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Monday, February 10, 2020


For Thousands of Years, Quarantines Have Tried to Keep Out Disease
TOPICS:Georgia State University Public Health The Conversation Virology

By LESLIE S. LEIGHTON, GEORGIA STATE UNIVERSITY FEBRUARY 7, 2020



Quarantines have tried to keep out disease for thousands of years, being used long before germs were understood.

The recent global spread of a deadly coronavirus originating in Wuhan, China, has led world leaders to invoke an ancient tradition to control the spread of illness: quarantine.

The practice is first recorded in the Old Testament where several verses mandate isolation for those with leprosy. Ancient civilizations relied on isolating the sick, well before the actual microbial causes of disease were known. In times when treatments for illnesses were rare and public health measures few, physicians and lay leaders, beginning as early as the ancient Greeks, turned to quarantine to contain a scourge.

In January, Chinese authorities attempted to lock down millions of residents of Wuhan and the surrounding area, to try to keep the new coronavirus from spreading outward. The country’s neighbors are closing borders, airlines are canceling flights, and nations are advising their citizens against traveling to China, a modern instance of the old impulse to restrict people’s movements in order to stop disease transmission.

U.S. authorities are holding travelers returning from China in isolation for two weeks as an effort to halt coronavirus’ spread. Always at the center of the policy of quarantine is the tension between individual civil liberties and protection of the public at risk.
Keeping contagion at bay

The meaning of quarantine has evolved from its original definition “as the detention and segregation of subjects suspected to carry a contagious disease.”

Now it represents a period of isolation for persons or animals with a contagious disease – or who may have been exposed but aren’t yet sick. Although in the past it may have been a self-imposed or voluntary separation from society, in more recent times quarantine has come to represent a compulsory action enforced by health authorities.

Leprosy, mentioned in both Old and New testaments, is the first documented disease for which quarantine was imposed. In the Middle Ages, leper colonies, administered by the Catholic Church, sprung up throughout the world. Although the causative agent of leprosy – the bacterium Mycobacterium leprae – was not discovered until 1873, its disfiguring and incurable nature made civilizations wrongly believe it was easily spread.

The plague of the 14th century gave rise to the modern concept of quarantine. The Black Death first appeared in Europe in 1347. Over the course of four years, it would kill between 40 million and 50 million people in Europe and somewhere between 75 million and 200 million worldwide.


Now part of Croatia, Ragusa was in the Venetian Republic when it invented the 40-day quarantine to try to keep the plague out.

In 1377, the seaport in Ragusa, modern day Dubrovnik, issued a “trentina” – derived from the Italian word for 30 (trenta). Ships traveling from areas with high rates of plague were required to stay offshore for 30 days before docking. Anyone onboard who was healthy at the end of the waiting period was presumed unlikely to spread the infection and allowed onshore.

Thirty was eventually extended to 40 days, giving rise to the term quarantine, from the Italian word for 40 (quaranta). It was in Ragusa that the first law to enforce the act of quarantine was implemented.

Over time, variations in the nature and regulation of quarantine emerged. Port officials asked travelers to certify they hadn’t been to areas with severe disease outbreaks, before allowing them to enter. In the 19th century, quarantine was abused for political and economic reasons, leading to the call for international conferences to standardize quarantine practices. Cholera epidemics throughout the early 19th century made clear the lack of any uniformity of policy.
Imported to America

The United States has also had its share of epidemics, beginning in 1793, with the outbreak of yellow fever in Philadelphia. A series of further disease outbreaks led Congress in 1878 to pass laws that mandated involvement of the federal government in quarantine. The arrival of cholera to the United States, in 1892, prompted even greater regulation.


Officials quarantined ‘Typhoid’ Mary Mallon in a hospital.

Perhaps the best known example of quarantine in American history, pitting an individual’s civil liberties against public protection, is the story of Mary Mallon, aka “Typhoid Mary.” An asymptomatic carrier of typhoid fever in the early 20th century, she never felt sick but nevertheless spread the disease to families for whom she worked as a cook.

Officials quarantined Mary on North Brother Island in New York City. Released after three years, she promised never to cook for anyone again. Breaking her vow and continuing to spread the disease, she was returned to North Brother Island, where she remained for the remainder of her life in isolation.

More recently, in 2007, public health officials quarantined a 31-year-old Atlanta attorney, Andrew Speaker, who was infected with a drug-resistant form of tuberculosis. His case grabbed international attention when he traveled to Europe, despite knowing he had and could spread this form of TB. Fearing quarantine in Italy, he returned to the United States, where he was apprehended by federal authorities and quarantined at a medical center in Denver, where he also received treatment. Following release, deemed no longer contagious, he was required to report to local health officials five days a week through the end of his treatment.

Quarantine today continues as a public health measure to limit the spread of contagious disease, including not just coronavirus, but Ebola, flu, and SARS.

Its stigma has largely been removed by emphasizing not only the benefits of quarantine to society, by removing contagious individuals from the general population, but also the benefit of treatment to those who are ill.

In the United States, where the Constitution guarantees personal rights, it’s a serious decision to restrict an individual’s freedom of travel and compel medical treatment. And quarantine is not an ironclad way to prevent the spread of disease. But it can be a useful tool for public health officials working to stop the spread of a contagious disease.

Written by Leslie S. Leighton, Visiting Lecturer of History at Georgia State University.

Originally published on The Conversation.

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"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is a short story by American writer Edgar Allan Poe, first published in 1842. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey.
Genre: Short story
Characters: Prospero
Author: Edgar Allan Poe

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The red death had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal -- the madness and the ...


Image result for e a poe the masque of the red death movie
The Masque of the Red Death is a 1964 horror film directed by Roger Corman and starring Vincent Price. The story follows a prince who terrorizes a plague-ridden peasantry while merrymaking in a lonely castle with his jaded courtiers.
Directed by: Roger Corman
Actor: Vincent Price
Genre: Horror

Thursday, January 16, 2020

The “Unhealthy” in “The Fall of the House of Usher”: Poe’s Aesthetics of Contamination
David Roche


In L’Imagination malsaine (L’Harmattan, 2008), I tried to follow Freud’s example in “The Uncanny” by starting with a study of the adjective “malsain,”feeling that some of the ambiguities raised by the morphology of the French Word were lost in the English word, “unhealthy.”

Historically, the adjective was mainly used to describe physical and mental ailments; the non-literal or“moral” sense of the word (which is predominant in contemporary French and has come to mean “immoral,” “perverse” or “disturbing”) was employed later in the nineteenth century when it was notably used to describe literary works.If the adjective initially suggested the idea of contamination or contagion (whichmedical usage distinguishes insomuch as the first is propagated by the non-human, the second by the human), the non-literal sense would tend to be metaphorical. Gérard Genette’s study, “Métonymie chez Proust,” when the critic speaks of “metonymic contagion” 
and argues that a “metaphor-effect”is often rooted in a “metonymy-cause,” enabled me to articulate the notion of “unhealthy” around these two figures. Examples from David Cronenberg’s Films also suggested that, if a symptom becomes the visible metaphor of the disease, the symptom is nevertheless linked to an invisible metonymical chain of spatial or causal contiguity.
L’Imagination malsaine, I did not, however,refer to Susan Sontag’s groundbreaking Illness as Metaphor , since she deals with the metaphoric uses of specific diseases, namely TB and cancer, but my thesis does confirm her demonstration that the disease’s reality and gratuitousness, or what I would call the disease’s corporeality, is, in a sense,repressed by “metaphoric thinking.”

My study of metaphors also backs up Sontag’s demonstration that individual diseases such as TB and cancer are feared as if they were “morally, if not literally, contagious,” so that the metaphoric seems to become metonymical. With the “unhealthy,” I argue, the metaphor is, in effect, rooted in the metonymy. Moreover, if the foreign body and the contagious subject are deemed “unhealthy” to a healthy subject by a subject or the (medical, moral, etc.) law, it is, in fact, the relation between the two that is “unhealthy”. This implies a certain degree of subjectivity in the attribution of the value “unhealthy” and raises the question of the relationship between the subject and the law.Few studies of “The Fall of the House of Usher” deal, even in passing, with illness and disease, much less contamination. 



ROGER CORMAN'S FALL OF THE House of Usher(1960)
Drama | Horror
Upon entering his fiancée's family mansion, a man discovers a savage family curse and fears that his future brother-in-law has entombed his bride-to-be prematurely.
Director: Roger Corman Stars: Vincent Price, Mark Damon



A LATER VERSION STARRING OLIVER REED AND DONALD PLEASANCE






AN EARLIER VERSION OF THE FALL BW MOVIE ENGLAND 
First shown 06/01/1950. A traveler arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax (IMDB).

Tomb Or Womb: The Freudian Approach to Live Burial in Edgar Allan Poe's" The Fall of the House of Usher" and" The Premature Burial"
THE PSYCHOANALYSIS OF THE GOTHIC ELEMENTS IN EDGAR ALAN POE THE FALL OF THE HOUSE OF USHER Using : interpretation of dreams Freudian theory and others
Graduation thesis, 2013
Dali  Amel





THE MASQUE OF THE RED DEATH IS ANOTHER POE WORK THAT FITS THIS DESCRIPTION OF ILLNESS, CONTAGION, CONTAMINATION BOTH IN POE'S SHORT STORY AND IN ROGER CORMAN'S FILM ADAPTATION, ONE OF THE FEW THAT IS EVEN CLOSE TO POE'S ORIGINAL STORY.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is a short story by American writer Edgar Allan Poe, first published in 1842. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey.
Genre: Short story
Author: Edgar Allan Poe
The Masque of the Red Death - Wikipedia


THE MASQUE OF THE RED DEATH
The red death had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal -- the madness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress, and termination of the disease, were incidents of half an hour.

But Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his crenellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts.

They resolved to leave means neither of ingress nor egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death."

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