Showing posts sorted by relevance for query CKUA. Sort by date Show all posts
Showing posts sorted by relevance for query CKUA. Sort by date Show all posts

Wednesday, February 09, 2005

CKUA-History


CKUA History of a privatization putsch


"It began in 1927 with a dream: to take the University to the people via the new medium of radio. With a couple of the University of Alberta’s engineering students, 2 windmill towers, some old iron poles and a little creative book-keeping, a $700 grant was transformed into Canada’s first public broadcaster. The CKUA Radio Network signed on November 21st, 1927, with a 500-watt signal.

On May 23rd, 1929, the 1st Canadian school broadcast was made from CKUA, fulfilling the original goal set 2 years prior, and starting a tradition of excellence in distance education that continues today through CKUA’s relationship with Athabasca University. "CKUA History

"On September 29, 1941, CKUA increased power to 1,000 watts from a new transmitter site. In September 1944, a radio program committee of the university took over responsibility for CKUA from the Department of Extension. Alberta Government Telephones began operating CKUA on May 1, 1945, with the university still programming the station for three hours a day, Monday through Friday. The university still holds the station's license. On July 28, 1945, CKUA moved from the university campus to the Provincial Government Building in downtown Edmonton. A 1947 listing shows CKUA operating on 580 kHz with 1,000 watts. The station is a CBC Trans-Canada affiliate and is non-commercial. Listed start date is November 1, 1927. CKUA is operated by Alberta Government Telephones. Studios are on the top floor of the Provincial Building, transmitter: R. R. 1 Calgary Trail, south of Edmonton. CKUA is on the air from 7 a.m. to 12 a.m. weekdays, 10 a.m. to 11 p.m. Sundays.

Alberta Government Telephones started CKUA-FM on 98.1 MHz with 250 watts on June 28, 1948. The "UA" in the call letters: University of Alberta. In 1954, CKUA-FM's power is listed at 352 watts.

On March 9, 1960, CKUA increased power to 10,000 watts-U DA-2, using three 282 foot towers at 53-20-34 113-27-27. The original CKUA antenna on the university campus was dismantled in 1966.


On April 1, 1974, The Government of Alberta transferred operation of CKUA from the University of Alberta to The Alberta Educational Communications Authority (ACCESS), a Crown Corporation. (Access was established in October 1973).

A 1976 engineering brief proposes CKUA operate with 50,000 watts full-time.

THE PRIVATIZATION PUTSCH

In 1995, the CRTC approved the purchase of the radio division of the Alberta Educational Communications Corp. (CKUA-AM, CKUA-FM and its 15 rebroadcasters) by CKUA Radio Foundation for ten dollars. The foundation will receive provincial grants for three years and can sell up to 504 minutes of restricted advertising per week. CKUA becomes an independent foundation. ACCESS-TV was purchased by CHUM Limited.

At midnight, March 22, 1997, CKUA left the air due to financial troubles. On April 25, 1997, CKUA began broadcasting once again."

From the The Bill Dulmage Radio & Television Archive


CKUA—An exercise in education
By Geoff McMaster

"On March 20, 1997, CKUA went off the air; it seemed then for good. Not even the station's announcers knew what was coming until that afternoon. Gathered at the home of announcer Lee Onisko to commiserate, they phoned in suggestions for the final program of the night, which finished appropriately with The Band's The Last Waltz.

At midnight, without explanation to the listening audience, host Chris Martin closed with, "We'll be back, after this," and one of Alberta's most valued cultural institutions was reduced to silence, at least temporarily.

But what Walters discovered in writing her comprehensive account of the station since its humble beginnings at the University of Alberta was there were any number of times when CKUA could have disappeared from the airwaves were it not for the fighting spirit of its supporters. It's just that the drive to bring the radio station back in 1997 threw into stark relief the passion Albertans have for the station. They weren't about to let something so valuable disappear because of financial bungling by an incompetent board of governors.

As host announcer Dave Ward said of the Touch the Transmitter fundraising tour of the province: "This isn't a radio station; this is a religion. The way people reacted to what happened was more like what they would do if a church burned down."


CKUA Uses the Internet during its Crisis
On The Web By Richard Cairney

"The public broadcaster's website is a newborn - it was launched after the station was pulled off the airwaves in late March.

While the station was off the air, the Internet was employed as a tool to fight for CKUA's revival (that site was built for the Save Alberta Public Radio Society, linked to the CKUA site). Strategies were hatched, beefs were aired and fund raising conducted.

Now that the station is back on the air, it's using the Internet as a newsstand and a new medium, offering surfers around the world broadcasts in RealAudio."

NEWS FRONT
By Richard Cairney
SEE Magazine Copyright © 1997. All Rights Reserved.


Much has happened in the two weeks since the CKUA Radio Foundation closed the station and laid off 50 employees, but a revival still appears to be a distant hope. Former staffers continue to call for the resignation of foundation board chair and station chief executive officer Gail Hinchliffe, who vehemently refuses to step down.


"I'm not going anywhere," Hinchliffe said from her Calgary home Tuesday.

Hinchliffe said she and other board members have been "lightning rods" in a storm of controversy that erupted March 21 when, citing imminent bankruptcy, they shut down the station without notice.

Angry listeners and supporters, along with bitter ex-employees, called for an independent financial audit of the station's books - a request that has been granted. Premier Ralph Klein has asked auditor general Peter Valentine to audit the foundation's books to ensure the board has lived up to terms of a 1994 agreement. Under that deal, the province handed over $4.7 million and the station - with $800,000 in assets - to an appointed board. The funding was to ease the transition from Crown corporation to non-profit public broadcaster.

Hinchliffe was to meet with municipal affairs minister Iris Evans Wednesday and Evans was scheduled to meet with former CKUA staffers Thursday. Staffers hope Evans can convince Hinchliffe to step aside.

The former employees are suspicious of Hinchliffe's dual roles as board chair and CEO, wary of the fact that board member Larry Clausen's Calgary company, Communications Inc., handled the station's marketing contract and are upset by Revenue Canada documents showing three of the station's top executives shared some $201,000 in earnings in 1995. They want an elected board to take over the station. And they want Hinchliffe out of the picture completely.

But she refuses to go.

"This isn't the Media Club, it is a highly regulated industry," Hinchliffe told SEE. "You can't sit around the rumpus room and decide who is and isn't going to be on the board."

Hinchliffe said the foundation has secured long-term financial commitments to get the station up and running but wouldn't say who is providing financial support.

Musician Tommy Banks is skeptical of the claim. He and Folk Festival producer Terry Wickham are part of a group that tried last week to broker a deal. Banks said talks are ongoing. The group wants to see the current board dissolve and an interim board take over. That board would get the station up and running and set new bylaws governing board membership to allow broad-based representation.

And, he added, Hinchliffe would be a valuable member of the interim group.

"It would be a terrible mistake for the interim board not to include Gail Hinchliffe. She knows where the ketchup is," Banks explained.

A new board without current members - particularly someone with Hinchliffe's knowledge of the station, "would be like a bunch of people walking into a completely dark room that has a hot stove in the middle of it. You need someone to say 'hey, be careful, there's a hot stove over there.'"

Broadcaster David Ward said he's surprised Hinchliffe hasn't stepped down to make way for an interim board.

"She hasn't cracked and I am, in a warped way, impressed," he said.

Katherine Hoy, spokesperson for former staffers and the Save Alberta Public Radio Society, said it would be difficult for ex-employees to participate in any venture Hinchliffe is involved in.

"She has got to step down as CEO and chair. She could be on the interim board," Hoy conceded. "But she would be there just to tell them where the ketchup is."

There seems to be no love lost between the CEO and her former employees. Although Hinchliffe admitted she made a mistake last week by publicly considering the use of volunteer deejays, she said current on-air personalities are valuable but not indispensable.

Having former staffers return if the station goes back on air "would certainly be the ideal," Hinchliffe said.

"But on the other hand, CKUA has been broadcasting for 70 years and not with the same people."

That may be true but the public appears to be siding with CKUA staffers. Rallies across the province - in Edmonton, Calgary, Red Deer, Medicine Hat and Lethbridge - have raised more than $15,000 in donations for the Save Alberta Public Radio Society. In all, the society has raised pledges for more than $90,000 in donations. Money will be used to battle for control of the station.

Hinchliffe feels the support is probably too little, too late. When CKUA first left the government nest it was treated poorly by the communities it served, she said. Arts groups resented the station, fearing it would compete for much-needed corporate sponsorships, and listeners were complacent in supporting the station financially.

"I wish there was that level of enthusiasm and willingness to support us before," she said, of the donations made to former staffers.

The society's campaign is the only public work being done to save the station and it is the station, not only personalities, that donors are supporting, she said. She pointed out that the $8,500 raised at the farmers' market in Old Strathcona Saturday afternoon wouldn't cover more than one day's costs to keep the station running.

"I don't see this as support for one camp or another."

Former CKUA staffers see it as support for broadcasters and the station itself; the two are inextricably linked. And the employees feel they owe it to listeners and to themselves to keep fighting to get the station back on the air.

Strong emotional support shown during rallies is overwhelming, said deejay Bill Coull.

"People really hurt. I have had people weeping in my arms, literally and figuratively," he said.

Coull noted staffers are running into financial concerns and admits "there will be attrition."

But most staffers are "absolutely resolute" and will keep working to rally support to return quality programming to the airwaves.

"This is a very strong personal thing," Coull said.
"You hit a person in their soul when you take away their job but you take away their heart and soul when you take away a CKUA job."



CKUA goes back on the air with a referendum for listeners
FFWD Weekly Copyright © 1997. All Rights Reserved.

"After being pulled off the air more than a month ago, CKUA Radio will be back on Friday, April 25 at 6 p.m.

Staff from the station, which was closed by its former board to prevent bankruptcy, will return to their jobs on a volunteer basis for one month. The employees are members of the International Brotherhood of Electrical Workers' local 348.

A volunteer interim board took over the CKUA Radio Foundation last week, firing former board chair and station CEO Gail Hinchliffe. The board is working to revive corporate sponsorships and is aiming to run the station on an annual budget of $1.4 million, compared to a $2.8-million budget prior to the station's closure on March 21.

Edmonton lawyer Bud Steen, chairman of the new board, says the station has approximately $100,000 in the bank and a provincewide fund-raising campaign will begin May 2. Referring to the campaign as "a referendum," Steen says the new board is operating on a plan in which two-thirds of the funding will come from listeners."

Conflict of Interest Alleged In CKUA Affair

September 22, 1997

The preliminary findings of a forensic audit into the business dealings of Edmonton's taxpayer-owned radio network CKUA have resulted in allegations of conflict of interest, breach of duty and controversial business decisions. The report recommends that the provincial government and the CKUA Radio Foundation, which took over the station, sue the former directors for breach of fiduciary responsibilities.

However, Iris Evans, the minister responsible for CKUA, says the province will not launch a civil suit, is not planning to give the station more money, and is not requesting a criminal investigation. It has, however, asked investigators Deloitte & Touche to send a letter to the federal superintendent of bankruptcy regarding a possible contravention of the Bankruptcy and Insolvency Act by Gail Hinchliffe, the political appointee who ran the station between August, 1994 and April, 1997.



Alberta Auditor General Report on the Failure of CKUA Privatization

In August 1994, ACCESS transferred the assets and operations of CKUA Radio to a privately operated foundation called the CKUA Radio Foundation (the Foundation). The transfer was pursuant to an Asset Purchase and Sale Agreement (Sale Agreement) between ACCESS and the Foundation. The Sale Agreement provided for the Foundation to receive grants totaling $4.725 million over a three-year period to be used in accordance with an approved business plan (Business Plan) to transform CKUA Radio into a financially self-sustaining public broadcaster.
In March 1997, however, CKUA Radio ceased broadcasting, citing financial difficulties. In the same month, the Minister of Municipal Affairs asked the Auditor General to investigate and report on the financial affairs and other matters related to the difficulties experienced by the Foundation. As I am not the auditor of the Foundation, the investigation was performed under authority contained in the Sale Agreement.
In simple terms, CKUA Radio ceased broadcasting in March 1997 because it was running out of money. The Foundation’s revenues had been consistently less than expected, and its expenditures were higher than budgeted for in the Business Plan. What is more revealing, however, is how this happened and why ACCESS and the Department of Municipal Affairs were largely unaware of the Foundation’s difficulties until they became critical.
The Business Plan, which was part of the Sale Agreement, provided a strategy by which the Foundation was supposed to progress from an operation dependent on government funding, to a financially viable self-sustaining operation. It contained budgets for revenues and expenditures, supported by plans containing operational objectives and strategies, a management structure and staffing complements. It is unclear, however, whether the revenue targets contained in the Business Plan were realistic. As events transpired, actual revenues fell far short of those targets. Unfortunately, the Foundation’s efforts to address these revenue shortfalls were largely unsuccessful, and eventually, its resources were so depleted that cessation of operations was inevitable.
ACCESS, and later the Department of Municipal Affairs (which assumed ACCESS’s rights and obligations under the Sale Agreement when ACCESS was wound-up in July 1996), did little to help the situation. In part, this was probably because both lacked in-depth knowledge of the Foundation’s situation. This, in turn, was because the accountability information obtained from the Foundation since August 1994 had been minimal.
Even if ACCESS or the Department had pressed the Foundation for financial and other operating information, it is doubtful if it could have been provided. This was because the Foundation’s financial records were generally poor and not conducive to the provision of timely financial information. This meant that much of the information the Foundation’s Board and management would have needed to manage the Foundation’s affairs effectively, was usually unavailable or late. The audited financial statements for the first thirteen months to August 31, 1995 were not presented to the Board until February 18, 1997. Monthly operating statements were not produced until June 1996, and even then, were of limited value because financial budgets were not integrated into an overall operational plan.
In conclusion, I believe that failure to measure and report results promptly, to match results against a comprehensive plan, and to take corrective action when needed, severely limited the Foundation’s ability to administer its affairs successfully. I believe also that some of the Foundation’s problems could have been avoided, or at least mitigated, by a proper governance structure with appropriate separation of duties between the Board and management. My advice to the Foundation’s new Board of Directors is to develop realistic revenue targets for the future, and to determine whether CKUA Radio can operate within the necessary cost constraints.
The failure of the Foundation to plan properly and to provide evidence of results had implications for ACCESS, which provided $4.725 million in cash and $1.125 million in capital assets to the Foundation. In such circumstances, even though the Sale Agreement was virtually silent on the need to provide accountability information, ACCESS (and later the Department) should have required the Foundation to provide frequent accountability reports. As a minimum, such reports should have contained the information needed to enable ACCESS to monitor the Foundation’s progress towards the goals set out in the Business Plan.
I acknowledge that, as required by an April 1995 amendment to the Sale Agreement, the Foundation sent ACCESS a report in October 1995 on the status and viability of the Foundation’s operations. The report, however, was superficial and unsupported. Furthermore, the report was received by ACCESS six months after it had paid the Foundation the final $2.025 million of grant monies to cover the second and third years of the funding period. In my view, the failure of ACCESS to require the Foundation to be properly accountable for the ongoing performance of the goals and objectives contained in the Business Plan allowed a bad situation to become critical, and Provincial funding to be wasted.
Another situation that may also have contributed to a lack of adequate accountability was the Foundation’s inappropriate governance structure. There was no clear separation of responsibilities between the Foundation’s Board and management, even though such separation was required by the Business Plan. Further, at times during the period from February 1994 to April 1997, some directors of the Foundation were also directors of ACCESS. In my view, this dual role created conflicts of interest during their involvement in decisions relating to the sale and subsequent operation of CKUA Radio.

Monday, April 22, 2024


Canada's 1st public broadcaster needs $3M before October to stay on the air

CBC
Sun, April 21, 2024

CKUA, Canada's first public broadcaster, needs to raise $3 million by Sept. 30 to continue operating. (the needle.ca - image credit)

Alberta's public radio station is relying on donations to stay on the air.

CKUA, the country's first public broadcaster, has relied significantly on crowdfunding for years. But no money was allotted for it in the federal and provincial budgets in 2024 — and the station needs to raise $3 million by Sept. 30, or its reserves will be drained.


"It's a perfect storm," said CEO Marc Carnes. "We're not immune to the same financial realities that a lot of homes and businesses are in right now, with inflation, the cost of borrowing going up and utilities."

CKUA also owns the Alberta Hotel on Jasper Avenue in downtown Edmonton. Half the building is rentable commercial space — and most of it is sitting empty after the primary tenant became insolvent last year, Carnes said.

Ironically, the 96-year-old station is still performing well, he said. The audience is growing, while its revenues have remained steady.

Marc Carnes, CEO of CKUA

Marc Carnes, CEO of CKUA, is pushing for funding to save the radio station that has been on the air since 1927. (Nick Brizuela/CBC)

"The core business pieces are there. It's just things that are happening to everybody right now," he said.

Opposition NDP arts and culture critic Joe Ceci raised the plight of CKUA at the legislature Thursday. During question period, he pressed the United Conservative government about whether it would send money to the station, and how the government would promote it.

In response, Minister of Arts, Culture and Status of Women Tanya Fir noted that the Alberta government gave $5 million to CKUA in 2012 to buy and renovate the Alberta Hotel. Since 2019, the station has received $450,000 in provincial community grants.

Fir acknowledged how significant CKUA is to the province of Alberta in preserving and promoting its culture and history. But she said any provincial dollars would be primarily used to cover the station's debt obligations, which doesn't align with the purpose of government capital grants.

"They're using different measuring sticks for different things," Ceci later told CBC News.


Economic Development, Trade and Tourism Minister Tanya Fir introduced Bill 23 on Tuesday.

Minister of Arts, Culture and Status of Women Tanya Fir responded to the Opposition NDP during Thursday's question period about CKUA. (CBC )

The government is suggesting debt is bad for the arts and culture sector, he said, but it has helped other industries when they need it — namely oil and gas.

Fir's press secretary Garrett Koehler later told CBC News that the government learned of the radio station's financial situation in September and that the minister has met with CKUA to discuss its situation.

Carnes said he is hopeful that dialogue with the provincial government continues.

He is also lobbying for funding from the federal government, but that has been more challenging, he said.

He and Fir each noted that the latest federal budget excluded CKUA from millions of dollars earmarked for CBC — Canada's public broadcaster — and other public interest programming services.

CKUA is hoping to leverage the fact that, when it bought the Alberta Hotel, Ottawa did not match the amount of funding from the City of Edmonton or government of Alberta, Carnes said. The municipal and provincial governments spent $5 million each; the federal government spent $500,000.

'Heartbeat of the Alberta music scene'

On Nov. 21, 1927, after a lot of teamwork and lobbying, radio announcer H.P. Brown spoke into a microphone at the University of Alberta in Edmonton — marking CKUA's inaugural broadcast.

The station started primarily as educational programming featuring university staff, but expanded to inform and entertain Albertans day-to-day for decades. It was the first to cover the legislative assembly as a regular beat as well as air play-by-play broadcasts of football games.

Today, the CKUA music library in Edmonton is renowned, storing recordings that date back 140 years. The station, Carnes said, also airs up-and-coming artists, as well as those who are more established.

"If we go dark, it's a very quiet, sad day in the province," Carnes said.


The CKUA library is renowned, holding 140 years of recordings.


The CKUA library is renowned, holding 140 years of recordings. (Nick Brizuela/CBC)

Trevor Mann, a band member of Scenic Route to Alaska, considers CKUA a "formative part" of raising the band's profile because it was one of the first to play their music.

"We truly feel like, without the support of CKUA, we would be nowhere close to where we are today," he said.

Mann described the station as "the heartbeat of the Alberta music scene," but said it might be taken for granted — and its true impact only realized if it disappears.

CKUA has already started raising the $3 million it needs, launching a 10-day donor drive on Friday. As of 3:30 p.m. MT Saturday, it had raised more than $467,000 toward its goal of $775,000.

LISTEN | CKUA needs $3M before October to stay on the air:

The $3 million would help the station get by, Carnes said. The station already has plans to attract more tenants into its Edmonton building and to cover higher operating costs.

The money would also help CKUA be able to create a separate fundraising campaign in 2027 — its centennial year — to create an endowment, ensuring the station remains sustainable long-term, he said.

AMOUNT RAISED
$835,762
GOAL
$1,000,000
FIRST-TIME DONORS: 944
FIRST-TIME DONOR GOAL: 1000


With your support, we've done something incredible!

We have achieved the first $775,000 (our original Spring Fundraiser goal) within 5 days of our original ask, and just 2 days since the official launch of the Spring Fundraiser. But we still need you to support the station you know and love—and to do so in record numbers.

Let's go for $1 million towards the $3 million we need by September. We can do this, together!

The Time Is Now.

Make A One-Time Donation - CKUA Radio Foundation

Wednesday, February 09, 2005

The End of Public ACCESS

Once upon a time Alberta had both a public funded radio station and TV station. The radio station CKUA was the oldest and only provincially owned public radio station in North America.
The TV station was ACCESS and is now the only private educational TV channel in Canada.

This week CHUM Ltd. purchased up all the shares of the Learning TV Network which includes ACCESS. Its part of its move into the Alberta media marketplace with its purchase of A-Channel in Edmonton and Calgary and its launch of a new FM radio station in Edmonton. This is the final act of fire sale piracy that sacrificed public access to media on the altar of privatization.

ACCESS was a crown corporation created to house both CKUA and an Educational TV network modeled on TVO(ntario) and the Knowledge Network in B.C. It used public access to cable to launch itself, and was a crown corporation.

The upper management of ACCESS were Tory good old boys owing their positions to who they knew , not what they knew. And it was this that led to the downfall for both CKUA and ACCESS. CKUA has survived as a community supported radio station. This week ACCESS was fully privatized.

This then is a tale of crony capitalism Alberta style.

CKUA The Day the Music Died
A lesson in HOW NOT TO PRIVATIZE

CKUA was surprisingly progressive in its music and news programming, even during the right wing Social Credit era, and through Peter Lougheed's Progressive Conservative ( PC) government era of the seventies and eighties. It broadcast KPFA news a decidedly left newservice and it covered Alberta politics with independent progressive news and features.
It was not just publically owned, but was opena nd remains open to community and public involvement.

I worked with CKUA in the early 1970's setting up its first ever Teen Youth radio show. Youth Radio Production was a cooperative of high school students programming on CKUA every Saturday for 1/2 hour reporting on activism in the community. We were all volunteers who had created radio shows in our High Schools using the school intercom system, those radio shows still exist in Edmonton High Schools. Several of the high school radio show programmers went on to work at making CJSR at the U of A a viable community station.

Like the CBC, CKUA was funded by taxpayers, but was not beholden to the government. For years as an educational radio station it did function as the first distance education program for Alberta Education, and it ran Question Period from the Legislature. During the nineties with the privatization putsch of the Klein government, Question Period was deemed too 'expensive' to support on CKUA and was canceled by the government. So much for democracy in Alberta.

Using a phony debt and deficit crisis to push to reform the state in the 1990's the Alberta Tories under Ralph Klein became Republican Lite. The Alberta Government turned to the extreme right, under the influence of the Reagan Republicans, Sir Roger Davies of New Zealand, the Thatcher Government in England, and with the support of right wing think tanks like the Fraser Institute in Canada and the Cato Institute in the US.

The debt and deficit hysteria was international and allowed right wing parties in power around the world to embrace "change" and propose "radical new ideas" on society and the governments they ruled. Of course there was nothing new in their ideas, it was the same old same old tired mantra of the Chicago School of Economics (Milton Friedman) and their Austrian School (Ludwig von Mises) predecessors; it was the cry of the lazzie faire; Let the Market rule- privatize, privatize, privatize.

In Alberta the so called deficit was temporary, and was a direct result of the government giving a royalty holiday to the giant oil corporations that dominate the provinces economy. It used the economic down turn affecting North America between 1993-1995 to impose wage and benefit cuts on public sector workers as well as downsizing and outsourcing, and began its campaign to sell off public assets and to privatize everything.

As Ralph Klein likes to say; "We want to get the government OUT of business." or "The government has no business being in business", sheer intellectual brilliance out of our infamous Teflon populist Premier. It's a beer hall catchphrase that sums up the neoliberal agenda of privatizing everything.

And that’s what the Klein government proceeded to do. And do it abysmally. As with the privatization of the Liquor Control Board in Alberta (ALCB), everything was put on the block and sold at fire sale prices. CKUA and ACCESS were no exception. Throughout this process of privatization, the same crony capitalism that Russia has suffered from was prevalent in Alberta too. Which is what happens when a One Party State embraces neoliberalism, it moves from state-capitalism to the state funding of capitalism.

In 1994, Alberta's Minister of Municipal Affairs, Steve West, known as the dark lord of privatization, made sure everything in his pervue was for sale. He oversaw the privatization of the ALCB, as well as the Public Works department which was responsible for Highway Construction and Maintenance in Alberta.

He was Kleins unfailing hatchetman. Like Klein, West made no bones that the government should not be in the the business of broadcasting. And he told CKUA and ACCESS to come up with a plan to run independent of government funding. He gave them a month!

Already in the wings CHUM created the Canadian Learning Television and got a broadcast licence with the support of the Alberta government which paid CLT $8 million annually for three years. It sold CLT, ACCESS TV's Edmonton facilities, including library material and the broadcasting and duplicating rights to those materials for $1.

Ever the hatchetman West fired CKUA's President, Don Thomas and its GM Jackie Rollans. He replaced them with a hand picked foundation board. The foundation board was created within the ACCESS coporation to run CKUA.

"Gail Hinchliffe, a Calgary-based property developer with strong Conservative party ties, served as the chair of ACCESS from 1991 and (simultaneously) as the CEO of CKUA from October 1994." Within three years Hinchliffe and her cronies had spent millions of dollars on themselves leaving the station on the verge of bankruptcy.

As the Auditor General would later report on the CKUA debacle; " Further, at times during the period from February 1994 to April 1997, some directors of the Foundation were also directors of ACCESS."

In March 1997 she and her board cried bankruptcy and pulled the plug on the station, their political agenda was clear, they had never intended to make CKUA a viable operation, they were there to plunder it and shut it down.

As Larry Pratt noted in his article in Alberta Views in 1998:

"A lawyer friend of mine says the fiasco surrounding last spring's closure and reopening of CKUA radio station made her long for a return to the days when political leaders who had betrayed the public trust would be dragged out to a city square and locked in stocks for a few days of self-reflection, preferably in February.

What really outraged her was less the revelations about financial mismanagement or the incompetence of CKUA's board than it was the total failure of anyone - board, management, government - to take any responsibility for the mess. How is it possible that no one was held accountable for the million dollars that the former directors of CKUA paid themselves and their own companies out of the station's scarce funds from 1994 to 1997, the period after it was privatized by the Klein government, in spite of an explicit ban on any remuneration for the board members?"

The CKUA Foundation board under CEO Gail Hinchliffe were predominately from Calgary, and like other privateers benefiting from this provinces crony capitalism, she was part of the Calgary Tory network. While she issued layoff notices to all the staff and after she shut down the station she still paid herself a salary.

SEE magazine reported at the time that "Hinchliffe had dual roles as board chair and CEO, and board member Larry Clausen's Calgary company, Communications Inc., handled the station's marketing contract. Revenue Canada documents showed three of the station's top executives shared some $201,000 in earnings in 1995."

Liberal MLA Lauri Blakeman revealed that " former board chair Gail Hinchliffe's company received $388,345 between Aug. 1994 and April 1997; former board member Larry Clausen's firm received $245,345 from March 1995 - March 1997; former board member and station accountant Gerry Luciani's company was paid $120,190 from July 1995 - May, 1997; and former board member Rick Baker's company, on contract to develop Friends of CKUA chapters across the province, earned $48,150 from March 1995 - Aug. 1996."

This crony capitalism is rampant in the Klein Government that rules Alberta. Under Klein's leadership the PC's became the Party of Calgary with links to the National Citizens Coalition (which moved its headquarters to Calgary), the Federal Conservative Party (which was formerly the Reform/Alliance party based in Calgary), the right wing think-tank the Fraser Institute, lobbyists for the Charter School movment, and the right wing think tank in the Political Science department of University of Calgary.

Under the leadership of both Peter Lougheed and Don Getty the PC's ruling Alberta viewed Calgary as the headquarters for corporations in Alberta and Edmonton, the provincial capital, as headquarters of the government. Under Klein the putsch to privatize the government was also an attempt to radically restructure power in Alberta, moving it from the capitol city to the corporate environs of Calgary. Even if it meant that ALCB buildings and inventory were sold off at below cost and CKUA and Access were sold off for $10 and $1 each!

The unionized staff that was all laid off called an emergency meeting and decided to shut down the station at midnight. This was a tactic never before used by media facing state intervention in their radio or TV stations. Around the world radio and TV stations have been occupied and continued broadcasting. In hindsight the tactic was brilliant. It mobilized Albertans in outrage and it was done in the middle of the provincial election!

Hinchliffe talked about running a scab radio station with volunteer announcers, but that was for naught, their were public pickets across the province at every CKUA station, and no one was going to cross the line.

As CKUA GM Ken Reagan told the CRTC last November :

"In conclusion, Mr. Chairman, when CKUA was taken off the air in 1997, what occurred was, indeed, unprecedented and, some might say, astounding. The citizenry of one of Canada's most politically conservative provinces rose up to save their community radio service. Something even more remarkable when you consider that essential services like health and education were also being cut significantly at that time. But people drew a line in the sand over CKUA radio and it begs the question: why? To be honest, I'm not sure that I have an answer. Except to surmise that over its 77-year history, CKUA has become such an integral part of people's lives in Alberta and the life of its community that, for those people who love it, losing it is not an option. And I'm not trying to hyperbolize or be melodramatic, but the love the people have for CKUA is deep and genuine."

Mass protests and candle light vigils were held and within a month a new board was created which removed the privateers and created a viable non-profit public station, which is still running the station today.

Unfortunately one of things CKUA sacrificed in its rebirth was news and critical news features. In order to be a PBS like public access radio station with telethons, it has spent several years being more music than substance.

The Klein government did nothing to change its "privatization is the cure for everything ideology". And it still engages in crony capitalism funding CHUM to run ACCESS. One of the ideological reasons given by the right wing for privatizing the State is that crown corporations are a monopoly, with no competition.

Of course ACCESS was a monopoly it was the only educational station in the province. There are plenty of private broadcasters in Alberta but none who provide this service because it is 'not profitable'. In fact without Alberta Education and other provincial governments funneling taxpayers money into ACCESS it would not be a viable private Educational TV station. And it's still a monopoly, albeit a private one!

While the public rallied for CKUA lost in the dust of the Klein Revolution in Alberta was the effects of the privatization of ACCESS. It never went off the air, it just quietly shifted from being owned by Albertans to being owned by CITY-TV/CHUM and funded by Albertans. It is another example of the public purse being used for private profit.

The most recent P3-Public Private Partnership- endeavor of the government is to fund the private construction of a ring road around Edmonton. The reason to contract out this service, paying the contractor $34 million a year for 30 years, says Infrastructure Minister Lyle Oberg its because the province doesn't own any road construction equipment. Nope they sold that off at fire sales prices of 25 cents on the dollar to the private highway construction contractors back at the same time they sold off CKUA, ACCESS and the ALCB.

Appendix to this Article

CKUA History of a privatization putsch

ACCESS- The Privatization of Educational TV in Alberta

Also See Wild West Buy Out, February 20, 2005







Creative Commons License

This work is licensed under a Creative Commons License.






















Friday, October 19, 2007

Support Public Radio

CJSR is winding up its Fund Drive as CKUA launches there's.
And Both give you TAX Receipts for your $$$$$$$.

And they both offer you swag and prizes over and above that!!

And as an added incentive both the Alberta and Federal governments will top up them donations. So support YOUR radio. Public Radio for the People.

You can listen to both stations online via your computer so donations can come from anywhere in Alberta, Canada, around the world (no tax reciept for you though, bwaa)

FunDrive is on!

Just 23 hours and 52 minutes till Fundrive is over!
We're already 88.2% through it!
Fundrive is coming



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Campaign Starts Tomorrow!

Are you ready? We are!! A fantastic new phone system is in place, excellent volunteers are anxious for your calls, and all CKUA staff are ready to make this the BEST campaign yet!

The fun begins tomorrow at 6 AM! Make your pledge online or call in to speak to one of our awesome volunteers. While you are here - online, I mean - be sure to check out the fabulous prize line up...which do you want to win??

We wish you all the best of luck and thank you in advance for showing your support, and celebrating this amazing 80 year old radio station with us. With your support, we look forward to celebrating the next 80 years.

"Thank you so much for what you do. I love that I can listen to Canada (home) and the whole world on CKUA via the internet...you enrich and enliven me every day."
Connie - Eugene, Oregon


SEE:

CKUA: Ten Years After The Privatization Putsch

The End of Public ACCESS


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Thursday, May 03, 2007

CKUA: Ten Years After The Privatization Putsch


CKUA the Alberta non profit public radio station is doing it's annual spring fund raiser.

CKUA is celebrating the tenth anniversary of the attempted privatization putsch that led to the closing of the station resulting in mass public protests and activism that got it back on the air.
See my The End of Public ACCESS

That was the first ever fund raiser for the formally publicly funded station. And it has been going ever since.

It was begun eighty years ago in 1927 as a public broadcaster, founded as University of Alberta Radio. Today that tradition of public community broadcasting remains on campuses across Canada, including CJSR at the U of A.

Both stations now do annual fund raisers and for Canadians these are charitable tax write offs.

If you are an Albertan the government has increased the value of charitable donations as tax write offs in their last budget, "
The charitable donations tax credit will almost double to 21 per cent.",as has the Federal Conservatives.

So dig deep and donate, and save yourself some taxes and support damn fine radio.

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Monday, July 30, 2007

Tornado In Southern Alberta


CKUA is reporting that a Tornado has touched down in Crossfield, Alberta, and is moving east at 40 clicks per hour. We have severe weather warnings across the province and Tornado watches in the south; Wheatland, Ardrie, Rockyview, Strathmore, Vulcan, Drumheller, etc.


The Alberta Emergency Public Warning System was created following the 1987 Edmonton Tornado as a joint public alerting initiative with CKUA funded by the Alberta Government.



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Sunday, January 29, 2006

Martin and Lews Scabs

One of Martin and Lewis's first hit songs


That Certain Party



Listen


Listen
was recorded Sept. 13 1948 at the end of the nine month muscians strike. Parts of the recording had been done during the strike with instrumentals recorded in Mexico shortly after the strike the vocals were added. Result a scab record by Dean Martin and Jerry Lewis.

Whereas Gordon McRae sacrificed scab instrumentals and went on to record his hit, with Jo Stafford, Bluebird of Happiness.

Tip o the blog to the CKUA Radio program Play It Again for this tidbit.

PLAY IT AGAIN is a weekly one-hour program of popular music from the 1920's through the 1950's, focussing on popular songs of the era. CKUA's Tony Dillon-Davis hosts the show with charm and humour; each week Tony presents a 'feature year', incorporating information on world events of the time. PLAY IT AGAIN ... Sunday mornings from 9:00 to 10:00am and rebroadcast Monday evenings at 8:00pm and Thursday mornings at 1:00am. 2006/01/29 Play It Again playlist

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Wednesday, November 22, 2006

Death of Channel Ten


When cable TV was introduced into Canada, at the same time that the CRTC came into being, it was determined that it should include community access. That meant that community groups, individuals, etc. would have free access to cable broadcasting to meet its 'community' objectives that it state made it an alternative to mainstream TV broadcasters.


The 1968 reform of the Broadcasting Act replaced the BBG with the Canadian Radio-Television Commission, or CRTC (which became the Canadian Radio-Television and Telecommunications Commission in 1976). The CRTC spent most of the 1970s developing a regulatory framework for the rapidly expanding cable industry, which had emerged in the 1950s as community antenna television serving remote areas. By retransmitting signals picked out of the air from U.S. border-town transmitters (for which they paid no license fees until 1989), the Canadian cable industry built an attractive product for the Canadian television audience, which quickly developed a taste for the best of both worlds. To paraphrase the 1929 royal commission on broadcasting, Canadians wanted Canadian programming, but they wanted U.S. programming too.

Aware that the increasingly widespread cable model was undermining its policy to support and promote Canadian content, the CRTC moved to ensure that cable, as well, contributed to the overriding policy objective of delivering Canadian television to Canadians. Must-carry provisions ensure that every available Canadian over-the-air signal in any area is offered as basic service, along with a local community channel. But in exchange, cable companies were authorised to distribute the three American commercial networks plus PBS. This was, for many years, the basic cable package available to Canadian cable subscribers, and on this basis, cable penetration grew to 76% of Canadian homes by 1992.


The cable companies provided a public access channel to meet the CRTC requirements for community access. That channel in most communities in Alberta was Channel 10. It allowed for individuals, non-profit groups, religious, multicultural, social, political interests to have a free voice. Cable companies in the begining relied upon these groups to boost their volunteer base for staffing and content.

As they became more corporate, such as Shaw and its successful production of the comedy SCTV, the role of the community became more and more a drag on the corporate model that cable was becoming. Today cable companies have eliminated all community access, and have transformed Channel 10 into an internal news community announcement channel operated by the cable company and its staff. Thus the short life and death of authentic autonomous community televsion we had been promised when Cable was first licensed.

In Alberta the provincial government created its own public access TV channel, ACCESS, which was part of its radio network, CKUA. This channel slowly evolved from an educational and community access channel to an Eductational TV station linked to Athabasca university for distance learning, modeled on Ontario's Educational Channel. With the coming of the Klein privateers both ACESS and CKUA were privatized. ACCESS is now part of CHUMS Educational TV network. And again the death of community access to the airwaves.

Cable access in the United States still allows for individual and community access. Ironically thanks to Canadian media activists.

According to Ralph Engelman's Origins of Public Access Cable Television 1966-1972, New York's public access began in 1968 by Fred Friendly, a television advisor to the Ford Foundation and chairman of Mayor John Lindsay's advisory task force on CATV and Telecommunications, when he wrote a report recommending that cable companies set aside two channels the public could lease for a minor fee. The fee was opposed by others, and was later dropped. In July 1971 public access started.

From 1968 to 1970, Canadian filmmaker Red Burns, who'd served on the National Film Board of Canada (NFB)'s Challenge For Change and George C. Stoney, who'd likewise served a guest role, co-founded the Alternative Media Center (AMC) at NYU in 1971. AMC started the National Federation of Local Cable Programmers, which is a public access advocacy organization, with interns that help establish access centers throughout America. In 1972 Burns and Stoney worked with FCC commissioner Nicholas Johnson to make the FCC cable access requirements.

The FCC issued its Third Report and Order in 1972, which required all cable systems in the top 100 U.S. television markets to provide three access channels, one each for educational, local government and public use, where if there was insufficient demand for three in a particular market, the cable companies could offer fewer channels, but at least one, and any group or individual wishing to use the channels was guaranteed at least five minutes free. Also required was for cable companies to provide facilities and equipment with which people could produce shows.


We need a return to public access on cable and in any decisions the CRTC makes, fo any forms of broadcasting, TV, radio and new media.

The CRTC mandate changed under the Mulroney Tories to become the voice of capitalist competition in the media marketplace. Public access and the defense of the public interest in licensing our public airwaves, be it TV, radio, phone or the internet has been sacrificed by the CRTC. Instead they view their role as another Competition Bureau to enforce competition between competing oligopolies the Telcos and Cable companies.


SEE:

Pro Monopoly Tories

Monopoly Capitalism in Cyberspace




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Tuesday, July 31, 2007

Alberta's First Killer Tornado

Twenty years ago today was declared Black Friday in Edmonton, when an F4 Tornado hit the city killing 27 people. The majority of those killed lived in Evergreen Trailer park.

It was the worst natural disaster in the city and provinces history, and unexpected since Alberta never had Tornado's before that day.

Today we have an advanced province wide emergency weather reporting system, the only one of its kind in Canada, which operates through CKUA radio.

And it has been broadcasting last night and this morning about Tornado's in the south of the province.

Climate Change, nah nothing to worry about.


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Monday, October 31, 2022

Paranormal investigators give substance to Edmonton ghost stories

Justin Bell - Saturday

They call her the woman in white; a spectre who hovers around the projection room and climbs the grand staircase of the Princess Theatre.



Edmonton Ghost Tours' Nadine Bailey in Mount Pleasant Cemetery, a stop on one of her many tours© Provided by Edmonton Journal

Nadine Bailey, who runs Edmonton Ghost Tours, says the story of the woman in white goes back more than a century to when Strathcona was a boom town.

Sarah Anne arrived with no family or friends and rented a room on the top floor of the iconic theatre.

“About 11 months into living in Strathcona, she found herself in an unfortunate predicament; pregnant but not married,” says Bailey.

The father promised to marry her, but instead skipped town and with no options, the poor woman hanged herself in her room where her spirit’s said to still wander.

Further down Whyte Avenue, ghostly bar brawls and apparitions dressed in gold-rush era attire haunt staff and visitors at the Strathcona Hotel. It was built in 1891 by the Calgary and Edmonton Railway Company as a pitstop for those headed to the Klondike gold rush. Staff still report seeing the spirits of men in 19th-century clothing in the hotel’s halls, even after recent renovations.

Rutherford House and Pembina Hall both feature prominently in Bailey’s tours of the University of Alberta.

Pembina Hall was used as a hospital and quarantine building during the Spanish Flu outbreak. For years, staff in the building reported seeing foggy figures of women and children. Working at night, they also heard coughing coming from neighbouring offices, but the doors were locked and the lights out when they went to investigate

Pembina Hall on the University of Alberta campus is known to be haunted by an influenza nurse and a soldier.© Shaughn Butts

At Rutherford House, now a museum, staff and visitors say they’ll catch a young boy dressed in period attire out of the corner of their eye or hear the sound of a ball bouncing on the grand staircase, but no staff or guests match the description.

No child has ever died inside the house, so the origins of the apparition are somewhat hazy, though Bailey says he could have been brought into the house with a piece of furniture.

These are just a handful of the dozens of spooky stories Bailey tells on several different tours she leads from May through mid-November, tales honed over 18 years of guiding people through what goes bump in the night.

“I spend countless hours in the archives going through old newspapers and digging up stories,” says Bailey, referring to the research she does to ensure her stories are historically accurate.

Ghost stories in the city aren’t confined to Old Strathcona. The Alberta Block building, for years the home of local radio station CKUA, was also the setting for one of the city’s best-known ghost stories.


The old CKUA building on Jasper Avenue.

Sam, a caretaker of the building who loved both cigars and opera equally, was supposedly lobotomized before his time at the building for anger and aggression, once threatening premier Ernest Manning.

Sam died of a heart attack in the building, and since then, staff reported that taps would randomly turn on, cigar smoke could be detected in the air and someone could be heard singing opera.

The investigators

Beth Fowler, president of the Alberta Paranormal Investigators Society, has been through the building more than once searching for the spirit of Sam. While the cigar smoke was eventually attributed to an antique piece of furniture, they did pick up a pair of girls singing “Go back, go back” on an audio recording. It wasn’t the only voice they managed to record.

“In the area where Sam used to take his breaks, on our second investigation, we picked up a man’s groan,” says Fowler, who uses voice and video recorders to capture paranormal activity. “There was nobody in that room. We were in another building.”’

Her group was also asked to look into the Clive Hotel, in the village of the same name 140 km south of Edmonton, while it was undergoing renovations a number of years ago. Guests and staff were seeing a shadowy figure of a man around the area, with guests reporting him standing over them as they slept. Covers would fly off of beds, objects moved around on their own and the sound of a man singing floated through the air.

The spirit is assumed to be a previous owner who was notorious for his bad luck, according to Fowler, but loved the hotel so much he’d return to visit.

Fowler has been investigating paranormal activity in the province since 2003, almost two decades of searching for the supernatural. The society, which you can find on Facebook, was doing up to two investigations a month until the pandemic struck, but Fowler’s hoping to train some new members and start investigating more again soon. You can find them on their Facebook site.

Fort Edmonton’s hauntings


Fort Edmonton Park, with a collection of historical buildings and artifacts, has its own collection of spooky stories and haunted locations.

One of the park’s more pleasant ghostly encounters is at the century-old Mellon Farmhouse. In the upstairs bedroom, rather polite voices will reply to a friendly hello. Another voice has been recorded asking a passer-by to be “careful” as they walked down a steep staircase.

The Firkins House at the park, once owned by an Edmonton dentist, is another highlight for the paranormally interested. Staff members have heard people wandering about the house, only to find it’s locked up and seemingly impossible for anyone else to be in the house.

Investigations have picked up voices in the house answering “Strathcona” when asked what city they might be in, an accurate answer for a house once situated on the southside in 1911.



An unexplained purple glow appeared when this photo was taken in an upstairs bedroom at Firkins House in Fort Edmonton Park.© Larry Wong

“We do find that some of the speculation from mediums and investigators is that we are creating a paranormal hub,” says Lacey Huculak, the manager of experience development for Fort Edmonton Park. “The park is full of artifacts from various decades. Ghosts and spirits are not only attracted to and stay in buildings; they could be attached to artifacts.”

The park will be running paranormal tours in November, bringing small groups to places like Mellon Farmhouse and Firkins House, using voice recorders, motion detectors and infrared cameras as tools to search for the supernatural.

Tours at the park will be happening Nov. 9-29, starting at 7 p.m. and running for almost four hours at a time. Find tickets to the Fort Edmonton Park Paranormal Tours at fortedmontonpark.ca .

yegarts@postmedia.com

Tuesday, November 28, 2006

Baby It's Cold Outside

Listening to CKUA they just played Baby It's Cold Outside with Louis Armstrong and Velma Middleton And it is. Brrrrr. And just think it is still Fall, twenty three days till it is officially winter. Brrrrrrrr




EXTREME WIND CHILL VALUES EXPECTED OVERNIGHT.
CLEARING SKIES AND NORTHERLY WINDS OF 20 KM/H WILL PRODUCE EXTREME WIND CHILL VALUES OF -40 OR LESS. EXTREME WIND CHILL VALUES WILL DIMINISH LATER THIS MORNING AS THE WINDS GRADUALLY DIMINISH.

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Wednesday, October 31, 2007

Robert Goulet RIP

Robert Goulet, `Camelot' Star, Dapper Singer, Dead at Age 73

He was born in the U.S. but raised here in Edmonton. His official website is down due to the excess attempts to access it.

In spite of his stage fright, Goulet was encouraged by his parents to continue performing. When he was in his early teens, his recently widowed mother moved herself and her son from Girouxville, Alberta, to the provincial capital of Edmonton so that he could take advantage of the performance opportunities offered in the city. There, he attended the famous voice schools founded by Herbert G. Turner and Jean Letourneau, and later became a radio announcer for radio station CKUA. Upon graduating from high school, Goulet received a scholarship to Toronto's Royal Conservatory of Music. There, he studied voice with famed oratorio baritones, George Lambert and Ernesto Vinci.

And here is a wonderful 'cheesy' video of the Three Crooners.

Bobby Darin On Andy Williams Live With Robert Goulet






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Monday, December 25, 2023

You've heard of Santa, maybe even Krampus, but what about the child-eating Yule Cat?

Dustin Jones
December 23, 2023 



An illuminated cat sculpture in downtown Reykjavik on November 29, 2021. Icelandic folklore tells of a giant cat that eats children who don't wear their new clothes at Christmas time.
Credit: AFP via Getty Images

Christmas time is upon us, and though children loathe getting new clothes for gifts, they best put on that new itchy sweater or slide on those unwanted socks. Or else risk being eaten alive by a giant cat, at least according to Icelandic folklore.

That's right. A child's worst nightmare — new clothes under the tree — could only be outdone by a somehow worse nightmare, being devoured by a ferocious feline that hunts down children caught not wearing their new clothes.

The tale of Jólakötturinn, which translates to Yule Cat, is an Icelandic Christmas classic dating back to at least 1932, according to the Icelandic Folklore website, a research project managed by the University of Iceland.

Jóhannes úr Kötlum, an Icelandic poet, wrote about the Yule Cat in his book, Jólin koma (Christmas is Coming), published in 1932.

Kötlum's poem tells the tale of a cat that's "very large" with glowing eyes. It roams the contryside, going from house to house looking for children who aren't wearing the new clothes they got for Christmas, according to the poem

Memes of the Yule Cat have been making their way around social media, some are meant to be spooky, while others are a blend of fascination and satire.

"I am really fascinated by other culture's holiday traditions so shoutout to my boy the Yule Cat," one meme reads. "A monstrous cat who roams Iceland eating people who aren't wearing the clothes they got for Christmas."

The Yule Cat isn't the only sinister character that comes around Christmas.

Another European folklore character is Krampus, an anti-Santa demon that kidnaps and punishes naughty kids, according to mythology.net. Munich, Germany, hosts an annual Krampus run, which attracts hundreds of participants — and more spectators — every year. 

[Copyright 2023 NPR]


Friday, December 22, 2006

Cat Carol

The image “http://www.catcarol.com/catcarol.jpg” cannot be displayed, because it contains errors.

A sad Christmas tale, that is seasonally appropriate. Not all Christmas songs or tales are joyful. They are often tales of sacrifice and redemption, such as O Henry's famous short story The Gift Of The Magi or Dickens tale of the haunting of Scrooge.

I just wish it wasn't so damn popular on CKUA this season, I never can just turn it off, to late and I get teary eyed again when I hear it.

Score; 5/5 kleenex.

It is basically a retelling of the little match girl story for todays children. The author Bruce Evans is Canadian and the singer 
Meryn Cadellgives the song it's haunting apprehensiveness. It is a sad carol despite the uplifting ending.

The Cat Carol

The cat wanted in to the warm warm house,
But no one would let the cat in
It was cold outside on christmas eve,
She meowed and meowed by the door.

The cat was not let in the warm warm house,
And her tiny cries were ignored.
'twas a blizzard now, the worst of the year,
There was no place for her to hide.

Just then a poor little mouse crept by,
He had lost his way in the snow.
He was on his last legs and was almost froze,
The cat lifted him with her paw.

She said "poor mouse do not be afraid,
Because this is christmas eve.
"on this freezing night we both need a friend,
"i won’t hurt you - stay by my side."

She dug a small hole in an icy drift,
This is where they would spent the night.
She curled herself 'round her helpless friend,
Protecting him from the cold.

Oooooo

When santa came by near the end of the night,
The reindeer started to cry.
They found the cat lying there in the snow,
And they could see that she had died.

They lifted her up from the frozen ground,
And placed her into the sleigh.
It was then they saw the little mouse wrapped up,
She had kept him warm in her fur.

"oh thank you santa for finding us!
"dear cat wake up we are saved!"
..."i’m sorry mouse but your friend has died,
There’s nothing more we can do.

"on christmas eve she gave you her life,
The greatest gift of them all."
Santa lifted her up into the night sky,
And laid her to rest among the stars.

"dear mouse don’t cry you are not alone,
You will see your friend every year.
"each christmas a cat constellation will shine,
To remind us that her love’s still here."

Oooooooo



See

Christmas

Rebel Jesus

Tannenbaum

Keeping the 'X' in X MAS

Solstice