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Friday, May 31, 2024

GNOSTIC    ANTINOMIANISM 


‘Bad Faith’ sounds the alarm on the past and future of Christian nationalism

Filmmakers Stephen Ujlaki and Chris Jones trace the origins of Christian nationalism from the Ku Klux Klan to the election of Donald Trump.


In this Jan. 6, 2021, file photo, a man holds a Bible as supporters of Donald Trump gather outside the Capitol in Washington. The Christian imagery and rhetoric on view during the Capitol insurrection sparked renewed debate about the societal effects of melding Christian faith with an exclusionary breed of nationalism. (AP Photo/John Minchillo)


May 30, 2024
By Jim McDermott

(RNS) — In 1980, conservative political operative Paul Weyrich approached evangelical Christian leaders Jerry Falwell and Pat Robertson with a proposal: If they would mobilize their believers to begin voting Republican, he would help them in their quest to roll back many of the civil rights protections they chafed against. Over the next 40 years, Weyrich and his Council for National Policy would guide these groups to greater and greater political success while slowly radicalizing them into a potent force — the Moral Majority — whose particular ideas of Christianity and Christian values drove nearly all their voting decisions.

Weyrich was not subtle in his motivations for a reigning political class, telling a group of evangelical leaders in 1980 that “our leverage in the elections quite candidly goes up as the voting populace goes down.”

In “Bad Faith: Christian Nationalism’s Unholy War on Democracy,” filmmakers Stephen Ujlaki and Chris Jones trace the origins of Christian nationalism from the Ku Klux Klan in the 19th century through the creation of the Moral Majority, the sudden rise of the tea party and the election of Donald Trump. What they uncover is an essential aspect of our current political situation, one that puts evangelical Christianity in new light.

Where many liberals have long dismissed evangelical Christians and their fundamentalist beliefs as ridiculous and absurd, Ujlaki and Brown work to understand them on their own terms — and discover not hypocrisy but a deeply consistent, radically dualistic theology that, for many, is worth defending, even to the point of violence.

Religion News Service spoke with Ujlaki by phone in Los Angeles about the making of “Bad Faith” and the story it tells of how a large swath of religious voters came to believe that President Joe Biden is in league with the devil while Trump is essential to the spiritual salvation of America. The film is now available for streaming on Amazon Prime, YouTube, Tubi and other platforms.

This interview has been edited for length and clarity.

What initially made you want to tell this story?

When Trump got elected, I was shocked. Nobody thought he had a chance. He was obviously a joke. It was never going to happen. When he got elected, I realized I didn’t really know anything about what was going on. I was in a bubble.



Stephen Ujlaki. (Photo by Jon Rou/courtesy of Loyola Marymount University)

More than anything, my wanting to make the film was just to find out: How did he do it, how did he win, and who were the Christian evangelicals (who supported him)? But then I discovered all of this plotting, all of these deals, and the fact that those behind them were anti-democratic from the beginning.

The heart of the film is the story of Paul Weyrich and the deal he made with evangelical Christian leaders to use abortion to motivate their people to begin to vote for Republicans. How did that all work?

There were a couple of congressional elections in which the people who were running for office were very anti-abortion. And Weyrich, who had been a Catholic, found that they were successful campaigns, more so than they should have been. Abortion was very successful in ringing people’s bell.

Evangelicals had nothing against abortion. Frankly, they thought it was a good way to keep the Black population down. The Southern Baptist Convention applauded Roe v. Wade in 1973. But Jerry Falwell and Pat Robertson agreed to start telling people this is bad, in return for which they were going to get help turning back all the progressive things they hated that the Supreme Court had done and that Lyndon Johnson had done. The Great Society, all of those progressive things that gave a lot of us hope in the 1960s and ’70s were anathema to them, and they were determined to turn that back. So they would faithfully help elect Republicans, and they would get rewarded.

It (abortion) was a great way to cover the fact that they were really trying to stop integration. It’s much better to say that we’re trying to defend the rights of the unborn.
I was surprised to learn that Christian evangelicals were not always so politically engaged.

For many, many years they were completely opposed to political involvement. The public square was the devil’s playground. To convince them to get involved and to vote Republican, Jerry Falwell and Pat Robertson applied the Manichaeanism of their theology. There’s a good and bad; there’s evil, and there’s God. The Republican Party is the party of God, and the Democratic Party is the party of the devil. They got that.


But this has nothing to do with theology, nothing to do with religion, nothing to do with God or with Jesus. I don’t even consider Christian nationalism as a religion. What is its ethos? What is its morality? It’s actually amoral, which is why it uses the church. The church lends it that moral, ethical authority that it doesn’t have otherwise.

Jesus is anti-democratic and God likes authoritarian governments? It’s the antithesis of anything Christian.

Would it be fair to say Christian nationalism’s goal is fascism?



“Bad Faith” poster. (Courtesy image)

Yes. It’s pure fascism. It’s pure power. They have been wanting and plotting the same thing for 40-plus years. They were incredibly adept at concealing what their motives were. You had to decode what they were saying. When they were talking about re-creating the kingdom of God on Earth, if you thought they were talking about something theological and spiritual, you would be mistaken. They were talking about replacing democracy with theocracy.

The one exception, and this to me is like the smoking gun in the film, was the Weyrich Manifesto (“The Integration of Theory and Practice,” 2001). Born of his complete frustration with the knowledge that his followers were never going to be the majority, Weyrich argued the only way they were going to create a Christian nation was to bypass democracy. They had to weaken and destroy it, creating a vacuum, which leaves room for the strongman to appear.

If you look around you at the divisiveness and the distrust of institutions that exist today in this country, you will realize how incredibly successful they have been in executing their plan. It’s been like a slow-motion revolution in a way, happening bit by bit all over the place.

And yet even so, Donald Trump seemed like such a reach for people concerned about goodness and morality.

Everything he stood for was against what they believed in. A number of people were saying they would do it but they would be holding their noses, because they didn’t really believe in it.

Then you had his spiritual adviser, a charismatic, Paula White, who had befriended Trump a year or so earlier and was his sort of secret adviser. She started the ball rolling by telling her group that Trump had become a Christian. That was one attempt to deal with the thing. But more was needed.

Then, looking in the Bible, another charismatic Christian came up with the idea that God sometimes uses pagans to accomplish good works on behalf of the Jews. King Cyrus was this horrible pagan who did all kinds of bad things, but he was very good for the Jews.
And so Trump becomes reinterpreted as, in a sense, part of salvation history?

The notion was that looking at the Bible, we see that what was really happening was God using Trump in order to redeem America and bring it back to God. And as (evangelical Christian and former Assistant Secretary of Homeland Security) Elizabeth Neumann says in the film, the notion that they could be living out the prophesies got evangelical Christians so excited they all got behind this notion of Trump as King Cyrus. That’s what God was doing. That was the answer. They figured it out.

There comes a point in the film where you interview a man who seems very thoughtful about Biden’s desire to unify the country. But then his conclusion is that it’s impossible because good and evil cannot work together.


That’s one of the scarier parts of the film. Because he seems like a reasonable, intelligent person, and yet he’s deeply convinced of this, even sad about it, not triumphant. It’s simply a fact, good cannot unify with evil.

The notion that over half the country is in fact demonic and evil, and evangelical Christians are the holy ones and should be allowed to do whatever they need to do in order to take control from the devil, it’s incredible when you think about it.

Watching the film, it certainly sounds like the leaders of the Christian nationalist movement see civil war, or something like it, as the path to power.

That’s right. That’s the only way they’re going to get it. They’re not going to get it through democracy, they’re never going to be the majority. They are going to weaken and destroy and then conquer. That’s the game plan.

It’s so hard, people aren’t willing to accept the fact there are sizable numbers of people in this country who don’t believe in democracy. And the national media doesn’t know how to deal with it. They’re constantly accommodating, normalizing, and not fulfilling what I would take to be the mandate of proper newsgathering. They call them “conservative” in The New York Times. They’re not conservative. These are seditionists, treasonous, anti-democratic.


People with this kind of liberal notion of fair and balanced think we’re not going to be over the top like them. But the thing is, one is following the rules and the other isn’t.

It’s so difficult, because you don’t want people to be so terrified that they think it’s hopeless. You don’t want to have to think “I better stay out of this.”

On the contrary, what it should show you is that you need to fight for your democracy if you want to keep it.

RNS is the recipient of an ongoing grant from the Stiefel Freethought Foundation, founded and led by Todd Stiefel, who is an executive producer of “Bad Faith.”

Saturday, August 20, 2022

As threats of far-right violence rise, New Hampshire Free Staters shared list of 'woke' churches


Haven Orecchio-Egresitz,Kenneth Niemeyer
Fri, August 19, 2022

A New Hampshire church urged worshippers to wash their hands amid a Covid outbreak.
AP Photo/Charles Krupa

A New Hampshire libertarian group tweeted a list of churches, classifying them by how "woke" they are.


Being LGBTQ-friendly, COVID-cautious, or having a Ukraine flag displayed is considered "woke."


The list was posted amid a spike in far-right threats of violence.


The Free State Project — a New Hampshire-based libertarian movement — tweeted a list of Christian churches in the state, identifying those that are considered "woke."

The list, which was published on a wiki called "LibertyWins.org," largely measures "wokeness" by whether the church is LGBTQ-friendly, has advocated for racial or social justice, or had implemented COVID precautions.

It was distributed by The Free State Twitter account, which has over 80,000 followers.

The list on "LibertyWins.org" titled "Christianity in New Hampshire," doesn't detail the intention of the list, but some critics on Twitter are calling the "wokeness" classification a "racist dog whistle" and worry that it will prompt attacks on the places of worship.

State Democratic Rep. Lucy Weber has previously protested against The Free State Project and described them as anti-LGBTQ. Weber told Insider that she didn't want to speculate about the group's motivations for compiling the list, but found it "distasteful."

"It's not an issue I have a lot to say on except that they've gotten the right to say it," Weber told Insider. "They're not government actors, so I find it distasteful, but I'm allowed to have my opinions too."

There are nearly 900 churches named, and they are identified by their location and denomination.




In a column called "wokeness" there are notes.

While displaying a Pride flag, or requiring masks was a sure-fire way to land churches on the list, there were other reasons cited for the classification.

An Episcopal church made its way on the woke list by donating to the NAACP. Another displayed a Ukraine flag on its website. A third included a blurb on its website about how they are located on "unceded native American land."

Eight Episcopal churches on the list were included for either supporting the LGBTQ. community on their websites or for generally being LGBTQ affirming churches. The Episcopal Church is generally more accepting of the LGBTQ community, according to the Human Rights Campaign. Rev. V. Gene Robinson, the former Episcopal Diocese of New Hampshire, was the first openly gay priest to become a bishop of a major Christian denomination.

A representative for the Episcopal Church of New Hampshire told Insider in a statement that the church was aware of the list.

"The Episcopal bishop of New Hampshire supports gay marriage, as do Episcopal bishops and churches across the nation, as does The Episcopal Church as a governing body," the statement read. "We are all seeking to be disciples of our savior Jesus Christ."

Founded by Jason Sorens, the Free State Project is a movement that since the early 2000s has encouraged the migration of "liberty activists" to New Hampshire, where they hope to live in a libertarian limited-government utopia.


The group's website explicitly says it is not tied to "any political party or organization," though many of its members who do run or serve in political office are registered as Republicans.

The Free State Project didn't return Insider's messages for comment.

At a recent protest against the movement, Weber told The Keene Sentinel that the group may preach freedom, but that liberty doesn't extend to people in the LGBTQ community. Members of the group, she said, have pushed to make it harder to register to vote and want to restrict abortions.

"They go, 'we're for liberty, we're for freedom.' Who isn't?" Weber told the Sentinel in July. "Their freedom is only for people who are just like them and they don't seem to have a concept of the public good."


Extremist threats of violence are at a high


The Free State Project says on its website — in bold — that "it does not welcome anyone who promotes violence, racial hatred, or bigotry" and in 2013 it kicked out infamous neo-Nazi Christopher Cantwell after he wrote about killing government agents and violently overthrowing the government.

And while the group says it doesn't welcome those who promote violence, the list, which singles out places of worship due to ideology, was shared on Twitter as threats of extremist far-right violence are at a high.

References to "civil war" doubled on online extremist platforms in the week following the FBI raided Mar-a-Lago, Insider previously reported.

Extremists have taken to both niche social media platforms and mainstream sites like TikTok, Twitter, and YouTube to preach pro-Trump violence.

Antisemitic threats against the Jewish Florida judge who signed the search warrant became so specific and credible that his temple canceled Shabbat services.

Judge Bruce Reinhart and Attorney General Merrick Garland have been subjected to "an enormous amount of threats and vitriol online," Alex Friedfeld, who monitors online extremism for the Anti Defamation League's Center On Extremism, told Insider.


  • A History of Libertarian Utopianism | Libertarianism.org

    https://www.libertarianism.org/essays/history-libertarian-utopiani…

    2020-03-31 · modern libertarianism—the full package of ideas as we know it—grew from this tradition of english antinomianism, or moral opposition to …

    • Estimated Reading Time: 8 mins
    • https://medium.com/alternative-perspectives/the-newest-country-in-the...

      2022-03-28 · Liberland is a libertarian utopia. The government’s role is limited to protecting citizens’ rights and property. There are no taxes, no Social Security system, and no trade or …

    • Sunday, January 26, 2020

      "A Salaam Alay: Remnants of West African Islam in Haitian Vodou"

      Jon Bullock


      It is not uncommon to encounter research in various fields that describes Caribbean music and culture using terms such as "globalization," "modernity," "cosmopolitanism," and "creolization." However, despite the near ubiquity of terms such as these in Caribbean studies, a small group of scholars have begun challenging the meaning and implications of these and similar ideological constructs that tend to reduce centuries’ worth of lived experiences, histories, and encounters to mere points along a single imaginary line. In this paper, I join scholars Stephen Palmié, Jocelyne Guilbault, Aisha Khan, and others in challenging descriptions of Caribbean culture as the unpredictable by-product of contact between black pagan Africans and white Christian Europeans. I examine these concepts in particular relation to scholarship on Haitian vodou that seems to ignore or downplay historical traces of West African Islam in contemporary vodou practices. I attempt to examine the realities of African Muslim slave experience as they apply to the music of Haitian vodou--not as a means of imposing traditional Islamic understandings on vodou practices, but rather as a means of challenging narrow understandings of concepts such as "blackness," "African," "Caribbean," and "Muslim."

      Arabian Religion, Islam, and Haitian Vodou: The "Recent African Single-Origin Hypothesis" and the Comparison of World Religions (2016)

      Vodou in the Haitian Experience: A Black Atlantic Perspective

      Benjamin Hebblethwaite

      Michel Weber

      This chapter employs a comparative theological and historical approach to Arabian religion, Islam, and Haitian Vodou. This chapter explores possible examples of serial founder effects in the context of world religions. The comparative study of religions may contribute to the exploration of traces of an ancient African culture as manifested in various independent descendent religious traditions. Given the relatively recent migrations out of Africa, we theorize that pre-migratory African religious structures should occur in religions throughout the world. Pre-Islamic Arabian religion, one that has receded since the seventh century of the Common Era but still exists in jinn-cults in north Africa, and its legacies in the Qur'an and Islam (circa 610–632 CE), in addition to African Vodun and Haitian Vodou, serve as lenses through which we build a theory that links related macrocosmic religious structures to the recent African single-origin hypothesis.

      More Info: Edited by Celucien L. Joseph and Nixon S. Cleophat
      Publisher: Lexington Books
      Publication Name: Vodou in the Haitian Experience: A Black Atlantic Perspective

      Friday, August 11, 2006

      Oriental Origins of Post-modernism

      What is post-modernism? Well it orginates in Modernist art of the decadence; in the Fin de Siecle of the 19th century.

      Post modernism supercedes modernism with the invasion of the dialectical concisouness of Imperialism/Anti-Imperialism when the post WWII colonial/colonized world enters the space of capitalist decadence and speaks.

      It is the dialectical result of the West's fascination with and creation of Orientalism which results in modernism and thus post-modernism;
      the authentic Oriental voice's revenge.


      POSTMODERNISM / FIN DE SIECLE
      It is interesting to reread Ihab Hassan in this regard. Hassan's first book, after all, was called The Literature of Silence (1967), and made the case for a "new literature" written in the wake of Dachau and Hiroshima, a literature whose "total rejection of Western history and civilization" leads either to the apocalyptic violence and obscenity of a Henry Miller or a Norman Mailer or the silence, randomness, and indeterminacy of Samuel Beckett or John Cage. By 1971, Hassan referred to this "change in Modernism" as Postmodernism and drew up the first of his famous lists or tables, a table made up of binary oppositions :

      Modernism

      Postmodernism

      1. Urbanism 1. The Global Village (McLuhan), Spaceship Earth (Fuller), the City as Cosmos--Science Fiction. Anarchy and fragmentation.
      2. Technologism
      2. Runaway technology. New media, art forms. Boundless dispersal by media. The computer as substitute consciousness or extension of consciousness.
      3. Elitism 3. Antielitism, antiauthoritarianism. Diffusion of the ego. Participation. Community. Anarchy.
      4. Irony 4. Radical play. Entropy of meaning. Comedy of the absurd. Black Humor. Camp.
      5. Abstraction 5. New Concreteness. Found Object. Conceptual Art.
      6. Primitivism 6. Beat and Hip. Rock Culture. Dionysian Ego.
      7. Eroticism 7. The New Sexuality. Homosexuality , Feminism, Lesbianism. Comic pornography. Repeal of Censorship
      8. Antinomianism 8. Antinomianism. 8. Counterculture. Beyond alienation. Counter. Beyond Law. Non Serviam. Western "ways." Zen, Buddhism, Hinduism the occult, apocalypticism.
      9. Experimentalism 9. Open form, discontinuity, improvisation, Formal innovation. New language. Antiformalism. Indeterminacy. Aleatory Structure. Minimalism. Intermedia.


      Postmodernism, Etc.: An Interview with Ihab Hassan

      Al-Ahram Weekly | Opinion | Preface to Orientalism

      Orientalism
      A website devoted to the controversies surrounding Orientalism and Western representations of Islam and the Arabs. Located at www.orientalism.org.


      A symphony of civilizations

      China's re-emergence - there is no "China rise", but only China's restoration to its historical position - is already having considerable impact on the global village. Understandably, observers and analysts discuss the nature of Beijing's behavior on the international scene. Will China behave like an empire trying to dominate and extend a pax Sinica, or act as a cooperative force working for a foedus pacificum, a league of peace, to use Immanuel Kant's expression (Perpetual Peace, 1795)?


      Lolita and Beyond

      Epistemically I am trying to see how this mutation of Orientalism to Area Studies to active privatization of knowledge production (pretty much on the model of the privatization of certain aspects of the US military, such as intelligence gathering and torturing people) actually works. Meanwhile, I am also trying to keep a record of who is saying and doing what in these terrible times—for these criminal comprador intellectuals will have to be held historically accountable for what they now say and do.

      What lies beneath

      The legacy of Edward Said's 1978 book Orientalism, in which he argued that the west possesses a monopoly on how "Arabo-Islamic peoples and their culture" are viewed, was the subject of debate at the British Museum. Historian and novelist Robert Irwin kicked off by attacking what he decribed as Said's falsification of the past and poor understanding of Arabic, and argued that his "revolutionary" assertions were in fact part of longstanding Muslim and Marxist critiques.

      A Marxist Critique of 'Third World

      . [We] could start with a radically different premise: namely the proposition that we live not in three [or more] worlds but in one; that this world includes the experiences of colonialism and imperialism on both sides of [the] global divide; that societies in formations of backward capitalism are as much constituted by the division of classes as are societies in the advanced capitalist countries; that socialism . . . is simply the name of a resistance that saturates the globe today, as capitalism itself does; that the different parts of the capitalist system are to be known not in terms of a binary opposition but as a contradictory unity-with differences, yes, but also with profound overlaps.

      The world [is] united not by liberalist ideology [or humanistic universalism] but by the global operation of a single mode of production, namely the capitalist one, and the global resistance to this mode, a resistance which is itself unevenly developed in different parts of the globe.


      Tribute to India in world’s oldest caves

      There is an Indian chamber in the Jenolan caves, which are said to be the world's oldest discovered open caves, according to cave-dating research published by Australian geologists.

      “In the early 20th century, orientalism was a big theme in western societies, especially in the British Empire. Early cave explorers called it the Orient cave because of the red colour. It contains the Indian Chamber, Persian Chamber and the Egyptian Colllanade.

      It was discovered in 1904,” explains Dr Armstrong Osborne, a senior lecturer at the University of Sydney.

      A five-year study has shown that the limestone caves, which each year attract thousands of tourists, including Indian visitors, date back more than 340 million years.

      Napoleon on the Nile at the Dahesh Museum of Art

      Initiated under the patronage of the young General Napoleon Bonaparte as he invaded Egypt in 1798, and completed in 1829 during the reign of King Charles X, the Description was among the most significant, and certainly the most tangible, consequences of the French military’s occupation of Egypt (1798-1801). Not only did it form the foundation for the modern discipline of Egyptology, but its large and magnificent plate illustrations influenced the course of "Egyptomania" and “Orientalism” in western fine and decorative arts for two centuries.


      Gallic grandeur

      Where Brown really excels is in the description of Flaubert's voyage to Italy and Egypt (1849-51) with his close friend Maxime du Camp and a heap of photographic equipment. Flaubert was, like many of his contemporaries, hooked on orientalism, which included an early version of sexual tourism as well as an astonished revelling in what is now mostly lost, although even then the railway and western trousers were already creeping in (Flaubert travelled by rail as early as 1843, but favoured Turkish robes). Brown emphasises Flaubert's excellent horsemanship, and the image of him galloping across moonlit African plains makes it easier to understand why he spent so much of his life recreating not just a banal Normandy, but a lost and splendid antiquity, most memorably in his novel of Carthaginian magnificence and cruelty, Salammbo (1862).

      Collection of Orientalist Imagery Reveals Roots of American Views ...

      The imagery has long been appropriated for use in American film posters, cigarette packs, pulp fiction and popular music: scantily clad harem girls, tyrannical despots and turbaned mystics have personified an imagined Middle East in the popular culture.

      Hundreds of objects reflecting that imagined realm has just wrapped up its first run at the University of California at Los Angeles. "Seducing America: Selling the Middle Eastern Mystique," an exhibit of Middle Eastern-inspired ephemera, is about to be launched as an extensive on-line data base complete with music samples, selected film clips and a comprehensive assortment of "Middle Eastern Americana". There are artifacts such as sheet music, souvenirs, book jackets and consumer goods, many bearing Middle Eastern insignias, and the accompanying advertisements which range from the crass to the cartoonish.

      Objects included comic books from the 1930s, pulp fiction book covers with titles such as "Desert Madness" and "Spicy Adventures," video games such as "The Prince of Persia," vintage sheet music for songs including "The Sheik of Araby" and "Rebecca Came Back from Mecca," photos of topless women on the covers of CDs, fierce warriors on the covers of DVDs, "Turkish" tobacco products, Egyptomania films, and various and sundry consumer items such as Palmolive beauty products, Ben Hur flour, Sheik condoms - and a couple of Shriner fezzes.

      Noble Dreams Wicked Pleasures Orientalism in America, 1870-1930

      Indeed, one of the fascinations with Orientalism is how nicely it blends into other artistic styles of the 19th Century such as Pre-Raphaelism and Art Nouveau as well as the Aesthetic Movement. Orientalism, Pre-Raphaelism and Art Nouveau are various manifestations of lush, richly embued, symbolic decorative aesthetics, often tinged if not overwhelmed by a sense of history and prior historic periods. The Aesthetic Movement, of course, emerged from these influences to produce a "modern" style based on them.

      In his excellent essay, Oleg Grabar finds the "roots" of American Orientalism in "the Protestant search for the space of the biblical revelations," European aristocratic taste, popular culture in freemasonry and other fraternal organizations, and "the spirit of skeptical curiosity and adventure.


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      Also See:

      Bureaucratic Collectivist Capitalism

      Ibn Khaldun 14th Century Arab Libertarian

      My Favorite Muslim

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      Muslims Discovered America

      Anti Islamism Manifesto

      Two Excellent Sources For Islamic Studies

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