Wednesday, August 24, 2022

Baby southern white rhino born at San Diego Zoo

By Justin Klawans

A baby southern white rhino was born at the San Diego Zoo in early 
August, marking another milestone for the subspecies. 
Photo courtesy of San Diego Zoo

Aug. 23 (UPI) -- A California zoo is heralding the birth of a baby southern white rhinoceros in early August.

The San Diego Zoo Safari Park welcomed the male rhino on Aug. 6, born to first-time mom Livia and father J. Gregory, according to a press release from the zoo.

The calf, which does not yet have a name, was conceived naturally, and is reported to be "healthy, confident and full of energy." The zoo added that Livia was "very attentive and protective of her offspring."

The zoo also tweeted a video of the young calf exploring his enclosure with his mom.


"Seeing this energetic little rhino running around, wallowing in the mud and just being generally curious is very rewarding," said Jonnie Capiro, the San Diego Zoo's lead wildlife care specialist. "While this is the first time Livia has given birth, we expected she would be a great mother -- and she proves this every day."

While Livia had not previously given birth, she had cared for an orphaned rhino named Arthur in 2020, and the zoo reported that she had shown strong maternal instincts with the baby.

"All rhino births are significant, and this calf's birth represents an essential step in San Diego Zoo Wildlife Alliance's Northern White Rhino Initiative, showing Livia can carry a calf to term and care for her offspring," added Barbara Durrant, the San Diego Zoo's director of reproductive sciences. "This is vitally important, as Livia is now among the female rhinos at the Nikita Kahn Rhino Rescue Center who could potentially serve in the future as a surrogate mother to a northern white embryo."

The Nikita Kahn Rhino Rescue Center is a portion of the zoo dedicated to rhino conservation, working with southern white rhinos in an effort to save its sister subspecies, the northern white rhino.

Southern white rhinos have seen dwindling populations due to poaching, but, despite being listed as endangered, there are still an estimated 18,000 in the wild.

The northern white rhino, however, is one of the most critically endangered animals on Earth.

The subspecies is believed to be extinct in the wild, and the last two remaining northern white rhinos on the planet live at a conservancy in Kenya.

Both of these rhinos, though, are female, and are unable to reproduce naturally. The last male northern white rhino, Sudan, died in 2018.

Facilities like the Nikita Kahn Center are using the southern white rhino in an attempt to repopulate the northern white subspecies artificially.

This includes technologies such as "artificial insemination, in vitro fertilization and embryo transfer."

"An interdisciplinary team -- including wildlife care and health teams, reproductive physiologists and geneticists -- are working with southern white rhinos as a model for developing these advanced reproductive technologies," the zoo said. "The ultimate goal [is] to establish a sustainable population of northern white rhinos using banked genetic material.

At least two of the southern white rhinos at the San Diego Zoo were born via artificial insemination.

While both subspecies remain officially endangered, there have been some strides made in recent years.

In 2019, researchers in Europe were able to successfully fertilize a pair of northern white rhino eggs, marking a breakthrough in the fight to save the animal.
Life expectancy in Hawaii is 9 years longer than in Mississippi

By HealthDay News

A new report found that Americans living in Hawaii, the Northwest, California and the Northeast had the longest life expectancy. People living in the Southeast typically had the shortest expected lifespans. 
Photo by Bettina Nørgaard/Pixabay

Differences in lifestyles and other factors are linked to big gaps in life expectancy between residents of various U.S. states, 2020 data shows.

That could mean almost a decade more or less of life, a new report from the U.S. Centers for Disease Control and Prevention shows.

"Among the 50 states and D.C., Hawaii had the highest life expectancy at birth, 80.7 years in 2020, and Mississippi had the lowest, 71.9 years," concluded a team led by Elizabeth Arias, of the CDC's Division of Vital Statistics.

For the report, the researchers pored over data from each state on mortality rates, as well as 2010 census data and Medicare data, to tally up life expectancy at birth per state.

Much of the differences fell along regional lines, with Americans living in Hawaii, the Northwest, California and the Northeast living the longest. People living in the Southeast typically had the shortest expected lifespans.

The top 10 longest-lived states, by average life expectancy in years, are:

Hawaii -- 80.7
Washington -- 79.2
Minnesota -- 79.1
California -- 79
Massachusetts -- 79
New Hampshire -- 79
Vermont -- 78.8
Oregon -- 78.8
Utah -- 78.6
Connecticut -- 78.4

The states ranking in the bottom 10, by average life expectancy in years, are:


Mississippi -- 71.9
West Virginia -- 72.8
Louisiana -- 73.1
Alabama -- 73.2
Kentucky -- 73.5
Tennessee -- 73.8
Arkansas -- 73.8
Oklahoma -- 74.1
New Mexico -- 74.5
South Carolina -- 74.8

As seen in other tallies of national life expectancy data, the pandemic played a big role in shrinking American life spans.

"From 2019 to 2020, life expectancy at birth declined for all states and D.C," the CDC team noted.

Some states were hit harder than others: For example, in New York life spans fell by three years during the pandemic, and in Louisiana life expectancy declined by 2.6 years.


On the other hand, Hawaii seemed relatively spared: In the Aloha State, life expectancy fell by just 0.2 years between 2019 and 2020. In New Hampshire, the decline was just 0.4 years, the report found.

Women still tend to outlive men, living an average of 5.7 years longer than their male peers in 2020, the researchers noted.

The study was published Tuesday in National Vital Statistics Reports.

More information

Hopkins Medicine has tips to help you lead a long, healthy life.

Copyright © 2022 HealthDay. All rights reserved.

Germany and Canada sign hydrogen deal

Chancellor Scholz and Prime Minister Trudeau signed the agreement in Newfoundland, the future home of a green hydrogen plant. German energy companies have already agreed to import Canadian hydrogen.

Trudeau hailed Scholz as an 'important progressive voice' on the world stage

German Chancellor Olaf Scholz and Canadian Prime Minister Justin Trudeau signed a deal on Tuesday for Germany to import green hydrogen from Canada.

The two leaders signed the deal in the port town of Stephenville, Newfoundland.

The first deliveries are expected in just three years.

Earlier on Tuesday, the two heads of government attended an economic conference in Toronto.

Germany seeks options as it tries to move away from Russian gas

The trip to Canada, Scholz's first as chancellor, comes as Germany looks for ways to reduce its reliance on Russian gas.

At a press briefing in Toronto Tuesday, Scholz said Canada was the partner of choice, as Germany moves away from Russian energy imports at "warp speed."

"Your country has almost boundless potential to become a superpower in sustainable energy and sustainable resource production," he said.

The pair also said they would discuss the possibility of Germany buying Canadian liquefied natural gas (LNG).

To that end, Trudeau said on Monday that "we are looking at every possible different way to help out the German people and Europeans in the short term as they face a real challenge this coming winter."

"Canada will play a very, very central role in the development of green hydrogen," Scholz said at the same joint press conference. "That's why we're very happy that we can also take this opportunity to expand our partnership in this field."

How does hydrogen work as a source of energy?

Both LNG and green hydrogen are seen as medium-term solutions and will not be able to help Germany in the next few months. Canada does not yet have the means to export LNG internationally, and the production of green hydrogen is still in its infancy.

The use of hydrogen does not produce greenhouse gases. To create it, water has to be split into hydrogen and oxygen, electrolysis that is only climate-friendly if sustainably produced energy is used.

In principle, hydrogen can serve as a basis for fuels to replace coal, oil, and natural gas in industry and transport. Because its production is very energy-intensive, hydrogen is currently still significantly more expensive than fossil fuels.

Sparsely populated windy areas such as Newfoundland are considered ideal for the production of green hydrogen.

German energy companies Eon and Uniper said on Tuesday that they had signed a memorandum of understanding with Canada's Everwind on the sidelines of the German-Canadian talks with the aim of importing hydrogen on a large scale from 2025.

Scholz called the agreement "an important step, not only for strengthening our bilateral economic relations but also for a sustainable energy supply for the future."

Trudeau and Scholz were also scheduled to take part in an online conference on Tuesday organized by the Ukrainian government. The aim of the summit is to mobilize international support for the return to Ukraine of Crimea, a peninsula annexed by Russia in 2014.

Both leaders spoke on Monday of their continued dedication to helping Kyiv fight Russian aggression.

es/rt (AP, dpa, Reuters)

AUDIOS AND VIDEOS ON THE TOPIC

Volkswagen signs agreement to bring battery manufacturing to Canada


Volkswagen CEO Herbert Diess and Canadian minister Francois-Philippe Champagne sit in the foreground with German Federal Chancellor Olaf Scholz and Canada's Prime Minister Justin Trudeau standing during the memorandum signing Tuesday. Photo courtesy of Volkswagen

Aug. 23 (UPI) -- Volkswagen on Tuesday signed a memorandum of understanding with the Canadian government to bring some of its electric vehicle battery manufacturing to the country.

The European auto giant signed the deal in Toronto in the presence of German Chancellor Olaf Scholz and Canadian Prime Minister Justin Trudeau.

The deal is being viewed as an effort by Volkswagen to make sure it qualifies for electric vehicle tax credits in the United States. The U.S. government recently created new guidelines under the Inflation Reduction Act requiring electric batteries to be manufactured in North America to qualify for EV tax credits.

"Volkswagen has been vigorously pushing the transformation to e-mobility, recognizing the industry's responsibility in the global battle against climate change," Herbert Diess, CEO of Volkswagen Group, said in a statement. He signed the agreement with Canada's Minister of Innovation, Science, and Industry, Francois-Philippe Champagne.

"The group today not only offers the broadest range of electric models to customers but is also rolling out an ambitious battery and charging strategy. Working hand in hand with governments around the world is an absolute prerequisite to meet our climate goals and I want to thank the Canadian government for their support," Diess said.

Volkswagen said the PowerCo, its newly founded battery company, will play a central role in future planned cooperation efforts in the fields of battery value creation, raw materials supply chains and cathode material production in the North American region.

"As an automaker, we see compliance with stringent sustainability criteria as a top priority," Thomas Schmall, Volkswagen Group Board of Management member for Technology, said in a statement.

"For us, the availability of power from renewable sources and a raw materials sector with mines supplying materials conforming to the globally recognized environmental and social standards are crucially important. That is why Canada is an ideal partner for our e-mobility and battery strategy."

Art Meets Science
Doppelgängers Don’t Just Look Alike—They Also Share DNA

New research finds genetic and lifestyle similarities between unrelated pairs of “virtual twins”


Sarah Kuta
Daily Correspondent
August 24, 2022 

Four pairs of "human doubles" included in the study Courtesy of François Brunelle

Doppelgängers share strikingly similar physical characteristics—they look so alike that, at times, these two unrelated people could easily pass for twins (or, at least, siblings).

Now, new research suggests that doppelgängers have more in common than meets the eye. People with very similar faces also share many of the same genes and lifestyle traits, according to a new paper published Tuesday in the journal Cell Reports.

It may seem obvious that people with similar facial features would also have some of the same DNA, but no one had scientifically proven this, until now. Thanks to the internet, it’s now easier than ever for researchers to track down and study doppelgängers.

.

To understand what was going on at the genetic level among look-alikes, scientists collaborated with the Canadian photographer François Brunelle. Since 1999, Brunelle has been traveling around the world to capture intimate portraits of strangers who look nearly identical to one another for his “I’m not a look-alike!” project.

Researchers asked 32 pairs of Brunelle’s models to answer questions about their lifestyles and submit samples of their DNA.

Using facial recognition software, the scientists analyzed headshots of the so-called “human doubles” and computed a score to quantify similarities among their faces. They compared the scores to those of identical twins and found that the software had awarded twin-like scores to exactly half of the doppelgänger pairs.

To find out whether the similarities ran more than skin deep, the researchers next studied the participants’ DNA. They found that nine of the 16 very similar-looking pairs shared many common genetic variations known as single nucleotide polymorphisms. These pairs are “therefore like virtual twins,” says Manel Esteller, a geneticist who leads Spain’s Josep Carreras Leukaemia Research Institute, to Gizmodo’s Ed Cara.

In terms of their lifestyles, the "human doubles" were also more likely than non-doppelgängers to have characteristics in common, such as their weight, height, smoking history and education levels.

But though they had similar genetics and traits, the look-alikes had very different microbiomes, or communities of helpful and harmful microbes that live on and in the human body, and different epigenomes, or variations in expressed traits influenced by the experiences of past generations. From a nature vs. nurture perspective, this suggests that it’s DNA, not environmental factors or shared life experiences, that is primarily responsible for how similar doppelgängers look.

In a growing population, there’s bound to be some genetic overlap just by happenstance. “Because the human population is now 7.9 billion, these look-alike repetitions are increasingly likely to occur,”

Esteller says in a statement.



Aside from pulling back the curtain on one of life’s great curiosities, the research could have important medical implications in the future. People with similar DNA may be equally susceptible to certain genetic illnesses, so doctors could use facial analysis as a quick and easy pre-screening tool, reports the Telegraph’s Sarah Knapton.

Researchers say the findings may also someday help police investigators conjure up the faces of suspects from their DNA samples. But that potential application wades into murky ethical territory, says Daphne Martschenko, a biomedical ethicist at Stanford University who was not involved in the study, to the New York Times’ Kate Golembiewski.

“We’ve already seen plenty of examples of how existing facial algorithms have been used to reinforce existing racial bias in things like housing and job hiring and criminal profiling,” Martschenko says to the Times.



Sarah Kuta | READ MORE
Sarah Kuta is a writer and editor based in Longmont, Colorado. She covers history, science, travel, food and beverage, sustainability, economics and other topics.
Finland PM Sanna Marin apologizes for 'inappropriate' party photo
By Matt Bernardini

Finnish Prime Minister Sanna Marin has been criticized for a photo depicting a party that was held in July, leading some critics to say she may have an excessive party lifestyle. Photo courtesy of Government of FInland


Aug. 23 (UPI) -- Finland Prime Minister Sanna Marin apologized on Tuesday for an "inappropriate" photo that was taken by her friends and posted on social media this week.

Marin, who's faced criticism for the image, explained that it was taken at her home following a music festival in early July.

It shows two women kissing and covering their bare chest with a sign that says, "Finland."

Marin, 36, has been criticized for having an excessive party lifestyle.

"In my opinion that photo is not appropriate, I apologize for that," Marin said, according to YLE News. "That photo shouldn't have been taken."

Marin does not appear in the photo and she's said that her friends were using sauna facilities and were not inside of her residence.

The photo was taken after the Ruisrock music festival in Finland in July, but were posted to social media only recently.

Many women who support Marin have been posting videos of themselves dancing on social media, with the tag #SolidarityWithSanna.

The dancing supporters are showing solidarity to call out what they see as unfair and sexist treatment of Marin, who became Finland's prime minister in 2019. She is the youngest prime minister in Finland's history and the third-youngest leader in the world.

"It seems like certain people still today have a hard time comprehending the fact that you can be both a young woman ... and a competent politician at the same time," supporter Rikke Dal Stottrup told The Washington Post.



Carpenter's message in a bottle found in school spire 86 years later



Aug. 23 (UPI) -- Workers restoring a school in Australia discovered a message in a bottle stashed in the school's spire by one of the carpenters who originally constructed the structure in 1935.

Junction Park State School in Annerley, a suburb of Brisbane, Queensland, said Queensland Heritage Restorations workers found the bottle while working on restoring the spire.

The note, dated Oct. 12, 1935, was authored by then-16-year-old apprentice carpenter Gordon Benson.

Benson wrote he hoped the note would find its way to his children or grandchildren.

The school hosted a ceremony Tuesday where Transport Minister Mark Bailey presented the note to Geoffrey Benson and Marilyn Blundell, two of Benson's five children.

"Once realizing it was written by my father, it wasn't a surprise," Geoffrey Benson told the Australian Broadcasting Corp. "Dad always thought about his family, and his children, and the future of his children.




Kia, Hyundai owners told to park outside over fire risk


Thousands of Hyundai Palisade (2020 model pictured) owners are now being advised to park their vehicles outside because of a risk of fire while driving or parked, the U.S. Department of Transportation confirmed on Tuesday. Photo by Kevauto/Wikimedia

Aug. 23 (UPI) -- Some Kia and Hyundai owners are now being advised to park their vehicles outside because of a risk of fire, the U.S. Department of Transportation confirmed on Tuesday.

The two manufacturers recalled thousands of Hyundai Palisade and Kia Telluride vehicles last week over the risk of fire while parked or driving because of a problem with the trailer hitch.

The affected models were produced between 2020 and 2022.

"Debris and moisture accumulation on the tow hitch harness module printed circuit board (PCB) may cause an electrical short, which can result in a fire," states the Department of Transportation's recall notice for the Palisade.

"Owners are advised to park outside and away from structures until the recall repair is complete."

The Kia notice is identical and applies to more than 36,000 vehicles, while the Hyundai recall covers up to 245,000 of the sport utility vehicles.

Affected vehicles can be repaired at dealerships without cost, Hyundai does have a temporary fix for the Palisade but neither manufacturer has a permanent fix at this time.

"As an interim repair, dealers will inspect the tow hitch module and remove the fuse, as necessary, free of charge," reads the Hyundai recall notice.

"The remedy is currently under development," both notices advise. The companies say they expect to contact owners in mid-October with the final fix. Until then, owners are advised to park outside because of the fire risk.

Headquartered in South Korea, Hyundai is the parent company of Kia but the two operate independently.
Dozens of U.S. tree species threatened with extinction, study says


New research finds as many as 100 tree species in the United States are threatened with extinction due to the impact of climate change and stress from drought, wildfires and severe weather. 
File photo by Terry Schmitt/UPI | License Photo

Aug. 23 (UPI) -- Dozens of tree species in the United States are facing extinction from invasive insects and disease caused by climate change stresses that include drought, wildfires and extreme weather, according to a new report.

As many as 100 native tree species, including 17 species of oaks, 29 species of hawthorns, redwoods, American chestnuts, black ash, and white bark pine, in the lower 48 states are in danger of dying out, according to the study published Tuesday in Plants People Planet.

Researchers found out of the 881 tree species assessed, between 11% and 16% are threatened with extinction. Florida has 45 threatened tree species and California has 44, the largest numbers of any other state.

The research, conducted over five years by the Morton Arboretum, Botanic Gardens Conservation International and NatureServe, found most of the health assessments were outdated and many trees species in the United States had never been studied.

"It's easy to feel that gloom and doom because ... the scope of the crisis is really, really great right now," said Murphy Westwood, lead author of the study and vice president for science and conservation at the Morton Arboretum. "We're losing species before they even get described."

It's this big swath of life that's totally unstudied or understudied," Westwood said calling it "plant blindness," the tendency to overlook plants and focus more on animals. Currently, only eight tree species are federally recognized as endangered or threatened.

"Trees form the foundation upon which most of the world's terrestrial ecosystems and biodiversity depends. They provide food and habitat for countless plant, animal and fungal species," the study says. "They sequester carbon, regulate hydrological cycles, clean pollutants from the air and support people's mental and physical health. Trees provide timber, food, fiber and medicine to humans and hold great cultural and spiritual value."

The researchers point to climate change for the rise in threatened trees saying trees stressed by drought, wildfire, pollution, floods or other extreme conditions open the door for invasive insects or fungi.

"There are trees that have been living in locations for hundreds and hundreds of years and suddenly they're dying now," said Stephanie Adams, in charge of plant health care at Morton Arboretum.

Botanical gardens and arboreta will play an important role in conserving threatened tree species. But researchers say at least 17 threatened species are not currently conserved in any botanical settings.

"Growing living trees in botanical collections is a critically important conservation tool, in the absence of seed banking as an insurance policy against extinction," the study said.

Planting native tree species in our gardens will also help, Westwood said. "We have a narrow and rapidly closing window to take action."
'Ferngully' director: Environmental message 'more important to hear today'


Pips (L) and Crysta are fairies in the rainforest. Photo courtesy of Shout! Factory

LOS ANGELES, Aug. 22 (UPI) -- Director Bill Kroyer said his animated film, Ferngully: The Last Rainforest, in a 30th anniversary Blu-ray edition Tuesday, has a "save the rainforest" message that has only become more relevant since the film's release in 1992.

"Being more conscious of how we are caring for the Earth, and how we are being part of the Earth, is more critical than it has ever been," Kroyer told UPI in a recent Zoom interview. "I think that's why the Ferngully message has remained timeless, and in some ways is more important to hear today than ever."

In Ferngully, a rainforest construction worker, Zak (Jonathan Ward), is shrunken down to the size of a forest fairy. While falling for fairy Crysta (Samantha Mathis) and getting to know her friends, Zak realizes the error in cutting down rainforests.

Kroyer said the film's message is "about looking at yourself as part of the web of the world."

Ferngully made $32 million worldwide. It was not the kind of money Disney films like The Little Mermaid and Aladdin made around that time, but Kroyer said he still hears from kids who loved it.

"Not a week goes by that I don't meet somebody that says to me, 'I grew up with that movie, I love that movie,'" Kroyer said."That's nice to hear."

When Avatar came out in 2009, some critics even compared it unfavorably to Ferngully. In Avatar, a military volunteer inhabits the body of an alien forest creature.


"I thought that was very funny," Kroyer said. "James Cameron has never acknowledged the similarity, but it is kind of a funny thing."

Ferngully was released on Blu-ray in 2012 for its 20th anniversary. For the new Shout! Factory release, Kroyer said the latest restoration looks superior to even the original theatrical release.

"The Blu-ray is the best color that anybody will have ever seen of Ferngully," Kroyer said. "We were able to bring to the new version a beauty that has really never been seen before."



Ferngully is the only feature film produced by Kroyer Films, which Kroyer launched in 1986 after departing from Disney. Australian producers Peter Faiman and Wayne Young were looking for animators outside of Disney to adapt Diana Young's Ferngully stories.

At the time, Kroyer Films only had 17 employees. Faiman and Young agreed to fund their expansion to make Ferngully.

Kroyer said he ultimately hired 140 animators in Los Angeles and between 50 and 70 in Toronto. Korean studios helped with inking and painting.

At Disney, Kroyer was in the same Disney training program as The Incredibles creator Brad Bird, The Little Mermaid co-director John Musker and Nightmare Before Christmas director Henry Selick.

Unlike his colleagues, Kroyer did not attend school to learn animation. He taught himself using an 8 mm.camera to animate a snake for a Northwestern University advertising class.

"That's the cathartic moment of my life," Kroyer said. "I had created a life."

Kroyer spent two years after college doing animation for commercials. He used his commercial reel to get into Disney.

At Disney, Kroyer animated on The Fox and the Hound and then chose to work with Steven Lisberger instead of working on Disney's The Black Cauldron. After making Animalympics with Lisberger, Kroyer collaborated on Tron, which Lisberger ultimately sold to Disney.


BATTY WAS VOICED BY ROBIN WILLAMS

Tron pioneered computer animation. However, Kroyer pointed out that this early form of computer animation was limited to printing digital frames one by one.

"There was no animation software when we did Tron," Kroyer said. "You had to literally render an object 24 times in 24 different places to make 1 second of movement."

Tron used computer animation to depict the world of electrons inside a video game. Its light cycle and deadly disc sequences paved the way for more sophisticated visual effects.

After Tron, Kroyer saw the potential for combining digital animation with traditional Disney-style drawings. That was Kroyer Films' specialty, and he put it to use in Ferngully.

"In Ferngully, we had over 40,000 frames of computer-generated imagery," Kroyer said. "The beetles were all computer generated. We put those Beetle Boys on top of them, but they were all hand-drawn."

After Ferngully, Kroyer said, Kroyer Films had trouble mounting another animated feature because companies like Dreamworks were launching their own in-house animation studios. Kroyer briefly worked for Warner Brothers Animation in the '90s, but left over creative differences.

Instead, Kroyer went to work for friends at Rhythm & Hues Studios, first on commercials. Kroyer continued to direct animation for live-action/animated combo films like Cats & Dogs, Garfield and Scooby-Doo.

Kroyer still has reunions with the Ferngully crew, which he says are widely attended. He said it is rare for any film crew to remain in contact years later, and he feels Ferngully represents the passion of every artist involved.

"I'm proud of that, as well, because it kind of fits into the web of life," Kroyer said. " I'd like to think you feel that when you watch it."


 

Director BIll Kroyer Reflects on FernGully: The Last Rainforest for Film's 30th Anniversary


By NICOLE DRUM - August 23, 2022 

It's been 30 years since FernGully: The Last Rainforest opened in theaters with the beloved animated feature bringing to life the story of a beautiful rainforest paradise filled with tiny sprites, winged fairies, tree spirits, and all kinds of animals all living in joyful harmony who find their home threatened by humans — and one courageous sprite who must give her all to save it. Now, Shout! Factory Kids is bringing this iconic film to Blu-ray and DVD with the release of FernGully: The Last Rainforest 30th Anniversary Edition.

Available now, the Blu-ray and DVD combo features an incredible restoration from a brand-new 4K scan of the original film, as well as a wealth of special features, including a new introduction from director Bill Kroyer which includes never-before-seen pencil character and animation tests as well as multiple commentaries, featurettes, a music video, a multi-angle scene study, a script-to-scene comparison, and more.

To mark the 30th anniversary of FernGully: The Last Rainforest as well as celebrate the Blu-ray release, ComicBook.com sat down to talk with Kroyer about the film, how it was made, it's important message about the world's rainforests and more — including some interesting facts about the film, which was hand painted. Kroyer told us that the entire film comprised of 32,000 pounds — that's 16 tons — of art, something you just don't see in contemporary animation.

"When the movie was over, we had to pack it all up and give it to a consignment house," Kroyer said. "And we weighed it, and we loaded the boxes into the truck. It was 16 tons. And four tons of that was paint, cell paint. So, that's another thing you don't get with digital animation. That's another thing that's kind of neat. Even when I think of that, I'm amazed at how we did it. Just all that paper, all those people drawing, all those people painting, shooting stuff under camera, just, oh gosh. And all the special effects, all the color, you know, all these things that no longer exist in filmmaking. It was like another age. But what a result."

He also spoke about getting FernGully: The Last Rainforest ready for this 30th anniversary edition, explaining that he was involved in doing all of the transferring to high resolution, leading to the "best version ever" of the film.

"Shout! Factory let us, let me and the art director come back to Los Angeles a couple months ago and we did all the color timing transferring of this to the new high resolution, high dynamic range version that you're going to watch in this Blu-ray. And it is the best... Excuse me, it's the best version ever. I mean, our jaws were dropping because, remember FernGully was handmade. It's paintings and painted cells. It's not digital. It's not resolution dependent. And then it was filmed on film, so it's emulsion. So, when we transferred from the emulsion of film to high resolution, high dynamic range digital, it was gorgeous," he said.

"I think when you watch it, on your screen, you're going to be kind of immersed in that color and the beauty of the environment. It's just really something that really pops out. It was something to see. And that's of course, Ralph Eggleston our art director, who went on to do Toy Story and Finding Nemo and The Incredibles. He was the guy behind all that. And you can see a genius at work when you watch FernGully."

Read on for more from our interview with Kroyer.

ComicBook.com: It's been 30 years since FernGully opened in theaters. Does it feel like it's been three decades?


Bill Kroyer: It does in some ways. In other ways, it's so alive because FernGully had one of the happiest crews that I've ever experienced in making a movie. It was almost like a family. We have reunions every five years with almost the entire crew. And everybody stays in touch, so in a weird sort of way, it's never really stopped for me because I still see all the people I know, all the animators, background painters, the ink paint people, production managers. We still talk to them and see them. And every one of them will tell you, if you ever went into one, that it was the best experience they ever had making a movie. And I like to think that comes across on the screen.

I watched it as a kid… watching it as a teen, I don't watch it with the same eyes I do now. I know watching it as an adult, it just really does seem like there's a lot of love there.


You know, I think being a completely handmade film has a lot to do with that, because people who are not separated from the art by a keyboard and the screen, but are actually holding the artwork in their hands, they're drawing, they're painting, they're polishing, they're carefully hand inking cells, I think that you're so immediately connected to the artwork that I think that that feeling creates a different feeling, not only the crew, but I always thought that came through in the art. I guess I had this kind of weird mystical feeling that somehow the art would emanate that kind of love and care and it was just better. I think there's something special about handmade films.

Looking at this, I love that the film is getting a 30th anniversary Blu-ray from Shout! Factory. I just love how it looks. It does have this almost completely different, ethereal quality to it that I don't think we see as much anymore and I think it really does come from that, the handmade feel, which is so interesting.

Well, it's interesting you should say that because, FernGully is, I think, completely unique in that look because of one thing, is that rather than try to create a... Animation's called world building where you create a fantasy world, our fantasy world, our mission, was to not to create a fantasy world, but to represent the actual real world with the magic that it contains. And I don't think any film has ever done that. Every single blade of grass, every flower, every tree, every animal in FernGully exists in the Australian rainforest.

We went down there and did tons of research. And then we came back, and we made it our mission to say, this is a movie whose message is about saving a magical place. And it's not a fantasy. This magical place exists in the world. And we want you to realize that this is here, and this is something that's worth caring about saving, so I think that's why the look of FernGully is so unique from any other film.

That's something that actually really surprised me. I hadn't realized that y'all actually went to Australia to this remote rainforest. Again, young me was like, this is just so cool. And now I'm like, you guys really went there. Walk me through a little bit of how, because that's unheard of. I mean, that's unheard of now and that's unheard of in the '90s. How did that come to be part of the process of this movie?

Well, people were starting to do little research trips. They were starting that back then. But this was a trip that had to be made because, the producers, the Australian producers, they kind of had that as part of the mission statement. They said, this is a movie about all... This is about not just the Australian rainforest, not just rainforests. It's a movie about nature. It's about loving nature and appreciating nature and protecting nature. But they said in this case, because this is the place where it takes place, it's really, really important for you to go there and to learn about it and to see it.

And all the things in the movie, like the fairy circle, and all the animals, the leaches, the glowing fungus. Who in the world ever saw glowing fungus on trees like that. We never saw anything like it. Or the cave, with all the little glowing... that's all real stuff. We didn't make that up. I think it gave an extra kind of dedication for the whole crew to be making a movie with that kind of sincerity.

To say FernGully changed my life is no exaggeration. It marked the first time I became aware of environmental issues, and I know immediately after seeing the film, it started changing how I personally interacted with the world even as a young teenager. I think there are a lot of younger Gen Xers and millennials who also saw this movie and it framed our relationship with the environment. It feels now like the message of FernGully is still timely, but perhaps even more timely now. What do you hope that people take away from this 30th anniversary edition of the film?

I think you've just said it. I think it is more timely and more important to learn the lesson of FernGully today than ever. And I've always rejected this idea that FernGully was in any way a political statement. It is an absolute truth, an absolute principle of life that that idea of the web of life is how we all live on this earth. We live with each other, and we live with nature, with animals, with plants. That's how we do it. We aren't separate. It's impossible to be separate. We're all connected by the web of life. And that's the thing that I hope that kids and anybody that watches it are reminded of now when they see it, is that, wait a minute. I do have some role here. Everything I do and everything I say and the way I live has some connection to everyone else and I should be more conscious of that.

I'm really interested to see how this very 'we're all connected' approach to it really impacts the younger folks.

I used to get letters from the logging lobby, as if I was anti-logging. We were never anti-logging. It's just common sense land management. You don't clear cut rainforest. That doesn't make any sense. That's just kind of a greedy and dumb approach as anybody who really studies the issue will tell you. It's all about a more conscious way. That's all it is. More careful and conscious way to care for everything. And it's really taking care of yourself. That's what you're doing. You're really caring for yourself when you think more carefully about the environment and how you deal with it.

The other thing I hope your kids will pay attention to in this movie is something they are not seeing anymore, and that's hand drawn animation. This is one of the last, truly, fully animated hand drawn films. And that the way the characters, the performance of the characters and the way it works is so different from CG. And when you watch them, there's a magic there because remember, the animator doesn't have to obey any laws of physics or dimensionality or structure, they just have to draw something that you believe in. And so that's why, when you look at these characters, that you go, well, wait a minute. How can those eyeballs move around like that? It doesn't matter because it was just drawn. And that's one of the, I think, one of them were captivating and fun things about the movie.

Looking back now, what are your favorite moments or memories from making FernGully and what are you most proud of?

I have to say, obviously having made a film under... It's always tough to make a movie with a relatively low budget and a very tough time schedule and have it come out so beautifully, I'm very proud of that. But I'm also really proud of the fact that our crew was the happiest crew on any movie. And if you ever talk to any of them, they'll tell you it was the best experience. And we have reunions every five years. Nobody does that. And we're still close to almost everybody. Everybody's still good friends of ours and we still see them. In a way I think that's one of the things that I like to think, again, comes across, is that FernGully was a true labor of love that everybody bonds with it.

One of the things that jumped out at me was that in the commentary track… the song "If I'm Gonna Eat Somebody (It Might As Well Be You). Did I hear correctly in that commentary that Jimmy Buffet actually wrote that song?

Yes. The billionaire wrote that song. How about that? I mean, I think FernGully probably has the most eclectic collection of music of any movie. I mean, when you look at all the different authors and songwriters, but yeah, Jimmy Buffet, he came into the studio, and I went through the sequence with him. And I said, so, and I have the sequence with the Goanna and he kind of had some lyrics in mind and he had that thing about strange exotic stew and everything. And I went, "Well, would animals know what a stew is?" And he looked at me with this look that kind of said that you realize I'm a billionaire, right? I know what I'm doing. So anyway, he wrote the song, and it was hilarious, and it worked really well.

All the songs moved things along so beautifully. It was so much fun to work with everybody.

I've got one last question for you. Robin Williams' performance as Batty Koda is, in my opinion, iconic. And doesn't get as much recognition as it deserves because that bat is great and everything about it is great. What was it like working with him.

He was the most brilliant guy I've ever worked with, and he was, not just a genius, but the other thing is, the flip side of it was he was a complete gentleman. He was wonderful to every single person. Even the lowest PA, Robin was always friendly and polite and very genuine. He had no ego. He'd just come in and make everybody comfortable. And I always say the hardest job for me in FernGully was picking which take to use, because he would instantly get the sense of the scene and do what was written and then he'd start to improvise and do other things. And he was always brilliant.

But can you think of a better person to embody that character? Because if you think about it, Batty Koda is the center of the movie. He is the absolute symbol, the metaphor, for nature being met by man and struggling to understand why. And Robin was just, that's what he loved about it. He loved that character and that's why he signed on. It was his first animated voice that he ever did, and he just loved doing it. And I'll always be so grateful now, and so happy that he did it because he was the best.


30th Anniversary Blu-ray and DVD

FernGully: The Last Rainforest:

Crysta (Samantha Mathis) is a fairy who lives in FernGully, a rainforest in Australia, and has never seen a human before. In fact, she is told they are extinct. But when a logging company comes near the rainforest, she sees that they do exist, and even accidentally shrinks one of them: a boy named Zak (Jonathan Ward). Now her size, Zak sees the damage that the company does and helps Crysta to stop not only them, but an evil entity named Hexxus (Tim Curry), who feeds off pollution.

Blu-ray: 1080p High-Definition Widescreen (1.85:1)/English DTS-HD Master Audio 5.1 & Stereo

DVD: Anamorphic Widescreen (1.85:1)/English Dolby Digital 5.1 & Stereo

English SDH Subtitles/1992/Color/Approximate Feature Running Time +/- 80 Minutes

Rated G, Canadian G

Special Features:

• NEW Introduction With Director Bill Kroyer, Which Includes Never-Before-Seen Pencil, Character And Animation Tests

• Audio Commentary with Bill Kroyer, Art Director Ralph Eggleston and Coordinating Art Director Susan Kroyer

• "Seed of the Story" – Script-To-Screen Comparison with Optional Commentary by Screenwriter Jim Cox

• "From Paper to Tree" – Making-of Featurette

• "Behind The Voice: Toxic Love" – Multi-Angle Scene Study

• Original Featurette

• "If I'm Gonna Eat Somebody (It Might As Well Be You)" Music Video

• Theatrical Trailers and TV Spots0COMMENTS

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This interview has been lightly edited for length and clarity.