American Socialists organised a mass meeting on the suffrage in New York on Sunday 8 March 1908. The first National Woman’s Day (woman’s in the singular) was held on 23 Feb 1909 in the USA, and American women kept the custom of gathering on the last Sunday of February. Sundays were preferred so that people would not miss a day of work.
Rosalind Rosenberg, a professor of history at New York's Barnard College, says the holiday was created as the country's workers, including large numbers of women, were losing patience with poor labor conditions.
"I would date it back to 1908 and the strike of some 15,000 women in the garment industry on the Lower East Side who were suffering low pay and terrible working conditions, and who walked off the job and protested," Rosenberg says.
Among their complaints was the fact that employers refused to recognize workers' unions.
"Unionization is such an enormous issue in the United States today," Rosenberg says. "It's poignant to think about this 100th anniversary in that context."
It was the International proletariat organizations in Europe that responded to the call from workers organizations in the United States to celebrate both events.
And both are based on tragedy, May Day the Haymarket Massacre and IWD the Triangle Shirtwaist Factory Fire. Indeed the struggle of women workers in America would continue with the great Patterson Mill Strike of 1913.
And while American workers, both women and men, have made great leaps forward as has American Capitalism, class war has been declared once again on workers rights to organize.
The International Ladies' Garment Workers Union organized workers in the women's clothing trade. Many of the garment workers before 1911 were unorganized, partly because they were young immigrant women intimidated by the alien surroundings. Others were more daring, though. All were ripe for action against the poor working conditions. In 1909, an incident at the Triangle Factory sparked a spontaneous walkout of its 400 employees. The Women's Trade Union League, a progressive association of middle class white women, helped the young women workers picket and fence off thugs and police provocation. At a historic meeting at Cooper Union, thousands of garment workers from all over the city followed young Clara Lemlich's call for a general strike.
Women's labour unrest continued in the U.S. through 1909, with the International Ladies' Garment Workers' Union staging a short-lived strike in September in New York City. On Nov. 22, a general strike was called, dubbed the Uprising of the Twenty Thousand, which lasted 13 weeks and eventually led to a fairer contract for 15,000 labourers.
In Europe, women's issues were also top of mind. In 1907, the first meeting of Finnish parliament included 19 women. In 1910, an International Conference of Working Women was held in Copenhagen, featuring representation from 17 countries, including union leaders and the Finnish parliamentarians.
Clara Zetkin, the founder of International Women's Day, is seen at left with friend Rosa Luxemburg. Zetkin came up with the idea during a womens' labour conference in 1910. WikiMedia CommonsClara Zetkin, head of the women's office for the Social Democratic Party of Germany, first raised the idea of an annual women's day when women all over the world would be able to air their grievances about labour conditions, suffrage and the need for women in parliament.
The first International Women's Day was held on March 19, 1911, (moved to March 8 in 1913), with rallies in Germany, Denmark, Austria and Switzerland. More than one million women and men attended.
One week later, a devastating fire at the Triangle Shirtwaist Factory in New York City drew further attention to the horrible working conditions female workers, mostly immigrants, were forced to endure.
275 girls started to collect their belongings as they were leaving work at 4:45 PM on Saturday. Within twenty minutes some of girls' charred bodies were lined up along the East Side of Greene Street. Those girls who flung themselves from the ninth floor were merely covered with tarpaulins where they hit the concrete. The Bellevue morgue was overrun with bodies and a makeshift morgue was set up on the adjoining pier on the East River. Hundred's of parents and family members came to identify their lost loved ones. 146 employees of the Triangle Shirtwaist Company were dead the night of March 25, 1911. The horror of their deaths led to numerous changes in occupational safety standards that currently ensure the safety of workers today.
To an entire generation of urban reformers, activist clergy, progressives,feminists, and trade-unionists, the Triangle fire instantly became an emotion charged
symbol, a kind of menetekel, representing all the evils that they had
combated for so long; it became the impetus of a moral crusade to prevent things
like this from ever happening again. Many of the people who made modern America
2
- political leaders like Franklin and Eleanor Roosevelt, Al Smith, Fiorello
Laguardia, and Robert Wagner; social activists like Frances Perkins; and tradeunionists
like Rose Schneiderman and Dave Dubinsky, were all directly or indirectly
inspired by the Triangle Shirtwaist Fire. A direct genealogical line can be drawn
from the fire, to a host of New York City and New York State progressive reforms,
to the New Deal of the 1930s. No wonder that almost every American history
textbook lists the 1911 Triangle Shirtwaist Fire as one of the key events of
Progressive era America. “In the end,” write Ric Burns and James Sanders, in their
history of New York City, “the carnage of the Triangle shirtwaist factory fire would
prove to have been one of the most transforming events in American political
history.”2 It seems obvious that the Triangle Fire would assume the meaning that it
did. And yet, when one interrogates the obvious, one encounters the problematic.
“This is not the first time girls have been burned alive in this city,” trade
unionist Rose Schneiderman bitterly remarked to mourners just after the fire,3 and
in fact this was not the worst fire in New York City history, nor was it the only
industrial accident of this kind. Why then did the Triangle Fire become such an
incandescent icon for so many?
Striking laborers rallied against unfair labor practices with two of the most publicized strikes occuring in 1910: The garment workers in New York City and the strike that took place at the Los Angeles Times. However, one labor union strike would significantly define the labor movement: the Patterson Strike of 1913. To understand the pros and cons of striking unions, it's necessary to recall that few federal or state laws had been enacted at that time to protect workers from unsafe working conditions or from exploitation through which laborers earned unimaginably low wages while working fourteen or fifteen hours a day.In 1913, John Reed (later famous for his firsthand account of the Russian Revolution) met Bill Haywood, a leader of the Industrial Workers of the World (Wobblies). Reed ventured to Paterson, New Jersey, to learn about the Wobbly-led silk workers’ strike then in progress and decided to mount a massive public pageant to publicize the strike and raise money for the strikers. He won financial backing from art patron Mabel Dodge and enlisted artists such as John Sloan, who painted a ninety-foot backdrop depicting the Paterson silk mills. The pageant opened on June 7 in Madison Square Garden and ended with the workers and the audience triumphantly singing the “Internationale,” the anthem of international socialism. Unfortunately, neither the pageant nor the strike ended on a triumphant note. The pageant lost money while the strike ended in defeat after five months. Nonetheless, the pageant represented an important moment in the alliance between modern art and labor radicalism.
The celebrated New York Armory Show in early 1913 introduced Picasso, Matisse, Cubism and Dada to the American scene. Three months later, 1,200 striking textile workers from Paterson, N.J. staged a pageant in Madison Square Garden to dramatize their demands. Green, who is fond of cultural juxtapositions ( Children of the Sun, etc.), links these two events with the lame argument that modern art and revolutionary politics share a spiritual, transcendental goal. He takes us inside the salon of Mabel Dodge, the wealthy art patron and labor pageant organizer, who was ensconced in respectability yet actively subverted it. He also takes us into the Wobblies' union halls where people of any race or nationality were welcome and workers' poems were composed on the spot. The pageant saw hostilities flare up between leaders Bill Haywood and Elizabeth Gurley Flynn; Green believes the event marked the beginning of the International Workers of the World's slow decline. His atmospheric study limns a brief moment when art and politics came together. Photos. (Nov.)
Also See:
Lucy Parsons Redux
Black Herstory Month: Lucy ParsonsIWD: Raya Dunayevskaya
Whose Family Values?Women and the Social Reproduction of Capitalism
"proletarii, propertyless citizens whose service to the State was to raise children (proles).”
Classical Antiquity; Rome, Perry Anderson, Passages from Antiquity to Feudalism, Verso Press 1974