Showing posts sorted by date for query CKUA. Sort by relevance Show all posts
Showing posts sorted by date for query CKUA. Sort by relevance Show all posts

Monday, April 22, 2024


Canada's 1st public broadcaster needs $3M before October to stay on the air

CBC
Sun, April 21, 2024

CKUA, Canada's first public broadcaster, needs to raise $3 million by Sept. 30 to continue operating. (the needle.ca - image credit)

Alberta's public radio station is relying on donations to stay on the air.

CKUA, the country's first public broadcaster, has relied significantly on crowdfunding for years. But no money was allotted for it in the federal and provincial budgets in 2024 — and the station needs to raise $3 million by Sept. 30, or its reserves will be drained.


"It's a perfect storm," said CEO Marc Carnes. "We're not immune to the same financial realities that a lot of homes and businesses are in right now, with inflation, the cost of borrowing going up and utilities."

CKUA also owns the Alberta Hotel on Jasper Avenue in downtown Edmonton. Half the building is rentable commercial space — and most of it is sitting empty after the primary tenant became insolvent last year, Carnes said.

Ironically, the 96-year-old station is still performing well, he said. The audience is growing, while its revenues have remained steady.

Marc Carnes, CEO of CKUA

Marc Carnes, CEO of CKUA, is pushing for funding to save the radio station that has been on the air since 1927. (Nick Brizuela/CBC)

"The core business pieces are there. It's just things that are happening to everybody right now," he said.

Opposition NDP arts and culture critic Joe Ceci raised the plight of CKUA at the legislature Thursday. During question period, he pressed the United Conservative government about whether it would send money to the station, and how the government would promote it.

In response, Minister of Arts, Culture and Status of Women Tanya Fir noted that the Alberta government gave $5 million to CKUA in 2012 to buy and renovate the Alberta Hotel. Since 2019, the station has received $450,000 in provincial community grants.

Fir acknowledged how significant CKUA is to the province of Alberta in preserving and promoting its culture and history. But she said any provincial dollars would be primarily used to cover the station's debt obligations, which doesn't align with the purpose of government capital grants.

"They're using different measuring sticks for different things," Ceci later told CBC News.


Economic Development, Trade and Tourism Minister Tanya Fir introduced Bill 23 on Tuesday.

Minister of Arts, Culture and Status of Women Tanya Fir responded to the Opposition NDP during Thursday's question period about CKUA. (CBC )

The government is suggesting debt is bad for the arts and culture sector, he said, but it has helped other industries when they need it — namely oil and gas.

Fir's press secretary Garrett Koehler later told CBC News that the government learned of the radio station's financial situation in September and that the minister has met with CKUA to discuss its situation.

Carnes said he is hopeful that dialogue with the provincial government continues.

He is also lobbying for funding from the federal government, but that has been more challenging, he said.

He and Fir each noted that the latest federal budget excluded CKUA from millions of dollars earmarked for CBC — Canada's public broadcaster — and other public interest programming services.

CKUA is hoping to leverage the fact that, when it bought the Alberta Hotel, Ottawa did not match the amount of funding from the City of Edmonton or government of Alberta, Carnes said. The municipal and provincial governments spent $5 million each; the federal government spent $500,000.

'Heartbeat of the Alberta music scene'

On Nov. 21, 1927, after a lot of teamwork and lobbying, radio announcer H.P. Brown spoke into a microphone at the University of Alberta in Edmonton — marking CKUA's inaugural broadcast.

The station started primarily as educational programming featuring university staff, but expanded to inform and entertain Albertans day-to-day for decades. It was the first to cover the legislative assembly as a regular beat as well as air play-by-play broadcasts of football games.

Today, the CKUA music library in Edmonton is renowned, storing recordings that date back 140 years. The station, Carnes said, also airs up-and-coming artists, as well as those who are more established.

"If we go dark, it's a very quiet, sad day in the province," Carnes said.


The CKUA library is renowned, holding 140 years of recordings.


The CKUA library is renowned, holding 140 years of recordings. (Nick Brizuela/CBC)

Trevor Mann, a band member of Scenic Route to Alaska, considers CKUA a "formative part" of raising the band's profile because it was one of the first to play their music.

"We truly feel like, without the support of CKUA, we would be nowhere close to where we are today," he said.

Mann described the station as "the heartbeat of the Alberta music scene," but said it might be taken for granted — and its true impact only realized if it disappears.

CKUA has already started raising the $3 million it needs, launching a 10-day donor drive on Friday. As of 3:30 p.m. MT Saturday, it had raised more than $467,000 toward its goal of $775,000.

LISTEN | CKUA needs $3M before October to stay on the air:

The $3 million would help the station get by, Carnes said. The station already has plans to attract more tenants into its Edmonton building and to cover higher operating costs.

The money would also help CKUA be able to create a separate fundraising campaign in 2027 — its centennial year — to create an endowment, ensuring the station remains sustainable long-term, he said.

AMOUNT RAISED
$835,762
GOAL
$1,000,000
FIRST-TIME DONORS: 944
FIRST-TIME DONOR GOAL: 1000


With your support, we've done something incredible!

We have achieved the first $775,000 (our original Spring Fundraiser goal) within 5 days of our original ask, and just 2 days since the official launch of the Spring Fundraiser. But we still need you to support the station you know and love—and to do so in record numbers.

Let's go for $1 million towards the $3 million we need by September. We can do this, together!

The Time Is Now.

Make A One-Time Donation - CKUA Radio Foundation

Monday, December 25, 2023

You've heard of Santa, maybe even Krampus, but what about the child-eating Yule Cat?

Dustin Jones
December 23, 2023 



An illuminated cat sculpture in downtown Reykjavik on November 29, 2021. Icelandic folklore tells of a giant cat that eats children who don't wear their new clothes at Christmas time.
Credit: AFP via Getty Images

Christmas time is upon us, and though children loathe getting new clothes for gifts, they best put on that new itchy sweater or slide on those unwanted socks. Or else risk being eaten alive by a giant cat, at least according to Icelandic folklore.

That's right. A child's worst nightmare — new clothes under the tree — could only be outdone by a somehow worse nightmare, being devoured by a ferocious feline that hunts down children caught not wearing their new clothes.

The tale of Jólakötturinn, which translates to Yule Cat, is an Icelandic Christmas classic dating back to at least 1932, according to the Icelandic Folklore website, a research project managed by the University of Iceland.

Jóhannes úr Kötlum, an Icelandic poet, wrote about the Yule Cat in his book, Jólin koma (Christmas is Coming), published in 1932.

Kötlum's poem tells the tale of a cat that's "very large" with glowing eyes. It roams the contryside, going from house to house looking for children who aren't wearing the new clothes they got for Christmas, according to the poem

Memes of the Yule Cat have been making their way around social media, some are meant to be spooky, while others are a blend of fascination and satire.

"I am really fascinated by other culture's holiday traditions so shoutout to my boy the Yule Cat," one meme reads. "A monstrous cat who roams Iceland eating people who aren't wearing the clothes they got for Christmas."

The Yule Cat isn't the only sinister character that comes around Christmas.

Another European folklore character is Krampus, an anti-Santa demon that kidnaps and punishes naughty kids, according to mythology.net. Munich, Germany, hosts an annual Krampus run, which attracts hundreds of participants — and more spectators — every year. 

[Copyright 2023 NPR]


Friday, December 22, 2006

Cat Carol

The image “http://www.catcarol.com/catcarol.jpg” cannot be displayed, because it contains errors.

A sad Christmas tale, that is seasonally appropriate. Not all Christmas songs or tales are joyful. They are often tales of sacrifice and redemption, such as O Henry's famous short story The Gift Of The Magi or Dickens tale of the haunting of Scrooge.

I just wish it wasn't so damn popular on CKUA this season, I never can just turn it off, to late and I get teary eyed again when I hear it.

Score; 5/5 kleenex.

It is basically a retelling of the little match girl story for todays children. The author Bruce Evans is Canadian and the singer 
Meryn Cadellgives the song it's haunting apprehensiveness. It is a sad carol despite the uplifting ending.

The Cat Carol

The cat wanted in to the warm warm house,
But no one would let the cat in
It was cold outside on christmas eve,
She meowed and meowed by the door.

The cat was not let in the warm warm house,
And her tiny cries were ignored.
'twas a blizzard now, the worst of the year,
There was no place for her to hide.

Just then a poor little mouse crept by,
He had lost his way in the snow.
He was on his last legs and was almost froze,
The cat lifted him with her paw.

She said "poor mouse do not be afraid,
Because this is christmas eve.
"on this freezing night we both need a friend,
"i won’t hurt you - stay by my side."

She dug a small hole in an icy drift,
This is where they would spent the night.
She curled herself 'round her helpless friend,
Protecting him from the cold.

Oooooo

When santa came by near the end of the night,
The reindeer started to cry.
They found the cat lying there in the snow,
And they could see that she had died.

They lifted her up from the frozen ground,
And placed her into the sleigh.
It was then they saw the little mouse wrapped up,
She had kept him warm in her fur.

"oh thank you santa for finding us!
"dear cat wake up we are saved!"
..."i’m sorry mouse but your friend has died,
There’s nothing more we can do.

"on christmas eve she gave you her life,
The greatest gift of them all."
Santa lifted her up into the night sky,
And laid her to rest among the stars.

"dear mouse don’t cry you are not alone,
You will see your friend every year.
"each christmas a cat constellation will shine,
To remind us that her love’s still here."

Oooooooo



See

Christmas

Rebel Jesus

Tannenbaum

Keeping the 'X' in X MAS

Solstice



Wednesday, April 05, 2023

BULLSHIT! IT'S SUBSCRIBER BASED
NPR protests as Twitter calls it 'state-affiliated media'
LIKE CKUA

The Canadian Press
Wed, April 5, 2023 



NEW YORK (AP) — Twitter has labeled National Public Radio as “state-affiliated media” on the social media site, a move some worried Wednesday could undermine public confidence in the news organization.

NPR said it was disturbed to see the description added to all of the tweets that it sends out, with John Lansing, its president and CEO, calling it “unacceptable for Twitter to label us this way.”

It was unclear why Twitter made the move. Twitter's owner, Elon Musk, quoted a
definition of state-affiliated media in the company's guidelines as “outlets where the state exercises control over editorial content through financial resources, direct or indirect political pressures, and/or control over production and distribution.”


“Seems accurate,” Musk tweeted in a reply to NPR.

NPR does receive U.S. government funding through grants from federal agencies and departments, along with the Corporation for Public Broadcasting. The company said it accounts for less than 1% of NPR’s annual operating budget. But until Wednesday, the same Twitter guidelines said that “state-financed media organizations with editorial independence, like the BBC in the UK or NPR in the United States, are not defined as state-affiliated media for the purposes of this policy.”

NPR has now been removed from that sentence on Twitter's website.

Asked for comment, Twitter’s press office responded with an automated poop emoji.

The move came just days after Twitter stripped The New York Times of its verification check mark.

“NPR and our member stations are supported by millions of listeners who depend on us for the independent, fact-based journalism we provide,” Lansing said. “NPR stands for freedom of speech and holding the powerful accountable.”

The literary organization PEN America, in calling for Twitter to reverse the move, underlined that NPR “assiduously maintains editorial independence.”

Liz Woolery, PEN America’s digital policy leader, said Twitter's decision was “a dangerous move that could further undermine public confidence in reliable news sources.”

David Bauder, The Associated Press
Passionate about your neighbourhood? Organizers of Jane's Walks are looking for you

CBC
Wed, April 5, 2023 

A Jane's Walk focused on some of the murals in Calgary in 2018.
 (Submitted by Amani Khatu - image credit)

From a tour of shooting locations used by HBO's The Last of Us, to an urban wildlife exploration of Weaselhead Flats, to a literary journey discovering the novelists, poets and publishers who've lived in Elbow Park.

Jane's Walks are volunteer-led walking tours, offering people an opportunity to explore their community through a new lens.

The annual walks are named after Jane Jacobs, an urbanist and activist who encouraged people to get out into their neighbourhoods.

The walks are held globally each May, with organizers in Calgary hoping to get back to full offerings after scaling back in recent years due to the pandemic.

"We are hoping to have around 40 walks, but [in] one year we had like 82," said Awani Khatu, community activator at the Federation of Calgary Communities, in an interview on the Calgary Eyeopener.

"We want to get that momentum back. We want to get people. Even if you're in the suburbs, we definitely want you hosting a walk as well. This isn't just restricted to people in the inner core."

The group is putting out a call for more walk leaders — people passionate about an aspect of the city they're willing to tell others about.

Bob Chartier started his walk of Calgary's Music Mile in Inglewood about seven years ago. It runs along Ninth Avenue S.E. from the King Eddy to The Blues Can, including stops at the National Music Centre, the CKUA radio station and the Ironwood.

He finishes off the tour with his own song about the Music Mile.

"The Jane's Walk idea is the coolest thing in the world. It says that everywhere you go that neighbourhoods are interesting.… You just need some great stories and just say, 'Come on a walk with me through this neighbourhood and I'll tell you why I like it,'" he said.


Submitted by Awani Khatu

Chartier is a later-comer singer-songwriter and musician, and he's spent time getting to know people up and down the avenue. So he says he speaks from the heart.

"It's not a scripted walk with me," he said.

"I think what people get out of it is not only a classic urban walk, but they get introduced to the notion that, 'Hey, this is an arts district that was made from the ground up."

How to lead a walk


Khatu says a great conversation, not a scripted lecture, is exactly what they're looking for, whether you're interested in art, architecture or even dogs.

"It can be like a walking tour with all the neighborhood four-legged friends and you go to the local dog park. So it can really be on anything that you want," she said.

"The great thing about being on your feet is that you get to pause whenever you need to pause. And if there's a detour, like take it, you know, go and explore. It's about the journey, not the destination."

Submitted by Awani Khatu

Some other walks scheduled for the May 5-7 event are focused on gardens, astrophysics and neighbourhood history.

Walk leaders just need to submit a form on the federation's website, providing a walk summary, accessibility considerations and a short bio.

The deadline to apply is April 22, although Khatu says that may be extended.

"If you want to have fun, this is for you."




PDF 

https://www.buurtwijs.nl/sites/default/files/buurtwijs/bestanden/jane_jacobs_the_death_and_life_of_great_american.pdf

THE DEATH. AND LIFE. OF GREAT. AMERICAN CITIES. •. Jane Jacobs. VINTAGE BOOKS ... through he gn.ee of the great American I»nking system, which.


https://en.wikipedia.org/wiki/Jane_Jacobs

Jane Jacobs OC OOnt (née Butzner; 4 May 1916 – 25 April 2006) was a US-Canadian journalist, author, theorist, and activist who influenced urban studies, ...

https://centerforthelivingcity.org/janejacobs

Jane Jacobs (1916-2006) was an urbanist and activist whose writings championed a fresh, community-based approach to city building. She had no formal training as ...

https://www.pps.org/article/jjacobs-2

Jane Jacobs (1916-2006) was an urban writer and activist who championed new, community-based approaches to planning for over 40 years.

https://socialwelfare.library.vcu.edu/programs/housing/jacobs-jane-1916-2006


Oct 17, 2022 ... Jane Jacobs: An American-Canadian Journalist, Author, and Activist Known For Her Influence on · Urban Studies and Cities.


https://www.smartcitiesdive.com/ex/sustainablecitiescollective/urban-designer-series-jane-jacobs/92116

She was a writer and an activist. As a concerned citizen she was able to see the negative and devastating impacts modern planning was having on communities and ...

https://www.nytimes.com/2006/04/25/books/jane-jacobs-urban-activist-is-dead-at-89.html

Apr 25, 2006 ... Jane Jacobs, the writer and thinker who brought penetrating eyes and ingenious insight to the sidewalk ballet of her own Greenwich Village ...

https://www.thoughtco.com/jane-jacobs-biography-4154171

Aug 14, 2019 ... American and Canadian writer and activist Jane Jacobs transformed the field of urban planning with her writing about American cities and her ...

https://www.archdaily.com/tag/jane-jacobs

It has been over fifty years since Jane Jacobs' book, The Death and Life of Great American Cities, revolutionized discourse on urban planning, and her words ...

https://womanisrational.uchicago.edu/2022/02/02/jane-jacobs

Feb 2, 2022 ... Jane Jacobs was an urban theorist and writer, born in 1916 and died in 2006, who thought about the way that urban organization impacts city ...



Monday, October 31, 2022

Paranormal investigators give substance to Edmonton ghost stories

Justin Bell - Saturday

They call her the woman in white; a spectre who hovers around the projection room and climbs the grand staircase of the Princess Theatre.



Edmonton Ghost Tours' Nadine Bailey in Mount Pleasant Cemetery, a stop on one of her many tours© Provided by Edmonton Journal

Nadine Bailey, who runs Edmonton Ghost Tours, says the story of the woman in white goes back more than a century to when Strathcona was a boom town.

Sarah Anne arrived with no family or friends and rented a room on the top floor of the iconic theatre.

“About 11 months into living in Strathcona, she found herself in an unfortunate predicament; pregnant but not married,” says Bailey.

The father promised to marry her, but instead skipped town and with no options, the poor woman hanged herself in her room where her spirit’s said to still wander.

Further down Whyte Avenue, ghostly bar brawls and apparitions dressed in gold-rush era attire haunt staff and visitors at the Strathcona Hotel. It was built in 1891 by the Calgary and Edmonton Railway Company as a pitstop for those headed to the Klondike gold rush. Staff still report seeing the spirits of men in 19th-century clothing in the hotel’s halls, even after recent renovations.

Rutherford House and Pembina Hall both feature prominently in Bailey’s tours of the University of Alberta.

Pembina Hall was used as a hospital and quarantine building during the Spanish Flu outbreak. For years, staff in the building reported seeing foggy figures of women and children. Working at night, they also heard coughing coming from neighbouring offices, but the doors were locked and the lights out when they went to investigate

Pembina Hall on the University of Alberta campus is known to be haunted by an influenza nurse and a soldier.© Shaughn Butts

At Rutherford House, now a museum, staff and visitors say they’ll catch a young boy dressed in period attire out of the corner of their eye or hear the sound of a ball bouncing on the grand staircase, but no staff or guests match the description.

No child has ever died inside the house, so the origins of the apparition are somewhat hazy, though Bailey says he could have been brought into the house with a piece of furniture.

These are just a handful of the dozens of spooky stories Bailey tells on several different tours she leads from May through mid-November, tales honed over 18 years of guiding people through what goes bump in the night.

“I spend countless hours in the archives going through old newspapers and digging up stories,” says Bailey, referring to the research she does to ensure her stories are historically accurate.

Ghost stories in the city aren’t confined to Old Strathcona. The Alberta Block building, for years the home of local radio station CKUA, was also the setting for one of the city’s best-known ghost stories.


The old CKUA building on Jasper Avenue.

Sam, a caretaker of the building who loved both cigars and opera equally, was supposedly lobotomized before his time at the building for anger and aggression, once threatening premier Ernest Manning.

Sam died of a heart attack in the building, and since then, staff reported that taps would randomly turn on, cigar smoke could be detected in the air and someone could be heard singing opera.

The investigators

Beth Fowler, president of the Alberta Paranormal Investigators Society, has been through the building more than once searching for the spirit of Sam. While the cigar smoke was eventually attributed to an antique piece of furniture, they did pick up a pair of girls singing “Go back, go back” on an audio recording. It wasn’t the only voice they managed to record.

“In the area where Sam used to take his breaks, on our second investigation, we picked up a man’s groan,” says Fowler, who uses voice and video recorders to capture paranormal activity. “There was nobody in that room. We were in another building.”’

Her group was also asked to look into the Clive Hotel, in the village of the same name 140 km south of Edmonton, while it was undergoing renovations a number of years ago. Guests and staff were seeing a shadowy figure of a man around the area, with guests reporting him standing over them as they slept. Covers would fly off of beds, objects moved around on their own and the sound of a man singing floated through the air.

The spirit is assumed to be a previous owner who was notorious for his bad luck, according to Fowler, but loved the hotel so much he’d return to visit.

Fowler has been investigating paranormal activity in the province since 2003, almost two decades of searching for the supernatural. The society, which you can find on Facebook, was doing up to two investigations a month until the pandemic struck, but Fowler’s hoping to train some new members and start investigating more again soon. You can find them on their Facebook site.

Fort Edmonton’s hauntings


Fort Edmonton Park, with a collection of historical buildings and artifacts, has its own collection of spooky stories and haunted locations.

One of the park’s more pleasant ghostly encounters is at the century-old Mellon Farmhouse. In the upstairs bedroom, rather polite voices will reply to a friendly hello. Another voice has been recorded asking a passer-by to be “careful” as they walked down a steep staircase.

The Firkins House at the park, once owned by an Edmonton dentist, is another highlight for the paranormally interested. Staff members have heard people wandering about the house, only to find it’s locked up and seemingly impossible for anyone else to be in the house.

Investigations have picked up voices in the house answering “Strathcona” when asked what city they might be in, an accurate answer for a house once situated on the southside in 1911.



An unexplained purple glow appeared when this photo was taken in an upstairs bedroom at Firkins House in Fort Edmonton Park.© Larry Wong

“We do find that some of the speculation from mediums and investigators is that we are creating a paranormal hub,” says Lacey Huculak, the manager of experience development for Fort Edmonton Park. “The park is full of artifacts from various decades. Ghosts and spirits are not only attracted to and stay in buildings; they could be attached to artifacts.”

The park will be running paranormal tours in November, bringing small groups to places like Mellon Farmhouse and Firkins House, using voice recorders, motion detectors and infrared cameras as tools to search for the supernatural.

Tours at the park will be happening Nov. 9-29, starting at 7 p.m. and running for almost four hours at a time. Find tickets to the Fort Edmonton Park Paranormal Tours at fortedmontonpark.ca .

yegarts@postmedia.com

Thursday, December 09, 2021

RIP 
Life and Times: Tom Doran was much more than Edmonton's Godfather of Drums

Author of the article:Roger Levesque
Publishing date:Dec 09, 2021 •
Tom Doran, Edmonton's Godfather of drums, died Nov.30, 2021. 
PHOTO BY SUPPLIED
Article content

Edmonton’s musical community skipped a few beats following the recent death of groove master Tom Doran at the age of 78.

The Edmonton-born drummer, who enjoyed a side career as an entrepreneur, was best known as the man who kept time for late bandleader Tommy Banks through several decades but that only begins to sum up his multifaceted career.

As a first-call drummer to Banks and others, Doran tackled jazz, rock ‘n’ roll, R&B, country and other genres with grace, palpable enthusiasm and superior technique, going on to influence, encourage and occasionally teach younger generations of musicians. Lending his talents to several collectives, he also backed up the likes of David Foster, Paul Horn, Big Miller, George Blondheim, Lenny Breau, Cheryl Fisher, Kennedy Jensen and many more.

Doran was one of the last surviving members of Banks’ early variety band, The Banknotes, and the original Tommy Banks Big Band. The Big Band’s recorded appearance at the 1978 Montreux Jazz Festival won a Juno Award the following year.

Backing rock-pop units like The Original Caste, he joined Privilege for an extended U.S. tour performing Jesus Christ Superstar. Doran shared musical direction in projects like Wizard (later Blizzard) with other Edmonton music greats like Earl Seymour, The Jury with Mo Marshall and the Vancouver-based Django with Gaye Delorme and Hans Stammer.

During the 1970s and early 1980s when Banks’ groups figured in the hit television series Celebrity Review (later The Tommy Banks Show) and the ITV In Concert series with the Edmonton Symphony Orchestra, Doran’s drumming helped anchor appearances with international celebrities like Aretha Franklin, Tom Jones and Tina Turner. Banks nicknamed him “Drum” and many considered him Edmonton’s Godfather of drums.

Doran’s business ventures reflected his spiritual and artistic interests. Based in and around Old Strathcona for the better part of 40 years, he and his wife Denyse founded the metaphysical Ananda Books in the mid-’70s, Jupiter Crystal in 1982, and Remedy Cafe (now under different owners) later that decade.

Jupiter gradually morphed into Jupiter Glass, a successful outlet for Doran’s handcrafted glass art, jewellery creations and later, glass pipes. Since closing the Whyte Avenue store in September this year, their kids Sara and Tom Doran Jr. continue to market through the Winnipeg-based online venture Jupiter Cannabis.


Everyone who knew him insists Doran had an especially friendly, gentle personality. His wife Denyse credits that agreeable demeanour to “the profound influence” of his daily five-decade practice of meditation.

In an interview for the Journal in 1999, Doran said he felt his real talent grew from “hands-on trial and error”. His first drum was actually the pot of an old banjo he played with tree twigs. Seeing Louis Armstrong at age 10 steered him in the right direction and the three Doran brothers made an amateur trio. He started lessons at Heinzmen’s Music at age 12, with private lessons from Art Darch, but working with Bernie Senensky and Winston Mays taught him the fundamentals of jazz.

After starting out in a teenage rock band with pal Mo Marshall, his first official gig came in 1957 with accordion-polka king Gaby Haas. The original Yardbird Suite jazz club had recently opened and within a year Doran was a regular patron, listening to the likes of Banks, Phil Shragge and Terry Hawkeye. Finally, one Saturday night he got to jam and, as he was earlier quoted, “I was hooked on jazz after that.”

Early stints in local bands like James and the Bondsman, and with Hank DeMarco led to work at The Jazz Door with Lenny Breau and P.J. Perry. Banks asked Doran to join his quartet in 1967 and the band played Expo ’67 in Montreal.

A late ’60s sojourn to Vancouver found Doran drumming in an experimental jazz fusion sextet Django, which played a club owned by the family of Tommy Chong, who became one of his best friends.

Django member and former Edmonton guitarist-singer Hans Stammer recalls Doran, saying, “I was always amazed by what a beautiful sound he had and his style of playing. He was a fantastic drummer, so easy to play with, adjusting when the band stretched out whatever the music involved. He always sounded great and he was such a nice person to be with.”

Long before the internet, Edmonton’s live music scene offered an abundance of venues. Doran put in regular work with Banks at clubs like The Embers and accompanied by vocalists like Judy Singh, and guests like David Foster, or with Bob Stroup at the Palms Cafe. Banks’ later television projects kept Doran busy with session work at multiple television studios here and in Vancouver.

On the beat

Doran was a consummate professional whose versatility put him in high demand and he appeared on dozens of recordings.

It was Paul Horn who turned Doran on to the benefits of meditation in the early 1970s and it’s no surprise the late American-born flautist hired him for extended tours of the U.S. and Canada in 1972. Horn had a thing for hiring great jazz drummers but at the time his career was shifting from jazz to pioneering meditative sounds in new age and world music. Doran fit that musical equation perfectly.

The drummer made room to work with countless younger players and briefly taught drums in the original MacEwan College jazz program. When Banks agreed to produce the debut recording of singer and radio (CKUA, CJSR, NPR) broadcaster Dianne Donovan in 1997, Doran signed on to fashion the grooves.

“I had heard so much about him,” Donovan recalls. “I was a little nervous or shy around him. However, he was the uber-pro, exacting, tasty and never overblown. It was an honour to have him on the album.”

Tom and Denyse Doran were both early advocates for the legalization of cannabis. He wasn’t one to shy away from saying so and aware enough to know the benefits of using everything in moderation. His wife observed that, “Tom had a tremendous interest in cannabis. He was really stoned a lot in the 1960s but he straightened himself out.”


She considered her husband to be, “an uncanny magnet for good fortune.”

Doran restored old automobiles as a hobby and his mechanical talents also put him in demand with Banks. As Denyse tells it, “When they went on road trips Tom Banks always made Tom (Doran) ride with him, because (Doran) was mechanical, and if something went wrong with the car, Banks knew that Tom could fix it.”

It’s difficult to sum up Doran’s life and work. His contribution to the city’s music scene will live like a subtle, stylish whisper of brushes on the snares, for years to come.

I interviewed Doran in 1999 when he announced one of several retirements from Banks’ band (it speaks volumes that Banks kept pushing him to come back). At the time, Doran pondered what a good musical situation was, saying, “Any band where the music (is) played with sincerity and a true sense of exploration in finding and going to new musical places. That’s my favourite thing, a musical adventure.”

Doran died Nov. 30 following a long struggle with renal failure. He’s survived by his wife of 50 years, Denyse, their children Leila, Thomas Jr. and Sara, and his brother Brian.

yegarts@postmedia.com

Monday, August 03, 2020

KEEP SCHOOLS CLOSED

Mexican TV / RADIO networks to provide home learning for students as schools stay shut

DON'T HAVE COMPUTER ACCESS FOR LEARNING LETS GO OLD SCHOOL 

WHEN I WAS IN SCHOOL WE LISTENED TO CKUA SCHOOL ON THE AIR RADIO PROGRAM (A PROGRAM ON THE AIR FROM THE FORTIES TILL RALPH KLEIN) 

AS WELL AS WATCHING EDUCATIONAL TV ON ACCESS TV NOW THE KNOWLEDGE NETWORK

Anthony Esposito

MEXICO CITY (Reuters) - Mexican students will be educated in the next academic year through a home-learning program broadcast by major networks such as TV Azteca until a drop in coronavirus infections allows for schools to be reopened, the government said on Monday.

The decision to keep the nation’s schools closed after the Aug. 24 start of the academic year reflects stubbornly high infection rates and deaths in Latin America’s second-largest economy.

The plan was announced by the education minister, Esteban Moctezuma, who was flanked by top executives of Azteca, Televisa and other networks at President Andres Manuel Lopez Obrador’s regular morning press conference.

When the 2020-2021 academic school year kicks off “it will begin as distance learning because the conditions don’t exist to do it in person,” Moctezuma said.

“We are obliged to look for alternatives, to look for answers so that girls, boys and youths continue to have access to education,” he said.


Before joining the government, Moctezuma was a senior executive at the charitable arm of the Azteca group.

Some 94% of Mexican households have a television, but in areas of the country without a television signal or internet access, students will be able to take classes over the radio, the education minister said.


Mexico has the third-highest coronavirus death toll in the world, with 47,746 deaths and 439,046 known cases.

“The pandemic represents one of the greatest challenges of our time,” Moctezuma said.

The government aims to restart in-person learning once the traffic-light system used to measure how widespread coronavirus is falls to the green light level, which is the lowest.


Reporting by Anthony Esposito; Editing by Frank Jack Daniel and Paul Simao

Friday, October 31, 2008

C.D. Howe Canada's Grand Poobah


There is great irony in the fact that one of Canada's foremost establishment right of centre think tanks the C.D. Howe Institute which often promotes a neo-con agenda is named after one of Canada's foremost Pooh-Bahs of State Capitalism.
Grand Poobah is a term derived from the name of the haughty character Pooh-Bah
in
Gilbert and
Sullivan
's The Mikado. In
this
comic opera,
Pooh-Bah holds numerous exalted offices, including Lord Chief Justice,
Chancellor of the Exchequer, Master of the Buckhounds, Lord High Auditor, Groom
of the Back Stairs, and Lord High Everything Else. The name has come to be used
as a mocking title for someone self-important or high-ranking and who either
exhibits an inflated self-regard, who acts in several capacities at once, or who
has limited authority while taking impressive titles.


NANK. Ko-Ko, the cheap tailor, Lord High Executioner ofTitipu! Why, that's the highest rank a citizen can attain!
POOH. It is. Our logical Mikado, seeing no moraldifference between the dignified judge who condemns a criminal todie, and the industrious mechanic who carries out the sentence,has rolled the two offices into one, and every judge is now hisown executioner.
NANK. But how good of you (for I see that you are anobleman of the highest rank) to condescend to tell all this tome, a mere strolling minstrel!
POOH. Don't mention it. I am, in point of fact, aparticularly haughty and exclusive person, of pre-Adamiteancestral descent. You will understand this when I tell you thatI can trace my ancestry back to a protoplasmal primordial atomicglobule. Consequently, my family pride is somethinginconceivable. I can't help it. I was born sneering. But Istruggle hard to overcome this defect. I mortify my pridecontinually. When all the great officers of State resigned in abody because they were too proud to serve under an ex-tailor, didI not unhesitatingly accept all their posts at once?
PISH. And the salaries attached to them? You did.
POOH. It is consequently my degrading duty to serve thisupstart as First Lord of the Treasury, Lord Chief Justice,Commander-in-Chief, Lord High Admiral, Master of the Buckhounds,Groom of the Back Stairs, Archbishop of Titipu, and Lord Mayor,both acting and elect, all rolled into one. And at a salary! APooh-Bah paid for his services! I a salaried minion! But I doit! It revolts me, but I do it!
NANK. And it does you credit.
POOH. But I don't stop at that. I go and dine withmiddle-class people on reasonable terms. I dance at cheapsuburban parties for a moderate fee. I accept refreshment at anyhands, however lowly. I also retail State secrets at a very lowfigure. For instance, any further information about Yum-Yumwould come under the head of a State secret. (Nanki-Poo takes hishint, and gives him money.) (Aside.) Another insult and, Ithink, a light one!


The C.D.Howe Institute flies in the face of the endeavours of Howe, who as Minister of Everything, oversaw the development of public and crown corporations in Canada. Federally funded, not joint private public partnerships, which of course would have demanded private capital to develop. With the victory of neo con agenda in the ninties promoting privatization of public and government infrastructure the C.D. Howe institute gave establishment legitimacy to the efforts of other right wing lobbyists and thnk tanks like the Fraser Institute and its east coast doppleganger; the Atlantic Institute of Market Studies , and the newly minted Frontier Centre for Public Policy.

The C.D. Howe Institute
(formerly the Howe Research Institute), is a nonprofit policy research
organization established in 1973 by a merger of the Private Planning Association
of Canada, formed in 1958, and the C.D. Howe Memorial Foundation. It is located
in Toronto. Its principal source of funding is the fees contributed by a
membership that includes corporations as well as individuals with a background
in business, the professions or academia. The institute's staff is responsible
for the preparation of the annual Policy Review and Outlook and various other
publications on topical issues. The institute also commissions leading
researchers (academics for the most part) to write papers and monographs on a
wide range of topics such as fiscal and monetary policy, trade policy, social
policy, the environment, federal-provincial relations and constitutional reform.
Although the main focus of the institute's research program is the economy, the
range of topics it has covered over the years is very wide and occasionally
extends to non-economic issues such as culture and ethnicity.


The right wing agenda saw public policy as moving from the State capitalizing public services and infrastructure and moving towards selling off those assets to deal with its debt and deficit crisis. Public good was now replaced with state funding for private profit. Howevere now that we face the economic melt down that this ideology resulted in we will see if this think tank of Canada's establishment changes it's tune. Why do I find that unlikely.


C.D. Howe Institute
Benefactors Lecture, 1997

D.G. McFetridge
Professor and Chair,
Department of Economics,
Carleton University
Toronto, October 22, 1997
Sponsored by Dofasco Inc.

The formation of public policy can be viewed from a number of perspectives.
Some see it largely as the outcome of tradeoffs between contending
interest groups; policy changes reflect nothing more than the ascendancy
of one interest group over another. To others, including the
C.D. Howe Institute, ideas matter. A good idea, well explained, can
overcome the power of even an entrenched interest group.
If ideas do matter, there is certainly merit in bringing the evidence
on the economic benefits of privatization to public attention. Privatization
is about more, much more, than selling off the bus company. It is
about institutional design, and in some countries (New Zealand, for
example) it has involved considerable reflection on just what should be
expected of government.
What we have come to call privatization is part of a larger process
of institutional change involving commercialization, contracting out,
and regulatory reform as well as the sale of state-owned enterprises to
the private sector. The literature on this process is vast but of uneven
quality.
The evidence on conventional contracting out, especially by municipal
governments, is unambiguously positive: it reduces the cost of
providing the services involved. There is more skepticism and less
evidence on the consequences of contracting for social services and for
the joint supply of infrastructure and services (public/private partnerships).
These instruments are likely to present serious—but not necessarily
insoluble — contract design problems. They may require the
government to be an active and strategic purchaser in ways not envisaged
by privatization zealots. Nevertheless, the potential economies,
especially in the accumulation and use of knowledge, make continued
experimentation worthwhile.
With respect to the entire process of commercialization, regulatory
reform, and the sale of state-owned enterprises to the private sector, the
weight of the evidence to date is that it has been beneficial. The precise
contribution of the change in ownership to the gains that have resulted
from the process as a whole is difficult to identify. One can argue,
however, that privatization is an essential part of the process in that it
provides the impetus for commercialization and makes regulatory reform,
especially regulatory forbearance, possible.
Whether or not privatization is a necessary part of the process, once
commercial objectives have been adopted and regulatory reform has
allowed competition or potential competition to exert its disciplining
force, there is little, if anything, to be gained from continued state
ownership — provided that the government sells its interest at a price
equal to the present value of the income it might expect to derive from
continued ownership.
Although the international experience with process ofcommercialization,
regulatory reform, and privatization has been favorable and
there are good conceptual arguments for privatization itself, the case for
individual privatizations must still be made on the merits. The body of
existing evidence is not so strong or so detailed that it can be taken to
imply that, say, the province of Saskatchewan would necessarily realize
significant economic benefits from privatizing its electric power or
telecommunications utilities.
The theoretical and empirical literature on privatization reminds
us to remain open to the potential benefits of employing decentralized
market or market-style incentives in place of hierarchy and command
and control. The ongoing international experimentation in institutional
design has been worthwhile and is clearly worth pursuing further.
The literature also teaches that privatization is frequently not about
pushing a button and getting less government. Unless the political
forces that brought about government intervention disappear (and they
may in some cases), privatization will be about getting different government,
rather than less government. It may involve catering to a different
set of interest groups or catering to the same interest groups in a
different way. It may involve the same or similar political activity
in different forums. It is often not simply a matter of opting for the
invisible hand.

C.D. Howe was a cabinet minister for 22 years, first in the government of Mackenzie King, and then in the government of Louis St. Laurent. Nicknamed the "Minister of Everything," C.D. Howe was forthright and forceful, and more interested in getting things done than in policy. He mobilized Canada for World War II, turning the Canadian economy from one based primarily on agriculture to one based on industry, and after the war turned it into a consumer economy spurred by veterans.

Career Highlights of C.D. Howe:
created a national air service, Trans-Canada Airlines (later Air Canada)
created the Canadian Broadcasting Corporation (CBC) as a
Crown corporation
created the National Harbours Board
restructured the debt-ridden Canadian National Railway (CNR)
established the St. Lawrence Seaway
established Canada's nuclear industry
initiated the Trans-Canada Pipeline
Professional Career of CD Howe:
Engineer
Taught at Dalhousie University in Halifax
Businessman - designed and built grain elevators
Political Affiliation:
Liberal Party of Canada
Riding (Electoral District):
Port Arthur (Ontario)
Political Career of CD Howe:
C.D. Howe was first elected to the House of Commons in 1935.
He was appointed Minister of Railways and Canals and also Minister of Marine. The two departments were soon combined into the Ministry of Transport. C.D. Howe oversaw the reorganization of Canadian National Railways, and the creation of the National Harbours Board and Trans-Canada Airlines, the forerunner of Air Canada.
In 1940, C.D. Howe was appointed Minister of Munitions and Supply in charge of war production for Canada. As head of the War Supply Board, and with the authority of the War Measures Act, C.D. Howe created a huge rearmament program using "dollar-a-year men," business executives called to Ottawa to reorganize the economy. The British Commonwealth Air Training Plan, which created more than 100 aerodromes and landing fields and trained over 130,000 airmen, was one of the results.
In 1944, C.D. Howe was appointed Minister of Reconstruction, and then Minister of Reconstruction and Supply, and began turning the economy toward consumer needs.
C.D. Howe became Minister of Trade and Commerce in 1948.
In 1951, with the growth of the Cold War, C.D. Howe became Minister of Defence Production as well as Trade and Commerce and oversaw the growth of the Canadian aircraft industry.
In 1956, C.D. Howe forced the plan for the Trans-Canada Pipeline, a gas pipeline from Alberta to central Canada, through Parliament but paid heavily when the Liberal government lost the next election and he lost his seat.
C.D. Howe retired from politics in 1957 at the age of 70.

C. D. Howe
C. D. Howe was known for getting things done.
That made him exactly the type of leader Canadians needed to channel their domestic energies into military might during the Second World War.
Clarence Decatur Howe is best remembered as Prime Minister Mackenzie King's right-hand man. When King decided to meld responsibility for railways, marine transport and civil aviation into one powerful Ministry of Transport in 1936, the prime minister put Howe in charge.
Not only did Howe's achievements in transport help ready Canada's transportation systems for the massive load they would have to carry during the war, but the transportation policy expertise he acquired left him well-prepared to direct the all-important Ministry of Munitions and Supply during the war.
Howe was, as he put it, a "Canadian by choice." A carpenter's son, he was born in Waltham, Mass., in 1886, moving to Canada in 1908 to teach civil engineering at Dalhousie University in Halifax. He later established a consulting engineering firm that specialized in grain elevators.
King brought Howe into politics in 1935 and he immediately began to cut a swath through bureaucracy, refusing to be bound by tradition and red tape, seeing himself much more as an implementer than a policymaker.
Howe was particularly interested in establishing a strong Canadian presence in the growing field of civil aviation.
He was instrumental, before and after the war, in establishing or expanding Trans-Canada Air Lines, the National Harbours Board, Canadian National Railways, the St. Lawrence Seaway, the TransCanada Pipeline and even the CBC.
Canada's first Minister of Transport took over a Canadian transportation system that was fragmented and outdated.
He centralized the administration of ports and reformed the debt-laden CNR, increasing efficiency and accountability that would be so important during the war.
Unemployed workers of the "Dirty '30s" were mobilized to build airstrips across the country and Trans-Canada Air Lines, Air Canada's predecessor, was established as a Crown corporation.
All these measures helped to pull the country's transportation network out of the Depression, preparing it for the incredible challenge that it would face in 1939-45.
When Canada entered the war in September 1939, Howe retained the Transport portfolio but was also asked to take on Munitions and Supply.
One of Britain's first requests was that Canada play host to the British Commonwealth Air Training Plan, which would train nearly 50,000 pilots and groundcrew by war's end.
Howe left Transport to concentrate on Munitions and Supply in July 1940, but continued to prod the transportation sector for the extraordinary performances he was demanding of other Canadian industries.
Before the end of the war in 1945, railway traffic had tripled in Canada as food, munitions and other war supplies were rushed to Atlantic ports.
Howe was criticized for forging ahead with little regard for costs, but the results he engendered soon silenced his critics. Costs wouldn't matter if the war was lost, he told colleagues, and in victory, costs would be forgotten.
The war, of course, was won and the relentless energy of Canada's first Minister of Transport played a major role in the victory.
Canada's other wartime ministers were P. J. A. Cardin, 1940-42; J.-E. Michaud, 1942 - April 1945, and Lionel Chevrier, April 1945 - June 1954.
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