Friday, February 14, 2020

When laser surgery turns into a nightmare, the toll can be enormous



It will soon be a year since Jessica Starr, a popular weatherperson on Detroit TV, took her own life. Her husband said she did so because of complications related to her recent laser refractive surgery.
Such complications are not as rare as people think. The New York Times warned in 2018 of the potential effects on some patients. More recently, and closer to home, a class-action lawsuit was filed across the country against Québéc-based company Lasik MD. It is accused of failing to properly warn its clients of the risks associated with vision correction surgery.
Does this mean that the dream of getting rid of glasses while still improving vision should be forgotten?

Improved technology

Refractive laser surgery aims to change the profile of the cornea, the front and clear part of the eye, to correct common vision problems: nearsightedness, farsightedness and astigmatism. The idea is to eliminate the need for glasses.
Introduced in 1983 in Germany, the first North American procedure was performed in 1985. Since then, millions have been done. At that time, laser surgery was an advantageous alternative to a more imprecise technique, radial keratotomy (KR).
The first laser technologies led to better, more stable, and more predictable results, but they were also associated with a number of complications: intense pain during the procedure and in the days that followed, off-centre treatment leading to the perception of halos and glare, under- or over-correction requiring the need for retouching or a return to wearing glasses, permanent corneal fog or delayed healing of the corneal surface with increased potential for infection.
In order to improve this profile, and especially the patient’s comfort, a technique called LASIK (laser in situ keratomileusis) was developed in the 1990s. This time, the laser is applied once a flap of tissue, generated by incising the cornea with a small planer equipped with a blade, is lifted. The flap is then replaced without the need for sutures.


A patient and a team of surgeons in the operating room during ophthalmic surgery. Shutterstock

Complications remain

All surgery carries risks. Serious incidents after LASIK occur in only 0.1 per cent of cases. But various complications affect between 10 and 30 per cent of patients undergoing surgery, compared to 7.7 per cent after cataract surgery.
While the majority of complications are minor and do not result in permanent consequences, a number of patients experience chronic, severe post-operative pain and/or visual problems, to the point where Morris Waxler, a former Food and Drug Administration expert, is calling for a recall and suspension of its use pending further safety investigations.
Regarding LASIK, Health Canada lists several potentially serious effects that must be taken into account.

A nightmare case

Following laser surgery, the cornea is traumatized and must recover to restore normal function. In the case of LASIK, the cornea is cut at the level of the sensory nerves. These nerves protect the eye but also provide the feedback (biofeedback) necessary for the production of new tears.
In the absence of this feedback, the eye dries out and its surface can deteriorate. In the majority of cases, the cut nerves will return to normal function within four to six months. But for a number of patients, the episode turns into a nightmare.
Karen (not her real name) is one such patient I recently met. As a young, dynamic executive, she had opted for surgery for practical (work, sports activities) and esthetic reasons. Attracted by promotions and a tempting price, she went to a laser centre and was quickly examined by the staff. Even more quickly, she was given an appointment for surgery — the next day! Without thinking too much, she proceeded.
In the days and weeks that followed, her eyes began to hurt more and more —intense pain that felt like knives in her eyes, redness and sensitivity to light requiring her to wear sunglasses even indoors. She had difficulty sleeping.
The staff at the centre tried to reassure her, saying it would be temporary, that she is the only one to whom this happened, and that it would heal by itself. Weeks went by, without improvement. She asked to see the surgeon again.
The surgeon told her that her eye was healed and that nothing more could be done for her. His tone and attitude left Karen in great despair. She had feelings of rejection, of denial of what she was experiencing, of incomprehension. The situation affected her work. She began to consult other professionals, always being told that her eyes were perfect. No one seemed to understand.

A puzzling condition

Karen actually suffers from neuropathy. It is a disorder of the peripheral nerves that causes symptoms but is not associated with any visible pathology. Following LASIK, the nerves in the cornea remain permanently damaged, like bare electrical wires, or they regenerate but make poor connections. In either case, the nerves send a constant signal of pain to the brain.
After a few weeks/months, the pain becomes internalized (like pain emanating from a phantom limb) and the brain is therefore involved in making the symptoms chronic. Because no one really understands this condition, patients are dismissed and depression sets in as the condition worsens.
The lack of understanding of this case stems from the fact that it is a new field in ocular medicine that is poorly documented in the scientific literature. Treatments are complex and time-consuming. It is, in fact, necessary to create new normal nerve connections while breaking the bad ones, using medication such as cortisone, drops of autologous serum and dressing lenses made of amniotic membrane, etc.
The internalized stimulation must also be addressed, using oral medication prescribed by a specialized pain clinic. Antidepressants may also be helpful, but they usually have the effect of increasing dryness of the eyes, which is counterproductive. Psychotherapy is essential, with a professional trained in the treatment of chronic pain. Cannabis oil could help, in theory, but this approach is controversial.
Karen lost her job due to frequent absenteeism and loss of productivity. Her treatments are expensive and are eating into her savings. The financial stress increases as the months go by and the light at the end of the tunnel is not always clear. The situation put great pressure on her marriage and her spouse has found it difficult to cope with the circumstances.

What to know before deciding to have surgery

To avoid an outcome like Karen’s, certain precautions can be taken.
First of all, it’s best to avoid making decisions on a whim. Get information from your own eye-care professional, the one who has known your eyes for a long time. Then, get at least two opinions — in different centres — before proceeding, and assess those interactions and the level of trust you feel.
Certain risk factors can reduce the effectiveness of the procedure. For example, many patients opt for surgery because they become intolerant to contact lenses, with uncomfortable and dry eyes at the end of the day. If this is the case, it is because the eye is already prone to dryness and surgery will only increase it. It is therefore necessary to consult your optometrist in order to treat this dryness before the operation, and wait until the surface of the eye is ready for surgery.


If your eye is prone to dryness, surgery will only increase it. Therefore, dryness must be treated before surgery and then wait until the surface of the eye is ready for surgery. Shutterstock

Patients with chronic inflammatory diseases should avoid refractive surgery. These diseases include fibromyalgia, irritable bowel syndrome, Crohn’s disease, lupus and rheumatoid arthritis. Similarly, people with diabetes or severe and chronic migraines are considered poor candidates. Finally, people with obsessive-compulsive disorders should also abstain. For example, they may have the reflex to rub their eyes violently, which can dislodge the tissue flap.
Patients with severe myopia (>8D) as well as patients with large pupils (black part of the eye larger than five millimetres) are prone to the continuous perception of halos and glare after surgery.

After the operation

Once the operation has been performed, it’s important to ensure adequate professional followup. Demand to see an optometrist or ophthalmologist at every opportunity. Assistance personnel, even properly trained, are not legally authorized to diagnose your condition (saying that everything is fine is a diagnosis in itself).
It’s also important to never neglect regular eye health checkups. A severely near-sighted person, even after surgery, is still at risk of having a torn retina.
Laser surgery is performed successfully in more than 95 per cent of cases. To avoid chronic problems, it is important to be well assessed and well informed.
You only have two eyes and they are not replaceable. So take every precaution to ensure laser surgery is safe for you.

Author




This article was originally published in French

HAPPY VALENTINES LOVERS

Image result for wilhelm reich LOVE KNOWLEDGE WORK



Love is good for us, so why do lawmakers try to break us up?
HAPPY VALENTINES DAY LOVERS
LOVE IS THE LAW, LOVE UNDER WILL



Love makes us healthier. And yet policy-makers around the world separate children from loving parents, demonize same-sex love and promote labour migration that splits up families. Why? (Sharon


Research in medicine, psychology and neuroscience demonstrates the powerful effects of love on our physical and mental health.
Feeling loved and being able to express love for others are linked to the reduction of chronic pain, anxiety and depression, improved functioning of the immune system, reduced risk of cancer, improved cardiovascular health, increased life expectancy and feelings of positive self-esteem, happiness and general well-being.


A feeling of being loved in childhood is linked to fewer illnesses in middle age. (Zach Vessels/Unsplash)

A multi-decade Harvard study found positive links between perceptions of being loved during childhood and reduced incidence of multiple diseases associated with middle age. Research using data from the Canadian National Population Health Survey found that perceptions of being loved had a greater positive impact on human health than the negative impacts of daily smoking.


The negative impact of a loveless life

Image result for wilhelm reich LOVE KNOWLEDGE WORK

Extensive research also highlights very serious negative effects of not being loved, particularly for children.
A meta-analysis of 551 studies conducted over 41 years, from 1975 to 2016, on five continents involving a total of 149,440 respondents found strong causal connections between a lack of parental love and “psychological maladjustment of children and adults regardless of differences in races, ethnicities, cultures, age [and] gender.”
The same review concluded that “children who feel unloved are likely to develop a pattern of psychological maladjustment and personality dispositions including hostility/aggression, dependence, low self-esteem, low self-adequacy, emotional unresponsiveness, emotional instability, negative worldview, anxiety and insecurity.”
The power of love seems to be based on its role in reducing chronic stress by triggering the release of biochemicals that have positive effects on stress reduction, incuding endorphins, endocannabinoids, endogenous morphine, dopamine, vasopressin and oxytocin.
By helping to reduce chronic stress, love can also reduce the rate of cellular aging in the human body, which reduces risk of illnesses and disease.



Why don’t governments focus on love?

Given all the evidence of the importance of love for our well-being, why don’t governments take love more seriously?
In some ways, they already do — for example, through provisions of family law that require cooling-off periods before couples can marry or divorce, or before parents can put their children up for adoption.
Governments probably can’t make people better lovers — and most of us probably hope they won’t even try. As former Canadian prime minister Pierre Trudeau famously commented: “There’s no place for the state in the bedrooms of the nation.”


Governments can’t make us better lovers, but they can stay out of our love lives. (Everton Vila/Unsplash)

However, governments around the world can and do pass laws and implement policies that undermine the capacity of many people to love and feel loved, with serious long-term impacts on their physical and mental health and associated costs for public health-care systems and economic productivity.
Pause for a moment to reflect on the stories of residential school survivors in Canada and the impact of the denial of love on their own capacity to love. As one survivor explained:
“Because of that experience, us survivors never learned how to live as a loving family because we were separate from our family.”


Girls at a residential school in Fort Resolution, Northwest Territories. (Library and Archives Canada)CC BY-SA

Residential schools no longer operate in Canada, but the high rates of separation of Indigenous children from their parents by child protection services across the country points to ongoing policies that undermine the ability of both children and parents to love and feel loved.

Love devalued

Or consider the separation of children from their parents at immigration detention centres in the southern United States, which psychologist Andrew Solomon describes as a “devaluation of love.”



Solomon also studied the long-term negative health impacts on British children who were separated from their parents as safety precautions from bombing raids during the Second World War found widespread evidence of “permanent emotional scarring.”


A migrant child looks out from a U.S. Border Patrol bus leaving the U.S. Border Patrol Central Processing Center in June 2018 in McAllen, Texas. AP Photo/David J. Phillip

More than 70 countries around the world also criminalize same-sex relationships. Anti-LGBTQ+ laws don’t make love impossible, but they do make it harder — and much more dangerous — to express.
A growing number of governments around the world (including some Canadian provinces) promote labour migration as an economic development strategy that separates workers from their family and loved ones.
It’s still possible to blow kisses on Facetime or Skype, but anyone in a long-distance relationship knows that it doesn’t feel the same as the real thing. Medical research shows that prolonged separation from the people you love can also have serious health effects.


As a folk song about Mexican labour migrants made famous in the film Paris, Texas wistfully lamented: “Now that I’m so far from you, I live without light and love; And seeing myself so lonely and sad like a leaf in the wind, I want to cry, I want to die of sorrow.”
Love matters. A lot.
This Valentine’s Day, governments around the world need to reflect on how laws and public policies may undermine people’s capacity to love and be loved — and the long-term costs of lost love for public health and human happiness.


Disclosure statement

John D. Cameron receives funding from the Social Sciences and Humanities Research Council of Canada.


Max Michelson 

A RICH GENTLEMAN 
Your nostrils sniff the air, 
Your ears stand alert: Near you,
like wolves in the forest,
 Lurk other people's poverty and suffering; 
And though your heart is robust Tough,
 like the cheek of a country girl, 
You dare not trust it. 

A PETIT BOURGEOIS 
Sharp nails grow out from your fat fingers; 
Over your clean-shaven lip glimmers the moustache of a tom-cat.
 Your smiles are investments at a hundred per-cent. 
Yet one has only one life, one mouth, one stomach, 
and can take only one woman at a time; 
Also, when you were younger, before you knew,
 You foolishly allowed suffering to reach your heart. 
So your face sometimes contorts wistfully
 You use this sanctimoniously to deceive. 

SEE HERE FOR MORE OF HIS WORK


Michelson was a childhood immigrant to America from Lithuania and settled in Chicago, working as a furrier. Later, in 1920 he moved to Seattle, 'soon after his arrival there, a mental hospital had to be his refuge' and there he was to stay until he died, in obscurity, in 1953.
Poetry as an Art

by Max Michelson
"Poetry as an Art" is an article from Poetry, Volume 12.
POETRY: a Magazine of Verse 1918

EXCERPT 

In two ways it finds assuagement. One way is music,
in which is a spurring excitement and comfort at the same
time. The other way is, to put it very crudely, explana
tion of at least a part of the haunting mystery-inter
pretation. Rhythm in other arts is music received through
the eyes instead of through the ear. To these-rhythm
and interpretation, separated or combined-all art forms
can be reduced. In a painted landscape whatever is not
rhythm is interpretation of life. The same is true of a
portrait. What there is in it of the photographic is dese
cration of life; since it is impossible to render in any
medium the thousand qualities pregnant in reality, any
rendering not imbued with the reverential spirits of rhythm
and interpretation is deadly and treacherous. This is also
true of idealization, which usually means a sentimental ren
dering. In addition to being superficial it is also false

bad photography. 

The Egyptian figure El Beled might be taken as an ex
ample of interpretation. It might appear mere realism if
superficially observed. But the sculptor knew his subject
with a sort of god-like knowledge, and he spun from the
depth and strength of his knowledge. I would say played
with it, but the word play is usually misunderstood;
true play is extremely serious. The sculptor of the great
Chephron ennobled his subject-idealized it. 
This was entirely different from our modern way; when we idealize
we are more or less deceitful. There is no real attainment
of depth. The artist's brain is either too lazy or shallow,
or he is content to bank on the observer's shallowness or
laziness. 

Words being so closely associated with immediate human
needs, it is always hard for the poet to escape from these to
the greater needs of the human spirit. It is true that even
the greatest of the ancient works of art were not entirely
free from these influences;till, if the Assyrian man-headed
lion or bull had a taint of the didactic, the artist succeeded
in melting it almost completely in rhythm. The Egyptians,
who did not always bother with rhythm as such, have succeeded
 in giving us the most perfect interpretive art imaginable. 
One can see that readily in Thoueris, the statuette
representing maternity, and more or less readily in most of
their best work. In the early Chinese sculpture, we find
a pure and tender handling of reality combined with simplification. 
In the Hindu art the imagination rambles
freely. In the American aboriginal art, we find a noble
symbolism; and extreme simplification, not only of the human
being, but 6f almost everything in nature. Rhythm is to be
found in most of these, and is predominant in Assyrian art,
in Hittite art, and, in a simple or complex form, in Chinese
and Japanese paintings.


The better models for the modern poet are the ancient
sculptors or oriental painters, as the art elements in them
are purer and more readily discernible. He should learn
from them to simplify his subject, or to idealize it in the
pure and genuine way they did. He should learn from
them what true idealization is, in order to avoid the pseudo,
the shallow, the sentimental, the vulgar and the stupid, all
often mistaken among us for idealization.
As for the rhythm of words, the words in poetry must
be as if born together with the rhythm. But the reader
must learn to distinguish between sing-song or rag-time
rhythm, and deep, pure rhythm. It can be laid down al
most as a rule that a rhythm that carries the reader too
strongly is bad. It will be found to be poor through mo
notony, and through lack of control. One will usually
find the same symptoms in the ideas of the poem. 

READ ON

Michelson was a childhood immigrant to America from Lithuania and settled in Chicago, working as a furrier. Later, in 1920 he moved to Seattle, 'soon after his arrival there, a mental hospital had to be his refuge' and there he was to stay until he died, in obscurity, in 1953.


POETRY: a Magazine of Verse

O BROTHER TREE

O brother tree! 0 brother tree! Tell to me, thy brother,
The secret of thy life,
The wonder of thy being.

My brother tree, my brother tree,
My heart is open to thee
Reveal me all thy secrets.

Beloved tree, beloved tree,
I have shattered all my pride.
I love thee, brother, as myself.
Oh, explain to me thy wonders.

Beloved one, adored one,
I will not babble of it among fools
I will tell it only to the unspoiled:
Reveal to me thy being.

I have watched thy leaves in sunshine,
I have heard them in the storm.
My heart drank a droplet of thy holy joy and wonder,
One drop from the ocean of thy wonder.

I am thy-humble brother-I am thine own.
Reveal thy life to me,
Reveal thy calm joy to me,
Reveal to me thy serene knowledge. 

Max Michelson  
1915

Michelson was a childhood immigrant to America from Lithuania and settled in Chicago, working as a furrier. Later, in 1920 he moved to Seattle, 'soon after his arrival there, a mental hospital had to be his refuge' and there he was to stay until he died, in obscurity, in 1953.
POETRY: A Magazine of Verse
Book Review by Max Michelson 
1916

THE RADICALS

Others: an Anthology of the New Verse, edited by Alfred
Kreymborg. Alfred A. Knopf, New York.

One cannot review this collection without connecting it
with the magazine Others from which it is taken, so I may
as well say that for its editor I have nothing but praise, and
I believe that its most radical experiments-the works of
Mina Loy, Rodker, Sanborn, etc.,-should be published. I
assume that even Miss Monroe, whose editorial ideal evi
dently is for poems of more artistic permanence than many
in this volume are, will agree with me that every lover of
art, no matter what his own tastes are, should encourage
the more experimental work too. Besides we have here
many things for which we can only be grateful.
Pound's Shop-girl is lovely; the beginning is as good as
some of the Chinese masterpieces he has recreated for us. In
Another Man's Wife he has caught a delicate charm in the 
bloom; it is an expression of a rare and pure artistic refine
ment. 

Skipwith Cannell's preface of several pages is of some
interest, but the poetry that one expects after so long a
preface is not there. I may as well here express the start
ling opinion to which many poets will object, that repeating
the Nietzsche which one has picked up from Bernard Shaw
and newspaper gossip is not poetry. There was a real
Nietzsche, and he has written much better poetry, though in
prose form, than any of his "interpreters." The influence
of Gauguin I could not find-unless it is in the spacing. 

Taken as a whole, I think the volume interesting and stim
ulating. When one tries to realize clearly all the drudgery,
toil and self-sacrifice involved in such pioneer editing, one
must extend to Mr. Kreymborg hearty good wishes for success
in his venture. 

Max Michelson 

EXCERPT READ THE REST HERE 


Michelson was a childhood immigrant to America from Lithuania and settled in Chicago, working as a furrier. Later, in 1920 he moved to Seattle, 'soon after his arrival there, a mental hospital had to be his refuge' and there he was to stay until he died, in obscurity, in 1953.

A HYMN TO NIGHT
Come, mysterious night;
Descend and nestle to us.

Descend softly on the houses
We built with pride,
Without worship.
Fold them in your veil,
Spill your shadows.

Come over our stores and factories,
Hide our pride-our shame
With your nebulous wings.

Come down on our cobbled streets:
Unleash your airy hounds.
Come to the sleepers, night;
Light in them your fires.


Max Michelson 
1916


POETRY: A Magazine of Verse
1918

A LADY TALKING TO A POET
For a moment you felt nude and shivered.
Your social position hung near;
You threw it about you
A garment frail and lacy.

THE GOLDEN APPLE
Running to art-exhibitions, to concerts and to the poor in
the tenements,
With eyes held high up as a cloud, and as soft, as haunting,
She stopped to pick up
The golden, apple-shapedistiller.

A DILETTANTE
Tall, delicately-stout,
With "turned," wine-moist moustache,
He spoke like some bragging, spoiled school-boy:
"Art is its own reward."

THE TRAITOR
He knew the lady's half-mocking, half-regretful smile,
Fluttering like one of the sweet-pea petals

DEATH
One comes to me every day
Gentle, tactful, and of
Admirable dignity.
He is friendly though not wheedling,
He wants me to know him.
Sometimes he touches my arm,
Or even presses it impulsively.

TO A WOMAN ASLEEP IN A STREET-CAR
Woman sleeping in the car
Strange, aloof and far
Shall I shake you and tell you
Who you are?

Wake up and let us speak
Till our hearts are bared to the core,
Till we are a man and a woman no more,
Till we are empty like vases that leak,
Till we droop and fall,
Till we are nothing at all.


Max Michelson

Michelson was a childhood immigrant to America from Lithuania and settled in Chicago, working as a furrier. Later, in 1920 he moved to Seattle, 'soon after his arrival there, a mental hospital had to be his refuge' and there he was to stay until he died, in obscurity, in 1953.

For All Governments: Gendry-Kim's Graphic Novel, 'Grass'
HANS ROLLMANN
12 Feb 20
The powerful graphic novel Grass documents the atrocities against WWII "comfort women" through the recollections of a survivor. This is an incredibly powerful and urgent work that, frankly, should be read by the governments of all nations that must face, admit to, and begin real reparations for their country's atrocities.



GRASS
KEUM SUK GENDRY-KIM
Drawn & Quarterly
August 2019


Keum Suk Gendry-Kim's powerful graphic novel Grass could not have hit the shelves at a more timely moment.

Originally published in South Korea in 2017, Janet Hong's English-language translation for Drawn & Quarterly came out in the summer of 2019. It tells the story of Korean comfort women – a term "widely used to refer to the victims of Japanese sexual slavery," the author explains. Gendry-Kim's vantage into this experience comes from Granny Lee Ok-sun, a survivor who shares her life story with the author.


The artwork in Grass is stark: panels are dark and full of shadows, shading into crepuscular obscurity at especially brutal points of the story. The characters themselves are striking -- adults gaunt and angular; children softer and less defined -- sketched into black and white panels that make for an appropriate depiction of the grim tale. The author's black-inked landscape vistas are breathtaking. The narrative alternates between Granny Lee's childhood and youth, and the sometimes fraught present-day dialogue between Gendry-Kim and Lee as the author tries to gain her confidence and learn her story.


The timing was remarkable. The very summer that Grass appeared in English, a long-simmering dispute between South Korea and Japan over the latter's responsibility to compensate victims of WWII-era forced labour – including sexual slavery – erupted into what has been described as a full-blown trade war. As so often, both antagonists in the dispute could learn a lot if they set aside their political agendas to learn from creative interventions like Grass.


(courtesy of Drawn & Quarterly)



The Japan-South Korean Trade War

For the past seven months, both governments have engaged in what's been described as a 'trade war' but is really just a display of macho chest-beating. Oblivious to the harm they're doing to their respective economies, labour forces, and regional economic growth, the handful of men driving this dispute in both administrations have even come close to scuttling regional defense agreements.

The present round in this dispute dates back to late 2018, when the Supreme Court of South Korea ruled in favour of the right of former victims of wartime forced labour to seek compensation from Japanese companies.


'Compensation' is the term being thrown around, but what victims are seeking is some measure of justice. When World War II erupted, Korea had been under military occupation by Japan since 1910, and over five million Koreans were forcibly conscripted into the war effort, including forced labour both in Japan and abroad. This number included over a quarter million Korean women (some estimates suggest close to a half million), most of them under the age of 18, who were forced into sexual slavery by Japan.

Soon after the war ended, negotiations between South Korea and Japan over compensation for conscription and forced labour led to a 1965 agreement in which Japan paid over $500 million (US) in loans and grants to its overseas neighbour. Japan had initially wanted to pay compensation directly to victims, but the South Korean government (then led by President Park Chung-hee, who himself was a Japanese military collaborator during the war) insisted on being the recipient of the funds, which it then funneled into general spending.


(courtesy of Drawn & Quarterly)

Demands for justice for and by comfort women continued. For its part, Japan insisted the issue had been settled by the 1965 agreement (and a couple of half-hearted apology statements made in the 1990s). But in 2015 the two countries (under US pressure and mediation) came to the table and signed an additional agreement on the issue of comfort women, which was intended to see Japan pay roughly $1 billion into a fund for survivors. For its part ,South Korea was supposed to promise to stop complaining about the issue, as well as remove a statue memorializing comfort women from in front of the Japanese embassy in Seoul. The agreement, reached by mostly male diplomats from the US, South Korea, and Japan, was largely criticized by comfort women survivors themselves as inadequate.

So in 2017, a new South Korean government denounced the treaty and called for Japan to come to the table and re-open negotiations. Japan, under the conservative, right-leaning government of Prime Minister Shinzo Abe, refused, and in 2018 the South Korean Supreme Court ruled in favour of compensation suits filed by survivors of wartime forced labour against the Japanese companies that had exploited them. When those companies refused to pay, the South Korean courts in 2019 approved the seizure of Japanese-owned assets in order to fund compensation payments. Japan retaliated with a series of harshly restrictive trade measures, and the two countries launched into a trade war which has continued, with ebbs and flows, to the present.


As political scientist Tom Le writes in the Washington Post, the dispute is the result of "a haphazard reconciliation process and poorly designed agreements."