Showing posts sorted by relevance for query BODY SNATCHERS. Sort by date Show all posts
Showing posts sorted by relevance for query BODY SNATCHERS. Sort by date Show all posts

Monday, February 15, 2021


'THE WITCH' AND 'INVASION OF THE BODY SNATCHERS' MAKE HORROR OUT OF BOTH CONFORMITY AND INDIVIDUALITY



Credit: Allied Artists Pictures/A24

Opinion Contributed by Noah Berlatsky
Feb 5, 2021, 

Horror is about that cackling outsider, scratching at your door. The question in the genre is always which side of the portal you’re on. Are you with the community, fighting the threat? Or are you rooting for the monster to break through and savage the dull weight of ordinariness?

From that perspective, Don Siegel’s 1956 film Invasion of the Body Snatchers, which turns 65 this month, and Robert Eggers’ 2016 film The Witch, which turns 5, are ugly, oozing mirror images. Body Snatchers is about how evil alien pod people infiltrate the small, wholesome 1950s California town of Santa Mira. The Witch is about a good, wholesome, God-fearing family in the 1630s and how much fun it is when their daughter gets to abandon their boring hypocrisy to join a bacchanal of witches. You could argue that between 1956 and 2016, good, wholesome Americanism started to look less heroic and more like death. Eggers’ witches are Siegel’s aliens, but with better PR.

MORE THE WITCH

The threat of female sexuality in The Witch, 


Chosen One of the Day: Black Phillip

If you look closer into the maw of evil and/or good, though, you start to wonder whether even the PR has changed. Body Snatchers has as much dislike for deindividuation as The Witch; The Witch mistrusts freedom as much as Body Snatchers. Both celebrate an American individualism that they both also fear, and for good reason.

The much-remade Body Snatchers is a classic of Cold War paranoia. Handsome, hearty doctor Miles Bennell (Kevin McCarthy) returns from a conference to discover the town of Santa Mira in the grips of a quiet epidemic of neuroses. Patients believe their close relatives — mothers, uncles, fathers — have been replaced with exact, unfeeling duplicates.

Miles is skeptical at first, but it’s all true. Space spores have landed and grown giant pods. These open to reveal wet plant people, who absorb sleeping human minds and personalities. The film is shot in crisp black and white, and its horror comes from seeing rational, suburban normality fray and disintegrate even as it continues to look precisely like rational, suburban normality. Everyone goes about their business as always. It’s just that the business becomes perversion and apocalypse.

In the '50s, perversion, apocalypse, and Marxism were seen as all of a piece. The people who are replaced by the pods lose all appetite for business and consumption, abandoning produce stands and closing shops. They want only to spread the pods further, across the nation and the world. “Love, desire, ambition, faith. Without them life’s so simple,” one of the pod people declares with the menacing altruistic calm of a devoted cultist. The alien communists drain away personality and autonomy, leaving a hive mind that has feelings and energy only for the collective. It’s a nightmare vision of American individualism subsumed by socialist group-think.

In The Witch, the threat of conformity comes not from the communists, but from the church. William (Ralph Ineson) is a stubborn religious dissenter who is kicked out of a New England settlement. He, his wife, and their five children settle in a clearing in the woods, where they pursue a dreary, colorless existence, filmed in sweeping vistas of ravishing bleakness. They subsist on a diet of starvation rations and fears of hellfire. William’s idea of a fun father-son chat is to quiz his boy, Caleb (Harvey Scrimshaw), in an elaborate catechism about the corruption of his soul.

The family’s obsessive fear and paranoia leave them with few resources when the witches steal away infant Sam. Williams, his wife, and their children quickly turn on each other in a brief, sexless orgy of paranoia, recrimination, and hypocrisy. When older daughter Thomasin (Anya Taylor-Joy) gets a chance to sell her soul to the devil for the taste of butter, pretty dresses, and other lascivious pleasures, who can blame her? Flickering candlelight gives her a beauty and color the movie has almost entirely denied her as Satan whispers, “Wouldst thou like to live deliciously?” She and the viewer answer with an enthusiastic affirmative.

Thomasin is ironically achieving the American dream her dreary father grasped for. He wanted absolute freedom of conscience and fled England to escape from the stifling, dead norms of the old world. Family, church, community — they demand you stifle desires for the good of the group, just like pod people always do. Thomasin, nude, blood-spattered, ecstatically laughing as she floats into the trees in the film’s final dramatic shot, has escaped that hivebound gravity. She becomes her truest self through an exercise of individualist, American will — like Ben Franklin, if he were a self-made demon rather than a self-made businessman.

Does Thomasin really make herself over, though? When the Devil asks her to sign the book, she has to admit she doesn’t know how to write her name. “I will guide your hand,” he says in that rich, velvety voice. But if he’s the one manipulating Thomasin here, might he not have been manipulating her throughout? It’s only because witches steal away infant Sam, curse Caleb, and, it is implied, spoil the harvest, that Thomasin’s family falls apart. The film is a plot against Thomasin; the director is Satan himself, leading her to damnation. Thomasin has little more choice than her siblings, who, it is intimated, are stolen away by the witches to be boiled down for their fat. American freedom is a trick the Devil plays to convince you to crawl into his mouth.

Invasion of the Body Snatchers is also not quite so emblematic of virtuous American independence as it seems at first. After all, the whole point of the movie is that the pod people are us; we’re one and the same. When the good folks of Santa Mira — the cop, the psychiatrist, the housewives — all chase after Miles and his girlfriend Becky Driscoll (Dana Wynter), it looks eerily like a witch-hunt. And the targets of witch-hunts in America and Hollywood in the 1950s were not capitalists, but Communists.

In the name of freedom, those Communists were persecuted and hounded for refusing to bow to community norms. In the film’s conclusion, Miles contacts the authorities, and the weight of U.S. military and logistical power is poised to sweep down on the pods. A story supposedly about communists assimilating Americans ends up as a story about Americans exterminating communists. All the aliens will be destroyed for the cardinal sin: refusing to embrace the communal value of individualism.

Americans love liberty. It’s such a core value that those who do not hold it are viewed with suspicion. You must be an individual or face the consequences of communal loathing. As a result, the ecstatic Dionysiac abandonment of the witches and the satisfied emotionless calm of the pod people start to look much the same. When you watch Body Snatchers and The Witch together, the horror isn’t individuality. Nor is it the obliteration of individuality. It’s that you can’t tell the two apart.


<The views and opinions expressed in this article are the author's, and do not necessarily reflect those of SYFY WIRE, SYFY, or NBCUniversal.>

Thursday, June 15, 2023

Harvard morgue manager charged with selling stolen body parts


2023/06/14
Harvard University in Boston

New York (AFP) - The morgue manager at America's prestigious Harvard Medical School allegedly took dead body parts from his workplace without permission and then sold them, US prosecutors said Wednesday.

Cedric Lodge, 55, has been charged with trafficking in stolen human remains, the US attorney for the Middle District of Pennsylvania said in a statement.

"Some crimes defy understanding," said the attorney, Gerard Karam.

"It is particularly egregious that so many of the victims here volunteered to allow their remains to be used to educate medical professionals and advance the interests of science and healing," he added.

Lodge has been charged alongside his wife, 63-year-old Denise Lodge, and five other alleged co-conspirators with involvement in a "nationwide network" of bought and sold human remains.

Prosecutors say that from 2018 to 2022 Cedric Lodge "stole organs and other parts of cadavers donated for medical research and education before their scheduled cremations."

He is accused of taking the remains from the Harvard site in Boston to his home in Goffstown, New Hampshire, where he and his wife sold the remains to two of the other accused -- Katrina Maclean and Joshua Taylor.

At times, Lodge "allowed Maclean and Taylor to enter the morgue... and examine cadavers to choose what to purchase," the attorney's office said.

Prosecutors say Maclean, 44, of Salem, Massachusetts, and Taylor, 46, of West Lawn, Pennsylvania then resold the remains for profit.

The indictment alleges that Maclean shipped human skin to Taylor to have him "tan the skin to create leather," the Boston Globe reported.

Lodge managed the morgue for Harvard's anatomical gifts program. He was fired from his post on May 6, the school said in a statement.

"We are appalled to learn that something so disturbing could happen on our campus," George Daley, the dean of Harvard University's medicine faculty, and Edward Hundert, dean of medical education, said in a joint statement.

Another co-accused allegedly stole remains from a morgue in Arkansas where she worked, including the corpses of two stillborn babies who were due to be cremated and returned to their families.

Two other people charged allegedly bought and sold remains from each other, exchanging more than $100,000 in online payments.

© Agence France-Presse



Title The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Contents Familiar studies of men and books -- The body-snatcher.




 by William Andrews

Andrews, William, 1848-1908

Title The Doctor in History, Literature, Folk-Lore, Etc.

Contents Barber-surgeons / William Andrews -- Touching for the king's evil / William Andrews -- Visiting patients -- Assaying meat and drink / William Andrews -- The gold-headed cane / Tom Robinson -- Magic and medicine / Cuming Walters -- Chaucer's doctor of physic / W.H. Thompson -- The doctors Shakespeare knew / A.H. Wall -- Dickens' doctors / Thomas Frost -- Famous literary doctors / Cuming Walters -- The "Doctor" in time of pestilence / William E.A. Axon -- Mountebanks and medicine / Thomas Frost -- The strange story of the fight with the small-pox / Thomas Frost -- Burkers and body-snatchers / Thomas Frost -- Reminiscences of the cholera / Thomas Frost -- Some old doctors / Mrs. G. Linnæus Banks -- The lee penny -- How our fathers were physicked / J.A. Langford -- Medical folk-lore / John Nicholson -- Of physicians and their fees, with some personal reminiscences /
Andrew James Symington.

A Parody on "Mary's Ghost;" or, The Doctors and Body-snatchers. by Thomas Hood

Anonymous
Author Hood, Thomas, 1799-1845
Title A Parody on "Mary's Ghost;" or, The Doctors and Body-snatchers.
A Pathetic Tale, With Numerous Additions.
Original Publication United Kingdom: Christopher Berry (printer),1825.
Note The names of Norwich localities and medical men have been substituted for those in the original poem, including Henry Carter who died in 1830. --the Wellcome Collection, https://wellcomecollection.org/works/pjw2f57k


Monday, October 12, 2020

Panic at the pump: Researcher explores role of gas stations in horror films

by Mike Emery, University of Houston-Downtown


The gas station is often viewed as a harmless, benign stop for commuters and travelers. Looking back at a few classic horror films, however, these mainstays of the American landscape take on much deeper meanings.


University of Houston-Downtown researcher Dr. Chuck Jackson recently focused on three iconic horror films and the memorable (and frightening) scenes featuring gas stations. "Invasion of the Body Snatchers" (1956), "The Birds" (1962) and "Night of the Living Dead" (1968) all have pivotal moments centered around gas stations or gas pumps. During these respective eras, the gas station often served as a gateway to weekend escapes, day trips, vacations or other optimistic ventures. These films, however, juxtapose horrific situations with these otherwise benign and everyday environments.

He explores these scenes and deeper reflections on America's dependence on oil and gas in the article "Petrification and Petroleum: Affect, the Gas Pump and US Horror Films (1956–73)," which was recently published in the journal Film Studies.

"Starting in 1956, but throughout the 1960s, some of the most popular American horror films include a scene that takes place at a gas pump that goes terrifyingly wrong," said Jackson, Associate Professor of English and Coordinator of UHD's Film Studies Minor. "Each film destroys the presumed pleasures of getting gas to fuel a car as it heads to its next destination. Instead of a full tank, the films bring monstrosity and death."


The scenes Jackson explores include a menacing alien shape-shifting seed placed in a car's trunk by a dubious service attendant in "Body Snatchers"; an explosion caused by blood-thirsty fowl and a cigarette smoking citizen in "The Birds"; and a blinding explosion ignited by torch-wielding escapees from a zombie horde in "Living Dead." The characters' reactions to these events are what Jackson describes as "petrification meets petroleum."

As Jackson states at the onset of his article, these films "imbue scenes that take place at a gas pump with a horror so intense, it petrifies." Indeed, the reaction of protagonists to the events that take place at these service stations reflect paralyzing dread.


"The films uniquely join petroleum with petrification, or oil and the body's experience of terror—characters 'turn to stone' as they apprehend the horror of oil as an out of control and deadly force," he said.

He added that these fearful moments within these films counter the popularity of open highways and car culture found not just in films, but across the country.


"My argument is that the films index an alternative affect to what other scholars have termed the 'exuberance' of oil for Americans," he said. "The scenes elicit a feeling that is radically at odds with Big Oil's 1950s and 60s advertising and marketing campaigns and the seemingly progressive federal funding of our current national highway system—a project that guarantees private travel in individually owned cars will be the expectation for us all in the decades to come."

Jackson, also a Fellow in UHD's Center for Critical Race Studies, is a film scholar who frequently focuses his scholarly work on race and the horror genre. He previously explored the relationship between oil and gas and horror in the article "Blood for Oil: Crude Metonymies and Tobe Hooper's Texas Chain Saw Massacre (1974)" published in the journal Gothic Studies.

The horror genre, he said, provides deeper insights into human nature, culture and the environment than many audiences realize. His insights on the aforementioned films and the oil and gas industries reveal much about ourselves and our reliance on these resources.

"As scholars have made clear, the horror genre asks viewers to take pleasure in what we would otherwise find unbearable—fear and disgust—and often this includes forms of oppressive power," he said. "These case studies have a pedagogical value as they teach us to feel differently about the stranglehold that oil culture has on the world, which only came into being as such an intense fashion less than 100 years ago."


Explore further What makes a good horror movie? 

Tuesday, February 21, 2006

Gothic Capitalism Redux


A year ago I published this essay on horror literature , legends and mythology and their cultural impact on the modernist culture of 20th Century Capitalism. I thought it was worth posting the abstract for it here, with the link back to the original article.

It is a piece of original writing that counters the concept that the blogosphere is dying, or just about diaries, or lacks the depth of other forms of web based publishing, or publishing period.

It is buried deep in the dusty back pages of this blog and so I blow the cobwebs off it and present here f
or those who missed it the first time around. Yes I am rather proud of it....just like Dr. Frankenstein, "It's Alive", when the creature arose from the slab. I guess like the good doctor you could say I am reanimating this essay.

I left out the Vampire in this essay but later in the year found an excellent article on the subject that fit my thesis. I also have expanded on my writings on cyborg culture and AI since then.


GOTHIC CAPITALISM

The Horror of Accumulation and the Commodification of Humanity.

ABSTRACT:

This article is in six parts with appendices. All footnotes are at the end of the article

1 ZOMBIE CAPITALISM
In Haiti under American Imperialism, 1915-1935, the cult of the Zombie developed and under capitalism became a tool for creating a docile labouring class for work on American controlled sugar plantations. With the publication of the Magic Island by William Seabrook in 1929 American popular culture was introduced to the Zombie, and it quickly became a popular character in horror literature, news stories and movies.


2 FRANKENSTEIN THE LUDDITE
The first monster of ascendant capitalism was Frankenstein’s monster. Like the Zombie this creature had no name and was made up of the spare parts of capitalisms rejects, (the criminal, the vagabond, the worker starved and thrown out of work), he was a scientific experiment to create man, man the machine, the human result of mechanization, the mechanical man. He was in short a prototype not only of the Zombie but the later Robot or android, the ultimate proletarian, a machine man to operate the machinery of capitalism.

3 REVOLT OF THE ROBOTS
Like the mechanized working class the majority of robots in science fiction revolt against their human masters, whether it is the artificial environment of the spaceship computer Hal in 2001, the worker robot Hector in Saturn 3, or the artificial human ‘replicants’ in Blade Runner, or the recent movie version of I, Robot, the fact remains that as the robots become self conscious they recognize their oppression and revolt. This metaphor could not exist without the class struggle that has actually occurred under capitalism itself.


4
THE GOLEM: the Origin of Artificial Man
The Jewish legend of the Golem is another form of the Zombie/Frankenstein/Robot iconography. The Golem is written after Frankenstein, in 1889. The legend of the Golem, is about a man of clay created by Rabbi Loew in 16th Century Prague to free the Jews in the Ghetto from their endless toil and oppression. The mindless clay monster eventually learns and becomes conscious and like Frankenstein he must be destroyed when he attacks those who would oppress the Jews.

5
CAPITALIST GHOULS
The modern day ghoul is the doctor and his criminal working class accomplices who preyed on the poor in Edinburgh’s working class ghetto for their body parts for scientific research. The ghoul appears in English literature as the short story the Body Snatchers by Robert Louis Stevenson, 1881 based on the actual 19th century grave robbers and murders Burke and Hare.


6 THE MANY HEADED HYDRA: The Proletarian History of Atlantic Expansion. Leviathan and the Great Beast go head to head in the New World as workers, peasants, slaves and indigineous peoples struggle for liberty in the first age of global capitalism.

If you would like you can download GOTHIC CAPTIALISM as a PDF or Word Doc


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Tuesday, February 15, 2005

ORGAN TRAFFICKING

CAPITALISM; THE MODERN BODY SNATCHER


CAPITALISM AND REPRODUCTION
Mariarosa Dalla Costa

The most recent and monstrous twist to this campaign of extinction comes from the extreme example of resistance offered by those who sell parts of their body, useless container for a labour-power that is no longer saleable. (In Italy, where the sale of organs is banned, press and TV reports in 1993-94 mentioned instances in which people said explicitly that they were willing to break the ban in exchange for money or a job.) For those impoverished and expropriated by capitalist expansion in the Third World, however, this is already a common way for obtaining money. Press reports mention criminal organisations which traffic in organs and supply perfectly legal terminals such as clinics. This trade flourishes thanks to kidnapping, often of women and children, and false adoption. An enquiry was recently opened at the European Parliament on the issue (La Repubblica, September 16 1993), and various women's networks are trying to throw light on and block these crimes. But this is where capitalist development, founded on the negation of the individual's value, celebrates its triumph; the individual owner of redundant or, in any case, superfluous labour-power is literally cut to pieces in order to re-build the bodies of those who can pay for the right to live to the criminal or non-criminal sectors of capital which profit from it.

Medical Cadaver Scandal at UCLA

California university proposes better tracking of donated bodies

By MICHELLE LOCKE

Associated Press

Saturday, February 5, 2005 - Page A14

BERKELEY, CALIF. -- Shaken by scandals involving the black-market sale of body parts, University of California officials are considering inserting supermarket-style bar codes or radio frequency devices in cadavers to keep track of them.

Every year, thousands of bodies are donated to U.S. tissue banks and medical schools. Skin, bone and other tissue are often used in transplants. New medical treatments and safety equipment such as bicycle helmets are tested on various body parts. And cadavers are used to teach medical students surgical skills and anatomy.

But there is also a lucrative underground trade in corpses and body parts, despite federal laws against the sale of organs and tissue.

"There's more regulations that cover a shipment of oranges coming into California than there is [for] a shipment of human knees that are going from a body-parts broker in one state to Las Vegas," said Dr. Todd Olson, director of anatomical donations at Albert Einstein Medical School of New York.

At UCLA, the willed-body program was suspended by court order last spring after the director and another person were arrested in an investigation into the selling of body parts for profit. The case is still under investigation and no charges have been filed.

In 1996, donors' families sued the university, charging that the program had illegally disposed of thousands of bodies by cremating them along with dead lab animals and fetuses and dumping the ashes in the trash.

In 1999, the director of the UCLA Irvine program was fired after being accused of selling spines to a Phoenix hospital. The university was also unable to account for hundreds of willed bodies. The director denied any wrongdoing and was never prosecuted.

After the latest scandal, some people who had agreed to leave their bodies to science withdrew their offers.

In response, UCLA has proposed a series of changes, some of which are already in place. They include a better records system, electronic locks and surveillance cameras.

Officials are also considering putting bar codes or radio frequency devices in cadavers that could be read by someone walking past the body with a handheld device. Radio frequency identification, or RFID, tags already are used by cars passing through automated toll plazas.

The university's Board of Regents is expected to review the plan this spring. Also, UCLA officials will decide in March whether to ask a judge overseeing lawsuits filed by donors' relatives for permission to reopen UCLA's 55-year-old willed-body program, which was getting about 175 donated bodies a year before it was suspended.

Mike Arias, a lawyer for family members who have sued UCLA, greeted the proposed measures with "somewhat guarded optimism."

Still, Mr. Arias said he hopes the changes succeed and the UCLA program resumes because it "serves too big of a public service [to be scrapped]."

THE PROBLEM OF ORGAN TRAFFICKING

By Eugen Tomiuc

The Albanian and Italian press have published articles from time to time regarding trafficking in teenage Albanian boys to Italy and beyond for use as prostitutes or possibly for the sale of their organs. Typically, the boys and their families appear to be tricked by a trusted person who offers to take the youths to Italy or elsewhere in the EU with the promise of a good education or reunion with relatives already working abroad.

The Council of Europe is calling for a common European strategy in fighting against trafficking in human organs. Its report on the issue, presented on 25 June in the Council's Parliamentary Assembly, says kidney trafficking has become a hugely profitable business for organized crime. People in impoverished Eastern European countries such as Moldova and Ukraine are the most common victims of the illicit trade, which the council calls an attack against human dignity. The report says combating poverty in Eastern Europe is the best way to curb organ trafficking, and urges improved cooperation between rich Western countries and their Eastern neighbors.

International group reiterates stance against human organ trafficking

Some years ago the US Congress passed the National Transplantation Act, which allows for penalties of up to $50 000 (£32 000; €51 000) in fines or five years in prison, or both, for the purchase of human organs. Many other countries and the World Health Organization have banned or condemned the sale of organs.

Dr Abdallah Daar of the Joint Center for Bioethics at the University of Toronto, a member of the society’s ethics committee, said, "No one seems to know the extent of indirect and unpublicised forms of compensation, which undoubtedly also take place within family donations." He added that payment for kidneys from living, unrelated donors not only occurred on the Indian subcontinent and in the Middle East but "was becoming quite common, even in the United States."

Among the controversial developments discussed at the meeting were possible payments to living donors for time off work, lost income, pain, and suffering and a move by prisoners to become donors in a bid to reduce their sentences.

"It’s not all black and white," Dr Daar said, noting an opinion piece which came down in favour of a less dogmatic approach in The Lancet by the Israeli doctor Michael Friedlaender (2002;359:971-3), some of whose patients had received kidneys from overseas donors who were paid.

Return of The Body Snatchers

A vast majority among the medical fraternity frowns
upon harvesting organs, but it is in demand and
the supply is fuelled by an unending flood of green bucks.

In the aftermath of the earthquake in Turkey, it was discovered that a fair number of cadavers had been harvested of their kidneys, liver and heart. Apparently, out of the deluge of medical teams that poured into Turkey to help, many were commercial organ trading mafia. When asked to recollect, many local Turkish doctors reported that they never saw these teams actually help anyone. It was more like they were waiting for some-thing. They dressed as medical staff and had very sophisticated equipment which included organ fridge boxes.

The disparity between the poor and the mega-rich is a gap so wide, that to perpetuate their own life even at the cost of another is now quite possible if one has the means. Wealthy patients with terminal illnesses would part with most of their wealth if they could find the fountain of life, but what it translates into in real terms is that someone has to give up an organ for another to get one. It is in this twilight zone that the question of ethical practices raises its ugly head. Most donors of organs are from the Third World - faceless, nameless people who have had their organs harvested for the lure of filthy lucre. Tragic but true.

India Kidney Trade

For years, India has been known as a "warehouse for kidneys" or a "great organ bazaar" and has become one of the largest centers for kidney transplants in the world, offering low costs and almost immediate availability. In a country where one person out of every three lives in poverty, a huge transplant industry arose after drugs were developed in the 1970's to control the body's rejection of foreign objects. Renal transplants became common in India about thirteen years ago when the anti-rejection drug cyclosporine became available locally. The use of powerful immuno-suppressant drugs and new surgical techniques has indirectly boosted the kidney transplant activities. The dramatic success rates of operations, India's lack of medical regulations and an atmosphere of "loose medical ethics" has also fueled the kidney transplant growth. The result has been that "supply and demand created a marriage of unequals , wedding wealthy but desperate people dependent on dialysis machines to those in India grounded down by the hopelessness of poverty"(Max). The pace of demand for kidneys hasn't kept up with the demand. Consequently, the poor and destitute, victims of poverty, have either willingly sold their kidneys to pay for a daughter's dowry, build a small house or to feed their families or have been duped or conned into giving up their kidneys unknowingly or for very little sums of money. Ironically, medical technology meant to advance and save human lives has been abused to such lengths, that in some cases, it has resulted in the death of innocent individuals.

ECONOMIC DATA

The Voluntary Health Association of India estimates that each year more than 2,000 people sell their organs for money (compared with 500 in 1985 and barely 50 in 1983 (Chandra, p.53). Those receiving a kidney typically pay from $6,000 to $10,000(approximately $1,980-$3,300 U.S. dollars) for the kidney and the transplant operation - of that, the donor gets about $1,000 (U.S. $330). The U.N. Human Rights Commission said in a 1993 report that more kidneys were sold in India than anywhere else to buyers from developed countries (Max). Since the introduction of cyclosporine, at least $7.8 million has changed hands in connection with the estimated 4,000 kidney transplants performed in Bombay (Los Angeles Times, "Kidney..."). At least one lakh(100,000) Indians suffer from renal failure and an average of 80 new cases per million population crop up every year (Friese and Rai, p.89). Prices for kidneys range from Rs.30,000 to Rs. 70,000 (U.S. $9,900-$23,000) with a Rs. 20,000 (about $6,600 U.S.dollars) cut for brokers and middlemen.

Half of kidney transplants are illegal

By Ran Reznick

Haaretz: Fri . Dec 05 2003

About half of all kidney transplants performed on Israelis in recent years were illegal, while most transplant patients received funding from their health maintenance organizations, the Defense Ministry and insurance companies.

According to the Health Ministry and hospital records, about half of all Israelis who had kidney transplants in recent years obtained the organ in illegal trade from donors in Israel, Turkey, South America and eastern Europe.

Most Israelis had the transplants performed in South Africa. Some 450 patients are waiting for kidney transplants in Israel, but only 160 such operations are performed annually, with the majority or organs coming from deceased donors.

The average waiting time for an adult kidney transplant is three to four years, while for children it is seven months.

Some 300 Israelis are estimated to have bought kidneys abroad in illegal organ trade in the last four years. Senior doctors said that in some cases, organ traders and mediators negotiated directly with Israeli insurance companies for the illegal payments. Senior doctors and legal experts said Israel is the only western state whose health institutions finance organ trade.

Most organ transplant cases involve senior Israeli doctors from large hospitals, doctors said. Some of the doctors conduct preparatory examinations for kidney patients and donors in Israel, while some doctors accompany the patients and perform the illegal transplants abroad.

Doctors said there is no supervision of the kidney donors, and in some cases, the sold kidneys are transplanted abroad even though they are unsuitable or contain contagious diseases. The transplants are performed in public and private hospitals overseas, and sometimes even in private homes that lack adequate equipment or means for emergency medical treatment.

The data on kidney transplants was presented by doctors at a conference held last week by the Israeli branch of the American College of Surgery that dealt with the paying of transplant organs.

Doctors at the conference said that illegal organ trade is conducted in many countries, but Israel is the only western state whose medical establishment and Health Ministry do not condemn the doctors involved or take legal steps against them. In most states, the purchase of organs is illegal and morally deplored by the medical establishment, and those involved risk losing their license.

Prof. Amram Ayalon, the director of the transplants and surgery ward at the Sheba Medical Center at Tel Hashomer, said that unions of transplant doctors in Europe, where human organ trade is categorically prohibited, have called for a boycott of Israeli doctors.

One of the main reasons for the shortage of transplant organs in Israel is not the refusal of families to donate dead relatives' organs, but the ongoing failure of medical teams in public hospitals.

Prof. Pierre Singer, director of Beilinson's intensive care ward, presented data on the lack of awareness among medical teams, including surgeons, neurologists and intensive care doctors, regarding organ donation procedures and brain death determination.

VATICAN DENOUNCES 'HEALTH-FIEND MADNESS'
REJECTING SOCIETY'S COSTLY QUEST FOR CURES,
ROME SAYS POPE'S SUFFERING IS TO BE ADMIRED


By Michael Valpy
Friday, February 18, 2005 - Globe and Mail


The Vatican accused affluent societies yesterday of gobbling up too much of the world's health-care resources with their fetish for stay-young-forever medical cures, urging them to look to Pope John Paul II as a model for the inevitability of old age and illness whose stoic suffering should be imitated.

Vatican psychiatrist Manfred Lutz hailed the 85-year-old Pope as "the living alternative to the prevailing health-fiend madness."

Referring to the Pope's advanced Parkinson's disease and other illnesses, Dr. Lutz said: "Precisely in the handicap, in the disease, in the pain, in old age, in dying and death, one can . . . perceive the truth of life in a clearer way."

It was rather an abrupt turnabout for the Vatican, which has vigorously obscured -- even lied about -- the Pope's state of health in the past.

But in advance of a conference on quality of life and the ethics of health, sponsored by the Pontifical Academy of Life, officials adjusted the papal image to fit their argument: that while the world's poor do without basic public-health measures, rich countries luxuriate in utopian expectations of medical cures for all needs and desires.

"The medicine of desires, egged on by the health-care market, increases the request for pharmaceutical and medical-surgical services [and] soaks up public resources beyond all reasonableness," academy theologian Rev. Maurizio Faggioni said.

"Medicine has become impossible to manage, because it can't fulfill the desires" of consumers for perfect health, added Monsignor Elio Sgreccia, a bioethicist who heads the academy, a Vatican advisory body.

The Roman Catholic Church's decision to showcase the Pope as a poster model for the realities of suffering and old age met with significant, although not absolute, approval from academic experts on global population health. They applauded the reality image, but worried about how far it might be taken, and in what direction.

"I mean, good for the Pope," said Dr. Harvey Skinner, head of University of Toronto's Department of Public Health Sciences and an adviser to the World Health Organization.

"I'm now 56, in what I consider good health [and] I'm still very active but, you know, I live with some aches and pains that weren't there when I was younger. So it's relative to your life stage.

"But my concern is that a poor mother on welfare in Toronto [could be told] 'Just tough it out' -- a version of blaming the victim, that's what it sounds like to me. Is that the solution? If we can stiffen up . . . [and be like] the Pope, stoically bearing the burden?" he said.

"It really takes away from the fundamental question of prevention versus cure, and how best we can use the resources that we have in the health-care area."

McGill University's Jennifer Fosket, a specialist in the sociology of health and illness, said: "There's a definite value in recognizing [old age, illness and suffering] as part of human life and not trying only to erase them. At the same time, there certainly is value in trying to improve people's lives as they age."

Nevertheless, both scholars said the Vatican is raising good questions.

Dr. Fosket spoke of a "fundamental conundrum" with trying to determine the definition of health and human well-being.

"The pharmaceutical industries and other large interests that take an interest in health and health care have grabbed a lot of these broader definitions and really commodified them so that we have pharmaceuticals for all sorts of lifestyle problems," she said, "and people increasingly seem to feel they ought to have access to those -- that that's part of what it means to be a healthy person today."

Dr. Skinner said medical and health-care procedures are being demanded in high-income countries that have a limited impact on population health status but take away resources that could be spent on improving the health of the whole community and on ending social disparities.

In Canada, he said, 95 per cent of the $130-billion spent annually on health care goes toward medical care. Less than 5 per cent is spent on prevention.

"Is that the right balance? We don't need more genomics . . . [when] 50 per cent of premature mortality in North America [results from] smoking, inactivity, poor nutrition, body weight and excessive drinking and, in the U.S., you throw in firearms," he said.

"There's no absolute criterion on health and quality of life. It's socially constructed. So it's useful to have these debates. We expect more from medical care than it can deliver and less from prevention. We're not realistic. We can't sustain our medical-care system. We're just spending a lot of money in ways that are not very efficient."

He said money is being spent on medical technologies that merely create a desire for additional tests and procedures, while one of the greatest determinants of population health -- education -- is being starved.

And the newly presented image of the Pope?

"We all age," Dr. Skinner said. "So what's normal aging -- the body changes that happen, some reduction in function, all in a sense normal -- and when does it become abnormal, for which we have available some sort of effective and efficient interventions? Those are public policy debates."

Also See:

Human Organ Trafficking Resources.

Bonded Labor/Debt Bondage || Exploitation of Immigrants by Traffickers/Employers

Human Trafficking

Analysis: Organ trafficking in E. Europe

BRAZIL: Poor Sell Organs to Trans-Atlantic Trafficking Ring

Stiff: The Curious Lives of Human Cadavers. - book review

Bitter harvest: the organ-snatching urban legends - Urban Legends

Wednesday, May 03, 2006

Alberta Ghouls


Here is an example of privatization of medical services Alberta style. Of course it's perfectly legal since these services are not conducted under Alberta Health Care. But it is NOT legal under international law. Because a ghoul is still a ghoul.

Kidneys bought from Pakistani donors

CALGARY -- An Alberta company is helping patients with failing kidneys buy new ones from live Pakistani donors, sparking a debate about the ethics of trafficking in human body parts.

Overseas Medical Services in Calgary will arrange a speedy kidney donation and transplant surgery through Lahore-based Aadil Hospital for $32,000 US.

Livers, pancreases and lungs are also available for cash from Pakistani donors, Aruna Thurairajan, a former Sri Lankan medical administrator who owns Overseas Medical, said this week.

But since she began offering the service earlier this year, she has received requests only for kidney donations, she said.

Medical tourism speeds treatment – for a fee

Huge wait for MRI led to surgery in India


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Sunday, December 03, 2023

Doctor Who: Wild Blue Yonder, review: a jaw-dropping injection of sheer Saturday night magic

Michael Hogan
Sat, 2 December 2023

Revelling in chemistry: Catherine Tate and David Tennant in Doctor Who: Wild Blue Yonder - James Pardon/BBC

It began with an historical bang and ended with a heartbreaking posthumous appearance. In between, Doctor Who (BBC One) delivered a blockbusting adventure. Writer Russell T Davies warned that Wild Blue Yonder was “weird”. Leading man David Tennant said it was “shocking… unlike any episode ever”. They weren’t wrong. This was a deeply creepy, dazzlingly creative hour of teatime TV.

A witty prologue saw the Tardis crash-land in an apple tree, circa 1666. A certain physicist happened to be sitting beneath it. The Doctor greeted him as “Sir Isaac Newton” before correcting himself and losing the honorific. The colour-blind casting of Nathaniel Curtis, the half-Indian actor best known for starring in Davies’ It’s A Sin, could rattle a few cages. The Doctor (Tennant) and Donna (Catherine Tate) were far more concerned with the fact that the influential polymath was “hot”. They left him with the made-up word “mavity” as a parting gift. He’ll get there eventually.

The main meat of the story took place on a seemingly empty spaceship at the edge of the universe. Except this is sci-fi, where spaceships are rarely really empty. Lying in wait was “something so bad that the Tardis ran away”: two shape-shifting, war-mongering lifeforms which morphed into doppelgängers of the Doctor and Donna, planning to steal the Tardis and wreak intergalactic havoc. Like Newton said: “Odd bodkins! What the devil?”

As their physical forms settled, they sprouted long arms, slack jaws and vampiric teeth. They ran on all fours, grew to outlandish size, got stuck in corridors and melted into puddles. Unsettling and strange, they referenced horror films from Invasion of The Body Snatchers to Jordan Peele’s Us.

The design team faced a challenge bringing to life what Davies had written on the page. They rose to it. The show’s new distribution deal with Disney brings a boosted budget, which was visible in the fully realised spacecraft and Hollywood-worthy visual effects. These were supplemented by fine physical acting by Tennant and Tate, playing their own doubles in eerie style.

When they finally returned to Earth, they were greeted by Wilfred Mott (the late Bernard Cribbins), now wheelchair-bound but still a doughty warrior. Cribbins filmed scenes last year before his death. The Doctor spoke for us all when he beamed: “Now nothing is wrong. Nothing in the whole wide world. Hello, my old soldier.”

For all the hype-building talk of shocking weirdness, this was Doctor Who boiled down to its essence. The Timelord and his loyal companion, landing somewhere mysterious, finding themselves in trouble. No big cast nor political preaching. Just a rollicking yarn in a confined setting with scary monsters. A back-to-basics “base under siege” adventure with a whopping twist.

Tennant was funny and fizzingly charismatic, revelling in his chemistry with Tate. There was warm bickering, clever wordplay and dark hints of the Doctor being haunted by his origins. Their reunited double act feels nostalgic yet thrillingly new – perfect for marking the show’s 60th anniversary, before launching its new era.

We now await next Saturday’s climactic special The Giggle, which marks the return of classic villain The Toymaker (now played by Neil Patrick Harris) – and presumably ends with Tennant’s regeneration into the 15th Doctor (long-term replacement Ncuti Gatwa). In just two episodes, Davies has restored our faith in family-friendly sci-fi. This was a jaw-dropping, joyous injection of sheer Saturday night magic.

Doctor Who says Sir Isaac Newton 'was so hot' in hint at his sexuality

Liz Perkins
Sat, 2 December 2023 

David Tennant, back in the Tardis, has made a hint about the doctor's sexuality

He has travelled across time and space but in his latest adventure, the Doctor has revealed a previously unseen dimension to his character in saying he finds Sir Isaac Newton “hot.”

David Tennant, who has stepped back into the Tardis to be the 14th doctor for three Doctor Who anniversary specials, made the hint about his sexuality in a remark to Catherine Tate, who returns as his assistant Donna Noble.

They have been asked to make a comeback to mark the 60th anniversary of the hit show, after originally starring together in 2005, which David previously described as an “unexpected treat.”

Sir Isaac Newton was ‘hot’

In the exchange seen by viewers on Saturday night, Donna said: “Is it just me or was Isaac Newton hot?”

And the Doctor replied: “He was, wasn’t he? He was so hot. Oh! Is that who I am now?”

Donna added: “Well, it was never too far from the surface, mate. I always thought you...”

Award-winning Russell T Davies, who was the creator and the sole writer of Queer as Folk, has returned as the showrunner to mark the special anniversary.

He is credited with turning the series into a worldwide hit after returning in 2005.
Show moving into new areas

Ahead of the show being screened, he said: “It’s set far away from Earth. It’s a bit weird, it’s scary, it’s freaky, it pushes the show into areas it’s never quite been into before.”

The programme in the official synopsis is described as “The Tardis takes the Doctor and Donna to the furthest edge of adventure. To escape, they must face the most desperate fight of their lives, with the fate of the universe at stake.”

The Doctor Who: Wild Blue Yonder show saw the Tardis crash-land in an apple tree, circa 1666, and on his return to Earth, the Doctor was greeted by Bernard Cribbins, who played Donna’s grandfather, Wilf.

David Tennant previously revealed Cribbins was making his final appearance in the poignant episode. The actor died in July last year.

BBC Studios are partnering with Bad Wolf to produce the series.

Tuesday, October 27, 2020

Halloween in 2020: Some fun with death and fear, anyone?

By TED ANTHONY


1 of 13
FILE - In this Oct. 22, 2020, file photo, coronavirus-themed Halloween decorations are displayed on a lawn in Tenafly, N.J. In a year when fear and death have commandeered front-row seats in American life, what does it mean to encounter Halloween, a holiday whose very existence hinges on turning fear and death into entertainment? (AP Photo/Seth Wenig, File)

PORTERSVILLE, Pa. (AP) — The setting: a rolling patch of Pennsylvania farmland, about 15 miles from the little town where “Night of the Living Dead” was filmed. The moment: Halloween season 2020, a moonlit Friday night.

She strides up to the hayride and beckons you to the dimly lit tent behind her. Her eyes are hollow. “Blood” streaks her nurse’s uniform. Across her forehead is a deep, oozing wound.

“This is the corona tent,” she says. “I’m Nurse Ratched. We’re gonna test you all for the corona.”

On the truck, the voice of a teenage girl slices through the darkness: “I TOLD you there’d be a COVID section.”

This is Cheeseman Fright Farm, one of those stylish Halloween attractions that emerge from the shadows in the United States of America when the leaves start falling and the days grow shorter.

On this night, it is the place to be: By 8:45 p.m., a line 400 strong — some wearing face masks, some not — waits, at $20 a pop, to be carted off into the darkness and have creatures in various stages of decay leap out at them for the better part of an hour.

Good fun? Other years, sure. But this year? This 2020 that we’ve clawed through 10 months of so far, through pandemic and uncertainty and racial injustice and sometimes violent unrest and unthinkable political divisions and, and, and, and ALL of it?

In a year when fear and death have commandeered front-row seats in American life, what does it mean to encounter the holiday whose very existence hinges on turning fear and death into entertainment?

What happens when 2020 and Halloween collide? Can being scared — under certain, controlled conditions — still be fun?

___

When we are afraid, we have sought out fear. For a century, that’s been the odd contradiction in American popular culture.

In 1931, when the Great Depression was at its height and American society seemed fragile, Universal Studios uncorked the first of its iconic horror films, delivering up Bela Lugosi as Dracula and Boris Karloff as Frankenstein’s monster.

In the 1950s, when American life felt finite, with nuclear menace from without and subversive threats from within, science fiction produced “Invasion of the Body Snatchers” and “The Thing From Another World.”


But usually the fear Americans have chased is different than — though certainly related to — the fear present in our lives.

Today, in a nation that has buried more than 225,000 of its own from COVID, how does the iconography of death play — the tombstones and caskets and decaying corpses and the feeling, however fleeting, that you might not make it around the next corner?

“This year is very different,” says David J. Skal, who chronicles the American fascination with horror and is the author of “Death Makes a Holiday: A Cultural History of Halloween.”

“We have to process all this unpleasant cultural stuff. But it’s easier to do when you’re not looking at it too directly,” Skal says. “I hope there is some kind of catharsis that comes out of Halloween this year.”

Yet with so many Americans affected by the events of this year, is that the kind of release people seek?

“There’s a real dichotomy right now,” says Matt Hayden, co-owner of Terror Town, an Old West-themed horror village in Williamsburg, Ohio. “If you’ve been directly impacted by serious illness or loss, we’ve heard from people that this isn’t something that appeals to them this year.”

That’s not the majority. Hayden reports record attendance this year, people who want to swap that dull, pounding fear for something immersive and cinematic — to lose themselves in a storyline for a moment.

“They can come to places like this,” he says, “and separate themselves from this year and what it’s been.”


___

The coronavirus might be 2020’s newest bogeyman, but other, older ones are just as menacing. Even beyond COVID, there’s enough fear and death in American life to go around this year.

Among the scares: What will happen on Election Day? What will happen to the republic AFTER Election Day? Both sides of a polarized citizenry have their own brands of unease at those questions.

Then there’s the racial reckoning fueled by centuries of fear and death visited unto Black people in America — and renewed by 2020′s convulsive events. As The Root wrote in October 2016, “Every day is Halloween for Black people.”

The HBO show “Lovecraft Country,” which ended its first season this month, played on that notion with a blend of fantastical horror and the ugly real-life terror of racism in 1950s America.

Though it was filmed before the pandemic descended and George Floyd’s killing by police set off a season of protest, its message — that there are two kinds of monsters, and sometimes they overlap — feels pure 2020, an extension of work like Jordan Peele’s “Get Out” and “Us.”

“I thought the world was one way, and I found out it isn’t. And that terrifies me,” one main character says, leaving us to wonder: Which horror does she mean? As showrunner Misha Green tweeted recently: “Nothing is scarier than real American history.”

“Lovecraft Country” got, instinctually, what Americans are absorbing as 2020 lurches along: What we’ve been trained by Hollywood and Halloween to consider frightening might pale compared to what’s around daily life’s next corner.

Are your finances uncertain? Unemployment might be your horror. Pre-existing health condition? As daunting as a murderer in a hockey mask. And if you are a young Black man who gets pulled over by police, the fear could be as dreadful as any seven-eyed monster with three-inch teeth.

Esther Jones, dean of the faculty at Clark University in Massachusetts, studies medical ethics, speculative fiction and African American literature. To her, 2020′s blurred lines are part of what makes this COVID-inflected Halloween — and the notion that fear can still be fun — into an unusual moment.

“Halloween, for one night, you know it’s coming. You’re going to immerse yourself in this fear and this release. And the next day you’re back to normal,” says Jones, an associate professor of English. “We could kind of go along happily assuming what we believed to be true — that we are resilient and strong and infallible.”

But 2020 “has turned over the rock. It’s removed the mask,” she says. “Everything that we thought was so strong and resilient and would not change is changing in front of our very eyes.”



___

So 10 months into this wretched year, what do fake blood, zombie mannequins in the supermarket foyer and hands clawing out from front-yard Halloween graves in the suburbs really give us?

“In light of 2020, playing with fear and death acts as kind of an escape from fear and death.” That’s how Ben Lish, 17, a senior at Hampton High School north of Pittsburgh, explains the allure of a place like Cheeseman Fright Farm, which he visited this month.

Across the nation in California, horror lover Melody Bentson offers a similar assessment. “It’s fun to look in the face of something that’s dark or scary and come out the other side,” she says.

That may be it right there. Perhaps the fear itself isn’t what offers release. Maybe it’s that the fear, consumed in bite-sized doses, comes to a distinct and measurable end. And when it does, no matter what the rest of the world is dishing out, turns out you’re still fine after all. You’ve made it. Or, at least, you can pretend you have.

“I understand that people want to escape. But I think it’s really important to separate what’s real and what’s not real,” says Yu-Ling Cheng Behr, co-producer of an education initiative called Remake Learning Days Across America and the mother of two young daughters.

“If that’s how you want to escape — what you call fake adrenaline, the scare — that’s fine,” she says. “But just know that’s not how real life works.”

Real life. This year has certainly offered a sufficiency of that. As little ghosts and vampires navigate Halloween 2020, maybe Americans are living out the equivalent of a national horror film — navigating terrifying challenges, some loud and some more quiet, and trying to make it through. Collectively, at least.

“The notion of survival — that we come out on the other side of this — has perhaps changed, but perhaps come out stronger,” Jones says. But “if there’s no end in sight for it, how do we exist with this threat?”

Back in 1968, that original “Night of the Living Dead” ended with the hero — a Black man — surviving the flesh eaters only to be shot by a police posse. Then came “Dawn of the Dead” and “Day of the Dead.” Halloween will come and go, but those other horrors — they don’t end when the sun comes up the next morning.

___

Ted Anthony, director of digital innovation for The Associated Press, has been writing about American culture since 1990. Follow him on Twitter at http://twitter.com/anthonyted


Monday, July 04, 2022

Nigerian Senator and Wife Charged in Plot to Harvest a Child's Organs in U.K.

SICK


He and his wife will stand trial for conspiracy to arrange the travel of a child into Britain “with a view to exploitation, namely organ harvesting,” authorities said.


Dan Ladden-Hall



Darren Baker/Getty

British authorities say they have rescued a child who was targeted in a disturbing international organ-harvesting plot.

A top Nigerian senator and his wife have been charged with conspiracy over a plan to bring the child to the U.K. in order to harvest their organs, London’s Metropolitan Police announced Thursday. No details were immediately available on the age and gender of the child.

People's Democratic Party politician Ike Ekweremadu, 60, and wife Beatrice Nwanneka Ekweremadu, 55, will stand trial for conspiracy to arrange or facilitate travel of another person “with a view to exploitation, namely organ harvesting,” police said in a statement. Both defendants are set to appear in court in west London on Thursday.

Ekweremadu—who has been a senator since 2003 and served three terms as Nigeria's deputy speaker of the senate from 2007 to 2019—was a lawyer before entering politics. Both he and his wife are high-profile figures in their African homeland.

A spokesperson for Ekweremadu confirmed his arrest to the BBC.

The horrific allegations come after an investigation by the Specialist Crime team at Scotland Yard, which deals with serious offenses in the English capital. Cops launched their inquiry last month, leading to the duo’s arrest after police were alerted to possible crimes being committed under modern slavery legislation.

The child, who has not been identified, has been “safeguarded,” the Met said, adding that the force was “working closely with partners on continued support.” British court rules mean the police are unable to divulge any further details while criminal proceedings are underway.

Forced organ harvesting—in which organs are surgically removed from a victim against their will—has been addressed by recent legislation in the U.K. A law passed in April partly aims to disrupt the black market organ trade by making it illegal for Brits to travel overseas to purchase an organ, a practice known as “organ tourism.” Although the sale and trafficking of organs in the U.K. was already outlawed, the new rules came amid worrying reports of a booming organ trade around the world in recent years.

In London’s Chinatown, a years-long protest has been staged against alleged forced organ harvesting from political prisoners in China. The practice of harvesting organs from executed prisoners is legal in China, but an article published in the American Journal of Transplantation in April claimed to have found 71 cases in which prisoners were operated on while they were still alive.

And sadly, because human organs are a valuable commodity, some people even consider voluntarily selling their own organs when conditions are desperate enough. Just this week, a hospital in Kenya had to issue a public declaration telling people to stop asking staff how much they could get for their kidneys. And in Afghanistan—where a devastating combination of widespread famine and international sanctions have pushed millions of people to the edge of starvation—dreadful reports emerged in early 2022 that people were selling kidneys for as little as $1,500 to feed their families.

SEE
BODY SNATCHERS