Showing posts sorted by relevance for query Herbert Marcuse. Sort by date Show all posts
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Friday, December 31, 2021

FAVORITE VILLAN OF THE CULTURE WAR
What Herbert Marcuse Got Right — and Wrong

Socialists today should learn from Herbert Marcuse’s One-Dimensional Man: in particular, its spirit of protest, its materialist social theory, and its warnings about commodified liberation. But they should leave behind its moralism and despair about change.

Herbert Marcuse, photographed on May 18, 1979. (DPA / Picture Alliance via Getty Images)

12.27.2021


This article is reprinted from Catalyst: A Journal of Theory and Strategy, a publication from the Jacobin Foundation. 

Few intellectuals have been so closely identified with a social movement as Herbert Marcuse was with the transatlantic New Left in the late 1960s. In 1966, the year One-Dimensional Man was issued in paperback, Students for a Democratic Society (SDS) included the book in their political education curriculum, alongside the works of C. Wright Mills, Gabriel Kolko, Paul A. Baran, and Paul Sweezy. Following its translation into German and Italian the next year, it quickly became recognized as “a primary ideological source” for young radicals in Europe, according to Hubert J. Erb in the Austin Statesmen in 1967. In the upheavals that rocked universities during the first half of 1968, Marcuse, the “prophet of the New Left,” was suddenly everywhere. Students in Berlin held a banner proclaiming “Marx, Mao, Marcuse!” — an alliterative slogan more elaborately formulated by demonstrators in Rome: “Marx is the prophet, Marcuse his interpreter, and Mao his sword!” Although dismissed by most liberal critics and increasingly denounced by a motley chorus of conservatives, left sectarians, and Soviet apparatchiks, One-Dimensional Man maintained its position as the “bible” of the New Left through the end of the decade, providing, as American commentator Allen Graubard noted in 1968, a “special philosophical vocabulary” that graced New Left journals “as if it were part of ordinary language.”

This article aims to introduce and critically reevaluate One-Dimensional Man for today’s socialists. We begin with the book’s enthusiastic reception within the New Left, capturing why and how it resonated with a generation of young activists in the 1960s. Marcuse’s resolute moral and political opposition to the destructive direction of late capitalist society helped resuscitate the sense that the status quo was unsustainable and change was urgent. Unfortunately, however, some of the book’s weakest aspects — such as its offering as alternatives to the status quo various paths (cultural radicalism, new subjects of history, ultraleftism) that proved to be dead ends — were often its greatest draws for its New Left readers, something Marcuse himself understood and resisted.

In important ways, the New Left missed core aspects of Marcuse’s critical project that are worth retrieving for today. We turn to reconstructing and evaluating Marcuse’s moral and materialist analysis of late capitalism. We lay out the philosophical basis for his critique and his insistence on the breadth and depth of the moral commitments — to freedom, equality, happiness, reason, and peace — undergirding socialist politics. We then examine Marcuse’s materialist social theory, which raised critical questions about the gap between socialist theory and social conditions in “the affluent society” that resonate in our own moment. Our interpretation emphasizes the overlooked degree to which the “classical” Marxism of the Second International provides the underpinnings of One-Dimensional Man. Marcuse’s materialist analyses of working-class integration through consumerism, a rising standard of living, and the culture industry aimed to explain capitalism’s unexpected resilience and absorptive capacities.

It would ultimately be left both to Marcuse’s contemporaries Ralph Miliband and André Gorz and to today’s socialists to draw out the political implications of Marcuse’s questions and method and to formulate a socialist strategy adequate to the advanced capitalist world. Though he insisted that the basic premises of Marxist social theory remained correct — a distinct and underappreciated quality of the book — a sense of futility with the theory’s practical implications in the present, as well as fidelity to a vision of social change as total historical rupture, drew Marcuse to paint an imaginative but inadequate picture of his moment as Georg Wilhelm Friedrich Hegel’s proverbial “night in which all cows are black,” void of possibilities for radical social transformation.

There are, we suggest, two souls of Herbert Marcuse — on the one hand, the critical and materialist; on the other, the moralistic and defeatist — each with its own significance for today’s activists. We close by suggesting that One-Dimensional Man’s decline from its previous stardom may offer today’s Left a chance to learn from its spirit of protest, its materialist social theory, and its warnings regarding commodified liberation, while leaving firmly in the past its political Manichaeism and culturalist despair.
Guru of the New Left

Hebert Marcuse, a German-Jewish philosopher, lived a turbulent but scholarly life that hardly seemed to set him up to become a household name and “father” to a mass movement. He grew up in Berlin, and though he was politicized by the abortive German Revolution of 1918–19, he soon went to Freiburg to study philosophy under Martin Heidegger. (Marcuse participated briefly in a soldiers’ council during the revolution, and he sympathized with the Spartacist uprising and its assassinated leaders Rosa Luxemburg and Karl Liebknecht.) Blocked in mainstream German academic circles with the rise of Nazism, Marcuse joined the Institute for Social Research (also known as the “Frankfurt School”) and, in the late 1930s, emigrated to the United States to teach at Columbia University. During World War II, Marcuse worked with the Office of Strategic Services (OSS), helping to guide the war effort against the Nazis. He eventually returned to teaching, first at Brandeis University and then at the University of California, San Diego, where he became a bête noire of the Right, facing the condemnation of then governor Ronald Reagan.

Among Marcuse’s major writings, his first book published in English, Reason and Revolution (1941), remains one of the best interpretations of the philosophy of Georg Wilhelm Friedrich Hegel and an expression of the engaged philosophy that he would continue to champion throughout his career. His other most important works were: Eros and Civilization (1955), a synthesis of Karl Marx and Sigmund Freud that aimed to historicize modern psychology, investigate the psychic sources of domination, and articulate a utopia of fulfillment and sexual liberation; The Aesthetic Dimension (1978), which argued for the centrality of art, imagination, and sensuality to human emancipation; and, of course, One-Dimensional Man (published in 1964, but substantially finished in the late ’50s), which is the subject of this article.The New Left missed core aspects of Marcuse’s critical project that are worth retrieving for today.

Indeed, it may seem especially surprising that One-Dimensional Man, widely regarded as abstruse and pessimistic in the extreme, should have become so deeply insinuated in the discourse of a mass movement. While Marcuse promised, in his preface, that his argument would vacillate between two contradictory hypotheses — “that advanced industrial society is capable of containing qualitative change for the foreseeable future” and “that forces and tendencies exist which may break this containment and explode the society” — One-Dimensional Man was virtually silent on the second point, ultimately presenting a critical theory of society with no “liberating tendencies” capable of translating it into reality. Reviewers charged Marcuse with overlooking the obvious social ferment in American society at a time of escalating civil rights and antiwar militancy. Others excoriated Marcuse for characterizing the welfare state as a container of radical energies rather than an achievement by and for the working class. Although remarking that “qualitative change appears possible only as a change from without,” Marcuse even expressed skepticism toward the anti-colonial movements of the Third World. This great refusal to name possibilities in the present, this maddening tendency to see all apparent opposition as always already absorbed into and reinforcing the system, followed from the traditional materialist framework of Marcuse’s analysis, on the one hand, and the Luxemburgian quest for a total negation of the existing order — a social force capable of “breaking out of this whole” — on the other.

Ultimately, it is the depth of Marcuse’s quest for revolutionary rupture, and his insistence on its necessity, that accounts for the impact of One-Dimensional Man on the youth of affluent nations. Even if the book suggested that such a rupture was nowhere on the horizon, its account of the domination and repression subtly pervading advanced capitalist society confirmed the unarticulated observations of many newly politicized activists who were, moreover, enchanted by Marcuse’s expansive conception of liberation and his willingness to speculate about a utopian future. While the book’s departures from orthodox Marxism caused less shrewd critics to conclude that he had retreated “into the realm of Hegelian idealism,” the Marxologist George Lichtheim correctly recognized One-Dimensional Man, upon its release, as the introduction of Western Marxism to an American audience. To Lichtheim, the book was “a portent” of things to come, and, indeed, the few hopeful passages in the book seemed to anticipate the social unrest coming from exactly the groups Marcuse identified as “those who form the human base of the social pyramid — the outsiders and the poor, the unemployed and unemployable, the persecuted colored races, the inmates of prisons and mental institutions.” Thus did Marcuse’s elegy for the revolutionary working class intensify an ongoing search for new subjects of world-historical transformation, despite his explicit warnings that no such subject existed.

“It is sometimes said of Marcuse that the students who follow him haven’t the slightest idea what he means,” the Washington Post observed in 1968. Initial reviewers cautioned, “This is not an easy book,” noting its difficult syntax and disquieting aporetic conclusions. The ambiguities of One-Dimensional Man are legion. Does Marcuse’s argument depend, as Alasdair MacIntyre charged, on “a crude and unargued technological determinism”? Is his “technological order” in fact a political-economic system — or not? Does he describe class exploitation, or universal enslavement to the apparatus of domination? While oblique references to “the particular interests that organize the apparatus” evince a class analysis, much of the language in the book — including its very title — aligns with conventional mid-century humanistic discourse. Indeed, while it was possible for one reviewer to describe the book as decidedly not “just one more journalistic work on the alienation of modern man,” R.D. Laing, writing in the New Left Review, drew the opposite conclusion. Anticipating much of the book’s reception, Laing channeled what he took to be the lament at its core: “Will man be able to re-invent himself in the face of this new form of dehumanization?”

To Marcuse’s New Left interpreters, at least one point was unequivocal: the working classes were bought off, a conservative force, leaving, three SDS theorists wrote in 1965, “virtually no legitimate places from which to launch a total opposition movement.” Invoking Marcuse against calls like Bayard Rustin’s for a coalition politics anchored in the trade union movement, these activists looked beyond purportedly oppositional groups that had succumbed to the lures of parliamentarism and the welfare state, calling instead for “a thoroughly democratic revolution” led by “the most oppressed” — those least captured by existing institutions. But while they looked to the urban poor (as opposed to the working class), by 1968, the search for a revolutionary subject that was carried out under the sign of One-Dimensional Man just as often led to college students, disaffected intellectuals, and the “new working class” of salaried technicians and professionals. Within SDS, opponents of the workerist proposals put forward by the Progressive Labor faction “drew heavily on the ideas of Herbert Marcuse” to support an approach to organizing groups outside “the traditional, narrow industrial working class.” In Europe, students cited Marcuse on behalf of their view of the university as a nexus of revolutionary power. For his part, Marcuse at times seemed to encourage this reading. When asked about the radical forces in the world in July 1968, he placed “the intelligentsia, particularly the students” at the top of the list, followed only by “minorities in the ghetto.” They alone — not the working class — resisted incorporation.

This turn away from the labor movement accompanied other shifts in perspective: from “exploitation” to “alienation,” and from class to consciousness, as the source of radical opposition. As one popular underground newspaper, Berkeley Barb, summarized the argument of One-Dimensional Man in May 1968, “Only those groups on the outside of automation and ‘progress’ — the unemployed, the blacks and minorities, the students — think.” Late-1960s enthusiasts of cultural revolution, such as Theodore Roszak and Charles Reich, enlisted Marcuse in their Romantic attacks on consumerism and technology, dispensing with the materialist underpinnings of his analysis and, as Russell Jacoby noted, conflating his critique of instrumental reason with a subjectivist abandonment of reason itself. By a sleight of hand, Roszak cited Marcuse in order to unmask Marxism as “the mirror image of bourgeois industrialism,” guilty of the same soulless hyperrationality as the society it ostensibly opposes. For Reich, meanwhile, the totalizing ideology-critique in One-Dimensional Man had demonstrated that the source of domination is not in the social relations of production but in consciousness, attitude, and lifestyle. “Nobody wants inadequate housing and medical care — only the machine,” he explained:


Nobody wants war except the machine. And even businessmen, once liberated, would like to roll in the grass and lie in the sun. There is no need, then, to fight any group of people in America. They are all fellow sufferers.

While it is true that Marcuse could hardly be held responsible for these depoliticized corruptions of his ideas, it is telling that he felt compelled to respond to them — more than once.

In fact, Marcuse’s drift away from One-Dimensional Man began almost from the moment it landed on bookshelves, as he attempted, in one historian’s words, “to break out of the theoretical box he had placed himself in with that book.” Writing in the International Socialist Journal in 1965, he declared, “The contradictions of capitalism are not transcended; they persist in their classic form; indeed, perhaps they have never been stronger,” thereby guarding against the impression that advanced capitalism had achieved permanent stability. Speaking to leftist students in Berlin the following year, he waxed enthusiastic about “the militant Liberation movements in the developing countries” and — picking up a theme that would become dominant for the rest of the decade — the alienated youth of the affluent nations. By 1967, he had come to view the counterculture as representing “a total rupture” with the ideology of advanced capitalism, a force heralding “a total trans-valuation of values, a new anthropology” and the development of needs that the existing political and economic system could not satisfy. The student uprisings of 1968 reinforced Marcuse’s growing conviction that “the only viable social revolution which stands today is the Youth” and that “the New Left today is the only hope we have.” So profoundly did this belief in these groups’ emancipatory potential shift Marcuse’s social theory that his 1969 book An Essay on Liberation was initially to be titled Beyond One-Dimensional Man. In the 1970s, even as he worried over the turn to the right (“counterrevolution”) in US politics, he would embrace ecology and especially the women’s movement — “perhaps the most important and potentially the most radical political movement that we have” — as pointing the way to a qualitative break with capitalist society.Marcuse consistently maintained that no force other than the working class was capable of achieving the full break with one-dimensional society demanded by critical theory.

In the final analysis, however, Marcuse consistently maintained that no force other than the working class was capable of achieving the full break with one-dimensional society demanded by critical theory. The student movement, the hippie counterculture, the radical intelligentsia — these were catalyst groups with a “preparatory function.” Their task was not revolution, but “radical enlightenment”; lacking a mass character, they could at best move the broader population from false to oppositional consciousness. Their signal achievement was having called into question “the prevailing structure of needs” and freed “imagination from the restraints of instrumental reason.” Marcuse applauded the New Left but cautiously warned his readers not to overrate its significance. The rebellions in Paris in May 1968, while encouraging as “a mass action,” were not a revolution, and the American campus revolts of that season in no way changed the fact that the situation in the United States was “not even pre-revolutionary.” Even at his most utopian, Marcuse inserted escape clauses like the following:


By itself, this opposition cannot be regarded as agent of radical change; it can become such an agent only if it is sustained by a working class which is no longer the prisoner of its own integration and of a bureaucratic trade-union and party apparatus supporting this integration.

Although he insisted that “the traditional idea of the revolution and the traditional strategy of the revolution” had been “surpassed by the development of . . . society,” Marcuse confessed in 1968, “In spite of everything that has been said, I still cannot imagine a revolution without the working class.”

By the end of the 1960s, it was clear to Marcuse that while the “Great Refusal” he had predicted in the conclusion to One-Dimensional Man had materialized, it was bound to remain a mere gesture — even a reactionary “confusion of personal with social liberation” — if it could not reawaken the working class from its slumber. And yet he was extremely pessimistic about the development of revolutionary class consciousness in the advanced capitalist countries (especially in the United States). For this reason, he strongly condemned New Left intellectuals who sneered at the student movement and retreated into “vulgar Marxism,” declaring in 1970:

To a great extent it was the student movement in the United States which mobilized the opposition against the war in Vietnam. . . . That goes far beyond personal interest — in fact, it is basically in contradiction to it and strikes at the heart of American imperialism. God knows it is not the fault of the students that the working class didn’t participate. . . . Nothing is more un-bourgeois than the American student movement, while nothing is more bourgeois than the American worker.

Statements like this one hastened the death of late-1960s Marcuse-mania. Already in 1968, he was booed by students at the Free University of Berlin for inadequately affirming their excitement about the supposed fusion of Third World and proletarian revolutionary forces. “A Revolution is waiting to be made,” one disappointed former admirer complained, “and he offers us California metaphysics.” A study of campus bookstores conducted in late 1969 found that One-Dimensional Man had been surpassed in sales by the works of Black Power militants, such as Eldridge Cleaver’s Soul on Ice and The Autobiography of Malcolm X, and a string of paeans to cultural radicalism (Roszak’s The Making of a Counter Culture, Abbie Hoffman’s Revolution for the Hell of It, and Laing’s The Politics of Experience). Marcuse’s defense of the university, his willingness to condemn violence, his concerns about the “anti-intellectualism” that had “infected” the New Left, and his calls for organizational discipline in the years that followed further diminished his standing. Although more than 1,600 people turned out to see him speak at the University of California, Berkeley, in February 1971, many in the audience were dismayed by his failure to discuss “the joyful possibilities of youth culture.” “I have always rejected the role of a father or grandfather of the movement,” he told Psychology Today. “I am not its spiritual adviser.”

So, what exactly was Marcuse’s theory, as laid out in One-Dimensional Man? How much was it a product of — and subject to the limits of — its time? What remains from the work? We will focus specifically on the social theory of the work, on which Marcuse’s ideology-critique of culture and philosophy rested, which was the book’s greatest influence and is most relevant for left-wing readers today.
Critique

One-Dimensional Man, most of all, is a resolute, unsparing, and honest depiction of a monstrous society, set for destruction, whose possibilities for change seemed far dwarfed by the forces of the status quo. The society Marcuse analyzed had more than enough technological ability to be decent and humane; instead, it teetered on the edge of destruction, preserved deep injustices, and relied on mass quiescence engineered by systematic manipulation. It was a sick, insane society that passed itself off as reasonable and orderly.

Marcuse’s call to radicalism rested on three main diagnoses of mid-century capitalism that have only shown signs of intensifying as the ruling class has tightened control:
Irrationality and destructiveness. The imminent possibility of nuclear war is the shadow that hangs over all of Marcuse’s critique, from the first sentence on. (“Does not the threat of an atomic catastrophe which could wipe out the human race also serve to protect the very forces which perpetuate this danger?”) The prosperity and relative peace of the Trentes Glorieuses were purchased at the cost of an unending buildup toward a nuclear war that could annihilate the entire human race. Imperial ventures and the use of defense production to wastefully subsidize the private sector, keeping up profits and employment, trumped the survival of the species as a whole. This imminent destructiveness was also contained in the devastation the consumer society visited on the natural world.

Manipulation and unfreedom. Marcuse believed that some level of general material security and prosperity had been exchanged, in a devil’s bargain, for the broader demands of the socialist movement for autonomy. Workers had little decision-making power in the face of gigantic corporations, elections were organized spectacle rather than an opportunity to realize the will of the public, and the culture industry utilized techniques of mass manipulation to keep people pacified. “This is the pure form of servitude: to exist as an instrument, as a thing. And this mode of existence is not abrogated if the thing is animated and chooses its material and intellectual food, if it does not feel its being-a-thing, if it is a pretty, clean, mobile thing.” One-dimensionality was compliance in the guise of freedom.
Continuing poverty and exploitation. Despite the advances achieved by the working class of the period, Marcuse would emphasize the continuing poverty amid plenty that characterized the United States especially, and the vast differences between rich and poor countries. Moreover, he would insist that society was holding back the general decrease in working hours that could accompany the mechanization and automation of production.

Marcuse and Classical Marxism

One-Dimensional Man, then, offers the case for the continuing relevance of the Marxist critique of capitalism. But what about the theory’s understanding of collective action and social change? If social change is so urgent, why is society characterized by such a muted opposition? One-Dimensional Man answered by attempting to provide a materialist social theory adequate to the conditions of the time, not by abandoning Marxism but by developing the theory.

Marcuse is insistent that an adequate explanation for working-class quiescence will have to be a materialist one. Something deep must have changed in the economy and society for mass consciousness to shift as it has. It is difficult to understand what that thing is, since the mid-century United States was surely still capitalist, characterized by the same injustices and systemic dynamics. Moreover, Marcuse treats as his point of departure what we might call the basic strategic formula of “classical Marxism” (broadly, from Marx and Friedrich Engels through the Second International and ending with the last attempts of international revolution of the early Third International), as the only rational theory for comprehensive social change.

That formula, more or less, runs as follows:

working-class majority + party + crisis = socialist revolution


The emerging working-class majority has particular structural advantages for exercising power, with their numbers, their concentration and accompanying capacity to organize, and the power of their strikes to shut down production and touch the powerful where it most hurts. These workers saw their basic survival, let alone their thriving, as fundamentally threatened by capitalism, and they had the power to tear it down. They needed to be organized into a political party, in order to intervene on the level of the state, to develop a consciousness that things could be different, and to formulate a strategy for how to get there. (Of course, precisely these kinds of mass working-class parties had developed all over the advanced capitalist world in the nineteenth and early twentieth centuries.) Finally, the persistence (and possibly radicalization) of generalized capitalist crisis would afford opportunities for dramatic revolutionary change, in which a class-conscious party would lead the majority toward a new, truly democratic order. (This theory sometimes goes by the name of “Kautskyism,” after its authoritative expositor, Karl Kautsky, in The Class Struggle (1892), The Road to Power (1909), and other works.)One-Dimensional Man attempted to provide a materialist social theory adequate to the conditions of the time, not by abandoning Marxism but by developing the theory.

Marcuse argued that the conclusion of the Marxist theory of social transformation still uniquely followed from the premises, but that those premises no longer applied to the world in any obvious way. Some sinister combination of defeat and partial victory had paralyzed politics.

The interesting task of One-Dimensional Man is that, though it accepts both the necessity of fundamental social change — especially given the severity of the threat of nuclear war and the irrational destructiveness of the social order — and the classical Marxist formula of how to get there, it argues that social change has undermined the latter without providing any alternative. (This was a common problem for many heterodox [ex-]Marxists at the time.) It’s a work that admits to being stuck in a way that was both intellectually forthright and so unsatisfying that Marcuse himself — and especially his epigones — would search for easy ways out to escape the dilemma.
The Theory of Integration — Social Democracy as Impasse

Beyond describing these matters and giving force to the kind of impossible frustration they must cause in anyone who reflected on the matter, Marcuse also laid out a hypothesis as to how this had happened. Marcuse argues that it was precisely the accomplishments of the working class and their institutions in the face of the last crisis that were standing in the way of the further, necessary change. There is perhaps no more powerful analysis of the capacity of capitalist society to absorb opposition and commodify liberation than One-Dimensional Man. Late capitalist society, Marcuse said, was based simultaneously on “an increasing standard of living and an increasing concentration of power.” Another way he had of expressing this was the intertwining of the perfection of the means of production and the means of destruction, pithily summarized in the juxtaposition of the “welfare and warfare state.” Social democracy was, in this view, the enemy of democratic socialism.


One of the main achievements of the working-class movement was its cutting off the logic of immiseration characteristic of the rise of capitalism and creating the power to extract profound concessions from capital in the form of high wages and the welfare state. (It should be noted that Marcuse seems at times to severely overestimate capital’s ability and willingness to accede to these demands in the text.) This increased standard of living, Marcuse insisted, was a real achievement, and was not to be denied as the basis for any real conception of human freedom.

However, this achievement had, for Marcuse, a fundamentally depoliticizing effect in several ways. First, the rising standard of living itself produced a cooling effect. Revolution occurs when, among other things, a subordinate class sees the existing order as absolutely opposed to its life. People revolt for want of bread — give them bread, and they don’t revolt. By giving the working class something to lose besides its chains, and by eliminating total immiseration for the vast majority in the advanced capitalist world, capitalism had made systemic change less likely.Late capitalist society, Marcuse said, was based simultaneously on ‘an increasing standard of living and an increasing concentration of power.’

Consumerism, the form in which this rising standard of living is realized, also, Marcuse argues, blunts working-class politics. This is, first of all, for material reasons. Consumption is atomized, so that the modes of life that once brought working-class people together now help to drive them apart. Working-class popular culture is replaced by a commoditized mass culture. There is, too, an ideological analogue. The system’s demonstrated ability to increase consumption is used to sideline any questions around life’s quality and meaning, the destructive externalities and militaristic uses of the production process, and the increasing concentration of control.

This changing standard of living was also based in changes in the labor process itself that, Marcuse argued, blunted opposition. Marcuse speaks of the mechanization of the production process increasingly relieving work of backbreaking destructiveness, as well as an increase in white-collar work and administration. These diminish the strength of the opposition of the worker to the capitalist and also diminish the leverage of workers. Again, these changes have an ideological analogue: the machine seems to play a role in production independent of any particular capitalist — it appears merely as the product of reason itself, and thus relatively uncontestable.

Finally, there was an overt trade-off between the satisfaction of needs and autonomy. (This is the best way to understand his characterization of “false needs” versus “true needs.”) The labor movement more or less gave up contestation over the prerogatives of management, ceding control of the production process; in exchange, it got greater wages and benefits. Marcuse saw this trade-off on the factory floor as the microcosm of a larger social transformation. Privacy and the freedom to criticize were being hemmed in on all sides. But the offer of greater prosperity and security quashed opposition. This is the basis for Marcuse’s use of the word “totalitarian” to refer to liberal-democratic capitalist societies just as much as Nazi or Soviet ones.

Advanced capitalist society “delivers the goods” to the majority, making questioning and attempting to change the irrational system itself seem totally unreasonable. In some ways, Marcuse simply updated for the advanced industrial world the criticism of Juvenal against the bread and circuses of Rome. Even as capitalism increased the power of the ruling class, exposed individuals to systematic and many-sided manipulation, and condemned the vast majority to alienated work and a still-significant minority to poverty, it also offered a two-car garage and spectacular entertainment. The most powerful and hard-to-counter ideology of the period was built on that basis — things are the way they are because technology and prosperity say so.

Thus, Marcuse provides a materialist theory of working-class integration through the rise in the standard of living (capitalism “delivers the goods”), the changing structure of occupations, and the atomization of the class through consumption. (Indeed, in classic Marxian fashion, it is the workers themselves who produce their own integration and subjugation. That is, it is ultimately their labor, their social action, and even now their consumption that reproduces the conditions of their own comfortable and bland unfreedom.) On top of these mechanisms are built a cultural totality that increasingly invades individual experience. Capitalist mass culture, due to its corporate structure, fundamentally sifts out information necessary for working-class people to get a bearing on how society works and overwhelms the individual with distractions and entertainment. Socialization through mass institutions such as the media reinforces the obstacles toward social change that shifts in capitalist production and the partial victories of social democracy erected.
Insights and Impasses

Some of Marcuse’s insights have become common sense on the Left. For instance, that corporate media systematically narrows the scope of political contestation is the raison d’être for today’s growing left media ecosystem, both independent and through established channels. We know that it is part of our fundamental task to expose how “opposition” parties are anything but when it comes to the sanctity of profits, the blind faith in technology’s ability to solve social problems, and militarism.

There are other insights that seem fresh and alive and worth recovering in light of some of the theoretical problems today’s socialists face. The reorientation of the Left around a program of class-struggle social democracy has allowed it to finally grow and engage with political reality. Marcuse at his best made normative, analytic, and strategic contributions that are worth revisiting in this context.

Let us begin with the normative. One of the freshest aspects of One-Dimensional Man today is its attempt to wed the critique of inequality with critiques of unfreedom, systemic irrationality, and destructiveness. Today’s Left has rightly restored obscene inequality and redistribution to the center of its politics, thereby broadening its base and concentrating its efforts. Still, Marcuse pushes us to remain expansive in our indictment of capitalism by discussing forthrightly aspects of the “good life” that it denies most individuals. Our society’s degradation of the natural world, everyday cruelty and meanness, trivial intellectual culture, boredom, depression, and puritanical preening are not incidental to our criticism but form a core plank of it. Politics and philosophy ought to clarify, not deny, the ordinary ways in which people express their happiness and dissatisfaction. This is a deeply sick society that denies important and ordinary goods to most human beings — liberty, love, satisfaction, security, peace — and it is rational to rebel against it.

Moreover, in cases where the normative and the practical-political are in some tension, we should admit the difficulty rather than elide it. It can be too easy to neglect the most fundamental issues of our, as Noam Chomsky puts it, “race to the precipice” — nuclear weapons and climate change — because they are related in only mediated, complex ways to economic interests. There is a temptation to either engage in empty moral gestures or push the problem aside to a later day. But the difficulty in formulating a concrete strategy around these issues is no excuse. Serious moral thinking and serious political economy must be joined.

Second, Marcuse offers analytic resources for considering what should be the central problem of the day: the separation of the working class from radical consciousness. Much like in the period of the New Left, the Left in the advanced capitalist world is still relatively isolated among the highly educated, despite wide popular appeals of a left-wing economic program. Marcuse both foregrounds the centrality of this question for any radical political strategy and offers a materialist method for analyzing the problem. He began with an analysis of changing class composition to understand the limits of oppositional politics with a narrow base since, however much he welcomed the New Left, he insisted that no fundamental transformation would occur without overcoming obstacles to working-class radicalism. He then offered an intriguing and still relevant hypothesis: that capitalist consumerism integrates through atomizing the neighborhoods, leisure, and general experience of working-class people. The intellectual task for today’s Left is to size up the sources of working-class atomization at work and at home, and to approach these obstacles as organizers.

And while hardly an immediate problem, Marcuse’s analysis of how partial victory can paralyze oppositional forces, and how a high level of capitalist development turned out to mean a low level of revolutionary potential, are absolutely essential for the Left’s long-term strategic perspective. It bears repeating that today’s Left should begin with the analysis of a relatively stable capitalism due to the near elimination of starvation in the advanced capitalist world and the spread of democratic and activist states. Furthermore, the Left should be ready for both severe defeat and partial incorporation. Are there ways that the Left can anticipate these plausible paths and prepare for them? Already, the increasing will to organize on the Left — remarkably well-developed since the Occupy Wall Street days — is a good sign, as organization is essential for maintaining continuity between high and low points of struggle. The rise of member-based organizations with vibrant internal cultures is again a promising development. Most of all, the Left needs to fight for structural reforms that increase the capacity to mobilize in the future and to find ways to plausibly resist the urge to demobilize with victories.

Yet Marcuse also articulated a form of defeatism that has plagued the Left of the advanced capitalist world. Marcuse’s liberatory and socialist message was largely abandoned and repressed with the defeats of the New Left, but his doubts as to the possibility of majoritarian left politics became the common sense of the New Left and the elite liberalism that would follow.

Critics of the strain of gloomy mid-century social theory Marcuse exemplifies often point to how wildly inaccurate the portrait of a fundamentally static world turned out to be. High growth rates, proportional wage growth, high unionization, and more were hardly permanent. But Marcuse was certainly not alone in failing to accurately predict how far we could fall backward. Some variation on the theory of state capitalism was widely held at the time. Everyone missed the possibility of a strong revanchist turn to a seemingly permanently discredited laissez-faire liberalism.

More problematic is Marcuse’s obfuscation of class theory. On the one hand, Marcuse depicts a society ruled by the few, which the vast majority has an interest in changing. As we mentioned, he continually returned to the necessity for working-class action in order to change society. On the other hand, when describing the various mediations that interpose themselves between this basic sociological analysis and late capitalism, he frequently presumes what he ought to prove — that working-class people have been not only effectively adjusted to but have even happily embraced their position in late capitalism. He presumes that the modal consciousness in advanced capitalist society is working-class consent rather than resignation. This has significant consequences for the theory and for organizing. Resignation is a different habit of mind to break through for organizers, which requires different tools than how one might approach the converted.


Some of Marcuse’s contemporaries noted the illicit presumption of working-class enthusiasm for the social order of the day and its quietist implications. In One-Dimensional Man, Marcuse cites a pamphlet by the Trotskyist Marxist-humanists on automation and speedup in Detroit, among other studies on the mechanization of the production process and the bonding of workers to the machine. Yet Raya Dunayevskaya, in her review of One-Dimensional Man in the Activist, would write that Marcuse “leaves out entirely the central point of the pamphlet, the division between the rank and file and the labor leadership in their attitudes toward Automation.” Marcuse supplemented references to this pamphlet with “many references to bourgeois studies which maintain the exact opposite”; Marcuse has “[failed] to hear this powerful oppositional voice at the point of production itself,” and instead chosen to listen to authors who claim that workers have been incorporated; he is wrong to adhere “to the view that the new forms of control have indeed succeeded in containing workers’ revolt.” Even as Marcuse plausibly pointed to the change in workers’ situations as being enough to present fundamental problems for a theory of social change — golden chains are less likely to produce revolutionaries — he less plausibly claimed that the overall reaction to this situation mostly eliminated tension, dissatisfaction, and opposition rooted in the production process, between workers and their bosses. Though he would insist that the underlying conflict of interests remained, the gap between imputed and actual interests threatened to become an abyss.

This provided a basis for New Left activists inspired by his works to reach the conclusion he refused to countenance, that there could be a socialist politics that somehow occurred independent of working-class radicalization. The “cultural turn,” with its overvaluation of interventions into culture and the discourse — and the increasing orientation to middle-class concerns that this implied — was both a plausible implication of Marcuse’s pessimism about integration and at the same time a conclusion he had to refuse given the critical theory of capitalist society. The theory also seemed to countenance a never-ending search for actors who were too marginalized to be incorporated into the system, less because of the moral importance of the flourishing of every human being than the conceit that, there, one might find the “real” revolutionaries. Both these trends are in no way immune to the commodification of opposition characteristic of late capitalist politics that Marcuse himself analyzed.

Moreover, Marcuse’s presumption about the form of political change necessary does not seem to have been subjected to the same critical consideration he insisted on applying to the working class. This vision of revolution is nobly related to the barricades of Marcuse’s youth in the betrayed German Revolution. Yet it is also rather all-or-nothing. The intransigent anti-capitalist consciousness that demanded the narrow debate of the period be burst open also threatened to lead to a kind of apolitical idealism.

This is, again, not unique to Marcuse — the severity of the chasm between the Second and Third International was real enough to facilitate the rise of Nazism. And Marcuse was severely critical of the parties or sects of the Second, Third, and Fourth Internationals. But the weakness of the vision of social change in the idea of the “Great Refusal” is related to Marcuse’s dismissive criticism of the parliamentary participation of the Italian and French communist parties (Partito Comunista Italiano, PCI and Parti communiste françaism, PCF) and silence on the civil rights movement. Marcuse had little hope that participation in liberal democratic politics or the achievement of significant reforms could meaningfully shift the dynamics of the system overall (and the totality of the system is what mattered, in the final analysis). He only saw how they served to further integrate the working class into an increasingly powerful system, handicapping opposition before it could really get off the ground.

This led generally to an overvaluation of subjective radicalism and an undervaluation of objective transformation. The hope Marcuse placed in the New Left was that their cultural subversion, aesthetic sense, demand for a less narrow and repressed life, and expanded sense of need could flow over into demand for a transformation of the basic structures of social life, especially the economy. et he seemed to have very little hope that mass politics focused on redistribution could overflow its boundaries in the other direction.

Yet this was hardly the only conclusion one might reach from his premises. Starting from the premises that the working class of the advanced capitalist world was not likely to lead an insurrection, especially given its higher standard of living, while all the same it continued to suffer from alienation, exploitation, inadequate public investment, and diminished democracy, other theorists looked to develop a political strategy on these grounds that did not presume the same subjective integration that Marcuse did. André Gorz in France, influenced by the Left of the trade union movement in Italy, introduced in his Strategy for Labor: A Radical Proposal the idea of “non-reformist reforms” — aggressive measures that took on capital’s prerogatives, built the capacity of labor, and addressed the wide range of needs that were unmet by advanced capitalist societies — as a path forward for the Left. Ralph Miliband in Britain would underscore the importance of this idea for a socialist strategy adequate to the fact that no advanced capitalist state had ever collapsed and that revolutionary dictatorships had hardly proved fertile ground for socialist democracies. Bayard Rustin and Michael Harrington in the United States insisted that mass politics oriented toward (removing conservative obstacles to) expanding a hobbled American social democracy could spill over into fundamental system change. These theorists suggested that the causal arrow could, and indeed must, move the other way, from political action to a deepening of revolutionary consciousness.
Conclusion

We have said that there are two souls of critical theory in Herbert Marcuse. On the one hand, there are roots of what has become a sort of common sense among some of today’s liberals (however little they would be able to trace this to the Frankfurt School): the replacement of interest-based politics by ethics, self-expression, and identity; of class organization by cultural contestation; of majoritarian aspiration by elite pose. This is the long-standing tendency on the Left to flee the dilemmas of organizing a working-class majority in the advanced capitalist world, which is understandable but not tenable. On the other, there is the attempt to preserve and develop a socialist strategy adequate to the transformations of contemporary society — mass politics, the welfare state, the further application of technology to production, and mass media. Indefatigably critical, morally expansive, and analytically materialist, it forthrightly analyzes, and then seeks to overcome, new obstacles to organizing a working-class majority to press for a transition to a new society.




ABOUT THE AUTHORS
Jeremy Cohan is the director of the Honors Program at the School of Visual Arts. He is currently writing a book on the political economy of neoliberal school reform in Chicago.

Benjamin Serby writes about the intellectual and political history of the postwar United States. He is currently a visiting assistant professor in the Honors College at Adelphi University.

Monday, August 03, 2020

Historical Materialism as Hermeneutics in Herbert Marcuse

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Herbert Marcuse's critical theory of capitalist society is perhaps not the first we tend to associate with the project of hermeneutics. Arguably, however, a hermeneutical dimension consistently inflects Marcuse's concern with articulating historical materialism on a renewed basis-one that would account for the transformation of subjectivity a revolutionary politics ​ not only requires as an outcome​ , ​ but indeed presupposes as a necessary condition​. This necessity, I shall argue, forms the ground of Marcuse's understanding of hermeneutics as simultaneously a gesture of reactivating ​ historical memory and as ​ critique​. In this sense, Marcuse's historical materialist hermeneutics offers us a way to engage in a critique of the capitalist present and its fetishistic logic of dehistoricization, the reification of historically specific social relations as immutable, thingly laws. Indeed, for Marcuse the articulation of a revolutionary subjectivity concerns the development of radical needs, critical consciousness, and aesthetic sensibilities that would undermine and begin the process of interrupting the hold of capitalist society over our libidinal and bodily, as well as over our conscious and unconscious, life. The problem here, then, will be to clarify the mediations between the development of such radical needs and the kind of historical memory hermeneutical reflection itself occasions.

Saturday, March 12, 2022

                                                        Peter Marcuse, Presente!

Peter Marcuse (1928-2022) was an emeritus professor of urban planning and a German-American lawyer.

Peter Marcuse, the professor, was born in Berlin, Germany, on November 13, 1928. He was the son of Herbert Marcuse. In 1933, with the start of the Third Reich, he immigrated to the United States.

He graduated from Yale Law School with a JD in 1952 and a Ph.D. in City and Regional Planning from UC Berkeley in 1972.

He decided to pursue a profession as a lawyer and began practicing in New Haven and Waterbury, Connecticut. He was a member of the Board of Aldermen and took part in the Mississippi Freedom Summer of 1964. After obtaining his Ph.D. at Columbia University, he became a professor of urban planning at UCLA from 1972 to 1972 after obtaining his Ph.D. at Columbia University.

Peter Marcuse wrote "The Right to the City and the Occupy Movement." His wife, Frances, and three children make up a lovely family. Irene Marcuse is a novelist who died last year, Harold Marcuse, a history professor at UC Santa Barbara, and Andrew Marcuse, the third kid. 

Throughout his career, the professor had written a number of other popular works, including Of State and Cities, Cities for People, Not for Profit, and many others.

His colleague in social theory, David Madden, wrote: “RIP to our wonderful comrade Peter Marcuse, an immensely inspiring scholar, mentor, teacher, writer, researcher, urban planner, activist, and friend. His brilliance and humanity was evident in all of his work. I cannot overstate how much he will be missed!”

Peter was also a member of Committees of Correspondence for Democracy and Socialism

CCDS

Wednesday, April 26, 2023

Aggression, Guns, and Marcuse

Better not knock on the wrong door or drive into the wrong driveway, you may get shot. Kids are afraid to go to school for fear of getting killed, as the body count from mass shootings climbs every day. Hate crimes are increasing, and just driving to work is potentially dangerous. Think of tailgaters honking their horns and flipping you the bird as they speed past. Politicians address these issues by calling for gun safety legislation, increasing the number of police, and so on. But these policy responses accept the existence of aggressive behavior as a given and only treat the symptoms. The jugular question focuses on why people are becoming increasingly more violent and aggressive in the first place. We think Herbert Marcuse’s analysis of the relationship between late capitalism and the human psyche provides a good tool to answer this question.

Marcuse claims that the United States is a sick society, sick because its basic institutions and structures “do not permit the use of available material and intellectual resources for the optimal development and satisfaction of individual needs.” In other words, Marcuse saw that late capitalism possessed the material potential for people to enjoy much more freedom from want and work than they realized, but capitalism would never permit the fulfillment of this freedom because it would threaten the privilege and power of its ruling class. He calls this disparity between the potential for free human development and the constrained conditions of society “surplus repression.” In late capitalist society surplus repression is so strong and prevalent that social stability necessitates the opening of the human psyche for manipulation and control, thus creating human automatons, one-dimensional beings incapable of critical thought. This invasion of the mind, he argues, is not a conspiracy. It’s rooted in the very structure of power in an advanced consumer capitalist society.

The objective of late capitalism to negate consciousness of the rupture between the individual and the societal imposed mode of existence has implications for the human psyche. Marcuse assumes the validity of Freud’s concepts of Eros – the life instinct – and Thanatos – the death instinct – to explain how the structures of late capitalism breed aggressive behaviors. In arresting the development of human potential, late capitalism stifles Eros and fortifies Thanatos, he claims. This dynamic, he argues, creates destructive energy that is socially useful not only to maintain but to reproduce the dominant system of economic, political, and technological power. In short, the ascendancy of Thanatos creates the aggressive psyches necessary for the stability of late capitalism. The abundance of goods and services available provides almost unlimited opportunities for consumers to buy goods that reproduce the system of domination and create an endless supply of aggressive human beings. In other words, in a supposed exercise of freedom., individuals embrace a consumerism that ultimately increases their subordination to the structures of late capitalism.

Ignoring the fact that the exercise of liberty is a social act (my freedom to throw a punch stops at the end of your nose), individuals frequently equate freedom as the absence of restraints. Every day the media report on clashes, sometimes violent, between self-styled “freedom fighters” and those whose views they oppose: masks, abortion rights, election results, guns, you name it. Rational societies resolve these conflicts through an appeal to a larger communal interest. But fueled by a right-wing media and demagogic politicians unconstrained by facts, these psychically compromised individuals reject the notion of the common good as just another attack on their liberty.

As surplus repression increases, so does human aggression, and even uglier manifestations of liberty become acceptable to many, what Orlando Patterson describes as “the power to restrict the freedom of others.” Put more bluntly, this notion of liberty calls for the use of power over others. So, when members of the far-right call for freedom of religion, for example, they’re calling for suppression of those who don’t share their religion. The Second Amendment morphs not only into the right to own AR-15s and other weapons of mass slaughter, but to use them at will, and the First Amendment functions to justify their attacks on civil liberties.

A political theory is only as good as its ability to help us understand the society we live in. Marcuse’s analysis marries the conceptual framework of Marxism with the categories of Freud. Marcuse recognizes that Eros and Thanatos aren’t empirically verifiable categories, but as assumptions they function as guides to understanding the human condition in contemporary America. But as Marx wrote, understanding a problem is not enough. The real issue is changing the conditions that created the problems in the first place. But how do you change the existing system of late capitalism when the automatons are unaware of their slavery and are free to express their liberty by firing AR-15s into a crowd?TwitteRedditEmail

Sidney Plotkin is a Professor of Political Science, Margaret Stiles Halleck Chair of Social Science, at Vassar College. He is the author of many articles and several books, including Veblen's America: The Conspicuous Case of Donald J. Trump (Anthem Press, 2018). William E. Scheuerman is a Professor Emeritus of Political Science at SUNY Oswego. He is the retired President of the National Labor College and past President of United University Professions, the nation's largest higher ed union. A long-time labor activist, Scheuerman has written several books and numerous articles in both scholarly and popular journals. His most recent book is A New American Labor Movement: The Decline of Collective Bargaining and the Rise of Direct Action (SUNY Press, 2021). Read other articles by Bill Scheuerman and Sid Plotkin.

Wednesday, February 14, 2007

A Little Eros For Valentine's Day


Alternet had this article about activism and love for Valentines day;
Why Love Is Our Most Powerful, Lasting Form of Activism

Which is very much what I said here;Socialism Is Love

And it got me thinking about the left wing Freudians like Norman O. Brown. One of the philosophers who was widely read in the Sixties and Seventies but who is forgotten now. Yet Brown only recently passed away, five years ago.

His attack on repression and embrace of Eros against Thantos (death) spoke to the crisis of rigidity, authoritarianism and the war culture in America and around the world in that period. Not unlike the situation of world crisis we find ourselves in now.

Like Marcuse's; Eros and Civilization,
and the various works of Paul Goodman and Eric Fromm, and those of Wilhelm Reich, reading Browns work was a liberatory experience.

For Valentines day I can think of no better suggestion than remember Norman. O. Brown.

Brown like Fromm and the radical theologian Harvey Cox a Dionysian Christian,embraced the idea of death and resurrection as liberation, and that the secret gnosis was to embrace life not death, in that Christos was life against death.

Like
Jane Ellen Harrison who in her work Themis described the revolutionary aspect of Dionysus as being the young god who embraces life even in death, against the sterility and rigidity of the old pantheon of dead stone faced Gods of Greece. By the time of the Bacchanae, the Greek pantheon stood as statues in the edifice of State. Appolianic culture was ridden with wars and patriarchy as it was the creator of high culture and civilization of the Greek State.

This dialectic is also reflected in the later works of Harold Bloom and Camille Paglia.

In his work Loves Body....

Brown here draws much more on ethnography and myth, in addition to psychoanalysis, and he strives for a fusion of the pagan/Dionysian with a radical Christian mysticism. (This latter is noteworthy, because it calls upon potentialities in Christianity that are far different either from the “liberal theology” of Brown’s day or from the heavy fundamentalism that is the main face of Christianity in America today. Brown’s emphasis on the joyousness of the Resurrection, on the “resurrection of the body,” is diametrically opposed to the sadomasochistic body hysteria/disgust of Mel Gibson’s Passion of the Christ). Brown also moves from the formidably learned and argumentative discourse of Life Against Death to a more poetic, more willfully fragmentary style of writing. Love’s Body is short on any concrete discussion of how we might get from here to there, from civilized repression to redemption in the body of Dionysus/Christ, but it’s ferociously visionary in a way that stands as a reproach to more timid social, cultural, and religious theorists.


Norman Brown, Playful Philosopher, 89, Is Dead

October 4, 2002
By DOUGLAS MARTIN


Copyright 2002 The New York Times Company

Norman O. Brown, an erudite and spectacularly playful
philosopher whose attempt to psychoanalyze nothing less
than history itself entranced intellectuals, beguiled New
Age seekers and sold many books, died on Wednesday in Santa
Cruz, Calif. He was 89.

His son Thomas N. Brown said he had Alzheimer's disease and
died at an assisted-living residence.

Dr. Brown was a master of philosophical speculation, mixing
Marx, Freud, Jesus and much else to raise and answer
immense questions. Alan Watts, the popular philosopher,
sang his praises. His works joined David Riesman's ``Lonely
Crowd'' and J.R.R. Tolkien's ``Lord of the Rings'' on the
reading lists of undergraduates aspiring to the
counterculture.

Scruffy pilgrims streamed to commune with him, only to
discover a short-haired man who lived in a split-level
house and avoided drugs. A meticulous student of ancient
Greek who was given to long, meditative walks with his
golden retriever, he was not a little perplexed when
magazine and newspaper articles linked him to the new left,
LSD and the sexual revolution.

``I have absolutely no use for the human-potential
movement,'' he said in an interview with Human Behavior
magazine in 1976.

His books were nonetheless gobbled up by scholars eager to
respond to hip-sounding ideas that combined erudition and a
poetical mysticism.

``Reading Brown was a little like taking drugs, only it was
more likely to lead to tenure,'' the sociologist Alan Wolfe
wrote in The New Republic in 1991.

In his ``Life Against Death: The Psychoanalytical Meaning
of History'' (Wesleyan University Press, 1959), he said
individuals and society were imprisoned by an essentially
Freudian ill: repression. He argued that the only escape
was to face death head-on and affirm life.

Maurice Richardson wrote in The New Statesman: ```Life
Against Death' is a running dive off the Freudian
springboard into history's deep end. It is a fascinating
book, discursive, inconsequent, sometimes preposterous, but
full of interesting ideas, product of a learned man in a
tight place, one of those rare genuine stimulators.''

Dr. Brown's book ``Love's Body'' (Random House, 1966)
discussed the role of erotic love in human history,
describing a struggle between eroticism and civilization.
He voted against civilization, a stance that elicited
praise and criticism.

Among his critics was Brigid Brophy in The New York Times
Book Review, who called Dr. Brown's assertion that
schizophrenics might be saner than those without the
disease ``the most preposterous ever made in serious
print.''

His ``Closing Time'' (Random House, 1973), an interweaving
of quotations from James Joyce's ``Finnegans Wake'' with
excerpts from the works of the 18th-century philosopher
Giambattista Vico, was ``an extraordinary tour de force,''
Library Journal said.

Norman Oliver Brown was born in El Oro, Mexico, on Sept.
25, 1913. His father was an English mining engineer, and he
was mainly reared and educated in England, where his tutor
at Balliol College, at Oxford University, was the eclectic
historian Sir Isaiah Berlin. He earned his doctorate in
classics at the University of Wisconsin.

From 1943 to 1946 he served in the Office of Strategic
Services, the forerunner of the Central Intelligence
Agency. He became a friend of Herbert Marcuse, another
intelligence analyst and later analyst of society, and
those philosophers later engaged in spirited intellectual
debates for many years.

In 1938 he married Elizabeth Potter, who survives him. In
addition to her and his son Thomas, of Santa Cruz, he
leaves another son Stephen, who lives near Armstrong,
British Columbia; his daughters Rebecca Brown of Monte Rio,
Calif., and Susan Brown of Iowa City; and five
grandchildren.

Dr. Brown was a professor at Wesleyan University, the
University of Rochester and the University of California at
Santa Cruz.

He was a Marxist by sensibility and intellectual
inclination in the 1930's, and worked in the leftist
presidential campaign of the Progressive Party's Henry
Wallace in 1948. By the early 1950's, he decided that
politics did not answer the important questions, and became
enamored with Freud. He even learned to interpret his
dreams, which had the unwanted side effect of ruining his
sleep.

Sir Stuart Hampshire, an English philosopher who had known
Dr. Brown since they were students at Oxford, said
yesterday in a telephone interview that Dr. Brown was ``a
victim of theories,'' whether those of Marx or Freud. He
said Dr. Brown's idea that it was possible to abandon
Freudian morality in choosing an unrepressed life was ``not
really his life or anybody's life.''

But Sir Stuart praised many of Dr. Brown's intellectual
insights, mentioning in particular his recognition of
Jonathan Swift's hatred of the physical functions of the
body.

``Nobody had ever said that before,'' he said. ``It was
very, very intelligent.''

Jay Cantor, who teaches a mix of literature, philosophy and
psychoanalysis at Tufts University, said yesterday by phone
that Dr. Brown was brilliant at connecting seemingly
disparate subjects to form new insights. A typical example:
``If Freud is true it is because of connections with the
Gospel, and if the Gospel is true it is because of
connections with Marx, and if Marx is true it is because of
connections with James Joyce.''

Dr. Brown typically used memorized quotations to make the
connections, Dr. Cantor said. He added that Dr. Brown had a
modern poet's sensibility in his writings, allowing ``the
symbolism and the history of the words he used to lead his
thoughts.''

``Everything is only a metaphor,'' Dr. Brown wrote in
``Love's Body,'' ``there is only poetry.''

His favorite poetic sentiment was about how we all die with
unlived lives in our bodies. Dr. Cantor suggested that this
referred to ``the difficulty of breaking the mental chains
we carry within us.''




ZIZEK, NORMAN O. BROWN & THE PSYCHOLOGY OF CULTURE
by Richard Koenigsberg


According to Slavoj Zizek, the fundamental level of ideology is that of an
"(unconscious) fantasy structuring our social reality." Ideology is not a
"dreamlike illusion," rather is a "fantasy- construction which serves as a
support for our 'reality' itself." Matthew Sharpe notes that just as an
individual subject's discursive universe will "only ever be unified through
recourse to a fantasy," so too the public ideological frame wherein
political subjects take their bearings can only function through the vehicle
of what Zizek calls "ideological fantasies."

Norman O. Brown's writings in Life Against Death: The Psychoanalytical
Meaning of History allow us to expand upon Zizek's views. In contemporary
theory, concepts such as culture, ideology, discourse and narrative usually
are taken as "givens." These concepts are used to "explain" the mind, but
are not themselves considered to be subject to explanation. However, one may
pose questions such as: Why do particular discourses become dominant within
a given society? Why do some narratives replicate whereas others do not? How
may we account for the structure and shape of particular ideologies, and the
passion with which they are embraced?

Whereas Lacanian theorists view the mind as a product of the symbolic order,
Norman O. Brown seeks to explain the nature of the symbolic order itself.
Brown states that culture represents a set of "projections of the repressed
unconscious." Symbolic objects in culture, according to Brown, exist to the
extent that they perform psychological functions for the subject. Culture,
Brown declares, exists in order to allow human beings to "project the
infantile complexes into concrete reality, where they can be seen and
mastered."


The Freudian Left

The body was also the nexus of repression for Brown, and his “eschatology of immanence” (to use Susan Sontag’s memorable phrase (262)) foreshadows the postmodernism of many from Dilleuze to Irigaray:

With the whole world still in the bourgeois stage of competitive development and war, the thing to remember about Marx is that he was able to look beyond this world to another possible world, of union, communion, communism…And after Freud, we have to add that there is also a sexual revolution; which is not to be found in the bourgeois cycle of repression and promiscuity, but in the transformation of the human body, and abolition of genital organization. (1968, 246)

Brown is at pains to point out that the most basic of Freud’s speculations demand not only a science of culture, but also a revolution:

In a neurosis, according to Freud, the ego accepts reality and its energy is directed against the id… In a psychosis, the ego is overwhelmed by the id, severs its connection with reality, and proceeds to create for itself a new outer and inner world. The healthy reaction, according to Freud, like a neurosis, does not ignore reality; like a psychosis it creates a new world, but, unlike psychosis, it creates a new world in the real world; that is, it changes reality. (1959, 154)

For Brown, who remains the most Freudian of our triumvirate, sublimation (the result of repression) is essentially desexualization wherein the ego, incapable of accepting its own negation in death, dilutes its life and connects its “higher sublimations” (socially accepted transferences of erosic energy such as work and industry) to lower regions of the body in what Brown terms a “dialectical affirmation-by-negation.” If the simplest example of such sublimation-as-desexualizing is infantile thumb sucking, the “most paradoxical” is anality, and Brown concludes his magnum opus, Life Against Death with a simply astonishing deconstruction of “the excremental vision” in western literature and philosophy. In a discussion ranging form Luther’s eschatology, to Berkeley’s tar-water and Kant’s “categories of repression” we find a conclusion of sorts: “It is by being the negation of excrement that money is excrement; and it is by being the negation of the body (the soul) that the body remains a body-ego” (1959, 161).


Norman O. Brown, 1913-2002

Norman O. Brown was born in New Mexico in 1913 and educated at Balliol College, Oxford, and at the University of Wisconsin. His tutor at Oxford was Isaiah Berlin. A product of the 1930s, Brown was active in left-wing politics - for example, in the 1948 Henry Wallace presidential campaign - and his work belongs within the history of Marxist, as well as psychoanalytic, thought. During World War II, he worked in the Office of Strategic Services, where his supervisor was Carl Schorske and his colleagues included Herbert Marcuse and Franz Neumann. Marcuse urged Brown to read Freud, leading, in 1959, to Brown’s most memorable work, Life Against Death. Brown taught Classics at Wesleyan University and was a member of the History of Consciousness Department at the University of California at Santa Cruz. Although Life Against Death made him an icon of the New Left, he successfully eschewed publicity, insisting to the end on his primary identity as teacher.

There is still no better introduction to Life Against Death than the one that Brown wrote in 1959. The book was inspired, he explained, by a felt ‘need to reappraise the nature and destiny of man’. The ‘deep study of Freud’ was the natural means for this undertaking. His motives, Brown continued, were political in the most profound sense of the term: ‘Inheriting from the Protestant tradition a conscience which insisted that intellectual work should be directed toward the relief of man’s estate, I, like many of my generation, lived through the superannuation of the political categories which informed liberal thought and action in the 1930s.’ ‘Those of us who are temperamentally incapable of embracing the politics of sin, cynicism and despair’, he added, were ‘compelled to re-examine the classic assumptions about the nature of politics and about the political character of human nature.’

How did it come about, at the dawn of the 1960s, that Freud appeared as the successor to a ‘superannuated’, but not yet surpassed, Marxist project? Life Against Death addressed this question. Until the 1960s, as Marx had well understood, the overwhelming fact of human life had been the struggle for material existence. The ‘affluence’, ‘cybernation’, and ‘conquest of space’ that were becoming apparent signalled that this struggle need no longer dominate. As John Maynard Keynes prophesied, even a glimpse at ‘solving the economic problem’ would provoke a society-wide ‘nervous breakdown’ or creative illness in which the ends of society would come in for re-examination. Marxism lacked the means for this re-examination but psychoanalysis did not. However, Freud in the 1950s was understood to be a conservative refuter of liberal and Marxist illusions of progress and not as their successor. As Norman Podhoretz - then a student who, along with Jason Epstein, discovered and promoted the book - noted, Brown disdained the ‘cheap relativism’ of Freud’s early critics such as Karen Horney and Erich Fromm and understood that ‘the only way around a giant like Freud was through him’.

Brown’s reading of Freud in Life Against Death had two main theses. first, Brown offered a riddle: ‘How can there be an animal that represses itself?’ Freud’s texts offered a solution. The determining element in human experience, in Brown’s reading, was the fear of separation, which later takes the form of the fear of death. What we call individuation is a defensive reaction to this primal fear and is ‘based on hostile trends directed against the mother’. Driven by anxiety, the ego is caught up in ‘a causa sui project of self-creation’; it is burdened with an ‘unreal independence’. The sexual history of the ego is the evidence of this unreality. Desexualization (the transformation of object-libido into narcissistic libido) is the primary method by which the ego is built up.

While Brown’s emphasis on the infant’s psychical vulnerability was true to Freud, his one-sided denigration of the ego was not. According to Brown, what psychoanalysis considered the goals of development - ‘personal autonomy, genital sexuality, sublimation’ - were all forms of repression. Above all Brown criticized psychoanalysis for endorsing dualism: the separation of the soul (or psyche) from the body. The true aim of psychoanalysis, he argued, should be to reunite the two. This can be achieved by returning men and women to the ‘polymorphous perversity’ of early infancy, a state that corresponds to transcendence of the self found in art and play and known to the great Christian mystics, such as William Blake and Jakob Boehme. The key was to give up the ego’s strivings for self-preservation; genital organization, Brown wrote, ‘is a formation of the ego not yet strong enough to die’. Brown called repression the ‘universal neurosis of mankind’, a neurosis that every individual suffered.

History, or the collective individual, he continued, went through an analogous process of trauma, repression and the return of the repressed. History, then, had the structure of a neurosis. In particular, Brown saw the birth of capitalism as the nucleus of the neurosis, a critical period, somewhat akin to the stage of the Oedipus complex in the evolution of the individual. Just as, in Freud’s original formulation, the infant moved from anality to genitality, so, Brown believed, in the transition from medieval to modern capitalist society, anality had been repressed, transformed and reborn as property. Capitalism at root, Brown argued, was socially organized anality: beneath the pseudo-individuated genitality of early modern society, its driving force was literally the love of shit. The Protestants, he held, had been the first to notice this. Luther, in particular, regularly called attention to the Satanic character of commerce, by which Brown meant both its daemonic, driven character and its excremental overtones of possession, miserliness and control. The papacy’s ultimate sin, according to Luther, was its accommodation to the world, meaning to commerce or the Devil. Once again, as for the individual, Brown viewed death as the portal to life. Max Weber, he argued, in linking Protestantism to capitalism, emphasized the calling but left out the crucifixion. According to Brown, ‘the Protestant surrenders himself to his calling as Christ surrendered himself to the cross’, meaning that a free, unrepressed merging with this world was the path to resurrection and to the transcendence of the soul/body divide.

Life Against Death will always be associated with Herbert Marcuse’s Eros and Civilization, which appeared four years earlier and which inevitably influenced Brown. Whereas Brown articulated his impossibly utopian vision of an unrepressed humanity in prophetic tones, Marcuse distinguished surplus repression - the repression imposed by alienated labour and class society - from necessary repression, the repression that was inevitably involved in separation from the mother, the struggle with the instincts, and death. Both books reflected the historic possibilities of automation, but Marcuse’s added a note of realism missing in Brown’s. Furthermore, in the ecumenical 1960s, the Christian substructure of Brown’s thought was barely noticed, although it became even more prominent in his 1965 Love’s Body. By contrast Eros and Civilization was unremittingly secular. In one sense, however, Brown’s book advanced beyond Marcuse’s. Whereas Marcuse still suggested that most psychic suffering originated in social demands imposed on the individual from the outside, Brown was closer to Freud in grasping the ‘mind-forg’d manacles’ rooted in the painful facts of dependence and separation.

Although published in the 1950s, Life Against Death found its main audience among the polycentric, globally dispersed, revolution-oriented student and youth groups known collectively as the New Left. Just as such ‘extremist’ sects of the Reformation as the Anabaptists, Diggers and Holy Rollers sought to experience salvation on earth, so the New Left rejected Freud’s insistence that repression was inevitable. In doing so, it served as a kind of shock troop, limning the horizon of a new society. Life Against Death spoke to its key preoccupations: the belief that the socio-political world was intrinsically mad, the rejection of the nuclear family, the desire to transcend distinctions and boundaries, to bring everything and everyone together, the rejection of sublimation and the achievement ethic in favour of authenticity, expressive freedom and play. Like Eros and Civilization it rested its claims on the ego’s original, ‘inseparable connection with the external world’. Giving voice to the communal ethos of the time, it provided an underpinning to the New Left’s critique of instrumental reason, its desire for a new connectedness with nature, and its attempt to liberate sexuality from its genital, heterosexual limits; indeed, to eroticize the entire body and the world.

What, finally, can we say about a work whose tone and vision seem almost infinitely alien to our own ‘post-utopian’ times? Brown’s perception of the liberating potential of the modern economy was not wrong, but it required cultural and political transformations that necessarily occurred only in partial and limited ways. If Brown missed the fact that the fantastic power of the modern economy can be and has been harnessed for life, he illuminated its dark and daemonic underside in ways that we have still not fathomed. It is also worth remembering that the dreams that arise in great periods of social upheaval do not disappear for ever. Rather, they go underground, as the 1960s went underground and were reborn in the women’s movement, in the upheavals of 1989, and in the anti-globalization struggles of today. Memorializing Brown’s death is one way to encourage what he believed in above all: rebirth.

Eli Zaretsky





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