Monday, June 10, 2024

WHAT IS HISTORY (1951)
Original publication: archive.org

Edward Hallet Carr, a recipient of an Order of the British Empire, was a notable English diplomat and academic historian whose admiration for the successes of the Soviet Union and his urging for a socialist system and an Anglo-Soviet alliance earned him lifelong derision from critics spanning Tory warhawks to “anti-Stalinist” Trotskyists such as Isaac Deutscher. Due to his communist sympathies, he was one of the individuals named in “Orwell’s List.”

This is Chapter 1, “The Historian and His Facts,” of the second edition (1987) of What Is History? — the George Macaulay Trevelyan Lectures delivered at the University of Cambridge in January-March 1961 (pp. 7-30).

Carr discusses Hegel later in these same lectures, but insofar as the Marxist-Hegelian philosophy of history deals with much of what Carr writes about in this introduction, Humphrey McQueen’s “From Hegel to Lenin” makes for a very nice complement. [1] See also Walter Rodney’s commentary on Carr in “The Two World Views of the Russian Revolution.” [2]

Red Sails


I often think it odd that history should be so dull, for a great deal of it must be invention.
 — Catherine Morland in Jane Austen’s Northanger Abbey, ch. xiv.

What is history? Lest anyone think the question meaningless or superfluous, I will take as my text two passages relating respectively to the first and second incarnations of the Cambridge Modern History. Here is Acton [3] in his report of October 1896 to the Syndics of the Cambridge University Press on the work which he had undertaken to edit:

It is a unique opportunity of recording, in the way most useful to the greatest number, the fullness of the knowledge which the nineteenth century is about to bequeath. […] By the judicious division of labour we should be able to do it, and to bring home to every man the last document, and the ripest conclusions of international research. Ultimate history we cannot have in this generation; but we can dispose of conventional history, and show the point we have reached on the road from one to the other, now that all information is within reach, and every problem has become capable of solution. [4]

And almost exactly sixty years later Professor Sir George Clark, in his general introduction to the second Cambridge Modern History, commented on this belief of Acton and his collaborators that it would one day be possible to produce ‘ultimate history’, and went on:

Historians of a later generation do not look forward to any such prospect. They expect their work to be superseded again and again. They consider that knowledge of the past has come down through one or more human minds, has been ‘processed’ by them, and therefore cannot consist of elemental and impersonal atoms which nothing can alter. […] The exploration seems to be endless, and some impatient scholars take refuge in scepticism, or at least in the doctrine that, since all historical judgements involve persons and points of view, one is as good as another and there is no ‘objective’ historical truth.’ [5]

Where the pundits contradict each other so flagrantly, the field is open to inquiry. I hope that I am sufficiently up-to-date to recognize that anything written in the 1890s must be nonsense. But I am not yet advanced enough to be committed to the view that anything written in the 1950s necessarily makes sense. Indeed, it may already have occurred to you that this inquiry is liable to stray into something even broader than the nature of history. The clash between Acton and Sir George Clark is a reflection of the change in our total outlook on society over the interval between these two pronouncements. Acton speaks out of the positive belief, the clear-eyed self-confidence, of the later Victorian age; Sir George Clark echoes the bewilderment and distracted scepticism of the beat generation. When we attempt to answer the question ‘What is history?’ our answer, consciously or unconsciously, reflects our own position in time, and forms part of our answer to the broader question what view we take of the society in which we live. I have no fear that my subject may, on closer inspection, seem trivial. I am afraid only that I may seem presumptuous to have broached a question so vast and so important.

The nineteenth century was a great age for facts. ‘What I want’, said Mr Gradgrind in Hard Times, ‘is Facts.... Facts alone are wanted in life.’ Nineteenth-century historians on the whole agreed with him. When Ranke in the 1830s, in legitimate protest against moralizing history, remarked that the task of the historian was ‘simply to show how it really was (wie es eigentlich gewesen)’, this not very profound aphorism had an astonishing success. Three generations of German, British, and even French historians marched into battle intoning the magic words ‘Wie es eigentlich gewesen’ like an incantation — designed, like most incantations, to save them from the tiresome obligation to think for themselves. The Positivists, anxious to stake out their claim for history as a science, contributed the weight of their influence to this cult of facts. First ascertain the facts, said the Positivists, then draw your conclusions from them. In Great Britain, this view of history fitted in perfectly with the empiricist tradition which was the dominant strain in British philosophy from Locke to Bertrand Russell. The empirical theory of knowledge presupposes a complete separation between subject and object. Facts, like sense-impressions, impinge on the observer from outside and are independent of his consciousness. The process of reception is passive: having received the data, he then acts on them. The Oxford Shorter English Dictionary, a useful but tendentious work of the empirical school, clearly marks the separateness of the two processes by defining a fact as ‘a datum of experience as distinct from conclusions’. This is what may be called the commonsense view of history. History consists of a corpus of ascertained facts. The facts are available to the historian in documents, inscriptions and so on, like fish on the fishmonger’s slab. The historian collects them, takes them home, and cooks and serves them in whatever style appeals to him. Acton, whose culinary tastes were austere, wanted them served plain. In his letter of instructions to contributors to the first Cambridge Modern History he announced the requirement ‘that our Waterloo must be one that satisfies French and English, German and Dutch alike; that nobody can tell, without examining the list of authors, where the Bishop of Oxford laid down the pen, and whether Fairbairn or Gasquet, Liebermann or Harrison took it up’. [6] Even Sir George Clark, critical as he was of Acton’s attitude, himself contrasted the ‘hard core of facts’ in history with the ‘surrounding pulp of disputable interpretation’ [7] — forgetting perhaps that the pulpy part of the fruit is more rewarding than the hard core. First get your facts straight, then plunge at your peril into the shifting sands of interpretation — that is the ultimate wisdom of the empirical, commonsense school of history. It recalls the favourite dictum of the great liberal journalist C. P. Scott: ‘Facts are sacred, opinion is free.’

Now this clearly will not do. I shall not embark on a philosophical discussion of the nature of our knowledge of the past. Let us assume for present purposes that the fact that Caesar crossed the Rubicon and the fact there is a table in the middle of the room are facts of the same or of a comparable order, that both these facts enter our consciousness in the same or in a comparable manner, and that both have the same objective character in relation to the person who knows them. But, even on this bold and not very plausible assumption, our argument at once runs into the difficulty that not all facts about the past are historical facts, or are treated as such by the historian. What is the criterion which distinguishes the facts of history from other facts about the past?

What is a historical fact? This is a crucial question into which we must look a little more closely. According to the commonsense view, there are certain basic facts which are the same for all historians and which form, so to speak, the backbone of history — the fact, for example, that the Battle of Hastings was fought in 1066. But this view calls for two observations. In the first place, it is not with facts like these that the historian is primarily concerned. It is no doubt important to know that the great battle was fought in 1066 and not in 1065 or 1067, and that it was fought at Hastings and not at Eastbourne or Brighton. The historian must not get these things wrong. But when points of this kind are raised, I am reminded of Housman’s remark that ‘accuracy is a duty, not a virtue’. [8] To praise a historian for his accuracy is like praising an architect for using well-seasoned timber or properly mixed concrete in his building. It is a necessary condition of his work, but not his essential function. It is precisely for matters of this kind that the historian is entitled to rely on what have been called the ‘auxiliary sciences’ of history — archaeology, epigraphy, numismatics, chronology, and so forth. The historian is not required to have the special skills which enable the expert to determine the origin and period of a fragment of pottery or marble, to decipher an obscure inscription, or to make the elaborate astronomical calculations necessary to establish a precise date. These so-called basic facts, which are the same for all historians, commonly belong to the category of the raw materials of the historian rather than of history itself. The second observation is that the necessity to establish these basic facts rests not on any quality in the facts themselves, but on an a priori decision of the historian. In spite of C. P. Scott’s motto, every journalist knows today that the most effective way to influence opinion is by the selection and arrangement of the appropriate facts. It used to be said that facts speak for themselves. This is, of course, untrue. The facts speak only when the historian calls on them: it is he who decides to which facts to give the floor, and in what order or context. It was, I think, one of Pirandello’s characters who said that a fact is like a sack — it won’t stand up till you’ve put something in it. The only reason why we are interested to know that the battle was fought at Hastings in 1066 is that historians regard it as a major historical event. It is the historian who has decided for his own reasons that Caesar’s crossing of that petty stream, the Rubicon, is a fact of history, whereas the crossing of the Rubicon by millions of other people before or since interests nobody at all. The fact that you arrived in this building half an hour ago on foot, or on a bicycle, or in a car, is just as much a fact about the past as the fact that Caesar crossed the Rubicon. But it will probably be ignored by historians. Professor Talcott Parsons once called science ‘a selective system of cognitive orientations to reality’. [9] It might perhaps have been put more simply. But history is, among other things, that. The historian is necessarily selective. The belief in a hard core of historical facts existing objectively and independently of the interpretation of the historian is a preposterous fallacy, but one which it is very hard to eradicate.

Let us take a look at the process by which a mere fact about the past is transformed into a fact of history. At Stalybridge Wakes in 1850, a vendor of gingerbread, as the result of some petty dispute, was deliberately kicked to death by an angry mob. Is this a fact of history? A year ago I should unhesitatingly have said ‘no’. It was recorded by an eye-witness in some little-known memoirs; [10] but I had never seen it judged worthy of mention by any historian. A year ago Dr Kitson Clark cited it in his Ford lectures in Oxford. Does this make it into a historical fact? [11] Not, I think, yet. Its present status, I suggest, is that it has been proposed for membership of the select club of historical facts. It now awaits a seconder and sponsors. It may be that in the course of the next few years we shall see this fact appearing first in footnotes, then in the text, of articles and books about nineteenth-century England, and that in twenty or thirty years’ time it may be a well-established historical fact. Alternatively, nobody may take it up, in which case it will relapse into the limbo of unhistorical facts about the past from which Dr Kitson Clark has gallantly attempted to rescue it. What will decide which of these two things will happen? It will depend, I think, on whether the thesis or interpretation in support of which Dr Kitson Clark cited this incident is accepted by other historians as valid and significant. Its status as a historical fact will turn on a question of interpretation. This element of interpretation enters into every fact of history.

May I be allowed a personal reminiscence? When I studied ancient history in this university many years ago, I had as a special subject ‘Greece in the period of the Persian Wars’. I collected fifteen or twenty volumes on my shelves and took it for granted that there, recorded in these volumes, I had all the facts relating to my subject. Let us assume — it was very nearly true — that those volumes contained all the facts about it that were then known, or could be known. It never occurred to me to inquire by what accident or process of attrition that minute selection of facts, out of all the myriad facts that must once have been known to somebody, had survived to become the facts of history. I suspect that even today one of the fascinations of ancient and medieval history is that it gives us the illusion of having all the facts at our disposal within a manageable compass: the nagging distinction between the facts of history and other facts about the past vanishes, because the few known facts are all facts of history. As Bury, who had worked in both periods, said, ‘the records of ancient and medieval history are starred with lacunae.’ [12] History has been called an enormous jig-saw with a lot of missing parts. But the main trouble does not consist in the lacunae. Our picture of Greece in the fifth century B.C. is defective not primarily because so many of the bits have been accidentally lost, but because it is, by and large, the picture formed by a tiny group of people in the city of Athens. We know a lot about what fifth-century Greece looked like to an Athenian citizen; but hardly anything about what it looked like to a Spartan, a Corinthian, or a Theban — not to mention a Persian, or a slave or other non-citizen resident in Athens. Our picture has been preselected and predetermined for us, not so much by accident as by people who were consciously or unconsciously imbued with a particular view and thought the facts which supported that view worth preserving. In the same way, when I read in a modern history of the Middle Ages that the people of the Middle Ages were deeply concerned with religion, I wonder how we know this, and whether it is true. What we know as the facts of medieval history have almost all been selected for us by generations of chroniclers who were professionally occupied in the theory and practice of religion, and who therefore thought it supremely important, and recorded everything relating to it, and not much else. The picture of the Russian peasant as devoutly religious was destroyed by the revolution of 1917. The picture of medieval man as devoutly religious, whether true or not, is indestructible, because nearly all the known facts about him were preselected for us by people who believed it, and wanted others to believe it, and a mass of other facts, in which we might possibly have found evidence to the contrary, has been lost beyond recall. The dead hand of vanished generations of historians, scribes, and chroniclers has determined beyond the possibility of appeal the pattern of the past. ‘The history we read,’ writes Professor Barraclough, himself trained as a medievalist, ‘though based on facts, is, strictly speaking, not factual at all, but a series of accepted judgements.’ [13]

But let us turn to the different, but equally grave, plight of the modern historian. The ancient or medieval historian may be grateful for the vast winnowing process which, over the years, has put at his disposal a manageable corpus of historical facts. As Lytton Strachey said, in his mischievous way, ‘ignorance is the first requisite of the historian, ignorance which simplifies and clarifies, which selects and omits.’ [14] When I am tempted, as I sometimes am, to envy the extreme competence of colleagues engaged in writing ancient or medieval history, I find consolation in the reflexion that they are so competent mainly because they are so ignorant of their subject. The modern historian enjoys none of the advantages of this built-in ignorance. He must cultivate this necessary ignorance for himself — the more so the nearer he comes to his own times. He has the dual task of discovering the few significant facts and turning them into facts of history, and of discarding the many insignificant facts as unhistorical. But this is the very converse of the nineteenth-century heresy that history consists of the compilation of a maximum number of irrefutable and objective facts. Anyone who succumbs to this heresy will either have to give up history as a bad job, and take to stamp-collecting or some other form of antiquarianism, or end in a madhouse. It is this heresy which during the past hundred years has had such devastating effects on the modern historian, producing in Germany, in Great Britain, and in the United States, a vast and growing mass of dry-as-dust factual histories, of minutely specialized monographs of would-be historians knowing more and more about less and less, sunk without trace in an ocean of facts. It was, I suspect, this heresy — rather than the alleged conflict between liberal and Catholic loyalties — which frustrated Acton as a historian. In an early essay he said of his teacher Döllinger: ‘He would not write with imperfect materials, and to him the materials were always imperfect.’ [15] Acton was surely here pronouncing an anticipatory verdict on himself, on that strange phenomenon of a historian whom many would regard as the most distinguished occupant the Regius Chair of Modern History in this university has ever had — but who wrote no history. And Acton wrote his own epitaph, in the introductory note to the first volume of the Cambridge Modern History published just after his death, when he lamented that the requirements pressing on the historian ‘threaten to turn him from a man of letters into the compiler of an encyclopedia’. [16] Something had gone wrong. What had gone wrong was the belief in this untiring and unending accumulation of hard facts as the foundation of history, the belief that facts speak for themselves and that we cannot have too many facts, a belief at that time so unquestioning that few historians then thought it necessary — and some still think it unnecessary today — to ask themselves the question ‘What is history?’

The nineteenth-century fetishism of facts was completed and justified by a fetishism of documents. The documents were the Ark of the Covenant in the temple of facts. The reverent historian approached them with bowed head and spoke of them in awed tones. If you find it in the documents, it is so. But what, when we get down to it, do these documents — the decrees, the treaties, the rent-rolls, the blue books, the official correspondence, the private letters and diaries — tell us? No document can tell us more than what the author of the document thought — what he thought had happened, what he thought ought to happen or would happen, or perhaps only what he wanted others to think he thought, or even only what he himself thought he thought. None of this means anything until the historian has got to work on it and deciphered it. The facts, whether found in documents or not, have still to be processed by the historian before he can make any use of them: the use he makes of them is, if I may put it that way, the processing process.

Let me illustrate what I am trying to say by an example which I happen to know well. When Gustav Stresemann, the Foreign Minister of the Weimar Republic, died in 1929, he left behind him an enormous mass — 300 boxes full — of papers, official, semi-official, and private, nearly all relating to the six years of his tenure of office as Foreign Minister. His friends and relatives naturally thought that a monument should be raised to the memory of so great a man. His faithful secretary Bernhard got to work; and within three years there appeared three massive volumes, of some 600 pages each, of selected documents from the 300 boxes, with the impressive title Stresemanns Vermächtnis. In the ordinary way the documents themselves would have mouldered away in some cellar or attic and disappeared for ever; or perhaps in a hundred years or so some curious scholar would have come upon them and set out to compare them with Bernhard’s text. What happened was far more dramatic. In 1945 the documents fell into the hands of the British and American Governments, who photographed the lot and put the photostats at the disposal of scholars in the Public Record Office in London and in the National Archives in Washington, so that, if we have sufficient patience and curiosity, we can discover exactly what Bernhard did. What he did was neither very unusual nor very shocking. When Stresemann died, his western policy seemed to have been crowned with a series of brilliant successes — Locarno, the admission of Germany to the League of Nations, the Dawes and Young plans and the American loans, the withdrawal of allied occupation armies from the Rhineland. This seemed the important and rewarding part of Stresemann’s foreign policy; and it was not unnatural that it should have been over-represented in Bernhard’s selection of documents. Stresemann’s eastern policy, on the other hand, his relations with the Soviet Union, seemed to have led nowhere in particular; and, since masses of documents about negotiations which yielded only trivial results were not very interesting and added nothing to Stresemann’s reputation, the process of selection could be more rigorous. Stresemann in fact devoted a far more constant and anxious attention to relations with the Soviet Union, and they played a far larger part in his foreign policy as a whole, than the reader of the Bernhard selection would surmise. But the Bernhard volumes compare favourably, I suspect, with many published collections of documents on which the ordinary historian implicitly relies.

This is not the end of my story. Shortly after the publication of Bernhard’s volumes, Hitler came into power. Stresemann’s name was consigned to oblivion in Germany, and the volumes disappeared from circulation: many, perhaps most, of the copies must have been destroyed. Today Stresemanns Vermächtnis is a rather rare book. But in the west Stresemann’s reputation stood high. In 1935 an English publisher brought out an abbreviated translation of Bernhard’s work — a selection from Bernhard’s selection; perhaps one-third of the original was omitted. Sutton, a well-known translator from the German, did his job competently and well. The English version, he explained in the preface, was ‘slightly condensed, but only by the omission of a certain amount of what, it was felt, was more ephemeral matter … of little interest to English readers or students’. [17] This again is natural enough. But the result is that Stresemann’s eastern policy, already under-represented in Bernhard, recedes still further from view, and the Soviet Union appears in Sutton’s volumes merely as an occasional and rather unwelcome intruder in Stresemann’s predominantly western foreign policy. Yet it is safe to say that, for all except a few specialists, Sutton and not Bernhard — and still less the documents themselves — represents for the western world the authentic voice of Stresemann. Had the documents perished in 1945 in the bombing, and had the remaining Bernhard volumes disappeared, the authenticity and authority of Sutton would never have been questioned. Many printed collections of documents, gratefully accepted by historians in default of the originals, rest on no securer basis than this.

But I want to carry the story one step further. Let us forget about Bernhard and Sutton, and be thankful that we can, if we choose, consult the authentic papers of a leading participant in some important events of recent European history. What do the papers tell us? Among other things they contain records of some hundreds of Stresemann’s conversations with the Soviet Ambassador in Berlin and of a score or so with Chicherin. These records have one feature in common. They depict Stresemann as having the lion’s share of the conversations and reveal his arguments as invariably well put and cogent, while those of his partner are for the most part scanty, confused, and unconvincing. This is a familiar characteristic of all records of diplomatic conversations. The documents do not tell us what happened, but only what Stresemann thought had happened, or what he wanted others to think, or perhaps what he wanted himself to think, had happened. It was not Sutton or Bernhard, but Stresemann himself, who started the process of selection. And if we had, say, Chicherin’s records of these same conversations, we should still learn from them only what Chicherin thought, and what really happened would still have to be reconstructed in the mind of the historian. Of course, facts and documents are essential to the historian. But do not make a fetish of them. They do not by themselves constitute history; they provide in themselves no ready-made answer to this tiresome question ‘What is history?’

At this point I should like to say a few words on the question why nineteenth-century historians were generally indifferent to the philosophy of history. The term was invented by Voltaire, and has since been used in different senses; but I shall take it to mean, if I use it at all, our answer to the question, ‘What is history?’ The nineteenth century was, for the intellectuals of western Europe, a comfortable period exuding confidence and optimism. The facts were on the whole satisfactory; and the inclination to ask and answer awkward questions about them was correspondingly weak. Ranke piously believed that divine providence would take care of the meaning of history, if he took care of the facts; and Burckhardt, with a more modern touch of cynicism, observed that ‘we are not initiated into the purposes of the eternal wisdom’. Professor Butterfield as late as 1931 noted with apparent satisfaction that ‘historians have reflected little upon the nature of things, and even the nature of their own subject’. [18] But my predecessor in these lectures, Dr A. L. Rowse, more justly critical, wrote of Sir Winston Churchill’s World Crisis — his book about the First World War — that, while it matched Trotsky’s History of the Russian Revolution in personality, vividness, and vitality, it was inferior in one respect: it had ‘no philosophy of history behind it’. [19] British historians refused to be drawn, not because they believed that history had no meaning, but because they believed that its meaning was implicit and self-evident. The liberal nineteenth-century view of history had a close affinity with the economic doctrine of laissez-faire — also the product of a serene and self-confident outlook on the world. Let everyone get on with his particular job, and the hidden hand would take care of the universal harmony. The facts of history were themselves a demonstration of the supreme fact of a beneficent and apparently infinite progress towards higher things. This was the age of innocence, and historians walked in the Garden of Eden, without a scrap of philosophy to cover them, naked and unashamed before the god of history. Since then, we have known Sin and experienced a Fall; and those historians who today pretend to dispense with a philosophy of history are merely trying, vainly and self-consciously, like members of a nudist colony, to recreate the Garden of Eden in their garden suburb. Today the awkward question can no longer be evaded.


During the past fifty years a good deal of serious work has been done on the question ‘What is history?’ It was from Germany, the country which was to do so much to upset the comfortable reign of nineteenth-century liberalism, that the first challenge came in the 1880s and 1890s to the doctrine of the primacy and autonomy of facts in history. The philosophers who made the challenge are now little more than names: Dilthey is the only one of them who has recently received some belated recognition in Great Britain. Before the turn of the century, prosperity and confidence were still too great in this country for any attention to be paid to heretics who attacked the cult of facts. But early in the new century, the torch passed to Italy, where Croce began to propound a philosophy of history which obviously owed much to German masters. All history is ‘contemporary history’, declared Croce, [20] meaning that history consists essentially in seeing the past through the eyes of the present and in the light of its problems, and that the main work of the historian is not to record, but to evaluate; for, if he does not evaluate, how can he know what is worth recording? In 1910 the American historian, Carl Becker, argued in deliberately provocative language that ‘the facts of history do not exist for any historian till he creates them’. [21] These challenges were for the moment little noticed. It was only after 1920 that Croce began to have a considerable vogue in France and Great Britain. This was not perhaps because Croce was a subtler thinker or a better stylist than his German predecessors, but because, after the First World War, the facts seemed to smile on us less propitiously than in the years before 1914, and we were therefore more accessible to a philosophy which sought to diminish their prestige. Croce was an important influence on the Oxford philosopher and historian Collingwood, the only British thinker in the present century who has made a serious contribution to the philosophy of history. He did not live to write the systematic treatise he had planned; but his published and unpublished papers on the subject were collected after his death in a volume entitled The Idea of History, which appeared in 1945.

The views of Collingwood can be summarized as follows. The philosophy of history is concerned neither with ‘the past by itself’ nor with ‘the historian’s thought about it by itself’, but with ‘the two things in their mutual relations’. (This dictum reflects the two current meanings of the word ‘history’ — the inquiry conducted by the historian and the series of past events into which he inquires.) ‘The past which a historian studies is not a dead past, but a past which in some sense is still living in the present.’ But a past act is dead, i.e. meaningless to the historian, unless he can understand the thought that lay behind it. Hence ‘all history is the history of thought’, and ‘history is the re-enactment in the historian’s mind of the thought whose history he is studying’. The reconstitution of the past in the historian’s mind is dependent on empirical evidence. But it is not in itself an empirical process, and cannot consist in a mere recital of facts. On the contrary, the process of reconstitution governs the selection and interpretation of the facts: this, indeed, is what makes them historical facts. ‘History’, says Professor Oakeshott, who on this point stands near to Collingwood, ‘is the historian’s experience. It is “made” by nobody save the historian: to write history is the only way of making it.’ [22]

This searching critique, though it may call for some serious reservations, brings to light certain neglected truths.

In the first place, the facts of history never come to us ‘pure’, since they do not and cannot exist in a pure form: they are always refracted through the mind of the recorder. It follows that when we take up a work of history, our first concern should be not with the facts which it contains but with the historian who wrote it. Let me take as an example the great historian in whose honour and in whose name these lectures were founded. G. M. Trevelyan, as he tells us in his autobiography, was ‘brought up at home on a somewhat exuberantly Whig tradition’; [23] and he would not, I hope, disclaim the title if I described him as the last and not the least of the great English liberal historians of the Whig tradition. It is not for nothing that he traces back his family tree, through the great Whig historian George Otto Trevelyan, to Macaulay, incomparably the greatest of the Whig historians. Trevelyan’s finest and maturest work, England under Queen Anne, was written against that background, and will yield its full meaning and significance to the reader only when read against that background. The author, indeed, leaves the reader with no excuse for failing to do so. For, if following the technique of connoisseurs of detective novels, you read the end first, you will find on the last few pages of the third volume the best summary known to me of what is nowadays called the Whig interpretation of history; and you will see that what Trevelyan is trying to do is to investigate the origin and development of the Whig tradition, and to root it fairly and squarely in the years after the death of its founder, William III. Though this is not, perhaps, the only conceivable interpretation of the events of Queen Anne’s reign, it is a valid and, in Trevelyan’s hands, a fruitful interpretation. But, in order to appreciate it at its full value, you have to understand what the historian is doing. For if, as Collingwood says, the historian must re-enact in thought what has gone on in the mind of his dramatis personae, so the reader in his turn must re-enact what goes on in the mind of the historian. Study the historian before you begin to study the facts. This is, after all, not very abstruse. It is what is already done by the intelligent undergraduate who, when recommended to read a work by that great scholar Jones of St Jude’s, goes round to a friend at St Jude’s to ask what sort of chap Jones is, and what bees he has in his bonnet. When you read a work of history, always listen out for the buzzing. If you can detect none, either you are tone deaf or your historian is a dull dog. The facts are really not at all like fish on the fishmonger’s slab. They are like fish swimming about in a vast and sometimes inaccessible ocean; and what the historian catches will depend, partly on chance, but mainly on what part of the ocean he chooses to fish in and what tackle he chooses to use — these two factors being, of course, determined by the kind of fish he wants to catch. By and large, the historian will get the kind of facts he wants. History means interpretation. Indeed, if, standing Sir George Clark on his head, I were to call history ‘a hard core of interpretation surrounded by a pulp of disputable facts’, my statement would, no doubt, be one-sided and misleading, but no more so, I venture to think, than the original dictum.

The second point is the more familiar one of the historian’s need of imaginative understanding for the minds of the people with whom he is dealing, for the thought behind their acts: I say ‘imaginative understanding’, not ‘sympathy’, lest sympathy should be supposed to imply agreement. The nineteenth century was weak in medieval history, because it was too much repelled by the superstitious beliefs of the Middle Ages, and by the barbarities which they inspired, to have any imaginative understanding of medieval people. Or take Burckhardt’s censorious remark about the Thirty Years War: ‘It is scandalous for a creed, no matter whether it is Catholic or Protestant, to place its salvation above the integrity of the nation.’ [24] It was extremely difficult for a nineteenth-century liberal historian, brought up to believe that it is right and praiseworthy to kill in defence of one’s country, but wicked and wrong-headed to kill in defence of one’s religion, to enter into the state of mind of those who fought the Thirty Years War. This difficulty is particularly acute in the field in which I am now working. Much of what has been written in English-speaking countries in the last ten years about the Soviet Union, and in the Soviet Union about the English-speaking countries, has been vitiated by this inability to achieve even the most elementary measure of imaginative understanding of what goes on in the mind of the other party, so that the words and actions of the other are always made to appear malign, senseless, or hypocritical. History cannot be written unless the historian can achieve some kind of contact with the mind of those about whom he is writing.

The third point is that we can view the past, and achieve our understanding of the past, only through the eyes of the present. The historian is of his own age, and is bound to it by the conditions of human existence. The very words which he uses — words like democracy, empire, war, revolution — have current connotations from which he cannot divorce them. Ancient historians have taken to using words like polis and plebs in the original, just in order to show that they have not fallen into this trap. This does not help them. They, too, live in the present, and cannot cheat themselves into the past by using unfamiliar or obsolete words, any more than they would become better Greek or Roman historians if they delivered their lectures in a chlamys or a toga. The names by which successive French historians have described the Parisian crowds which played so prominent a role in the French revolution — les sans-culottes, le peuple, la canaille, les bras-nus — are all, for those who know the rules of the game, manifestos of a political affiliation and of a particular interpretation. Yet the historian is obliged to choose: the use of language forbids him to be neutral. Nor is it a matter of words alone. Over the past hundred years the changed balance of power in Europe has reversed the attitude of British historians to Frederick the Great. The changed balance of power within the Christian churches between Catholicism and Protestantism has profoundly altered their attitude to such figures as Loyola, Luther, and Cromwell. It requires only a superficial knowledge of the work of French historians of the last forty years on the French revolution to recognize how deeply it has been affected by the Russian revolution of 1917. The historian belongs not to the past but to the present. Professor Trevor-Roper tells us that the historian ‘ought to love the past’. [25] This is a dubious injunction. To love the past may easily be an expression of the nostalgic romanticism of old men and old societies, a symptom of loss of faith and interest in the present or future. [26] Cliché for cliché, I should prefer the one about freeing oneself from ‘the dead hand of the past’. The function of the historian is neither to love the past nor to emancipate himself from the past, but to master and understand it as the key to the understanding of the present.


If, however, these are some of the insights of what I may call the Collingwood view of history, it is time to consider some of the dangers. The emphasis on the role of the historian in the making of history tends, if pressed to its logical conclusion, to rule out any objective history at all: history is what the historian makes. Collingwood seems indeed, at one moment, in an unpublished note quoted by his editor, to have reached this conclusion:

St Augustine looked at history from the point of view of the early Christian; Tillamont, from that of a seventeenth-century Frenchman; Gibbon, from that of an eighteenth-century Englishman; Mommsen from that of a nineteenth-century German. There is no point in asking which was the right point of view. Each was the only one possible for the man who adopted it. [27]

This amounts to total scepticism, like Froude’s remark that history is ‘a child’s box of letters with which we can spell any word we please’. [28] Collingwood, in his reaction against ‘scissors-and-paste history’, against the view of history as a mere compilation of facts, comes perilously near to treating history as something spun out of the human brain, and leads back to the conclusion referred to by Sir George Clark in the passage which I quoted earlier, that ‘there is no “objective” historical truth’. In place of the theory that history has no meaning, we are offered here the theory of an infinity of meanings, none any more right than any other — which comes to much the same thing. The second theory is surely as untenable as the first. It does not follow that, because a mountain appears to take on different shapes from different angles of vision, it has objectively either no shape at all or an infinity of shapes. It does not follow that, because interpretation plays a necessary part in establishing the facts of history, and because no existing interpretation is wholly objective, one interpretation is as good as another, and the facts of history are in principle not amenable to objective interpretation. I shall have to consider at a later stage what exactly is meant by objectivity in history.

But a still greater danger lurks in the Collingwood hypothesis. If the historian necessarily looks at his period of history through the eyes of his own time, and studies the problems of the past as a key to those of the present, will he not fall into a purely pragmatic view of the facts, and maintain that the criterion of a right interpretation is its suitability to some present purpose? On this hypothesis, the facts of history are nothing, interpretation is everything. Nietzsche had already enunciated the principle: ‘The falseness of an opinion is not for us any objection to it. … The question is how far it is life-furthering, life-preserving, species-preserving, perhaps species-creating.’ [29] The American pragmatists moved, less explicitly and less wholeheartedly, along the same line. Knowledge is knowledge for some purpose. The validity of the knowledge depends on the validity of the purpose. But, even where no such theory has been professed, the practice has often been no less disquieting. In my own field of study I have seen too many examples of extravagant interpretation riding roughshod over facts not to be impressed with the reality of this danger. It is not surprising that perusal of some of the more extreme products of Soviet and anti-Soviet schools of historiography should sometimes breed a certain nostalgia for that illusory nineteenth-century haven of purely factual history.

How then, in the middle of the twentieth century, are we to define the obligation of the historian to his facts? I trust that I have spent a sufficient number of hours in recent years chasing and perusing documents, and stuffing my historical narrative with properly footnoted facts, to escape the imputation of treating facts and documents too cavalierly. The duty of the historian to respect his facts is not exhausted by the obligation to see that his facts are accurate. He must seek to bring into the picture all known or knowable facts relevant, in one sense or another, to the theme on which he is engaged and to the interpretation proposed. If he seeks to depict the Victorian Englishman as a moral and rational being, he must not forget what happened at Stalybridge Wakes in 1850. But this, in turn, does not mean that he can eliminate interpretation, which is the life-blood of history. Laymen — that is to say, non-academic friends or friends from other academic disciplines — sometimes ask me how the historian goes to work when he writes history. The commonest assumption appears to be that the historian divides his work into two sharply distinguishable phases or periods. First, he spends a long preliminary period reading his sources and filling his notebooks with facts: then, when this is over, he puts away his sources, takes out his notebooks and writes his book from beginning to end. This is to me an unconvincing and unplausible picture. For myself, as soon as I have got going on a few of what I take to be the capital sources, the itch becomes too strong and I begin to write — not necessarily at the beginning, but somewhere, anywhere. Thereafter, reading and writing go on simultaneously. The writing is added to, subtracted from, re-shaped, cancelled, as I go on reading. The reading is guided and directed and made fruitful by the writing: the more I write, the more I know what I am looking for, the better I understand the significance and relevance of what I find. Some historians probably do all this preliminary writing in their head without using pen, paper, or typewriter, just as some people play chess in their heads without recourse to board and chessmen: this is a talent which I envy, but cannot emulate. But I am convinced that, for any historian worth the name, the two processes of what economists call ‘input’ and ’ output’ go on simultaneously and are, in practice, parts of a single process. If you try to separate them, or to give one priority over the other, you fall into one of two heresies. Either you write scissors-and-paste history without meaning or significance; or you write propaganda or historical fiction, and merely use facts of the past to embroider a kind of writing which has nothing to do with history.

Our examination of the relation of the historian to the facts of history finds us, therefore, in an apparently precarious situation, navigating delicately between the Scylla of an untenable theory of history as an objective compilation of facts, of the unqualified primacy of fact over interpretation, and the Charybdis of an equally untenable theory of history as the subjective product of the mind of the historian who establishes the facts of history and masters them through the process of interpretation, between a view of history having the centre of gravity in the past and a view having the centre of gravity in the present. But our situation is less precarious than it seems. We shall encounter the same dichotomy of fact and interpretation again in these lectures in other guises — the particular and the general, the empirical and the theoretical, the objective and the subjective. The predicament of the historian is a reflexion of the nature of man. Man, except perhaps in earliest infancy and in extreme old age, is not totally involved in his environment and unconditionally subject to it. On the other hand, he is never totally independent of it and its unconditional master. The relation of man to his environment is the relation of the historian to his theme. The historian is neither the humble slave nor the tyrannical master of his facts. The relation between the historian and his facts is one of equality, of give-and-take. As any working historian knows, if he stops to reflect what he is doing as he thinks and writes, the historian is engaged on a continuous process of moulding his facts to his interpretation and his interpretation to his facts. It is impossible to assign primacy to one over the other.

The historian starts with a provisional selection of facts, and a provisional interpretation in the light of which that selection has been made — by others as well as by himself. As he works, both the interpretation and the selection and ordering of facts undergo subtle and perhaps partly unconscious changes, through the reciprocal action of one or the other. And this reciprocal action also involves reciprocity between present and past, since the historian is part of the present and the facts belong to the past. The historian and the facts of history are necessary to one another. The historian without his facts is rootless and futile; the facts without their historian are dead and meaningless. My first answer therefore to the question ‘What is history?’ is that it is a continuous process of interaction between the historian and his facts, an unending dialogue between the present and the past.


[1] Humphrey McQueen, “From Hegel to Lenin” (2022). [web] 

[2] Walter Rodney, “The Two World Views of the Russian Revolution” (2018). [web] 

[3] Lord John Acton was the British aristocrat best known for his famous 1887 remark “Power tends to corrupt, and absolute power corrupts absolutely,” which he used to defend his opposition to radical measures when used to end practices such as slavery. — R. D. 

[4] The Cambridge Modern History: Its Origin, Authorship and Production (1907), pp. 10-12. 

[5] The New Cambridge Modern History, i (1957), pp. xxiv-xxv. 

[6] Acton, Lectures on Modern History (1906), p. 318. 

[7] Quoted in the Listener, 19 June 1952, P. 992. 

[8] M. Manilii Astronomicon: Liber Primus (2nd ed., 1937), p. 87. 

[9] T. Parsons and E. Shils, Towards a General Theory of Action (3rd ed., 1954), p. 167. 

[10] Lord George Sanger, Seventy Years a Showman (2nd ed., 1926), pp. 188-9. 

[11] Dr. Kitson Clark, The Making of Victorian England (1962). 

[12] J. B. Bury, Selected Essays (1930), P. 52. 

[13] G. Barraclough, History in a Changing World (1955), p. 14. 

[14] Lytton Strachey, Preface to Eminent Victorians

[15] Quoted in G. P. Gooch, History and Historians in the Nineteenth Century, p. 385; later Acton said of Döllinger that ‘it was given him to form his philosophy of history on the largest induction ever available to man’ (History of Freedom and Other Essays, 1907, p. 435). 

[16] Cambridge Modern History, i (1902), P. 4. 

[17] Gustav Stresemann, His Diaries, Letters and Papers, i (1935), Editor’s Note. 

[18] H. Butterfield, The Whig Interpretation of History (1931), p. 67. 

[19] A. L. Rowse, The End of an Epoch (1947), pp. 282-3. 

[20] The context of this celebrated aphorism is as follows: ‘The practical requirements which underlie every historical judgement give to all history the character of “contemporary history”, because, however remote in time events thus recounted may seem to be, the history in reality refers to present needs and present situations wherein those events vibrate’ (B. Croce, History as the Story of Liberty, Engl. transl. 1941, p. 19). 

[21] Atlantic Monthly, October 1910, p. 528. 

[22] M. Oakeshott, Experience and Its Modes (1933), p. 99. 

[23] G. M. Trevelyan, An Autobiography (1949), p. 11. 

[24] J. Burckhardt, Judgements on History and Historians (1959), p. 179. 

[25] Introduction to J. Burckhardt, Judgements on History and Historians (1959), p. 17-. 

[26] Compare Nietzsche’s view of history: ‘To old age belongs the old man’s business of looking back and casting up his accounts, of seeking consolation in the memories of the past, in historical culture’ (Thoughts Out of Season, Preface VIII (1909). [web]). 

[27] R. Collingwood, The Idea of History (1946), p. xii. 

[28] A. Froude, Short Studies on Great Subjects, i (1894), p. 21. 

[29] Beyond Good and Evil, 4, (1886). [web] 


Frantz Fanon’s Engagement with Hegel’s Master-Slave Dialectic (2018)


Originally published in Africology: The Journal of Pan African Studies, vol. 11, no. 8, June 2018.

 Red Sails

 

 LONG READ 

Hegel is a controversial figure in the history of Black liberation because, on the one hand, his disparaging comments about Africans (as, for example, lacking moral sentiments and therefore tolerating slavery) are perfectly representative of the worst attitudes in the colonial tradition. On the other — and putting aside his role in the genealogy of Marxism — Hegel was against “racial” prejudice as such, attributing “civilizational” differences to circumstances such as geography, and for this reason was far ahead of his contemporaries in welcoming revolution and events of emancipation, Haiti very much included. For Hegel, far from an anti-natural horror, human freedom was the goal of history, and simply a matter of time. [1]

This context helps us understand why legendary Algerian revolutionary Frantz Fanon, who was committed in life to fighting white supremacy, wrote about Hegel in his early work. In this article, Howard University Professor of Philosophy Brandon Hogan challenges some of the existing interpretations that see Fanon’s views on Hegel as a kind of youthful error or an irrelevant accident or a defiant challenge, to then defend his own view: that there was in fact important agreement.

Fanon saw in Hegel’s master-slave dialectic, and in particular in his theory of recognition, an explanation for why “top-down” liberation projects fail to actually be liberatory. Insofar as masters “grant” freedom, the slaves do not “gain a sense of self that is not constituted by the values of the colonizer,” and this dynamic fails to fulfill the conditions required for mutual recognition.

See also: Frantz Fanon’s actual work in question, “The Black Man and Hegel” (1952). [2]


Contents

Abstract

This article seeks to articulate an interpretation of Fanon’s engagement with G. W. F. Hegel that does not either assume that Fanon rejects Hegel’s normative conclusions or that Fanon’s engagement is incidental to his larger philosophical projects. I argue that Fanon’s take on the master-slave dialectic allows us to better understand the normative claims that undergird Fanon’s calls for violence and revolution in Black SkinThe Wretched of the Earth, and A Dying Colonialism.

Introduction

In Black Skin, White Masks (Black Skin) Frantz Fanon famously distinguishes the colonial master and slave from the master and slave as depicted in Hegel’s Phenomenology of Spirit (Phenomenology). [3] According to Fanon, while Hegel’s master seeks recognition from the slave, the colonial master seeks only work. Moreover, for Fanon, the Hegelian slave differs from the colonial slave because the former eventually gains self-consciousness and freedom through labor, while the latter seeks to be like his master — that is, he seeks to be white — and is thus unable to find liberation through labor alone.

I divide commentators on Fanon’s treatment of Hegel in Black Skin into two camps: those who take it that Fanon seeks to reject Hegel’s dialectic and those who believe that Fanon is sympathetic to Hegel. Commentators in the former camp disagree about whether Fanon is correct in rejecting Hegel. Those in the latter camp, I believe, interpret Fanon correctly but do not take Fanon’s position on Hegel to be essential to understanding his philosophical project. That is, these latter commentators take Fanon’s treatment of Hegel to be incidental to his larger views about the nature of Black subjectivity and the necessity of violent revolution in the French colonies.

According to the first reading of Fanon, Hegel’s master-slave dialectic is inapplicable because it does not accurately describe the attitudes of the colonial master and slave and does not accurately present the mechanisms through which the colonial slave can or will achieve freedom. This reading, however, attributes to Fanon a mistaken understanding of Hegel. Reading Fanon charitably requires that we read him as understanding the point of the master-slave dialectic. Hegel’s dialectic is not a description or allegorical reflection of the origins and dynamics of historical slavery. The dialectic is best read as illustrating a distinct type of failure that undermines person’s ability to act freely.

Fanon’s point is not that Hegel’s master-slave dialectic is inapplicable to the colonial situation, but that both Blacks and whites in the Francophone world will face particular challenges if they wish to overcome the failure that is colonial domination. For Fanon, Blacks and whites lack freedom just as Hegel’s master and slave lack freedom, but their lack of freedom is complicated by the phenomenon of anti-black racism.

If we wish to see Fanon as offering a comprehensive critique of colonialism — one that, among other things, explains the effects of colonial subjugation and explains why this subjugation is wrong — we should read him as offering a conception of freedom. In reading Fanon as critical of Hegel, we deprive him of the Hegelian conception of freedom that he seems to implicitly rely on in Black SkinThe Wretched of the Earth (The Wretched), and A Dying Colonialism.

I contend, then, that Fanon’s reading of Hegel is not incidental to his larger views, but allows us to see those views as unified by a common conception of personal and national freedom that justifies his call for violent revolution in The Wretched. While I do not claim that Fanon is a Hegelian — or that he thought of himself as a Hegelian — I argue that my interpretive suggestion allows us to make better sense of Fanon’s engagement with Hegel. To be sure, this work does not purport to be the final word on Hegel’s master-slave dialectic or Fanon’s engagement with Hegel’s dialectic. I am to offer a plausible perspective on Fanon’s engagement with Hegel that goes missing in the current scholarship. Indeed, this work does not purport to be a sustained piece of Fanon scholarship, but an analytic interpretive suggestion.

In the following section, I explain the two schools of interpretation regarding Fanon on Hegel. In the following section, I reconstruct and discuss Fanon’s argument in the section of Black Skin titled, “The Black Man and Hegel.” I contend that Fanon embraces Hegel’s abstract conception of freedom. This discussion provides a context for my discussion of Fanon’s comments on the master-slave dialectic. I contend that this discussion is best understood in light of Fanon’s understanding of Hegelian freedom. I next argue for my interpretation of Fanon’s discussion of the dialectic, demonstrating why rival interpretations are problematic. In the final section, I briefly argue that our reading of Fanon’s corpus is enhanced if we attribute to him the Hegelian conception of freedom.

Two Schools of Interpretation Regarding Fanon on Hegel

Understandably, most philosophers who write about Black Skin pay a minimal amount of attention to Fanon’s commentary on Hegel. The section titled, “The Black Man and Hegel” only occupies seven pages of the 206-page book.

Several commentators have taken it that Fanon’s point in discussing Hegel is that of demonstrating that Hegel’s theoretical framework is inapplicable to the colonial situation. [4] Ato Sekyi-Out (1996) claims that Fanon believes that he (Fanon) and Hegel represent two “entirely different universe[s] of discourse.” [5] Kleinberg (2003) takes it that Fanon’s position is that the Hegelian system and the colonial system are “incompatible,” and proceed to argue that “…in his attempt to distance the colonial slave from the Hegelian Slave, Fanon actually parallels Hegel’s movements.” [6] Against Kleinberg, Honenberger (2007) argues that Fanon successfully distinguishes the colonial situation from Hegel’s discussion of mastery and slavery and thus demonstrates that Hegel’s discussion “does not apply to the relation between white, colonial master and black, colonized slave.” [7]

Gordon (2015) also seems to adopt this reading of Fanon on Hegel in his recent book, What Fanon Said[8] Gordon notes that Fanon does not consider Hegel’s discussion of mastery and slavery in the Philosophy of Right, where Hegel further demonstrates the necessity of a state structured by relations of reciprocal recognition. But Gordon cautions against taking this omission as evidence that Fanon believed that such a state would emerge in spite of the history of racial domination in France and in the French colonies. [9] For Gordon, Fanon believes that Hegel’s conception of reciprocal recognition “fails” in the colonial context because the white master does not want recognition, but only work, from the Black slave. [10] Gordon, along with the other commentators in this first group, agree that Fanon seeks to reject Hegel. Only Kleinberg (2003) believes that he is wrong to do so.

The second group of commentators reads Fanon as embracing Hegel’s dialectic, at least in part. Bird-Pollan contends that Fanon accepts Hegel conception of recognition and seeks to explain how racism distorts recognition. Bird-Pollan writes:

Fanon’s reading of Hegel’s theory of recognition in Black Skin is … an immanent critique of the paradigm of recognition employed by the colonizer from the perspective of the black man for whom this paradigm has been suspended. The point is that while the story of recognition is fundamental its concrete instantiation has been thoroughly distorted by racist and colonial society. [11]

While the Bird-Pollan (2015) interpretation of Fanon is largely correct, he does not argue for this interpretation or against its rivals. Additionally, Bird-Pollan (2015) does not provide a detailed account of Fanon’s discussion of Hegel, nor does he explain how this discussion relates to Fanon’s call for violence in The Wretched. Further, Bird-Pollan (2015) does not articulate the relationship between recognition and freedom, an understanding of which is essential to an illuminating interpretation of Fanon’s engagement with Hegel.

Lou Turner (1996) occupies a liminal position in this debate, offering a nuanced discussion of Fanon on Hegel. Turner (1996) writes that Fanon’s discussion of Hegel is an “evisceration” of the Hegelian view that “absolute reciprocity” lies at the base of social progress. Turner writes:

The absolute reciprocity of Hegel’s dialectic is an historical presupposition of the natural, no less than human, reality from which his concept of self-consciousness is deduced. The presumed racial homogeneity of differentiated class strata presupposed in the absolute reciprocity of Hegel’s master-slave dialectic is occluded as a consequence of Fanon’s interrogation… [12]

For Turner, Fanon rejects the Hegelian dialectic to the extent that it does not take account of racism. Turner also believes that Fanon does not completely reject Hegel because he (Fanon) recognizes that the master-slave dialectic is a “pure form” that “necessarily breaks down into real, historical, relative forms, but that the pure form is the way in which to comprehend the historical reality of the latter form.” [13] For Turner’s Fanon, Hegel’s master-slave dialectic is the model that we should use to understand Black subjugation.

I find Turner’s position problematic. It appears odd that Fanon would both seek the “evisceration” of Hegel’s dialectic but also take it that colonial subjugation should be understood on the model of the dialectic. Additionally, this interpretation is not argued for and Turner fails to explain the role that Hegel’s dialectic plays in Fanon’s corpus. Finally, Turner’s reading is not inconsistent with the view that Fanon’s treatment of Hegel is incidental to his larger views. I contend that previous interpreters of Fanon either misunderstand Fanon’s discussion of Hegel or do not fully explore the relationship between that discussion and Fanon’s larger philosophical aims.

In the following section, I outline the main arguments of the section of Black Skin titled “The Black Man and Hegel,” to provide a context for Fanon’s discussion of the master-slave dialectic.

Fanon Embraces Hegel’s Abstract Conception of Freedom

In this section of Black Skin, Fanon argues for two, related conclusions: (1) Blacks and whites in the Francophone world are not free, and (2) Black political freedom exists as a barrier to Black worth and Black self-recognition. We can understand Fanon’s arguments as follows.

First argument:

P1. Being free is a matter of (a) adhering to norms of one’s choosing and (b) being recognized as such by those persons one recognizes in turn.

P2. Blacks do not adhere to norms of their choosing and whites only recognize themselves.

Conclusion: Both Blacks and whites are not free.

Second argument:

P3: Only persons who have engaged in a struggle for recognition are both worthy of recognition and know that they are worthy of recognition.

P4. Because Blacks are politically free and did not have to fight for their freedom from slavery, they are less likely to struggle for recognition.

Conclusion: Black political freedom exists as a barrier to Black worth and Black self-recognition.

Fanon borrows P1 and P3 from Hegel and justifies each premise by referencing Hegel’s master-slave dialectic. Consequently, to fully understand Fanon’s arguments we should explore Hegel’s justification of P1 and P3 as presented in the Phenomenology.

Hegel’s Phenomenology itself is an allegorical account of humanity’s rise to full selfconsciousness. “Consciousness” is Hegel’s personification of human self-understanding. At the beginning of the section entitled “Self-Consciousness,” consciousness views itself as authoritative over nature. Nature, for consciousness, exists as a means to satisfy its desires. Consciousness, then, takes itself to be entitled to do as it wishes with natural objects. But to view itself as authoritative in this way, consciousness must actually exercise its authority. Consciousness uses natural objects not only to satisfy its desires, but to prove to itself that those objects are not important in themselves, but only to the extent that they can be used to satisfy its desires. [14]

However, this way of relating to the world proves to be unsatisfactory. Hegel points out an important way in which the mere consumption and destruction of natural objects fail to affirm consciousness’s self-conception. Consciousness simply imposes its will on those objects, which is not to recognize natural objects as in themselves subordinate to its will. In destroying objects, consciousness essentially tells itself that its desires are paramount. Consciousness realizes that its subjective certainty is not the same as an objective fact. Consciousness, then, must find an object that will show itself as subordinate on its own accord.

Hegel takes it that no merely natural object can independently show itself to be subordinate to the will of consciousness. Trees and animals do not speak and thus cannot assert their subordinate status or affirm the authority of consciousness. Hegel writes:

Since the object [the object that will affirm the authority of consciousness] is in its own self negation, and in being so is at the same time independent, it is consciousness […]. Self-consciousness achieves its satisfaction only in another selfconsciousness. [15]

For Hegel, the only object that can affirm consciousness’s self-conception is another conscious being. The independent, rational individual is able to assure consciousness that it is in fact authoritative, that it is not mistaken in this regard.

Fanon takes on Hegel’s conclusion. Both Hegel and Fanon believe that solipsism, mere self-affirmation, is insufficient for a coherent self-conception. Fanon writes:

In its immediacy, self-consciousness is simply being-for-self. In order to achieve certainty of oneself, one has to integrate the concept of recognition. Likewise, the other is waiting for our recognition so as to blossom into the universal selfconsciousness. [16]

Fanon and Hegel believe that mutual recognition is necessary if an individual or a group is to have a coherent self-conception. Fanon derives his third premise from Hegel’s description of the life-and-death struggle, but recasts Hegel’s claim using the concept of worth. Fanon writes:

[Man’s] human worth and reality depend on this other and on his recognition by the other. It is in this other that the meaning of his life is condensed. […] Only conflict and the risk it implies can […] make human reality, in-itself-for-itself, come true. This risk implies that I go beyond life toward an ideal which is the transformation of subjective certainty of my own worth into a universally valid objective truth. [17]

Fanon takes it that persons are only worthy of recognition to the extent that they are willing to risk their lives to attain recognition. Following Hegel, Fanon holds that persons may be recognized absent a struggle, but persons recognized in this way cannot coherently recognize themselves as worthy of recognition.

The first part of Fanon’s second premise — that Blacks do not adhere to norms of their choosing — is justified throughout Black Skin. In the section titled “The Black Man and Language,” Fanon points out that Blacks in the Francophone world view creole as inferior to the dialects of French whites. To speak “proper” French, for this class of Blacks, is to approach the status of human. For Fanon, these Blacks wish to “prove at all costs to Whites the wealth of the black man’s intellect and equal intelligence.” [18] Blacks, then, see no value in Black speech and view whites as solely capable of affirming their intelligence.

In “The Woman of Color and the White Man,” Fanon remarks “[i]t is commonplace in Martinique to dream of whitening oneself magically as a way of salvation.” [19] For Blacks in Martinique, acceptance by whites is a way to achieve Hegelian self-consciousness. [20] In “The Man of Color and the White Woman,” Fanon claims that Black men wish to be recognized as white and view the love of a white woman as sufficient for recognition of this type. [21] Fanon laments, “[a]s painful as it is for us to have to say this: there is but one destiny for the Black man. And it is white.” [22] Blacks, then, are not free because they only value whiteness.

Justifying the second part of his second premise — that whites do not recognize Blacks — Fanon claims that “[a] white man talking to a person of color behaves exactly like a grown-up with a kid.” [23] For Fanon, “[t]he white man is locked in his whiteness,” unwilling and unable to recognize non-whites or non-white values as worthy of esteem. [24] Because reciprocal recognition is necessary for freedom, the conclusion that whites are not free follows from Fanon’s first and second premises.

In justifying his fourth premise — that Blacks are less likely to struggle for recognition because they are politically free — Fanon claims that “[o]ne day the white master recognized without a struggle the Black slave.” [25] Blacks, then, are politically free in that they are not slaves. Fanon moves on to characterize the relative social positions of Blacks and whites, post-slavery. He writes:

The black man did not become a master. When there are no more slaves, there are no masters. The black man is a slave who was allowed to assume a master’s attitude. The white man is a master who allowed his slaves to eat at his table. [26]

Again, Fanon references Hegel’s master-slave dialectic. Fanon’s claim, then, must be understood in light of Hegel’s discussion of mastery and slavery. During the life-and-death struggle, consciousness and the other realize that they should not kill one another.

A dead person cannot recognize anyone and, as such, the death of either party would upset their shared aim. Both parties wish to be recognized not only as rational and authoritative, but as the sole authority. This tension is resolved by one party relinquishing the claim to authority. The relinquishing party, while rational, values its life more than its status as the sole authority. He agrees to be the slave of the other party—that is, he agrees to recognize the other party as the sole authority but does not seek this recognition himself. He becomes the slave, while the recognized party becomes the master. [27]

The master rules by fear. The slave obeys the master’s commands because he [28] values life more than freedom. The master can conceive of himself as the sole authority because he is recognized as such by a being he/she now knows is capable of recognition. This relationship, however, problematic. The master realizes that he cannot achieve his aim — that of recognizing himself as the sole rational authority — by dominating the slave. Since the slave obeys the master’s commands, the slave’s actions are really the master’s actions. The master initially sought an independent, rational agent that could confirm his self-conception, but the slave is far from independent. The slave’s actions have the same normative significance of those of the master and thus do not allow the master to avoid the worry that he may not be what he takes himself to be. Thus, the master’s aims are frustrated.

Fanon distinguishes between being a master and having the attitude of a master. Hegel also implicitly relies on this distinction. For Hegel, before the life-and-death struggle both consciousness and the other take themselves to be the sole authority. One only becomes a master, for Hegel and for Fanon, after one gains control over a slave. Thus, post-slavery, there are no literal masters or slaves. When Fanon speaks of Black slaves and white masters in this context, he must have something else in mind.

We would do best to understand Fanon as claiming that Blacks are not masters not because they do not own slaves, but because they do not set their own values, but simply adopt the values of whites. A master, in this sense, possesses one element of Hegelian freedom. The master abides by norms of his own choosing. He is autonomous. Some Blacks, for Fanon, have adopted the master’s attitude in that they take themselves to be autonomous, even deriding those Blacks who do not speak proper French. [29] The Black slave, in this context, recognizes the authority of white values, but has no conception of his own authority.

Fanon’s second claim, then, is that French whites do in fact abide by values of their own creation. Further, Fanon’s position is that whites have allowed Blacks to participate more equitably in French society under the condition that they embrace white French values. White mastery is problematic, however, because, again, “[t]he white man is locked in his whiteness.” [30] The white master takes himself and his values to be authoritative, yet does not recognize the Black slave. Thus, Blacks and whites are not free just as Hegel’s master and slave are not free.

Continuing the justification of the claim that Black political freedom exists as a barrier to Black worth, Fanon claims that because the white master released the Black slave from slavery, without struggle, the Black slave was deprived of the opportunity to engage in the type of struggle that would establish his worth. Fanon takes it that Blacks would like to struggle for actual cultural and political influence, but are denied these opportunities by white indifference or learned obedience. For Fanon, “[t]he former slave wants his humanity challenged; he is looking for a fight; he wants a brawl. But too late: the black Frenchman is doomed to hold his tongue and bare his teeth.” [31] Paradoxically, for Fanon, Blacks do not engage in the types of struggles that are necessary to establish genuine worth and self-recognition, in part, because they are politically free.

Just as consciousness must prove his worth through a life-and-death struggle, Blacks must prove their worth through a struggle for recognition. Fanon concedes that Blacks have fought for liberty and justice, but also claims that these fights have been for “white liberty and white justice […], for values secreted by [their] masters.” [32] Fanon’s claim, then, is that French Blacks have not proven to themselves that they value their values, their conceptions of liberty and justice. For Fanon, the historical aim of Black struggle has been that of becoming white. Political freedom and learned inferiority, in this case, exist as barriers to Black worth and Black self-recognition.

Fanon explicitly relies on Hegelian premises to establish two distinct claims about Blacks and whites in the Francophone world. These arguments constitute the general background against which Fanon discusses Hegel’s master-slave dialectic.

Fanon on Hegel’s Master-Slave Dialectic

In the main text of Black Skin, Fanon appears to discuss mastery and slavery metaphorically. Whites are masters in that they embrace values of their own choosing, but do not recognize Blacks. Blacks are slaves in that they recognize whites but are not the source of their own values. Fanon’s footnote, however, appears to reference actual masters and slaves. It is useful to quote the footnote in full:

We hope to have shown that the master here is basically different from the one described by Hegel. For Hegel there is reciprocity; here the master scorns the consciousness of the slave. What he wants from the slave is not recognition, but work. Likewise, the slave here can in no way be equated with the slave who loses himself in the object and finds the source of his liberation in his work. The black slave wants to be like his master. Therefore he is less independent than the Hegelian slave. For Hegel, the slave turns away from the master and turns toward the object. Here the slave turns toward the master and abandons the object. [33]

While Fanon finds the image of Hegel’s master and slave useful in articulating his main argument, he wishes to also distinguish Hegel’s characters from the colonial master and slave. As stated in the second section, many commentators take this footnote as evidence that Fanon seeks to reject Hegel.

Before assessing this line of interpretation, I turn to the concluding section of Hegel’s master-slave dialectic in order to highlight the main upshots of Hegel’s discussion. Hegel tells us that the slave’s self-consciousness will be transformed by his activities as a slave. The slave is at first dependent on the master and understands himself as such, but there is something about his existence as a slave that allows him to eventually become independent, to think for himself.

First, the slave experiences the fear of the master (lord) and the fear of death, “the absolute Lord.” [34] In this experience, the slave recognizes life as temporary, as fleeting, and comes to understand himself as not essentially bound to his natural existence. He must form a selfconception that is distinct from his merely natural self. Second, in being made to work for the master, the slave can distinguish himself from his immediate desires. He would like to eat or paint, say, but must suppress these desires in order to follow the master’s commands. In other words, through working for the master the slave learns discipline. Finally, in creating objects not for his own consumption, but for the use of the master, the slave learns that he, by using his own mind and ingenuity, can leave his mark on the world. Hegel tells us that, “consciousness, qua worker, comes to see in the independent being [of the object] its own independence.” [35] The slave’s relation to the world is not one of pure consumption. He sees the world not as something to be dominated, to be mastered, but an arena in which he can express himself, his own mind.

While the master-slave dialectic begins with a conception of consciousness that sought to dominate the natural world, it ends with a disciplined conception of consciousness that is able to shape the world according to its will. Hegel believes that this new form of consciousness, while not yet free, is an essential step in the journey toward freedom.

As mentioned above, Hegel believes that true freedom is a matter of being both a master and a slave, both authoritative and responsible. One who simply acts as a master is not free because while he acts authoritatively, he is not an actual authority. Authority, for Hegel, is a status that is freely conferred by others. The authoritative person is entitled to command and, as such, others obey his commands freely, and not out of fear. Because the slave is not independent he cannot authorize the master to act. Additionally, the master does not even purport to be responsible to anyone or anything outside of himself. He simply acts in accord with his desires. Hegel believes that this is not a form of freedom, but a form of pure dependence on nature. The master is a slave to his desires and for this reason too he is not free. On the other hand, the slave is not free because while he is not controlled by his immediate desires, the master dictates his actions. The slave does not even purport to exercise authority.

The master is only free to the extent that he recognizes the slave as autonomous and thus able to grant or deny his (the master’s) authority. In other words, the master must take himself to be responsible to something outside of himself if he is to be free. Moreover, if the slave is to be free he must reject the exclusive authority of the master and understand himself as authoritative and able to bind himself by norms of his own choosing. The slave’s freedom consists in his becoming autonomous in the literal sense of giving a law to himself. Hegel’s master and slave, then, represent two distinct types of failures. The master purports to exercise authority without responsibility and the slave takes himself to be responsible but not authoritative. The point of Hegel’s discussion of master and slavery is, in part, to demonstrate that master-slave relationship is defective.

Commentators who interpret Fanon as holding the view that the master-slave dialectic is inapplicable to the colonial situation seem to attribute to Fanon a very specific conception of applicability. On this conception, the master-slave dialectic is applicable to an unjust situation if it both describes that situation and is able to offer a roughly accurate prediction of how the situation will resolve itself. For instance, the master-slave dialectic is applicable to workplace misogyny if it accurately describes both the attitudes of and relations between male and female workers and accurately predicts that female workers will gain a sense of authority and independence as a result of their work.

However, given this conception of applicability, it is hard to understand the master-slave dialectic as applicable to any unjust situation. Most unjust social relationships cannot be understood as arising out of a life-and-death struggle. Saudi women did not choose to relinquish power to Saudi men. Black Americans did not choose to be socially and politically subordinate to white Americans. Moreover, it seems safe to assume that misogynists never self-consciously sought recognition from women, just as anti-black racists never sought recognition from Blacks in the Americas or elsewhere.

Additionally, while Hegel’s slave gains independence through his work as a slave, it is naive to assume generally that subordinated persons will gain a full sense of self as a result of the conditions their subordination. Thus, if applicability is understood in terms of description and prediction, it becomes hard to see how the master-slave dialectic could ever be applicable.

Moreover, even Hegel recognizes that the master-slave dialectic is not applicable to historical slavery in this naive sense. In the Lectures on the Philosophy of History, Hegel mentions several institutions of slavery and notes that persons often become slaves as a result of war and conquest. [36] In the Lectures, Hegel remarks that slavery was seen as a necessary element of ancient Greek life, as free citizens were expected to have time to participate in the political life of the state. [37] Thus, Hegel recognizes that actual slaveholding societies do not arise as a result of rationally calculated life-and-death struggles.

Hegel also does not take it that persons choose to become slaves because they value life more than having the status of sole authority. In fact, Hegel is well aware that persons do not choose to become slaves at all, but are forced into slavery. Thus, there is little reason to believe that Hegel views the master-slave dialectic as anything more than a philosophical tool, one designed to present a distinct conception of normativity.

Given that we should aim to interpret Fanon charitably — that is, as endorsing plausible claims — we should not attribute to Fanon a naive view about the applicability of the master-slave dialectic or read him is holding a mistaken view about Hegel’s own perspective on the master-slave dialectic. A successful critique of the master-slave dialectic would have to be a normative critique that is, it would have to demonstrate that Hegel’s conceptions of freedom and selfconsciousness, as articulated in the dialectic, are mistaken. If Hegel’s conception of normativity is correct, the master-slave dialectic, as an illustration of that conception, applies to any situation in which normativity is at issue.

We can begin to discern the point of Fanon’s footnote by considering the distinction Fanon draws between the Hegelian master and the colonial slave master. For Hegel, there is a type of reciprocity between the master and slave. Because the slave has engaged in a life-and-death struggle, the master recognizes the slave as the type of being that can provide the recognition he desires. Hegel’s master fails in that he acts in a way that undermines the slave’s ability to offer recognition. Fanon claims that the colonial master does not recognize the slave as able to offer recognition. For Fanon’s master, the slave is not taken to be cable of having an independent, authoritative perspective on the world. This is why he “scorns” the slave’s consciousness and merely demands that he work.

Additionally, Hegel’s slave is able to overcome his fear of death and develop a sense of self that is not essentially dependent on his biological existence. The Hegelian slave develops a sense of his independence by shaping objects for the consumption of another. Fanon tells us that the colonial slave is unable to develop in this way because his primary concern is that of being like his master. Fanon’s slave does not see himself and his ingenuity in the objects of his labor because the only conception of selfhood and creativity that he is able to contemplate is that of his master. For Fanon, the destiny of the colonial slave is not independence, but whiteness.

Given that Fanon’s point is not that the master-slave dialectic is inapplicable to the colonial situation, we can understand Fanon as arguing that the white master is unable to achieve freedom not only because he is a master, but because he does not so much as recognize the slave as capable of recognizing others. Moreover, Fanon takes it that the Black slave is unable to achieve freedom not only because he does not view himself as authoritative, but also because the only notion of independence, selfhood, and authority in his possession is that of the white master. Fanon, it seems, does not reject the Hegelian conception of freedom as involving elements of mastery and slavery, but notices that Blacks and whites in the Francophone world must overcome particular barriers if they are to achieve freedom.

Blacks must fight for a conception of freedom that is of their own design if they are to be deserving of recognition, and whites must escape (or be forced out of) their normative solipsism if they are to be in themselves what they are for themselves. Fanon understands that Hegel’s master-slave relation represents a distinct type of failure, one that can manifest itself in many forms. He uses Hegel’s master-slave dialectic to explain the particular failure that is colonialism.

Fanon and the Hegelian Conception of Freedom

Understanding the point of Fanon’s discussion of Hegel in Black Skin puts us in a position to better understand the conception of freedom implicit in many of Fanon’s writings, a conception the absence of which would undermine the power of Fanon’s critique of colonial domination. In The Wretched, for example, Fanon tells us that colonized persons lack freedom not only because they are socially and economically oppressed, but also because they esteem Western values and do not value themselves. Decolonization, for Fanon, creates “new men,” men who are free because they have overcome the domination and dehumanization that is colonialism and because they have learned to govern themselves by values of their own creation. [38] In doing so, the colonized break from the slavery represented by white values and embrace a form of mastery that comes from generating values of their own.

Tellingly, Fanon believes that the decolonization process will cause the colonized to reject (Western) individualism as an ideal. Individualism, Fanon asserts, entails a “notion of society of individuals where each is locked in his subjectivity.” [39] Fanon tells us that the very process of decolonization requires a rejection of individualism and the adoption of terms like “brother,” “sister,” and “comrade.” [40] In essence, we can understand Fanon as holding the position that freedom requires a rejection of the mastery that constitutes individualism and the adoption of a self-conception that is obedient to values of one’s creation and a community of one’s choosing.

Fanon gives an important theoretical role to the risk and sacrifice that constitute violent opposition to colonial domination. As we have seen, in Black Skin, Fanon argues that a struggle for recognition would both establish that colonized persons are worthy of recognition and allow the colonized to know their own worth. In violent struggle, one learns that one values the object or status struggled for more than one’s biological life. Fanon famously picks up on this theme in the section of The Wretched titled, “On Violence.” [41]

Fanon argues that decolonization is always violent because it seeks to “blow the colonial world to smithereens,” and to “[demolish] the colonialist’s sector, burying it deep within the earth or banishing it from the territory.” [42] Because white colonists do not recognize Blacks as even capable of forming an authoritative, independent perspective on the world, “[c]hallenging the colonial world is not a rational confrontation of viewpoints,” [43] but a violent struggle for Black self-determination and the control of land, institutions, and resources.

The violence of decolonization, Fanon argues, is “invested with positive, formative features because it constitutes [the colonized person’s] only work.” [44] Here Fanon alludes to his discussion of Hegel’s master-slave dialectic in Black Skin. The Black slave is not liberated through his work because his only aim in working is to be like his master. True work, then, is liberating work, work that allows the slave to recognize his own authority and independence. Because the work that constitutes decolonization requires the colonized to embrace their own values and risk their lives for those values, the struggle for decolonization represents a mechanism through which the colonized may achieve freedom, in the Hegelian sense.

Violence, then, allows the colonized to gain a sense of self that is not constituted by the values of the colonizer. Fanon claims that “violence is a cleansing force. It rids the colonized of their inferiority complex, of their passive and despairing attitude.” [45] Violence inserts an element of mastery into the character of the colonized, it “hoists the people up to the level of the leader.” [46] In A Dying Colonialism, Fanon claims that the violence of decolonization fundamentally transforms the colonized, such that they find any subsequent effort to maintain colonization “impossible and shocking.” [47] Thus, Fanon’s belief is that violence not only has instrumental value in that it is essential to the process of decolonization, but also has intrinsic value in that it allows the colonized to form the type of self-consciousness that is essential for true freedom.

In discussing Hegel in Black Skin, Fanon lays out the fundamental features of a conception of freedom that is given further content in The Wretched and in A Dying Colonialism[48] This conception allows Fanon to not only detail the process of decolonization, but to explain why colonization undermines the freedom of both the colonized and the colonizer. Admittedly, this conception of freedom is very abstract, as is Kant’s notion of freedom as self-legislation. Both Fanon and Hegel believe that the content of freedom cannot be articulated a priori, but must be determined historically. Freedom, on this conception, involves both mastery and slavery, and Fanon, in many places, brilliantly points out the nuanced ways in which colonized persons remain trapped in slavery. Thus, far from rejecting Hegel, Fanon’s corpus is unified by a conception of freedom that is implicitly Hegelian.


[1] Roderic Day, “On Hegel” (2022). [web] 

[2] Frantz Fanon, “The Black Man and Hegel” in Black Skin, White Masks (1952). [web] 

[3] I use the term “slave” only to reflect Hegel and Fanon’s usage. In reality, but Hegel and Fanon were discussing enslaved persons. The term “slave” carries the connotation that some persons are natural slaves or that the identity and personhood of enslaved persons are wholly captured by their enslaved status. 

[4] Nigel Gibson claims that Fanon’s aim is not that of abandoning Hegel’s framework, but he problematically characterizes Fanon’s discussion of Hegel as a “critique,” and emphasizes the attitudes that distinguish the Fanon’s master and Hegel’s master. See Nigel Gibson, Fanon: The Postcolonial Imagination (Oxford: Polity Press, 2003): 29-41. 

[5] Sekyi-Otu, Ato, Fanon’s Dialectics of Experience (Cambridge, MA: Harvard University Press, 1996): 56. 

[6] Ethan Kleinberg. “Kojève and Fanon: The Desire for Recognition and the Fact of Blackness.” In Tyler Stovall and Georges Van Den Abbeele, eds. French Civilization and Its Discontents: Nationalism, Colonialism, Race. (Lanham, MD: Lexington Books, 2003): 115. 

[7] Phillip Honenberger. “‘Le Nègre et Hegel’: Fanon on Hegel, Colonialism, and the Dialectics of Recognition.” Human Architecture: Journal of the Sociology of Self-Knowledge Vol. 5: Iss. 3, Article 15 (2007): 153. 

[8] Lewis Gordon. What Fanon Said: A Philosophical Introduction to His Life and Thought (New York, NY: Fordham University Press, 2015): 69. 

[9] Ibid. 

[10] Ibid., 68. 

[11] Stefan Bird-Pollan. Hegel, Freud and Fanon: the dialectic of emancipation (New York, NY: Rowman and Littlefield, 2015): 89. 

[12] Lou Turner. “On the Difference Between the Hegelian and Fanonian Dialectic of Lordship and Bondage.” in Lewis R. Gordon, ed. Fanon: A Critical Reader. (Oxford: Blackwell, 1996): 145. 

[13] Ibid., 149. 

[14] G. W. F. Hegel. Phenomenology of Spirit. A.V . Miller, trans. (Oxford: Oxford University Press, 1977): 109. 

[15] Ibid., 110. 

[16] Frantz Fanon. Black Skin, White Masks. Richard Philcox (New York: Grove Press, 2007): 192. 

[17] Fanon 2007., 193. 

[18] Ibid., xiv. 

[19] Ibid., 27. 

[20] Ibid. 

[21] Ibid., 45. 

[22] Ibid., xiv. 

[23] Ibid., 14. 

[24] Ibid., xiii. 

[25] Ibid., 191. 

[26] Ibid., 194. 

[27] Hegel 1977: 115. 

[28] I use the masculine pronoun only for simplicity and to reflect Hegel and Fanon’s usage. 

[29] Fanon 2007: 7. 

[30] Ibid., xiii. 

[31] Ibid., 196. 

[32] Ibid., 195. 

[33] Ibid., 195n. 

[34] Hegel 1977: 118. 

[35] Ibid. 

[36] G. W. F. Hegel, Lectures on the Philosophy of World History (New York, NY: Oxford University Press, 1995): 404, 409, 411. 

[37] Ibid., 399-404. 

[38] Frantz Fanon, The Wretched of the Earth. Richard Philcox, trans. (New York, NY: Grove Press, 2005): 2. 

[39] Ibid., 11. 

[40] Ibid. 

[41] Ibid., 1-62. 

[42] Ibid., 6. 

[43] Ibid. 

[44] Ibid., 50. 

[45] Ibid., 51. 

[46] Ibid. 

[47] Franz Fanon, A Dying Colonialism. Haakon Chevalier, trans. (New York, NY: Grove Press, 1994): 179. 

[48] This, of course, is not to say that Fanon believes that the end result of decolonization is the creation of African states that resemble the state as articulated in Hegel’s Philosophy of Right (New York, NY: Oxford University Press, 1967). Hegel’s aim in the Philosophy of Right is that of describing the types of state institutions necessary to support human freedom. His concrete descriptions stem from his more abstract understanding of freedom as involving moments of independence and dependence. Fanon, I argue, embraces this abstract conception of freedom. He can do so without embracing all of Hegel’s political philosophy. In the same way, contemporary Kantians can embrace Kant’s categorical imperative without endorsing all of Kant’s applications of the imperative. 



The Black Man and Hegel (1952)

 Frantz Fanon

Original publication: archive.org
Translation: Richard Philcox

Part B of Chapter 7 of Black Skin, White Masks (1952).

For useful additional commentary, see Brandon Hogan’s analysis. [1]


Self-consciousness exists in itself and for itself, in that and by the fact that it exists for another self-consciousness; that is to say, it is only by being acknowledged or recognized. [2]

Man is human only to the extent to which he tries to impose himself on another man in order to be recognized by him. As long as he has not been effectively recognized by the other, it is this other who remains the focus of his actions. His human worth and reality depend on this other and on his recognition by the other. It is in this other that the meaning of his life is condensed.

There is no open conflict between White and Black.

One day the white master recognized without a struggle the black slave.

But the former slave wants to have himself recognized.

There is at the basis of Hegelian dialectic an absolute reciprocity that must be highlighted.

It is when I go beyond my immediate existential being that I apprehend the being of the other as a natural reality, and more than that. If I shut off the circuit, if I make the two-way movement unachievable, I keep the other within himself. In an extreme degree, I deprive him even of this being-for-self.

The only way to break this vicious circle that refers me back to myself is to restore to the other his human reality, different from his natural reality, by way of mediation and recognition. The other, however, must perform a similar operation. “Action from one side only would be useless, because what is to happen can only be brought about by means of both… They recognize themselves as mutually recognizing each other.” [3]

In its immediacy, self-consciousness is simply being-for-self. In order to achieve certainty of oneself, one has to integrate the concept of recognition. Likewise, the other is waiting for our recognition so as to blossom into the universal self-consciousness. Each consciousness of self is seeking absoluteness. It wants to be recognized as an essential value outside of life, as transformation of subjective certainty (Gewissheit) into objective truth (Wahrheit).

Encountering opposition from the other, self-consciousness experiences desire, the first stage that leads to the dignity of the mind. It agrees to risk life, and consequently threatens the other in his physical being. “It is solely by risking life that freedom is obtained; only thus is it tried and proved that the essential nature of self-consciousness is not bare existence, is not the merely immediate form in which it at first makes its appearance, is not its mere absorption in the expanse of life.” [4]

Only conflict and the risk it implies can, therefore, make human reality, in-itself-for-itself, come true. This risk implies that I go beyond life toward an ideal which is the transformation of subjective certainty of my own worth into a universally valid objective truth.

I ask that I be taken into consideration on the basis of my desire. I am not only here-now, locked in thing-hood. I desire somewhere else and something else. I demand that an account be taken of my contradictory activity insofar as I pursue something other than life, insofar as I am fighting for the birth of a human world, in other words, a world of reciprocal recognitions.

He who is reluctant to recognize me is against me. In a fierce struggle I am willing to feel the shudder of death, the irreversible extinction, but also the possibility of impossibility. [5]

The other, however, can recognize me without a struggle: “The individual, who has not staked his life, may, no doubt, be recognized as a person, but he has not attained the truth of this recognition as an independent self-consciousness.” [6]

Historically, the black man, steeped in the inessentiality of servitude, was set free by the master. He did not fight for his freedom.

Out of slavery the black man burst into the lists where his masters stood. Like those servants who are allowed to dance in the drawing room once a year, the black man looked for support. The black man did not become a master. When there are no more slaves, there are no masters.

The black man is a slave who was allowed to assume a master’s attitude.

The white man is a master who allowed his slaves to eat at his table.

One day, a good white master, who exercised a lot of influence, said to his friends: “Let’s be kind to the niggers.”

So the white masters grudgingly decided to raise the animal-machine man to the supreme rank of man, although it wasn’t easy.

Slavery shall no longer exist on French soil.

The upheaval reached the black man from the outside. The black man was acted upon. Values that were not engendered by his actions, values not resulting from the systolic gush of his blood, whirled around him in a colorful dance. The upheaval did not differentiate the black man. He went from one way of life to another, but not from one life to another. Just as a patient suffers a relapse after being told that his condition has improved and that he will shortly be leaving the asylum, so the news of emancipation for the slaves caused psychoses and sudden death.

It’s not the sort of announcement you hear twice in a lifetime. The black man was merely content to thank the white man, and plain proof of this is the impressive number of statues throughout France and the colonies representing the white figure of France caressing the frizzy hair of the docile black man whose chains have just been broken.

“Say thank you to the gentleman,” the mother tells her son, but we know that the son often dreams of shouting some other word, something that would make a scandal.

As master, [7] the white man told the black man: “You are now free.”

But the black man does not know the price of freedom because he has never fought for it.

From time to time he fights for liberty and justice, but it’s always for a white liberty and a white justice, in other words, for values secreted by his masters. The former slave, who has no memory of the struggle for freedom or that anguish of liberty of which Kierkegaard speaks, draws a blank when confronted with this young white man singing and dancing on the tightrope of existence.

When the black man happens to cast a savage look at the white man, the white man says to him: “Brother, there is no difference between us.” But the black man knows there is a difference. He wants it. He would like the white man to suddenly say to him: “Dirty nigger.” Then he would have that unique occasion — to “show them.”

But usually there is nothing, nothing but indifference or paternalistic curiosity.

The former slave wants his humanity to be challenged; he is looking for a fight; he wants a brawl. But too late: the black Frenchman is doomed to hold his tongue and bare his teeth. We say the black Frenchman because the black Americans are living a different drama. In the United States the black man fights and is fought against. There are laws that gradually disappear from the constitution. There are other laws that prohibit certain forms of discrimination. And we are told that none of this is given free.

There are struggles, there are defeats, there are truces, and there are victories.

The twelve million black voices [8] have screamed against the curtain of the sky. And the curtain, torn from end to end, gashed by the teeth biting its belly of prohibitions, has fallen like a burst balafon.

On the battlefield, marked out by the scores of Negroes hanged by their testicles, a monument is slowly rising that promises to be grandiose.

And at the top of this monument I can already see a white man and a black man hand in hand.

For the black Frenchman, the situation is unbearable.

Unsure whether the white man considers him as consciousness in-itself-for-itself, he is constantly preoccupied with detecting resistance, opposition, and contestation.

This is what emerges from the book Mounier has written on Africa. [9] The young Blacks he met there wanted to keep their alterity — alterity of rupture, of struggle and combat.

The I posits itself by opposing, said Fichte. Yes and no.

We said in our introduction that man was an affirmation. We shall never stop repeating it.

Yes to life. Yes to love. Yes to generosity.

But man is also a negation. No to man’s contempt. No to the indignity of man. To the exploitation of man. To the massacre of what is most human in man: freedom.

Man’s behavior is not only reactional. And there is always resentment in reaction. Nietzsche had already said it in The Will to Power.

To induce man to be actional, by maintaining in his circularity the respect of the fundamental values that make the world human, that is the task of utmost urgency for he who, after careful reflection, prepares to act.


[1] Brandon Hogan, “Frantz Fanon’s Engagement with Hegel’s Master-Slave Dialectic” (2018), Journal of Pan-African Studies[web] 

[2] Hegel, The Phenomenology of Mind

[3] G. W. F. Hegel, The Phenomenology of Mind, translated by J. B. Baillie, 2nd rev. ed., Allen and Unwin, London, 1949, pp. 230, 231. 

[4] Ibid., p. 233. 

[5] When we began this work we wanted to devote a section to a study of the black man’s attitude toward death. We considered it essential because people kept saying that the black man does not commit suicide. Monsieur Achille, in a lecture of his, is adamant about it, and Richard Wright, in one of his short stories, has a white character say: “If I were a Negro I’d commit suicide,” meaning that only a black man can accept such treatment without feeling drawn to suicide. Since then, M. Deshaies has made the question of suicide the subject of his thesis. He shows that the studies by Jaensch, which contrasted the disintegrated personality type (blue eyes, white skin) with the integrated personality type (brown eyes and skin), are specious to say the least. For Durkheim, the Jews did not commit suicide. Today it is the Blacks who don’t. Yet, “the Detroit municipal hospital found that 16.6 percent of its suicide cases were Blacks whereas Blacks represent only 7.6 percent of the total population. In Cincinnati the number of black suicides is more than double that of whites; this high figure is due to the amazing percentage of black women: 358 versus 76 black men.” (Gabriel Deshaies, Psychologie du suicide, n. 23.) 

[6] Hegel, op. cit., p. 233. 

[7] We hope we have shown that the master here is basically different from the one described by Hegel. For Hegel there is reciprocity; here the master scorns the consciousness of the slave. What he wants from the slave is not recognition but work. Likewise, the slave here can in no way be equated with the slave who loses himself in the object and finds the source of his liberation in his work. The black slave wants to be like his master. Therefore he is less independent than the Hegelian slave. For Hegel, the slave turns away from the master and turns toward the object. Here the slave turns toward the master and abandons the object. 

[8] Written in English in the French original. — Ed. 

[9] Emmanuel Mounier, L’éveil de l’Afrique noire, Editions du Seuil, 1948.