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Tuesday, June 11, 2019

Oct 20, 2009 - A lost novella from Brave New World author Aldous Huxley, now back in print in a Harper Perennial Modern Classics edition, The Genius and ...
As told in retrospect by John Rivers, this stormy idyll of his youth returns to the period spent in the household of Hen

The genius and the goddess; a novel. by: Huxley, Aldous, 1894-1963. Publication ... For print-disabled users. Borrow this book to access EPUB and PDF files.ry Maartens, a sick genius, and Katy the wife ...

Thursday, December 23, 2021

HERESIOLOGY
The Origins of the Counterculture Movement: A Gathering of Anarchists, Occultists and Psychoanalysts for a New Age


Cynthia Chung

November 21, 2021

The third part of Cynthia Chung’s series discusses how Aldous Huxley’s form of ideological spirituality went on to shape the drug-counter-culture movement.

“…’If the first half of the twentieth century was the era of the technical engineers, the second half may well be the era of the social engineers’ – and the twenty-first century, I suppose, will be the era of the World Controllers, the scientific caste system and Brave New World…The older dictators fell because they could never supply their subjects with enough bread, enough circuses, enough miracles and mysteries… Under a scientific dictatorship education will really work – with the result that most men and women will grow up to love their servitude and will never dream of revolution. There seems to be no good reason why a thoroughly scientific dictatorship should ever be overthrown.”

– Aldous Huxley’s “Brave New World Revisited”

This new era of the World Controllers where revolution will become irrelevant since the masses will come to love their servitude is referred to as the “Ultimate Revolution” by Huxley, a clearly borrowed phrase from H.G. Wells’ 1933 book “The Shape of Things to Come: The Ultimate Revolution.”

It is the ultimate revolution, since it will be the last of the revolutions, the most perfect revolution that will end any need for further change, since we will have finally achieved a stable world order.

It will be the beginning of the era of the World Controllers and it will be regarded as a modern Utopia, for everyone will be supposedly content within the controlled reality that shapes their caste, a caste that has been scientifically determined.

Anyone wishing to understand today’s Great Reset agenda which professes to radically alter humanity’s values amidst a vast systemic collapse, would do well to see how these ideas took root well over a century ago in a strange village in Switzerland.

[This paper is the third part to a four-part series. See Part I and Part II.]

Monte Verità (The Mountain of Truth): A Modern Utopia

In 1900, artists Henri Oedenkoven and Ida Hofmann founded an anarchist, bohemian, nudist, sun-worshipping, vegetarian artists’ colony within the small village of Ascona, Switzerland, and named it Monte Verità, meaning “mountain of truth.”

The concept for Monte Verità began with the arrival of Mikhail Bakunin, the recognized leader of international anarchism, in 1870, when he moved to Locarno, Switzerland (less than 2 km away from Ascona) and lived there for several years, attracting expressionist writers, artists, anarchists and radicals who took up residence in the surrounding region. Bakunin’s influence in the area would be the inspiration for the formation of a commune years later, Monte Verità.

Monte Verità became the international meeting place for all those who rebelled against science, technology, and the rise of the modern industrial nation-state. On the surface it was and is popularly regarded as a nature cure resort, offering treatments that include a vegetarian diet, health foods, fasting, earth cures, water cures, nude sun baths, nude air baths, and nature hikes.

The region of Ascona attracted an eclectic array of guests, from anarchists, theosophists, communists, psychoanalysts, vegetarians, rhythmic dancers, nudists, and bohemians alike. Among the notable regulars at Ascona were Herman Hesse, Carl Jung, Peter Kropotkin (who became an anarchist, after joining the watchmakers of Jura in Switzerland, who were the disciples of Bakunin), Rudolf Steiner, D.H. Lawrence (a mentor of Aldous Huxley), and the list goes on.

It had developed such a strong reputation as a Utopia, that even H.G. Wells was smitten, placing his utopia in Ticino, the Italian region of Ascona in his “Modern Utopia” (1905), and “In A World Set Free,” (1914) setting the rebirth of society in Lago Maggiore near Ascona.

In 1905, Otto Gross (an early disciple of Sigmund Freud) moved to Ascona and quickly became a sort of ruler amongst the diverse membership. Otto Gross was considered a major force in the burgeoning field of psychoanalysis, and also became a key figure in the anarchist, psychoanalytic and spiritual circles. He would conduct psychoanalysis sessions, where he would advise his “subjects” to act out their sexual fantasies, often with himself and/or his wife. Gross wanted to revive pagan mysticism, with the freedom to engage in heavy doses of sex orgies.

In 1908, Gross’ addiction to morphine and cocaine (to which his mentor Freud shared), would lead him to commit himself to the Burghölizi Mental Hospital in Zurich, where he was put under the care of Carl Jung.

At Burghölizi, Jung diagnosed Gross as a schizophrenic. Over the course of the therapy, however, Carl Jung claimed his entire worldview had changed when he attempted to analyse Gross and partially had the tables turned on him. (1) This led Jung to visit Ascona for himself, whereupon he adopted the ideas of Gross, turning to pagan sun worship and sun mythology.

Herman Hesse and Carl Jung are described as among the many who had found themselves under Otto Gross’ spell. Historian Arthur Mitzman writes in his “Anarchism, Expressionism and Psychoanalysis,” that:

“Otto Gross, as Jung’s guru throughout most of this evolution and a man capable of exerting a remarkable charisma among the Bohemian artists and outcasts in Munich, Berlin, Ascona and Vienna, must be considered the principal source of the ideas inspiring Jung and his friends in the decade before 1920.”

What was Otto Gross’ philosophy?

Gross believed that in order to achieve freedom, one must never repress any desire. Nothing was forbidden no matter how seemingly irrational, even the encouragement of suicide if his patient so desired. Gross believed that Western civilization lay at the centre of this oppression of the individual’s freedom. Those who were coming to Monte Verità were ultimately all sick, and they were made sick by the repressive ideals and values of Western civilization.

At Monte Verità, Gross promised to cure them by arousing the animal desire from within, promising to free them from their inhibitions, fears, and self-imprisonment. It was uncommon for Gross not to have sexual intercourse with his treating patient as part of the prescribed therapy.

Gross became increasingly political, particularly in Ascona, where Jung himself writes, Gross had planned “to found a free college from which he thought to attack Western civilization, the obsessions of inner as well as outer authority, the social bonds which these imposed, the distortions of a parasitic form of society, in which everyone was forced to live from everyone else to survive.”

One particular individual named Max Weber found himself devoting his passion to Otto Gross in the construction of this free college. Although this project didn’t become reality as these reformers hoped (Otto Gross became too unstable to lead anything), it is interesting to note Weber’s career as a co-founder of the Frankfurt School in 1923. Among the goals of the new school was the merging of Freudian Psychoanalysis with Marxist theories of sociology in order to engage in an international cultural war that would create the conditions for an ultimate global revolution. The Frankfurt School, whose influence vastly shaped much of the post WWII period, Max Weber, George Lukacs, Theodor Adorno, Max Horkheimer and other misanthropes pioneered the growth of Critical Theory, the “Authoritarian Personality”, political correctness and other intellectual viruses.

Gross would encourage the suicides of Lotte Hattemer (in 1906) and Sophie Benz (in 1911) as the only way to liberate themselves. They had also been among his many, many lovers.

He had diagnosed the two women as having suffered from incurable mental illness (dementia praecox). He had left the poison with which Lotte Hattemer killed herself lying within her reach. He informed psychiatrists in 1913 (during one of his many visitations to the asylum between 1912 and 1920), “When I could no longer intervene analytically, I had a duty to poison her,” in reference to Sophie Benz.

Gross is also quoted commenting “A beautiful death is better than a low probability of cure.”

Before Jung, it had been the expectation of Freud that Gross would be his heir in the psychoanalytic field, however, Gross was becoming increasingly unstable.

By 1912, Gross was forcibly interned in a psychiatric institution in order to avoid being tried for murder and assisting suicide. Otto’s father, Professor Hans Gross who is considered the founder of criminology, was behind this intervention.

In 1913, at the lunatic asylum in Tulln, Gross is recorded saying:

“My whole life was focused on overthrowing authority, for example that of the father. In my view there is only the maternal right, the right of the horde…So when I’ve finished my work, let come what may. Actually, I would like to live to the age of forty-five, and then go under…preferably participating in an anarchist assassination…That would be the most beautiful way.”

Some have credited Otto Gross as the founding grandfather of the 20th century counterculture, a pioneer as the first rock n roller, hard punk lifestyle so to speak. And he did not disappoint. Gross died in 1920, at the age of forty-three, a few days after being found in the street, near-starved and freezing after eight years of going in and out of asylums, largely revolving around drug addiction. Not even Sid Vicious could ask for a more apt role model.

The same year that Gross was forcibly interned in a psychiatric institute, the start of his downward spiral of “individual freedom” to do whatever one wishes, Jung published “The Psychology of the Unconsciousness,” where he began to spiritualize the psychoanalysis movement and wrote of sun worship and sun mythology as the original natural religion of the Aryan people. (2)

It gave an academic respectability to Ascona’s Aryan sun religion, and he began to receive followers from all over the world, who wanted to experience the mythos of their own unconsciousness.

With the publishing of “The Psychology of the Unconsciousness,” a split began to develop between Jung and Freud.

In the years that followed, it became fashionable among banking and intelligence circles, to go under analysis with Jung. In 1913, Edith Rockefeller traveled to Zurich to be treated for depression by Carl Jung and contributed generously to the Zurich Analytical Psychology Club. She would later become a Jungian analyst with a full-time practice in the States attracting many socialite patients. She also paid for Jung’s writings to be translated into English in order to help disseminate his ideas. (3)

Paul (son of Andrew Mellon, co-founder to the Mellon National Bank) and Mary Mellon financed the Bollingen Foundation dedicated to disseminating Jung’s work. In 1957, Fortune magazine estimated that Paul Mellon, his sister Ailsa, and his cousins Sara and Richard Mellon were all among the richest eight people in the United States with fortunes between $400-700 million each (around $3.7-6.5 billion in today’s dollars).

Through these initiatives, there was a spill over of the ideas of Ascona into the circles of the rich and powerful. British central banker Montagu Norman and members of the Dulles family also went under Jungian analysis.

Allen Dulles would be at the center of the formation of a vicious CIA program named MKULTRA during the Cold War. The relevance of this will be made clear in part 4 of this series.

Ordo Templi Orientis: The Secret Doctrine of “Sex Magic”

“Do what thou wilt shall be the whole of the Law”

– The core tenet of the Ordo Templi Orientis

Ascona was considered sacred ground for occultists going back hundreds even thousands of years, the area containing ruins of ancient ritual sites and artifacts.

In 1916, Theodor Reuss, under the sponsorship of Henri Oedenkoven and Ida Hofmann (the founders of Monte Verità), arrived in Ascona. Reuss had been building a Masonic empire and he wanted to transfer its headquarters to the Swiss village. While in Basel, Switzerland, he established the “Anational Grand Lodge and Mystic Temple” of Ordo Templi Orientis (O.T.O.), and the “Hermetic Brotherhood of Light” at Monte Verità.

The Ordo Templi Orientis is the ecclesiastical arm of the Ecclesia Gnostica Catholica (E.G.C.), dedicated to the advancement of Light, Life, Love and Liberty through alignment with the Law of Thelema. The Law of Thelema follows the mandate that each person follow their True Will to attain fulfillment in life and freedom from restriction of their nature.

Aleister Crowley is credited as the early developer of Thelema as a spiritual philosophy and religious movement. Its maxim is: “Do what thou wilt shall be the whole of the law”.

It was to herald a new age.

Such a maxim was in full accord with the anarchist views of Mikhail Bakunin, followed by Otto Gross and those he influenced. The founders of Monte Verità were very clear in what they intended as a desired ideology for their followers.

Reuss would be issued warrants allowing for him to operate three systems of high-grade Masonry: The Ancient and Primitive Rite of Memphis, The Ancient and Primitive Rite of Mizraim, and The Ancient and Accepted Scottish Rite. (4)

Along with Reuss’ control of the Swedenborg Rite, the Rites combined provided Reuss with a complete system of Masonic initiation, independent of the regular British Masonic system.

In 1905, out of this new system of Masonry, (5) which was the Ordo Templi Orientis (O.T.O), Reuss formed the Hermetic Brotherhood of Light, as a branch of O.T.O. which was located at Monte Verità. Reuss declared himself the Outer Head of the Order.

The Ordo Templi Orientis (O.T.O) distinguished itself by allowing membership to women, and advocating a new secret doctrine called Sex Magic.

Sex Magic is the corrupted Western version of Kundalini Yoga or Tantric Yoga of the East. It is sometimes referred to, in the translation of Sanskrit into English, as “Serpent Power.”

In 1912, Reuss conferred Aleister Crowley the IX° and appointed him National Grand Master General X° for the O.T.O. in the United Kingdom of Great Britain and Ireland by charter dated June 1, 1912.

In August 1917, Reuss issued a manifesto for his Anational Grand Lodge (O.T.O), called “Verità Mystica.” He then held the “Anational Congress for Organizing the Reconstruction of Society on Practical and Cooperative Lines” at Monte Verità August 15–25, 1917. He wanted to create a new ethic, a new social order, and a new religion, to be achieved through the establishment of utopian-bohemian colonies and settlements throughout the world.

By 1921, Crowley succeeded Reuss, to become the Outer Head of the Order. Crowley had become notorious for his excesses with drugs and women and for his practice in Sex Magic which he held as of high occult importance. He became known as “The Great Beast 666” and “The Wickedest Man in the World” and would become an icon for the counterculture movement.

Sonnenkinder: The Children of the Sun

Another theme of Monte Verità that hopefully has become apparent to the reader is the worshipping of the sun. This appears to have been largely influenced by the work of Johann Jakob Bachofen, whose theory of cultural evolution, in his 1861 work “Das Mutterrecht,” was described as four phases: 1) wild nomadic phase (proto-Aphrodite), 2) matriarchal lunar phase (early Demeter), 3) transitional phase (original Dionysos), 4) the patriarchal solar phase called The Apollonian, in which all trace of the Matriarchal and Dionysian past are eradicated and modern civilisation emerges.

Bachofen’s cultural evolution theory greatly influenced Otto Gross, and thus was adopted as a central philosophy of Monte Verità. As already mentioned, Carl Jung’s work became very much focused on this Aryan sun-worshipping religion to which he wrote “Psychology of the Unconscious: a study of the transformations and symbolisms of the libido, a contribution to the history of the evolution of thought.”

D.H. Lawrence had also been forever changed by the influence of Otto Gross and Herman Hesse, the latter whom Timothy Leary has credited as the Patron Saint of Cyberpunk (Leary was “turned on” to Hesse by Aldous Huxley). More on this in an upcoming paper.

Although Aldous Huxley would first meet D.H. Lawrence in 1915, it would be during the period of 1926-1930, that they would become close friends (1930 was the year D.H. Lawrence died at the age of forty-four).

The timing could not have been more ripe it seems for Aldous’ introduction into mysticism, having just written “Those Barren Leaves” in 1925 whose title was derived from William Wordsworth’s poem “The Tables Turned” to which it ends with:

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.

Aldous concludes that for all the high education of the cultural elite, they are nothing but sad and superficial individuals. This was a rather typical commentary from the “Lost Generation” that was to form as a consequence of the despair after WWI and the belief that civilisations striving towards industrialisation and scientific progress had been the cause of this seemingly pointless world war. And that it was just a taste of what awaited humanity in the future if it did not correct its ways.

Aldous had abandoned the “false altars” of knowledge through science and art. He was ready for entry into the secret arts, and D.H. Lawrence would be his guide. After all, his grandfather T.H. Huxley was the one to coin the term “agnosticism,” thus it was only natural that he keep an open mind…

It should also not be lost on the reader the relevance of Aldous’ uniting of his grandfather’s promotion of Darwinian evolution and that of Bachofen’s cultural evolution. (See Part 2 of this paper.)

Through D.H. Lawrence, Aldous was taught Lawrencian metaphysics. At the core of this was that self-division was the source of the woes of western civilisation. A dualism in which modern life had caused the splitting of humanity into two conflicting forces; passion and reason, that were always at war within the individual. As a way to save humanity from reason’s tyranny dominating over passion, Lawrence preached the cult of the body and of the “dark night-life of the blood.” He believed this to be the only way to return humankind to its true heritage of the emotions.

The only way to live as a whole man, was to abandon “mental self-consciousness” and rediscover instinct, to unify oneself, to put back the fragmentation that modern civilisation had caused. According to Lawrence this division within an individual was the root of all evil, and that the natural appetite, spontaneous instinctive desires, were the pure and the good. That it was the imagination, the intellect, its moral principles, its tradition and education that were the corrupting influence of modern civilization.

Through Lawrence, Aldous Huxley, Gerald Heard and Christopher Isherwood would be forever changed by the ideas of Ascona. They would later be called the Sonnenkinder (The Children of the Sun), a term that came from Johann Jakob Bachofen and would become the leading influence that would shape the Human Potential Movement and the Esalen Institute.

Though it is beyond the scope of this paper to go through in detail how Ascona propagated a perversion of aspects of Indian philosophy (Herman Hesse played a large part in introducing this into Ascona), it should be noted that there is consistently an overlap with the Aryan sun-worship religion and certain aspects of Indian philosophy within Ascona, the Ordo Templi Orientis and the Sonnenkinder. This especially revolves around the Bardo Thodol (Liberation Through Hearing During the Intermediate State), otherwise known as the Tibetan Book of the Dead.

The Tibetan Book of the Dead focuses on the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth.

Through the lens of Lawrencian metaphysics, the Sonnenkinder would adopt the philosophies of the Tibetan Book of the Dead to their core. Aldous made no secret that during his last years of life, the book had become a sort of bible for him. Aldous would also introduce Timothy Leary to this, which in turn became a major influence on the counterculture guru.

According to Timothy Leary, his co-written book “The Psychedelic Experience,” published in 1964 was loosely based on the Tibetan Book of the Dead. Leary and his co-writers, described the Tibetan Book of the Dead as “a key to the innermost recesses of the human mind, and a guide for initiates, and for those who are seeking the spiritual path of liberation.”

It should also be noted that there is a great deal of overlap with the Ascona philosophy of Aryan sun-worship and that of Alice Bailey who was influenced by the Theosophical Society of Madame Blavatsky, a sort of sister branch of Monte Verità. Bailey’s first work was titled “Initiation, Human and Solar.”

In Bailey’s “Esoteric Psychology II,” heavily influenced by Madame Blavatsky’s “The Secret Doctrine,” she references the mystery of the descent of “fall” to Earth of the rebellious angels – the solar angels or agnishvattas, to which Lucifer is the best known representative. And that the only true evil is the sin of separatism, to which she refers “the mind is the slayer of the Real. Slay thou the slayer.”

Bailey has stated that the majority of her works have been telepathically dictated to her by a Master of Wisdom, initially referred to as “the Tibetan” or by the initials “D.K.,” later identified as Djwal Khul.

In 1922 she co-founded the Lucis Trust with her husband (originally called “Lucifer Publishing Company) which has played a major role within the United Nations to this day.

It should also be noted that Alice Bailey’s interpretation of the mythology of Lucifer has a great deal of overlap with that of the Scottish Rite. Theodor Reuss, followed by Aleister Crowley oversaw a branch of the Scottish Rite in Germany, and as already discussed Ascona had become a headquarter for the Ordo Templi Orientis, and thus we come around full circle.

Children of the Sun in this context, could also be connoted as Children of the Solar-Angels; and thus the Children of Lucifer.

In the words of Alice Bailey, we must add “darkness unto light so that the stars appear, for in the light the stars shine not, but in the darkness light diffused is not, but only focussed points of radiance.” (6)

Thus we must bring forth the darkness…

In 1935, Crowley founded the Agape Lodge No. 2 in Los Angeles.

In 1937, Aldous would move with his family and his fellow Sonnenkinder Gerald Heard to Hollywood, where he would remain until his death. Christopher Isherwood would make the move to Hollywood in 1939.

And just like that, the teachings of Ascona in Hollywood became a primary focus of Crowley and the Sonnenkinder, and together they would dominate the scene out of which the counterculture movement would be born.

[Part 4 of this series will discuss how the ideas of Ascona shaped Hollywood, the music scene and the Esalen Institute, as well as the role of the Tavistock Institute and the Frankfurt school’s in shaping the mass psychology of the counterculture movement.]
Also by this author
Cynthia CHUNG
Cynthia Chung is a lecturer, writer and co-founder and editor of the Rising Tide Foundation (Montreal, Canada).

The War on Science and the 20th Century Descent of Man

COP26 & The Great Reset: The Not So Glorious Prospect of Owning Nothing and Passing a Cold, Dark Winter

The author can be reached at https://cynthiachung.substack.com/

(1) Ronald Hayman, A Life of Jung (1999)
(2) Noll, Richard. The Aryan Christ: The Secret Life of Carl Jung
(3) Ibid
(4) Reuss received letters-patent as a Sovereign Grand Inspector General 33° of the Cernau Scottish Rite from John Yarker dated September 24, 1902 for the Masonic Rites of Memphis and Mizraim and a branch of the Scottish Rite in Germany with charters from Yarker. On the same date, Yarker issued a warrant to Reuss to operate a Sovereign Sanctuary 33° of the Scottish, Memphis and Mizraim rites. The original document is not extant, but a transcript of this warrant was published in 1911 in Reuss’s newsletter, The Oriflamme. Yarker issued a charter confirming Reuss’s authority to operate said rites on July 1, 1904; and Reuss published a transcript of an additional confirming charter dated June 24, 1905.
(5) Reuss announced a constitution for this new, enlarged Ordo Templi Orientis on June 21, 1906 in London.
(6) Alice Bailey, “The Rays and the Initiations”

Monday, August 29, 2022

New study estimates over 5.5 million U.S. adults use hallucinogens

Past 12-month LSD use rate increased from 0.9 percent in 2002 to 4 percent in 2019

Peer-Reviewed Publication

COLUMBIA UNIVERSITY'S MAILMAN SCHOOL OF PUBLIC HEALTH

August 18, 2022 -- Hallucinogen use has increased since 2015, overall and particularly among adults 26 and older, while use decreased in adolescents aged 12–17 years according to a new study by Columbia University Mailman School of Public Health and Columbia University Irving Medical Center. Estimates of over 5.5 million people in the U.S. used hallucinogens in the past year in 2019, which represents an increase from 1.7 percent of the population ages 12 years and over in 2002 to 2.2 percent in 2019. 

LSD use between 2002 and 2019 increased overall and in all age groups with the past 12-month rate increasing from 0.9 percent in 2002 to 4 percent in 2019 for those 18-25 years of age.  Conversely, PCP use between 2002 and 2019 decreased, as did the drug Ecstasy since 2015. The study is the first to provide formal statistical analyses of trends in prevalence of hallucinogen use overall and by age groups during the last two decades. 

The findings are published online in the peer-reviewed journal Addiction.

To assess trends in hallucinogen use in the U.S. general population, the researchers analyzed data from the National Survey on Drug Use and Health (NSDUH) from 2002 to 2019 for participants 12 years of age and older.

The use of hallucinogens -- a broad category of psychoactive substances, including “classic” psychedelics such as LSD -- are mostly designated as Schedule I drugs in the U. S., and may entail risk for adverse consequences including anxious reactions, confusion, acute delusional states and a prolonged sense of fear and dread. LSD and Ecstasy and several other hallucinogens are associated with an increased risk of autonomic, endocrine, cardiovascular and neurological adverse effects including elevated blood pressure, heart rate and loss of appetite, tremors and seizures. PCP is considered to be one of the most dangerous hallucinogens, and known to cause adverse effects similar to LSD and ecstasy, but unlike those drugs, PCP can lead to hostile and violent behaviors that may result in severe trauma. 

“While new findings suggesting benefits from use of certain hallucinogens among a range of cognitive areas are being published at a rapid rate, there are still gaps in knowledge concerning safe hallucinogen use, and evidence for potential adverse effects even with professionally supervised use that warrant attention.” said Ofir Livne, MD, MPH, postdoctoral fellow in the Department of Epidemiology at Columbia Mailman School, and first author. 

From 2002 to 2019, the prevalence of 12-month LSD use increased significantly overall and among respondents aged 12–17 years. However, the prevalence of great risk for regular LSD use decreased significantly overall for the years 2002–14, and among all age groups.

“Our finding of an upward trend in 12-month LSD use, overall and by age, matches our finding of a downward trend in perception of LSD as risky,” said Deborah Hasin, PhD, professor of epidemiology (in psychiatry) at the Columbia University Irving Medical Center, and senior author. “Factors such as changes in risk perception, in the specific types of drugs available and in expectations of beneficial effects of ‘microdosing’ may all have led to increased use of certain hallucinogens in recent years.”

According to author Livne, “Given the recent media coverage showing that an increasing number of adults may be reporting positive effects of ‘microdosing’ and expecting therapeutic benefits of hallucinogens without negative effects, our findings merit a comprehensive examination of time trends and motives for hallucinogen frequency and quantity of use.”

“In light of popular media reports of a forthcoming ‘psychedelic revolution’ with commercialization and marketing that may further reduce public perception of any risk, researchers, clinicians and policymakers should increase their attention to the rising rates of unsupervised hallucinogen use among the general public,” observes Hasin. “Our results highlight such use as a growing public health concern and suggest that the increasing risk of potentially unsupervised hallucinogen use warrants preventive strategies.“

Co-authors are Dvora Shmulewitz, Department of Psychiatry, Columbia University Irving Medical Center, and Claire Walsh, New York State Psychiatric Institute.

The study was supported by the National Institute on Drug Abuse (T32DA031099). 

Columbia University Mailman School of Public Health

Founded in 1922, the Columbia University Mailman School of Public Health pursues an agenda of research, education, and service to address the critical and complex public health issues affecting New Yorkers, the nation and the world. The Columbia Mailman School is the fourth largest recipient of NIH grants among schools of public health. Its nearly 300 multi-disciplinary faculty members work in more than 100 countries around the world, addressing such issues as preventing infectious and chronic diseases, environmental health, maternal and child health, health policy, climate change and health, and public health preparedness. It is a leader in public health education with more than 1,300 graduate students from 55 nations pursuing a variety of master’s and doctoral degree programs. The Columbia Mailman School is also home to numerous world-renowned research centers, including ICAP and the Center for Infection and Immunity. For more information, please visit www.mailman.columbia.edu.

'Everybody is happy now'

A world of genetically modified babies, boundless consumption, casual sex and drugs ... How does Aldous Huxley's vision of a totalitarian future stand up 75 years after Brave New World was first published, asks Margaret Atwood

British writer Aldous Huxley (1894 - 1963) sits with a newspaper on his lap, 1930s. 
Photograph: Hulton Archive/Getty Images

Margaret Atwood
Sat 17 Nov 2007 

"O brave new world, that has such people in't!" - Miranda, in Shakespeare's The Tempest, on first sighting the shipwrecked courtiers

In the latter half of the 20th century, two visionary books cast their shadows over our futures. One was George Orwell's 1949 novel Nineteen Eighty-Four, with its horrific vision of a brutal, mind-controlling totalitarian state - a book that gave us Big Brother and thoughtcrime and newspeak and the memory hole and the torture palace called the Ministry of Love and the discouraging spectacle of a boot grinding into the human face forever.

The other was Aldous Huxley's Brave New World (1932), which proposed a different and softer form of totalitarianism - one of conformity achieved through engineered, bottle-grown babies and hypnotic persuasion rather than through brutality, of boundless consumption that keeps the wheels of production turning and of officially enforced promiscuity that does away with sexual frustration, of a pre-ordained caste system ranging from a highly intelligent managerial class to a subgroup of dim-witted serfs programmed to love their menial work, and of soma, a drug that confers instant bliss with no side effects.

Which template would win, we wondered. During the cold war, Nineteen Eighty-Four seemed to have the edge. But when the Berlin Wall fell in 1989, pundits proclaimed the end of history, shopping reigned triumphant, and there was already lots of quasi-soma percolating through society. True, promiscuity had taken a hit from Aids, but on balance we seemed to be in for a trivial, giggly, drug-enhanced spend-o-rama: Brave New World was winning the race.

That picture changed, too, with the attack on New York's twin towers in 2001. Thoughtcrime and the boot grinding into the human face could not be got rid of so easily, after all. The Ministry of Love is back with us, it appears, though it's no longer limited to the lands behind the former iron curtain: the west has its own versions now.

On the other hand, Brave New World hasn't gone away. Shopping malls stretch as far as the bulldozer can see. On the wilder fringes of the genetic engineering community, there are true believers prattling of the gene-rich and the gene-poor - Huxley's alphas and epsilons - and busily engaging in schemes for genetic enhancement and - to go one better than Brave New World - for immortality.

Would it be possible for both of these futures - the hard and the soft - to exist at the same time, in the same place? And what would that be like?

Surely it's time to look again at Brave New World and to examine its arguments for and against the totally planned society it describes, in which "everybody is happy now". What sort of happiness is on offer, and what is the price we might pay to achieve it?

I first read Brave New World in the early 1950s, when I was 14. It made a deep impression on me, though I didn't fully understand some of what I was reading. It's a tribute to Huxley's writing skills that although I didn't know what knickers were, or camisoles - nor did I know that zippers, when they first appeared, had been denounced from pulpits as lures of the devil because they made clothes so easy to take off - I none the less had a vivid picture of "zippicamiknicks", that female undergarment with a single zipper down the front that could be shucked so easily: "Zip! The rounded pinkness fell apart like a neatly divided apple. A wriggle of the arms, a lifting first of the right foot, then the left: the zippicamiknicks were lying lifeless and as though deflated on the floor."

I myself was living in the era of "elasticised panty girdles" that could not be got out of or indeed into without an epic struggle, so this was heady stuff indeed.

The girl shedding the zippicamiknicks is Lenina Crowne, a blue-eyed beauty both strangely innocent and alluringly voluptuous - or "pneumatic", as her many male admirers call her. Lenina doesn't see why she shouldn't have sex with anyone she likes whenever the occasion offers, as to do so is merely polite behaviour and not to do so is selfish. The man she's trying to seduce by shedding her undergarment is John "the Savage", who's been raised far outside the "civilised" pale on a diet of Shakespeare's chastity/whore speeches, and Zuni cults, and self-flagellation, and who believes in religion and romance, and in suffering to be worthy of one's beloved, and who idolises Lenina until she doffs her zippicamiknicks in such a casual and shameless fashion.

Never were two sets of desiring genitalia so thoroughly at odds. And thereon hangs Huxley's tale.

Brave New World is either a perfect-world utopia or its nasty opposite, a dystopia, depending on your point of view: its inhabitants are beautiful, secure and free from diseases and worries, though in a way we like to think we would find unacceptable. "Utopia" is sometimes said to mean "no place", from the Greek ou-topos; others derive it from eu, as in "eugenics", in which case it would mean "healthy place" or "good place". Sir Thomas More, in his own 16th-century Utopia, may have been punning: utopia is the good place that doesn't exist.

As a literary construct, Brave New World thus has a long list of literary ancestors. Plato's Republic and the Bible's book of Revelations and the myth of Atlantis are the great-great-grandparents of the form; nearer in time are More's Utopia, and the land of the talking-horse, totally rational Houyhnhnms in Jonathan Swift's Gulliver's Travels, and HG Wells's The Time Machine, in which the brainless, pretty "upper classes" play in the sunshine during the day, and the ugly "lower classes" run the underground machinery and emerge at night to eat the social butterflies.

In the 19th century - when improvements in sewage systems, medicine, communication technologies and transportation were opening new doors - many earnest utopias were thrown up by the prevailing mood of optimism, with William Morris's News from Nowhere and Edward Bellamy's Looking Backward foremost among them.

Insofar as they are critical of society as it presently exists, but nevertheless take a dim view of the prospects of the human race, utopias may verge on satire, as do Swift's and More's and Wells's; but insofar as they endorse the view that humanity is perfectible, or can at least be vastly improved, they will resemble idealising romances, as do Bellamy's and Morris's. The first world war marked the end of the romantic-idealistic utopian dream in literature, just as several real-life utopian plans were about to be launched with disastrous effects. The Communist regime in Russia and the Nazi takeover of Germany both began as utopian visions.

But as had already been discovered in literary utopias, perfectibility breaks on the rock of dissent. What do you do with people who don't endorse your views or fit in with your plans? Nathaniel Hawthorne, a disillusioned graduate of the real-life Brooke Farm utopian scheme, pointed out that the Puritan founders of New England - who intended to build the New Jerusalem - began with a prison and a gibbet. Forced re-education, exile and execution are the usual choices on offer in utopias for any who oppose the powers that be. It's rats in the eyes for you - as in Nineteen Eighty-Four - if you won't love Big Brother. Brave New World has its own gentler punishments: for non-conformists, it's exile to Iceland, where Man's Final End can be discussed among like-minded intellects, without pestering "normal" people - in a sort of university, as it were.

Utopias and dystopias from Plato's Republic on have had to cover the same basic ground that real societies do. All must answer the same questions: where do people live, what do they eat, what do they wear, what do they do about sex and child-rearing? Who has the power, who does the work, how do citizens relate to nature, and how does the economy function? Romantic utopias such as Morris's News from Nowhere and WH Hudson's A Crystal Age present a pre-Raphaelite picture, with the inhabitants going in for flowing robes, natural settings in abodes that sound like English country houses with extra stained glass and lots of arts and crafts. Everything would be fine, we're told, if we could only do away with industrialism and get back in tune with nature, and deal with overpopulation. (Hudson solves this last problem by simply eliminating sex, except for one unhappy couple per country house who are doomed to procreate.)

But when Huxley was writing Brave New World at the beginning of the 1930s, he was, in his own words, an "amused, Pyrrhonic aesthete", a member of that group of bright young upstarts that swirled around the Bloomsbury Group and delighted in attacking anything Victorian or Edwardian. So Brave New World tosses out the flowing robes, the crafts, and the tree-hugging. Its architecture is futuristic - electrically lighted towers and softly glowing pink glass - and everything in its cityscape is relentlessly unnatural and just as relentlessly industrialised. Viscose and acetate and imitation leather are its fabrics of choice; apartment buildings, complete with artificial music and taps that flow with perfume, are its dwellings; transportation is by private helicopter. Babies are no longer born, they're grown in hatcheries, their bottles moving along assembly lines, in various types and batches according to the needs of "the hive", and fed on "external secretion" rather than "milk". The word "mother" - so thoroughly worshipped by the Victorians - has become a shocking obscenity; and indiscriminate sex, which was a shocking obscenity for the Victorians, is now de rigueur.

"He patted me on the behind this afternoon," said Lenina.

"There, you see!" Fanny was triumphant. "That shows what he stands for. The strictest conventionality."

Many of Brave New World's nervous jokes turn on these kinds of inversions - more startling to its first audience, perhaps, than to us, but still wry enough. Victorian thrift turns to the obligation to spend, Victorian till-death-do-us-part monogamy has been replaced with "everyone belongs to everyone else", Victorian religiosity has been channelled into the worship of an invented deity - "Our Ford", named after the American car-czar Henry Ford, god of the assembly line - via communal orgies. Even the "Our Ford" chant of "orgy-porgy" is an inversion of the familiar nursery rhyme, in which kissing the girls makes them cry. Now, it's if you refuse to kiss them - as "the Savage" does - that the tears will flow.

Sex is often centre stage in utopias and dystopias - who can do what, with which set of genital organs, and with whom, being one of humanity's main preoccupations. Because sex and procreation have been separated and women no longer give birth - the very idea is yuck-making to them - sex has become a recreation. Little naked children carry on "erotic play" in the shrubberies, so as to get a hand in early. Some women are sterile - "freemartins" - and perfectly nice girls, though a little whiskery. The others practise "Malthusian drill" - a form of birth control - and take "pregnancy surrogate" hormone treatments if they feel broody, and sport sweet little faux-leather fashionista cartridge belts crammed with contraceptives. If they slip up on their Malthusian drill, there's always the lovely pink-glass Abortion Centre. Huxley wrote before the pill, but its advent brought his imagined sexual free-for-all a few steps closer. (What about gays? Does "everyone belongs to everyone else" really mean everyone? We aren't told.)

Huxley himself still had one foot in the 19th century: he could not have dreamed his upside-down morality unless he himself also found it threatening. At the time he was writing Brave New World he was still in shock from a visit to the United States, where he was particularly frightened by mass consumerism, its group mentality and its vulgarities.

I use the word "dreamed" advisedly, because Brave New World - gulped down whole - achieves an effect not unlike a controlled hallucination. All is surface; there is no depth. As you might expect from an author with impaired eyesight, the visual sense predominates: colours are intense, light and darkness vividly described. Sound is next in importance, especially during group ceremonies and orgies, and the viewing of "feelies" - movies in which you feel the sensations of those onscreen, "The Gorillas' Wedding" and "Sperm Whale's Love-Life" being sample titles. Scents are third - perfume wafts everywhere, and is dabbed here and there; one of the most poignant encounters between John the Savage and the lovely Lenina is the one in which he buries his worshipping face in her divinely scented undergarments while she herself is innocently sleeping, zonked out on a strong dose of soma, partly because she can't stand the awful real-life smells of the "reservation" where the new world has not been implemented.

Many utopias and dystopias emphasise food (delicious or awful; or, in the case of Swift's Houyhnhnms, oats), but in Brave New World the menus are not presented. Lenina and her lay-of-the-month, Henry, eat "an excellent meal", but we aren't told what it is. (Beef would be my guess, in view of the huge barns full of cows that provide the external secretions.) Despite the dollops of sex-on-demand, the bodies in Brave New World are oddly disembodied, which serves to underscore one of Huxley's points: in a world in which everything is available, nothing has any meaning.

Meaning has in fact been eliminated, as far as possible. All books except works of technology have been banned - cf Ray Bradbury's 1953 novel Fahrenheit 451; museum-goers have been slaughtered, cf Henry Ford's "History is bunk". As for God, he is present "as an absence; as though he weren't there at all" - except, of course, for the deeply religious John the Savage, who has been raised on the Zuni "reservation", where archaic life carries on, replete with "meaning" of the most intense kinds. John is the only character in the book who has a real body, but he knows it through pain, not through pleasure. "Nothing costs enough here," he says of the perfumed new world, to where he's been brought as an "experiment".

The "comfort" offered by Mustapha Mond - one of the 10 "controllers" of this world, direct descendants of Plato's guardians - is not enough for John. He wants the old world back - dirt, diseases, free will, fear, anguish, blood, sweat, tears and all. He believes he has a soul, and like many an early 20th-century literary possessor of such a thing - think of the missionary in Somerset Maugham's 1921 story, Miss Thompson, who hangs himself after sinning with a prostitute - he is made to pay the price for this belief.

In a foreword to a new edition of Brave New World published in 1946, after the horrors of the second world war and Hitler's "final solution", Huxley criticises himself for having provided only two choices in his 1932 utopia/dystopia - an "insane life in Utopia" or "the life of a primitive in an Indian village, more human in some respects, but in others hardly less queer and abnormal". (He does, in fact, provide a third sort of life - that of the intellectual community of misfits in Iceland - but poor John the Savage isn't allowed to go there, and he wouldn't have liked it anyway, as there are no public flagellations available.) The Huxley of 1946 comes up with another sort of utopia, one in which "sanity" is possible. By this, he means a kind of "high utilitarianism" dedicated to a "conscious and rational" pursuit of man's "final end", which is a kind of union with the immanent "Tao or Logos, the transcendent Godhead or Brahmin". No wonder Huxley subsequently got heavily into the mescaline and wrote The Doors of Perception, thus inspiring a generation of 1960s dopeheads and pop musicians to seek God in altered brain chemistry. His interest in soma, it appears, didn't spring out of nowhere.

Meanwhile, those of us still pottering along on the earthly plane - and thus still able to read books - are left with Brave New World. How does it stand up, 75 years later? And how close have we come, in real life, to the society of vapid consumers, idle pleasure-seekers, inner-space trippers and programmed conformists that it presents?

The answer to the first question, for me, is that it stands up very well. It's still as vibrant, fresh, and somehow shocking as it was when I first read it.

The answer to the second question rests with you. Look in the mirror: do you see Lenina Crowne looking back at you, or do you see John the Savage? Chances are, you'll see something of both, because we've always wanted things both ways. We wish to be as the careless gods, lying around on Olympus, eternally beautiful, having sex and being entertained by the anguish of others. And at the same time we want to be those anguished others, because we believe, with John, that life has meaning beyond the play of the senses, and that immediate gratification will never be enough.

It was Huxley's genius to present us to ourselves in all our ambiguity. Alone among the animals, we suffer from the future perfect tense. Rover the Dog cannot imagine a future world of dogs in which all fleas will have been eliminated and doghood will finally have achieved its full glorious potential. But thanks to our uniquely structured languages, human beings can imagine such enhanced states for themselves, though they can also question their own grandiose constructions. It's these double-sided imaginative abilities that produce masterpieces of speculation such as Brave New World

To quote The Tempest, source of Huxley's title: "We are such stuff / As dreams are made on." He might well have added: "and nightmares".


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The intellectual, satirical, spiritual, hypnotic, and philosophical world of Aldous Huxley.


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Tuesday, June 11, 2019


Abused nuns reveal stories of rape, forced abortions
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Nuns Sexually Abused These Women For Years. Now Survivors Speak Out.
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The Catholic Church has been rocked with allegations of sexual abuse carried out by priests for decades. Now survivors of ...


The Devils of Loudun

Title: The Devils of Loudun 

Author: Huxley, Aldous Leonard 

Published: 1952 

Publisher: Harper & Row 

Tags: France, historical, non-fiction, film adaptation

Description:The Devils of Loudun is a 1952 non-fiction novel by Aldous Huxley. It is a historical narrative of supposed demonic possession, religious fanaticism, sexual repression, and mass hysteria that occurred in seventeenth-century France surrounding unexplained events that took place in the small town of Loudun. It centers on Roman Catholic priest Urbain Grandier and an entire convent of Ursuline nuns, who allegedly became possessed by demons after Grandier made a pact with Satan. The events led to several public exorcisms as well as executions by burning

The Devils (1971) - Trailer

  • 6 years ago
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In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun 








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    crazy possessd