This is a rhetorical question, right?
Is killing off big, bad wolves the best way to halt attacks?Of course it is.
Killing wolves is stupid.
Killing wolves works -- briefly
And it is only done to appease stupid ranchers and farmers, who believe that they have the God Given Right to invade the wilderness, and their creation of private property, fenced in enclosures, justifies their wiping out predators.
For generations, ranchers have believed that the only good wolf is a dead wolf.
Predators that they cannot prove kill their cattle.Since wolves and other predators do not enter farms and ranches to kill, they kill the cattle, if they kill them at all on on public land. Land that borders the wilderness. Farmers and Ranchers who celebrate their inherent right to private land allow their Cattle to graze and wander across unenclosed public land. And since wolves don't recognize property rights they come in conflict with humans and their property (cattle).
Of course their stupidity is only matched by the Government of Alberta Sustainable Resource Development (sic) Department;
"The wolves are the primary cause of mortality in the caribou," said Dave Ealey, a spokesman with Alberta Sustainable Resource Development, who also cites weather and human development as contributing factors.
Clever turn of phrase, the caribou population is NOT endagered by the wolves, who yes kill them. They are endangered by the expansion of tourism, oil and coal development. Which of course is not Sustainable developement at all, except in the Orwellian mind of the Alberta Government which uses the phrase sustainable to mean, long term development. To anyone else sustainable development means a balance between wilderness ecology and human development.
And while the government claims Wolves are not endangered, that is another bit of Orwellian logic. True in Alberta we have a large population however in B.C. and to the South of us the wolf population is declining. So geographically we are one of the last prairie sites in either the U.S. or Canadian Pacific North West and Prairies that contains a large wolf population.
I would define that as endangered. More endangered than cute furry seals.
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No longer.
A newly released translation of the Gospel of Judas, coming of course from the Gnostic Dead Sea Scrolls, reveals that Judas was not the traitor he is smeared as in the Gospels of the syncophants; Mark and Luke.
Time line since discovery of Gospel of Judas
The text's existence has been known since it was denounced as heresy by the bishop of Lyon in A.D. 180, but its contents had remained an almost total mystery. Unlike the four gospels of the New Testament, it describes conversations between Jesus and Judas Iscariot during the week before Passover in which Jesus tells Judas "secrets no other person has ever seen."The other apostles pray to a lesser God, Jesus says, and he reveals to Judas the "mysteries of the kingdom" of the true God. He asks Judas to help him return to the kingdom, but to do so, Judas must help him abandon his mortal flesh: "You will sacrifice the man that clothes me," Jesus tells Judas, and acknowledges that Judas "will be cursed by the other generations."
Rather as the radical zealot in the liberation army of the Jews at the time, Judas was key to the Passover Plot. To radicalize the Jewish community into a mass uprising, with the symbolic death and ressurection of the Messiah myth being played out in public.
According to this book Jesus had planned everything precisely: so that he would not be on the cross for more than a few hours before the Sabbath arrived when it was required that Jews be taken down; that one of his supporters, who was on hand, would give him some water to quench his thirst that was laced with a drug to make him unconscious; and that Joseph of Arimathea, a well-connected supporter, would get him released off the cross while still alive (but appearing dead) so that he could be nursed back to health in the tomb under the safety of the Sabbath.
It is this Gnostic mythology that is celebrated in Progressive Rock Album; Jesus Christ Superstar, and the heretical movie; The Last Temptation of Christ.
If anything is guarnteed to shake up the Pauline church, both the Orthodox and Catholic, this will. For modern Christianity does not originate in the faith of the Jews or Essenes or even the Gnostics of the time, it is the State Religion of Empire, of Constantine and the Pauline heresy of de-judaizing Jesus.
Ironic eh, Judas, Judah, Jews, de-judaizing, the very origin of anti-semitism within Christianity begins with Judas betrayl, a radical Jew a Zealot, then the blaming of Philistines for denying Jesus, etc. The origin of Revisionist History begins with Saul/Paul and the Pauline church which will now face its historic cumupeance with this revelation.
Just in time for Easter, which has nothing to do with Jesus at all, any more than Christmas has.
And of course this is really going to help the sales of the Da Vinci Code.
And did you know that Jesus had a brother?
His name was James and his gospel has yet to be translated.
And of course this is still more heresy.
Op-Ed Contributor The Gospel Truth Elaine Pagels
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During the heyday of the 70's, before Disco melted down the creativity level of music to drum beats and homogonized dance music, and before the rebellion of the three chord reaction to the dumbing down of music, the Punk DIY movement, the stellar sphere of sound was Progressive Rock.
That is rock music that was longer than two or three minute radio spots. Rock Music influenced by Classical music, and by the idea of the 'Concept Album', the idea of creating a symphonic sound out of rock and telling a story where the whole album spoke to a singular idea or theme.
The Who created Tommy a Rock Opera, and later Quadraphenia as less popular rock opera, Jethro Tull had created Thick As A Brick, Yes and Emerson Lake and Palmer integrated organ music and pre-synthesiser sounds.
ELP originated out of King Crimson and the classical music sound of Keith Emerson's earlier band the Nice, which rockified classical and symphonic music through the use of the electric organ, the percursor to the synthesizer. One of Emersons best rock classical albums is entitled the Five Bridges Suite, took several well known classical compositions and Rockified them, sped them up and underscored the basso sound using electric organ and moog synthesizer. The Bridges are tonal overlaps in classical music. Thus Rock music went from pop sound to full symphonic sound.
Tarkus, ELP's second album was a rock version of Hungarian modernist composer Bela Bartok's work without credit. Their third Album was the rock version of Russian modernist Mussgorsky's Pictures at an exhibition.
Moody Blues were one of the first bands to really work with a symphonic orchestra with their first album and hit single, Knights in White Satin.
Deep Purple would follow up with their concept album Deep Purple in Rock which again contained longer 6-9 minute songs, including the hauntingly beautiful Child in Time, recorded like the Moody Blues had, with the London Sympthonic Orchestra.
In Europe Vangelis first concept album with his band Aphrodites Child; 666 was released as an unheard of double album, live recording which was a musical concept album about the Anti-Christ, Babalon and the book of Revelations, which included famed Greek Actress Irene Papas singing the part of Babalon.
My favorite band of this period is Rennaissance, whose rock motifs are based on Russian composers. Russian Classical music by its inherent nature has been and is modernist, daring to create sound poems and aural stories, using themes to tell stories, not merely using the music to express an inner ideal.
Rennaissance picked up on this as the Folk revival was kicking off in England, and as concept albums, the creation of Progressive or Experimental rock, was begining.
I just picked up the live two CD collection of their performances which were released in the late 1990's almost twenty years after their performances were recorded. The complete collection of their work has yet to make it to CD. So look for them on vinal.
I reccomend the link above on Progressive Rock from Wikipedia, though I must say that while they show the progression from the early rock concept bands such as the Yardbirds, from whence Renaissance originated, and which gave birth to such bands as Led Zepplin, they missed one of the most influential of the Classical, Jazz, Rock crossover musicians, who really should be credited with being the father of the concept album and Progressive Rock, none other than Frank Zappa.
His only hit single Peaches in Regalia is a wholy unique and original modern classical piece of instrumental music. Zappa was influenced by the fifties modernist composer Edgard Varese, whose compostion Ameriques is a stunning combination of modern symphonic music and jazz with a continual police siren in the background, and was written in the 1920's!!
Now compare that with Leonard Bernstiens paen to America, West Side Story, and you can see the paths that modern classical/symphonic music was moving towards, where we end up in the seventies with its merger into Progressive Rock.
Varese and Zappa created tone poems, and Zappa was as egotistical an orchestra leader as ever one could find in the Classical realm. In fact his clashes with that other symphonic egotist, conductor Zubin Meta (whose 1812 Oveture with small live cannons is still the ne plus ultra version of the composition) during 200 Motels is well documented, indeed why Zappa placed Meta and the Los Angeles Philharmonic in a concentration camp setting in his movie. Nasty.
What Zappa has never been given credit for is his guitar playing. He was one of the best guitar players of his generation. And it is perhaps his classical approach to the instrument that deminished the appreciation of his abilities. Becuase he approached his guitar playing like his composing and his leading his band like a conductor, his tightly controled playing did not appear wild, arm swinging, hair flinging, style that was so popular amongst other expressive rock musicians that led to his underappreciation as a guitarist.
What Zappa got from Varese was the concept of the Idee Fixe, "Some of Edgard Varese's later works make use of the 'Idee Fixe', a fixed theme, repeated certain times in a work. "Through out his work a common Idee Fixe will appear repeatedly, this is a the very essence of modernist classical music, and Zappa was not only a Rock and Roll guitarist but the very essence of a modern classical composer.
By the 1980's Progressive rock was having a well deserved revival in the works of Genesis, the Quebec band Harmonium, the electronic works of Vangelis, and his team up Jon Anderson former lead singer of Yes, to create thematic concept albums like the Friends of Mr. Cairo, heralded the return of the concept album and the revival of Progressive Rock.
The Alan Parsons Project overlapped many of the concept albums coming out in the eighties, where Parsons had worked with folk musicians like Al Stewart, again there is the connection between the English Folk revival and Progressive Rock, and Pink Floyd, before coming out with his own Concept ablums with the Project.
But it was short lived revival as the ninties diminished all new sound into a wave of unoriginal remastering of 'found' sounds and the diminuation again of music to the drum beat machine staccato of Hip Hop.
Underscoring all this is the continual return to the classical roots of music, its symphonic sound, that ability to layer sound to create depth and imagery. Whether it was with the eight track revolution of the Beatles sound on Sgt. Peppers or the Rolling Stones Their Satanic Majesty's Request, both concept albums, or with the later use of synthesizer, the progressive sound in rock was its imitation of and merger with symphonic music.
As Bakunin once joked when asked if his anarchist revolution would get rid of all culture, he replied, "No we will keep Beethoven's 5th." It was the progressive and radical music of its day. An elegy to human reason. As it remains today.
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