published in March. The report, co-authored by 25 scientists who visited China earlier this year as part of a World Health Organization-led mission, found the virus being naturally occurring was the most likely scenario and the lab leak theory was the least likely.

However, Dr. Tedros Adhanom Ghebreyesus, director-general of the WHO, identified shortfalls in their ability to conduct their research and advocated for additional investigations. While the team was leaning toward the belief that the virus jumped from an animal to a human, Ghebreyesus said they didn't make a definitive conclusion about the source of the pandemic.

Some scientists feel the world may never know the true source of the pandemic, but identifying how it began could be beneficial in preventing future outbreaks. If an animal is the source of the outbreak, it would be advisable to invest financially in tracking people who work in close proximity to animals to identify pathogens with pandemic potential before they spread.

"We should be doing better surveillance in animal populations that pose a risk of being the origin of a new pathogen. Our next crisis is already on the planet, but the pathogen has yet to make the jump," Jon Andrus, professor of global health at George Washington University, previously told Newsweek.


Fauci stressed to Madison that it's important there are "lessons learned" from the current pandemic, including how it began.

Related Articles
China Says U.S. Turning 'Blind Eye' to WHO's 'Official Conclusion' on Lab Leak Theory
Scientists Who Doubt Wuhan Lab Theory Still Back Natural Occurrence After Renewed Calls to Probe COVID Origin
Timeline of What Dr. Fauci Has Said About the Wuhan Lab and COVID's Origins
How Jewish is Leonard Cohen’s ‘Hallelujah?’ A Forward investigation in 9 verses




How Jewish is Leonard Cohen’s ‘Hallelujah?’ A Forward investigation in 9 verses

PJ Grisar May 23, 2021
I
Our story, like its subject, starts in several places.


The balmy parapets of Jerusalem, where David gives into temptation. The third-row pew of a Montreal synagogue, where the shul president’s son learns about the Bible’s most calamitous affair. A movie theater in Mohegan Lake, N.Y., where a 10-year-old Jewish boy watches a movie called “Shrek” and hears plaintive piano while an ogre surveys his ransacked swamp, catching a glimpse of his reflected face in shattered glass as these words play:

I heard there was a secret chord
That David played and it pleased the Lord
But you don’t really care for music, do you?

I was that 10-year-old kid, hearing Leonard Cohen’s “Hallelujah” for the first time, and wondering what it had to do with the giant green guy I’d been watching for the past hour.

Like most people, I haven’t been able to escape the song, an infectious melody with cryptic verses and a simple chorus of a sacred word and too many covers to name. In some ways, as the poet sang, it doesn’t matter which you heard. Not because all versions were created equal, but because in two decades the song has become so pervasive as to signify nothing and everything.

A case in point: Just a few months after the Republican National Convention featured two unauthorized versions of “Hallelujah” set to fireworks, gospel singer Yolanda Adams performed a version approved by Cohen’s estate on the eve of President Biden’s inauguration, as part of a memorial to 400,000 dead of COVID-19. Both uses, played mere feet from each other on the National Mall, seemed to hit the wrong note.

The song is too accepting of fallibility to champion Trump. It’s too sexual to mourn the dead. It’s too Jewish to work as a Christian-inflected hymn. But like the story of David, the tune means so much to so many, that it’s hard to pin down a single interpretation. Online, debates about its meaning take on a Talmudic intensity.

I wanted to understand the song — what Cohen meant by it, and if that meaning was lost to other musicians. I needed to know Cohen’s spiritual biography. I had to find out how the song worked in synagogues or at klezmer festivals, in Hebrew and in Yiddish. I wanted to know what the song meant in the modern state of Israel and what it had to do with the Bible figures it winks at. In short, I needed to know if the song, perhaps the most misunderstood popular work of the last 40 years, was truly Jewish and what, if anything, that means for its status as a global anthem. Does its popularity mean that Jewish thought has gone mainstream, or, as the critics trumpet, that many interpreters simply don’t get what the song’s really saying?

To try to figure it all out, I talked with the man who wrote the book on “Hallelujah.” I chatted with Cohen’s rabbi, his cantor and his manager. I spoke with songwriters who adapted it for Jewish venues and faith leaders who use it as liturgy.

I found in “Hallelujah” a song that draws from Kabbalah, the Psalms and Hasidic thought. It is a manifesto of a man whose life was spent appealing to, and wrestling with, the absolute, and touching the mundane with the divine. It is the living text of a new Psalmist, who birthed a melodic prayer used in synagogues — but who never meant for it to be heard in those sacred spaces. “Hallelujah,” with its layered contradictions, is a mark of Cohen’s spiritual consistency, and finally, his work as a Jew hoping to comprehend a holy, broken world. But before it became all that, it was yet another struggle to find the right words.

II
A Baffled King Composes “Hallelujah”

Alan Light first started thinking about “Hallelujah” when he heard it as part of Kol Nidre services at Beit Simchat Torah, a progressive synagogue in midtown Manhattan. When I asked if the song was Jewish, Light, author of 2012’s “The Holy or the Broken: Leonard Cohen, Jeff Buckley and the Unlikely Ascent of ‘Hallelujah,’” resisted a simple answer.

“This song has permeated the world and people’s lives and their own experiences in such a way that pretending this song is about this specific thing — we’re not there anymore,” he said.

How the song rose, from an obscure, synth-heavy track on Cohen’s 1984 album “Various Positions,” proves “Hallelujah” can’t be confined to any one meaning or definitive version. As outlined in Light’s book, soon to be a documentary film, its journey was a group effort: an act of collage in which Cohen’s original was soon surpassed by other, sparer interpretations.

To begin with, “Various Positions” was a tough sell. Columbia refused to even release it, leaving the job to independent label Passport. Few reviews of the album mentioned the first song on the second side: a strange, pseudo-gospel composition with a decidedly gospel-sounding title.

Bob Dylan was the first to recognize the song’s promise, playing “Hallelujah” on two occasions on the 1988 leg of his “Never-Ending Tour.” Some time before that, the Prophet of Hibbing and the Prince of Bummers from Montreal were having coffee in Paris. Dylan asked how long it took Cohen to write it. Cohen lied and said two years — in actuality, it took around five.

While there are four verses in the cut on “Various Positions,” Cohen wrote about 80 for the song, originally titled “The Other Hallelujah.” Describing his process, Cohen once conjured an agonized picture of a supplicant before his muse. He was in his underwear at the Royalton Hotel, banging his head on the floor, saying “I can’t finish this song.”

And he was never done fine-tuning it. The lyrics suggest Cohen’s hesitation when putting the song together. Instead of narrative unity, there are fragments of scene and sentiment, all connected by the word “Hallelujah,” which comprises the chorus and the final word in each verse. The word is a Hebrew compound of “Hallelu” (praise) and “Ja” (God), in a command form. In the Bible, it’s most frequently found in the Psalms attributed to David.

The song begins with David, the “baffled king.” But Cohen’s pronouns are slippery and his subject changes. The first verse mentions David’s playing, which placates the Lord — either the tempestuous King Saul or God — and a “you” who doesn’t care for music. In the second stanza, the “you” appears to be David, seeing a woman bathing on the roof, as he did Bathsheba. But then, in the second half of the line, the “you” appears to allude to Samson, tied to a kitchen chair as Delilah cuts his hair.

The biblical archetypes suggest tragic sexual encounters — or, in the case of David, Cohen’s own affair with a married woman. But the song then departs from biblical imagery, moving on to accusations of blasphemy, introducing the idea of a “holy or the broken hallelujah.” Finally the speaker laments his inability to please that ever-shifting “you” — then, ultimately, shrugs it off.

Cohen had second thoughts about the song’s biblical references, leaving them out in concert and using unrecorded verses in their stead. But for all of his tinkering, he ended his live versions like this: “Even though it all went wrong/I’ll stand before the lord of song/with nothing on my tongue but Hallelujah.” The words, an exaltation in surrender to the world in all its contradictions, were key to the song’s message.

“It’s a rather joyous song,” Cohen said on the release of “Various Positions,” and, he argued often, a secular one. He wanted to push the words of praise back to Earth, “to indicate that Hallelujah can come out of things that have nothing to do with religion.”

But when the Velvet Underground’s John Cale was preparing to sing the song for “I’m Your Fan,” a 1991 album of covers made by notable Cohen admirers, he rejected some of the unused lyrics because they seemed too religious — or at least too Jewish.

“Some of them, I couldn’t sing myself,” Cale told the Boston Globe of the countless alternate verses Cohen faxed him. “Some of them are about Yahweh, about religion, and reflecting Leonard’s background.”

It’s tempting, but probably a mistake, to use this remark as evidence of the song’s Jewishness. For all the variations of “Hallelujah,” those other words were never recorded, and it was Cale’s new, intimate arrangement that would make the song an anthem.

III
A Cold, Broken and Tragic “Hallelujah”


In the early ‘90s, Jeff Buckley, son of folk singer Tim Buckley, was cat-sitting for a friend in Park Slope. One day he discovered “I’m Your Fan” in her record collection and heard Cale’s “Hallelujah.” Scored to urgent piano, it was an unfussy lover’s lament, with dark meditations on solitude, good and bad sex and the bitter lessons of a doomed relationship. With alternate verses supplied by Cohen, and no cheesy choir, this version sounded nothing like the original — but then, Buckley, like so many others, had never heard the original. Music history might well be different if he had.

The just-emerging Buckley started playing the song at gigs, ending as Cale did, not with the joyous “nothing on my tongue,” but with “It’s not a cry you can hear at night/it’s not somebody who’s seen the light — it’s a cold and it’s a broken Hallelujah!”

The song’s meaning shifted. It had a sexier edge and a more tortured conclusion with a new brand of vulnerability. Cale’s world-weary delivery and Cohen’s arch humor (“You said I took the name in vain/I don’t even know the name/And if I did, well really, what’s it to ya?”) were gone, replaced by what Buckley called the “hallelujah of an orgasm.” That eroticism was trapped forever on Buckley’s album “Grace,” where the track begins with an exhausted exhale.

Light says the difference in the versions was inevitable: Cohen recorded the original when he was 50; Buckley was 27 — and wouldn’t make it past 30.

After Buckley drowned on May 29, 1997, his “Hallelujah” accrued the air of the sacrosanct. The song was further tethered to tragedy a few years later, when it became the unlikely backing track for 9/11. As Light’s book recounts, VH1 played Buckley’s “Hallelujah” under a hastily-assembled tribute video made of on-the-ground footage of New York after the attacks. The footage played constantly that September of 2001.

Soon the song appeared in montages of crisis and uncertainty on network TV shows, boosted by the appearance of Cale’s version in “Shrek,” a national calamity and Sony’s eagerness to license it. Next it showed up in singing competitions and, owing in part to its religious-sounding refrain, weddings and funerals. It’s now in the repertoire of every kid on YouTube and every busker with a street corner, each with different variations and, with each reorganization, a different takeaway. Paul Simon told Light that Cohen’s song had supplanted “Bridge Over Troubled Water” as a multi-use standard. Despite the objections of many tired listeners, nothing yet has toppled “Hallelujah.”

Last year, a doctor in Cincinnati sang it to COVID patients as they left the hospital. When Italy was on lockdown, the song was heard from the balconies. “It still fulfills these people,” Light said.

It’s hard, and perhaps cruel, to quibble with those who find their own deep, adaptable meaning in the song. We are squarely in the realm of death of the author. But how Cohen lived, and chose to die, tells us where the song came from, and what Cohen wanted it to say.


KD LANG DOING HALLELUJAH

RIP
BEGAN WITH CBC RADIO THEN TV
Canadian actor Paul Soles, Voice of Spider-Man in 1960s Animated Series, Dies at 90
HE WAS A GREAT VOICE ACTOR

Reid Nakamura 
 28/5/2021

Paul Soles, the voice actor who starred in the original animated "Spider-Man" series in the 1960s, has died at the age of 90.
© TheWrap paul soles spider-man

The news was announced by Soles' manager, Angela Wright of Edna Talent Management, in a Facebook post Friday. "Paul Soles was truly a Canadian treasure," Wright wrote. "He lived a long life with so many adventures along the way. RIP."

According to an obituary in Canada's The Globe and Mail, Soles died in Toronto on Wednesday, May 26. No cause of death was listed.

A JEWISH CANADIAN SPIDEY

Soles voiced the title character in ABC's animated "Spider-Man" series, which ran for three seasons on ABC and in syndication between 1967 and 1970. Soles starred alongside Bernard Cowan, Paul Kligman and Peg Dixon.

He also voiced Hermey the misfit elf in Rankin/Bass' stop-motion "Rudolph the Red-Nosed Reindeer" special in 1964. His other voice acting credits include "Rocket Robin Hood," "King of the Beasts," "The Marvel Super Heroes" and "The King Kong Sh
ow."

In 1978, Soles hosted the short-lived late-night talk show "Canada After Dark" for CBC Television. He also served as a longtime co-host on the network's newsmagazine series "Take 30," alongside Anna Cameron, Adrienne Clarkson, Mary Lou Finlay and Hana Gartner.

WIKIPEDIA NEEDS UPDATING
  • Paul Soles - Wikipedia

    https://en.wikipedia.org/wiki/Paul_Soles

    Paul Robert Soles (born 11 August 1930) is a Canadian character actor, voice actor and television personality. He led the voice cast in such series such as The Marvel Super Heroes (1966), voiced the title character in Spider-Man (1967), and portrayed Hermey in the 1964 television special Rudolph the Red-Nosed Reindeer; Soles is one of the last surviving participants of the special's voice cast. Soles …

    Soles is widely known as the voice of Hermey the misfit elf in Rankin/Bass' Rudolph the Red-Nosed Reindeer from 1964. He went on to voice Bruce Banner the alter ego of the Hulk and his friend Rick Jones in the 1966 Incredible Hulk animated series from The Marvel Super Heroes program. He also voiced fellow Marvel superhero Spider-Man in the original animated television series

    Wikipedia · Text under CC-BY-SA license
  • GLOBE AND MAIL OBITUARY

    Paul Robert SOLES
    1930 2021


    PAUL ROBERT SOLES Born in Toronto, August 11, 1930, to Arthur L. Soles and his wife Lillian (née Goodfellow) they of Polish/Lithuanian Jewish ancestry. 
    Died in Toronto May 26, 2021. 

    Predeceased by his younger brother Bill and sister-in-law Marg, he leaves his baby sister Ruth-Ellen, nieces Liane and Alison, Heather and Sandra, nephews Richard, Allan and Brian, wife Jean (née Allan), son Jonathan and daughter-in-heart Jarah. 

    He will be remembered as a charming, magnanimous, principled man, a creative and versatile performer and a proud Canadian.

     It was the titans of radio who first fired his imagination and he set out to emulate them from an early age. Committed to the highest standards throughout his 70 year career he remained the consummate professional wholly dedicated to his craft, but by nature he tended undeniably towards mirth. 'He who laughs, lasts' was an oft repeated aphorism.

     He delighted in cracking people up on air and off and was a terrific joke-teller, an impressive mimic, accent man, public speaker, story-reader, announcer, host, emcee, compare. Warm and gentle with an easy going manner he enjoyed the company of others as much as his own. Thoughtful and inventive he possessed a quiet strength and a deep well of emotion. 

    A talented and hard-working person he often cited good fortune as the sole reason for his success, but the truth is he loved what he did and it showed. A champion debater and Army Cadet RSM at Vaughan Road Collegiate he dropped out of UWO after third year, following stints at CHLO and CKEY, to work full-time at CFPL radio, transitioning to TV at its inception in 1953. 

    Commissioned as a Pilot Officer in the RCAF Auxilliary at Station Crumlin he spent 1956-57 running the radio station at 3 Wing, Zweibrücken, Germany and travelled with the Flyers hockey team as their play-by-play man.

     1962 he returned to Toronto, married a first generation Scottish-Canadian girl from southwestern Ontario, began a 16-year run on CBC's 'Take-30' and started a family. 

    er cherished turns during the CBC-TV years were the 1966 Goon Show-like summer replacement sketch comedy series Charlie Had One and This is The Law, 1971-1976. Best known today for portraying Hermey the Elf in Rudolph the Red-Nosed Reindeer (1964) and Peter Parker and his crime-fighting alter ego in the 1967 cartoon Spider-Man he worked extensively in every medium, his favourites being radio drama and live theatre.

     His career took him all over the world but he happily spent the bulk of it in Canada, treading the boards of virtually every major theatre in the land. 

    He performed on and off Broadway and headlined theatrical tours across Canada and the US. Among his many memorable dramatic performances three stand out: the lead in the Canadian premiere in 1987 of 'I'm Not Rappaport'; the first Jewish Canadian to play Shylock in the 2001 production of 'The Merchant of Venice' at the Stratford Festival and the Dora-nominated role in the 2005 two-hander 'Trying'.

     A multiple award nominee he won three: best supporting actor, Six Characters in Search of an Author, 1960 Dominion Drama Festival; best supporting actor in a dramatic series, Terminal City, 2001 Genies; best actor in a digital series, My 90-Year Old Roommate, 2017 Canadian Screen Awards. 

    Beyond work and family he had three life-long passions: sports cars, music and flying. A racing nut he drove the winning foreign entry in the American International Rally (1959) speaking only German and passing himself off as a factory driver from Mercedes in a zero-mileage model W120. 

    A bigtime jazz fan, particularly of the big-bands, he was a fixture at clubs on both sides of the border and he forged friendships with a number of performers.

     An aviation enthusiast and pilot he owned two RCAF primary trainers, first a Fleet 16-B Finch open cockpit biplane acquired to barnstorm across the continent as part of The Great Belvedere Air Dash of 1973 and later a DeHavilland DHC-1 Chipmunk. He was a performing member of the Great War Flying Museum (Brampton), an air show participant for 20 years and a perennial volunteer for the Canadian International Air Show. 

    He did not go gentle retaining to the end his ability to uplift. When asked "how are you doing?" he replied "I make a living". 

    A celebration of life will be held at a date TBD. 

    In lieu of flowers please donate to an organization dedicated to theatre, comedy or jazz or to one that supports such artists. 

    Remembrances and condolences would be welcome online at legacy.com/obituaries/theglobeandmail.


    Trans Mountain pipeline begins construction of tunnel in Burnaby, B.C.


    BURNABY, B.C. — Construction has begun on the 2.6-kilometre tunnel in Burnaby, B.C., for the Trans Mountain pipeline expansion project.

     Provided by The Canadian Press

    The company says in a news release the work on the tunnel connecting the Westridge Marine and Burnaby terminals began Wednesday.

    It says the start of construction of the tunnel represents one of the major components of the expansion project in the Lower Mainland and is expected to take a little over half a year to complete.

    The tunnel construction began after a year of preparation and more than six years of planning, design and regulatory processes.

    Trans Mountain says the tunnel will be more than four metres in diameter and have three delivery pipelines to load vessels at the Westridge Marine terminal.

    The company has said the Trans Mountain pipeline expansion project is on budget and on schedule for completion by the end of 2022.

    This report by The Canadian Press was first published May 27, 2021.

    The Canadian Press


    NDP team up with Liberals, promising to get its net-zero climate bill into the Senate

    OTTAWA — Federal New Democrats are ensuring the survival of a key piece of Liberal legislation aimed at keeping Canada accountable to its target of achieving net-zero carbon-related emissions by mid-century.
     
    © Provided by The Canadian Press

    Parliamentarians are currently discussing Bill C-12 at a committee voting on a series of changes to the proposed climate law tabled late last year.

    If passed, it would see Canada set rolling five-year targets to slash emissions of heat-trapping, climate-change-causing greenhouse gases, stopping in 2050.

    That's when Prime Minister Justin Trudeau has pledged that any pollution the country does emit can be offset by initiatives like tree-planting or captured before being released into the atmosphere.

    New Democrats have criticized the legislation as lacking short-term accountability from now until 2030.

    By working with the opposition party, Environment Minister Jonathan Wilkinson said the government will accept changes to the bill, which the NDP says includes climate progress reports in 2023 and 2025, as well as an "interim emissions objective" for 2026.

    "This is too important to let this legislation have no accountability whatsoever, which is what we were faced with," said NDP environment and climate change critic Laurel Collins.

    "Either an empty bill, which what was initially put forward, or voting against it and having to wait for the next government to put forward something that would actually provide accountability."

    "We were able to use our leverage and use the pressure that we were able to put, to ensure that we actually get a measure of climate accountability."

    Among the agreed-upon changes is a 2025 review of Canada's 2030 emissions-reductions goal. Trudeau has pledged to have cut the country's carbon-related emissions by 40 to 45 per cent below 2005 levels, up from the 36 per cent track the government says the country can do under existing efforts.


    "If we find that the world moves more quickly than, I think, all countries right now anticipate with respect to reducing emissions, and we find that by 2025, it looks like we can actually go farther than we have presently committed to, of course we will reflect on that," said Wilkinson.

    "The reality is we've just gone through a target-setting exercise. We believe the target that we've established is a very ambitious target for Canada and our focus is going to be on achieving that target."

    By accepting its proposals, the NDP has pledged to work with the Liberals to get it through the House of Commons, and into the Senate before the session concludes.


    Conservative environment critic Dan Albas said in a statement that the Liberals are "rushing" the bill through its committee stage.

    So far, the party voted against the bill, saying a government-created advisory body on the net-zero goal doesn't include representation from the oil and gas industry, which could be hurt by the influence of so-called "climate activists."

    At least two of the advisory panellists have a background in oil and gas.

    “We entered the committee process in good faith with amendments suggested by witnesses that would make the bill better," Albas said.

    "Unfortunately the Liberal government and their NDP allies made a deal and are refusing to even debate or engage with any ideas from other opposition parties."

    Wilkinson dismissed the Tories' critique and said its net-zero panel includes a diverse range of perspectives, including industry.

    This report by The Canadian Press was first published May 27, 2021

    Stephanie Taylor, The Canadian Press


    UCP WAR ON DRUG ADDICTS 
    'It is going to kill people': UCP to close Calgary's only supervised consumption site

    Alanna Smith 

    The Alberta government says it will shutter Calgary’s central supervised drug-consumption site as part of a broader plan to overhaul existing harm-reduction services across the province.
    © Provided by Calgary Herald The Safeworks supervised consumption site at the Sheldon M. Chumir Health Centre is shown on Feb. 15, 2019.

    A plan to close the Safeworks site, inside the Sheldon M. Chumir Health Centre, and replace it with two others in the city was approved at a cabinet meeting Wednesday.

    Justin Marshall, press secretary to Alberta’s associate minister of mental health and addictions, confirmed the government is “relocating” the existing site and its services.

    “We will be relocating the existing supervised consumption site, which has been highly disruptive to the neighbourhood, and instead add SCS (supervised consumption services) capabilities within two existing partner organizations’ facilities situated in more appropriate locations,” Marshall in a statement Thursday.

    He declined to offer specifics, including the identity of the community partners or when Safeworks will be closed.

    The Beltline site has more visits than any other in Alberta, not including ARCHES in Lethbridge, which closed after the UCP pulled its funding last July following allegations of financial misconduct. Last year, 53,725 people used the Safeworks site, where clients can use substances under supervision of staff who are trained to reverse overdoses.


    The pending closure comes amid an escalating overdose crisis in the province.

    Alberta marked its deadliest year on record in 2020 with 1,144 opioid-related deaths — an 83 per cent increase from the year before. Numbers continue to trend upwards, with 228 substance use deaths in the first two months of 2021 alone, 70 of which were in Calgary.

    The broader government plan, outlined in documents obtained by Postmedia, also includes changes for existing sites in Edmonton, Grande Prairie and Red Deer.

    An AHS employee with experience working at the Safeworks site in Calgary said its closure will further harm vulnerable people, who are already at the whim of “failed” government policy to prevent o
    verdose deaths.

    “It is going to kill people. It’s going to result in parking garages, alleys and bathroom overdose deaths,” said the man, whom Postmedia agreed not to identify.

    © Darren Makowichuk/Postmedia The Safeworks supervised consumption site at the Sheldon M. Chumir Health Centre is shown in Calgary on Thursday, May 27, 2021.

    He said many clients won’t transition to services elsewhere because the connections and trust they formed at the former site will be lost.

    “People who live in the world of addictions with mental-health concerns and experiencing homelessness, the first thing you have to do is build trust. If you’re shutting that (site) down, you’re cutting that ribbon of trust,” he said.

    “How many times has that ribbon of trust been broken with our clients? And how many more times do you expect them to show up at the trough thinking ‘oh, this time I know you’re not going to?’ ”

    In Edmonton, the government plans to “decentralize” sites, according to the documents. Only two of the original three sites remain after downtown Boyle Street Community Services announced it would discontinue operations at the end of April . Three men were found dead of suspected overdoses in a central park , which harm reduction advocates have linked to the closure.

    There are no set plans for the overdose prevention site in Red Deer. The document said the province will “re-evaluate need for services once (a) recovery community is established.” The UCP has committed $5 million to build a 75-bed addictions treatment centre in the city.


    In Grande Prairie, the government will transition the drug-use site into the Rotary House homeless shelter. The municipality is facing the highest overdose fatality rate in Alberta at 55.1 per 100,000 people, compared with the provincial average of 31.6 based on the latest provincial data.

    UCP TREATS JUNKIES AS CRIMINALS 
    NOT AS ADDICTS NEEDING MEDICAL ATTENTION
    “Our principled approach will continue to provide services while protecting community safety,” said Marshall

    “Our government is committed to a high quality and easily accessible system of care for both mental health and addictions that includes a full continuum of supports, including services to reduce harm.”

    The latest provincial budget outlined $15.7 million to fund five supervised drug-use and three overdose-prevention sites in Alberta. Marshall said there will be “increases” in funding to support the changes but did not offer specifics.

    Related
    Canada’s hidden crisis: How COVID-19 overshadowed the worst year on record for overdose deaths
    No update to province's plan for supervised consumption sites one year after damning report released
    Less crime around Sheldon Chumir, but consumption site's fate still uncertain

    Elaine Hyshka, an assistant professor at the University of Alberta’s School of Public Health, said uprooting existing supervised consumption sites in the province “defies logic” as Alberta battles one of the highest overdose death rates in the country.

    “Alberta really is bucking a national trend here where we see SCS (supervised consumption services) rolling out across the country,” she said. “If anything, we need to be keeping all the SCS we have and making new ones to support other parts of our cities and our the province that could benefit from having these life-saving interventions.”

    Hyshka said the province’s safe drug-use sites were implemented after a careful review and consultation process under the former NDP government. The study included analysis on the location of overdose deaths, discarded drug paraphernalia and EMS calls for service, with input from service providers and stakeholders.


    “A wholesale discarding of that work is really unfortunate, because planning health systems requires evidence and thoughtful, engaged process,” said Hyshka.

    The UCP released a damning report — with disputed findings — on the socio-economic effect of supervised consumption services in March last year. It has been widely criticized by academics, scientists and health-care experts.

    The document’s intent was to guide decision-making on the future of existing and future supervised drug-use sites in Alberta, though it is unclear what role it played in the government’s new strategy.

    In March, a spokesperson for the associate minister of mental health and addictions said there were “no updates” on the province’s plans when asked about the report.
    © Darren Makowichuk/Postmedia The Safeworks supervised consumption site at the Sheldon M. Chumir Health Centre is shown in Calgary on Thursday, May 27, 2021.

    Lori Sigurdson, NDP critic for mental health and addictions, said the government’s response to the devastating overdose crisis is a “tragic failure.”

    “The UCP really just has their hands over their eyes. They are being blind in their decision-making,” said Sigurdson. “We know that four people a day are dying from overdose and we know that these supervised consumption sites save lives, so the government is making a huge mistake.”

    After the three recent deaths in Edmonton and growing overdose rate in Lethbridge after the closure of its supervised consumption site, which was the busiest in North America, Sigurdson said she’s “absolutely” certain this move will result in additional deaths.

    “The move to treatment beds and this ‘recovery model,’ as they call it, is just one component,” she said.

    “But the harm reduction model, which includes the safe consumption sites, is so important. We need to support people where they are at and that’s what safe consumption sites do.”

    alsmith@postmedia.com

    Twitter: @alanna_smithh
    Ottawa dollars can save B.C.'s old-growth forests

    A coalition of conservationists is urging the B.C. government to use federal funds to end the province’s new war in the woods on Vancouver Island, protect old-growth forest and establish targets for endangered ecosystems.

    Ken Wu, executive director of the Endangered Ecosystems Alliance, said Premier John Horgan should capitalize on federal funding and align with national and international initiatives to set targets to protect vital land and marine areas.

    “It’s a game-changing plan,” Wu told the National Observer.

    “Because the province can employ federal money to save these areas if Horgan chooses to do it.”


    The B.C. government should adopt Canada’s protected areas targets, and preserve at least 25 per cent of its vital land and marine ecosystems by 2025, and 30 per cent by 2030, said Wu.

    Currently, 15 per cent of B.C.’s land area is falls into legislated protected areas, compared to 13 per cent nationally, the alliance said.

    The rest of the world is working aggressively to expand protected at-risk ecosystems, and B.C. should follow suit and protect its most valuable ancient forests at the same time, Wu said, particularly as the province boasts the greatest ecological diversity in the country.

    B.C.’s participation is critical for Canada to meet its own national and international protected areas commitments, he added.

    “Will B.C. join the North American leadership movement to solve the intertwined climate and biodiversity crisis or get left behind as an anti-environmental conservation laggard?” Wu asked.

    A total of $3.3 billion to protect land and seas has been set aside by Ottawa in the latest budget, Wu said, adding $2.3 billion is dedicated to terrestrial areas.

    B.C.’s part of the funding pie would likely range between $200 and $300 million, which would go a long way to protecting the province’s most valuable ancient forests.

    The federal funding comes at a critical time for B.C., conservationist Vicky Husband, renowned B.C. conservationist awarded both the Order of Canada and the Order of B.C. for her work to protect old-growth over 40 years.

    “Right now the B.C. government is being pressured by deeply concerned citizens across (the province) and beyond for an immediate moratorium on old growth logging of the last remaining most bio-diverse forests,” Husband said in a press statement.

    “This pressure for change also includes support for First Nations who want to protect critical old growth forests in their territory.”

    It’s vital B.C. dedicate a significant chunk of the funding to Indigenous Protected Areas, First Nations land use plans, and the acquisition of private lands for protection, the Alliance said.

    Also, the province should support B.C. communities dependent on forestry revenue by providing financing for First Nations sustainable economic development linked to newly protected areas, incentives and regulations to grow a value-added, second-growth forest industry, and provide a just transition for B.C. old-growth forestry workers.

    While federal funding won’t save all of B.C.’s old-growth, it could protect areas of concern and help end blockades and protests such as those currently underway on southern Vancouver Island and the Fairy Creek watershed, said TJ Watt, a campaigner with the Ancient Forest Alliance.

    “The B.C. NDP government has just been handed the keys to ensure much of the grandest, most endangered old-growth forests in B.C. get protected,” said Watt in a press statement.

    “Will they keep the door shut or let the solution in?”

    Rochelle Baker / Local Journalism Initiative / Canada’s National Observer

    Rochelle Baker, Local Journalism Initiative Reporter, National Observer

    Against Technology - 

    Introduction 1

    Chapter 1 The Boom, The Bust, and Neo-Luddites in the 1990s 19

    Chapter 2 The Mythic History of the Original Luddites 45

    Chapter 3 Romanticizing the Luddites 77

    Chapter 4 Frankenstein and the Monster of Technology 105

    Chapter 5 Novelizing the Luddites 137

    Chapter 6 Counterculture and Countercomputer in the 1960s 173

    Chapter 7 Ned Ludd in the Age of Terror 211

    Notes 235

    Selected Bibliography 257

    Index 267

    https://law.unimelb.edu.au/__data/assets/pdf_file/0011/3397664/Jones-2006-Against-Technology.pdf