On the trail of France’s first female World War II correspondent
When General de Gaulle arrived in Paris on 25 August, 1944 to mark the French capital’s liberation from Nazi occupation, his official reporter was by his side to document the historic moment. That reporter was France's first female WWII correspondent, but her name was lost to history – until a fellow journalist brought her story to light.
Issued on: 14/12/2024 - 13:58
8 min
Marcelle Poirier, France's first female war correspondent, pictured in 1944.
© AFP/Laurent Kalfala
By: Alison Hird
RFI/AFP
France’s news agency, Agence France-Presse (AFP), was founded 80 years ago on 20 August, 1944, just a few days before the liberation of Paris.
In October last year, AFP journalist and photo editor Laurent Kalfala was looking for ideas for ways to mark the anniversary.
Leafing through a history of the agency from the 1990s, he came across a small photograph of a young woman in uniform standing in front of a vehicle with the Cross of Lorraine – symbol of the French resistance and Charles de Gaulle’s Free French movement. The caption read: "1944, Marcelle Poirier, from AFP, first French female war correspondent."
“There were two or three lines in the book saying that she was with de Gaulle when he entered Paris in August 1944, and she also reported from Adolf Hitler's Eagle’s Nest in the Bavarian Alps," said Kalfala. “I found it strange I’d never heard of her before.”
Apparently neither had the organisers of the Bayeux War Correspondents awards, which in 2023 devoted an exhibition to the journalists who covered the Normandy Landings.
Kalfala recalls one of his journalism students returning from the exhibition and telling him she had done a report on female WWII correspondents. "I can picture her saying, you know what? There weren't any French women."
"So I took out my phone and showed her the photo of Poirier from the book and asked her if she was in the exhibition. She said no. I realised she had disappeared, something had happened."
He decided it was time to correct this injustice and put Poirier back in the picture.
Listen to an interview with Laurent Kalfala in the Spotlight on France podcast
'Equal in heroism'
His initial enquiries with older AFP journalists failed to deliver. Likewise, delving into the agency's extensive archives proved complicated since most agency journalists signed with their initials rather than their full name, and some of the archives from 1944 had been lost.
He trawled through AFP’s in-house magazines, but while there was "a lot about all the men who came from London, there was nothing about a woman. At one point, I said, OK, maybe she never existed".
Turning to the archives of the BNF – France’s national library – he finally began to come across articles by Poirier from 1944 and 1945. One in particular, dated September 1944, convinced him she was no ordinary journalist.
Entitled "Equal in heroism, women will now play a major role in French politics", it was written just a few weeks after Paris was liberated and only five months after French women won the right to vote.
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“I was really blown away,” Kalfala recalls. “She was somebody – really tough, a feminist."
The internet proved to be a dead end but Kalfala was convinced that Poirier, as a journalist, must have written the story of de Gaulle’s arrival in Paris at some point, somewhere.
The discovery that she had been married to a Welsh journalist – who had been AFP’s bureau chief in Beijing, Hong Kong and Sydney – provided a pointer on the trail, and in December 2023 he found her story in a magazine in Australia.
As de Gaulle marched down the Champs-Élysées, 26 August 1944, Marcelle Poirier was certainly close behind. AFP
'Into Paris with de Gaulle'
The article, Into Paris with de Gaulle, had been published in 1984 for the 40th anniversary of the liberation of Paris.
Poirier describes following de Gaulle’s plush vehicle in an old van, from Brittany all the way to Paris.
“450 kilometres of crowds who flung flowers, kissed us, hugged us and wept over us. I kissed more babies than any political candidate has ever been called upon to do, and I could not stir without being mobbed, as I was the first French woman in uniform in these parts."
She describes church bells ringing out in each village, farm labourers running across newly liberated fields to see the General pass. "Crowds blocked the roads to stop the cars and force the General to get out and walk down village streets, where flags were hung out and the road was carpeted with flowers.”
“After a few words he would start the Marseillaise and there was not a dry eye anywhere – including his.”
Marcelle Poirier's report on accompanying de Gaulle in Normandy, Brittany and then Paris for the liberation, was published in an Australian journal in 1984. © AFP/Laurent Kalfala
Kalfala explains that while there were many correspondents in the press cortege, Poirier wrote about de Gaulle from a far more personal perspective. "She was a woman and she was telling things differently, she was talking about de Gaulle as a man, as very human,” he said.
She also described how dangerous the situation remained upon arriving in Paris on 25 August.
“The roar that went up as de Gaulle reached the place [near les Tuileries] was so loud that no one heard that first sniper’s shot from the Hotel Crillon. But Rob Reid [the BBC's correspondent] saw the smoke and pulled us down to the ground where we wriggled under a van.”
France remembers heroic liberation of Paris from Nazi occupation, 80 years ago
‘Smuggled into France’
So how did Poirier come to take part in "the triumphal drive from Rennes to Paris as official reporter attached to General de Gaulle’s cortege"?
Born to French and English parents, she grew up in the northern English city of Leeds and as a young journalist worked in both France and England.
When France capitulated to Germany in 1940, she took the last boat out of Le Havre and returned to Leeds to work for the respected daily newspaper The Yorkshire Post. A few days after D-Day she joined Gaulle’s Free French movement and began working in London as his press officer.
The only known photo of war correspondent Marcelle Poirier was published in the 1992 book "AFP, une histoire de l'agence France-Presse, 1944-1990". © AFP
In August 1944, as de Gaulle was preparing to return to France via Algiers, three French Independent Agency war correspondents left London to join him. But a few days later, their Jeep was found empty with dark stains on the seats. It was presumed the men had been ambushed and killed.
It was essential to have a French reporter to replace them so Poirier, as head of the press office of the Military Administrative London Mission, was the obvious choice.
“It was a good try, but no luck," she writes. "SHAPE [the Allied Command] rules did not allow women journalists within 50 miles of the front line. Not much good for an agency reporter.”
It was decided to incorporate Poirier into the French Army as an observer-officer, and she was promptly "smuggled into France” to join de Gaulle, but with no official role.
No sooner had she landed than she was arrested by the military police, and locked up in a convent in Bayeux, Normandy.
She escaped, hitched a lift with some female ambulance drivers and caught up with de Gaulle’s cortege.
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An eye for a human story
Poirier continued working for AFP after the liberation, becoming an official war correspondent.
She followed French troops to Germany, Vienna and Trieste, bringing out the human side to war stories, with a particular focus on women.
“I found quite a few articles about women," Kalfala says. "She was really telling the life of German women, of the French resistance. In Vienna, she wrote a very moving article about how people were getting into prostitution just to get a bit of food. And nobody cared. She describes Germany and Austria in a very human way."
American journalists Helen Kirkpatrick, Lee Miller (C) and Tania Long covered the 6 June Normandy Landings and featured in the 2023 Bayeux exhibition "The Other Landings - war correspondents in Normandy". Marcelle Poirier did not. © RFI / Ollia Horton
There were many female war correspondents – around 200 of the 500 correspondents reporting on the Normandy landings were women – Kalfala explains. "But they were at the back, in the hospitals. They had the human stories. But the difference is that Marcelle Poirier was on the front line."
Poirier wrote other unusual war-related stories, including a 1946 portrait of Hitler’s wife Eva Braun, through the eyes of her butler.
Adolf Hitler with his wife Eva Braun in Berghof, around 1940. Wikipedia
But after 1946, the trail went cold. Until Kalfala landed on two articles published in a women’s magazine – one about how ladies in the future will no longer be chained to the kitchen sink.
“It was also a bit feminist, because she said new inventions shouldn’t be about building weapons, but to help women in the home," he said. “But it was a bit weird, after reporting on all these [war] stories, why did she work for a women’s magazine?”
'Men took the power'
Poirier had no children – had she been a mother this might have explained why she turned her back on war reporting. But Kalfala suggests that, instead, she may have been pushed aside.
A footnote to her Australian-published article noted that the three AFP war correspondents she had replaced had in fact "not been killed and the bloodstains in the Jeep were wine stains from bottles offered by people in the villages they had passed through. They had been ambushed, captured and transported to Germany by train".
The three men returned to AFP, and took up where they left off. Some then became directors. “The men took the power at AFP, like everywhere," Kalfala says. "So I think Marcelle Poirier was a bit pushed away, sidelined.”
Older AFP journalists also told Kalfala that since Poirier had married a bureau chief, there would probably have been pressure on her to sacrifice her career.
Kalfala’s documentary on Poirier, who died in 1992, has restored her name to the ranks of war-time reporters in France. But for him the real injustice is that “there was this trace of her, in the book. She wasn’t forgotten. Nobody cared, that’s the thing. And that's worse than being forgotten".
PAKISTAN
The Enduring Voice of a Community: Usman Arab Saati (1944-2024)
Shahid Saati remembers his father, Usman Arab Saati, Chief Editor, Vatan Gujarati.
Updated 2 days ago
On September 22, 2024, at the age of 80, the flame of my father’s life, Usman Arab Saati, flickered and gave out. My father was recognised by many as a seminal figure in the history of Gujarati literature and media, having vowed to keep the Gujarati language alive and in print in Pakistan. So dedicated was he that he did not hesitate to sacrifice his prime years to support this endeavour, seldom caring about what this effort would yield or the hurdles he would have to conquer.
Usman Arab Saati|Photo by author
My father began his professional career in September 1966 as a clerk for Dawn Gujarati‘s marketing department and went on to serve as the general secretary in 1974. A theatre aficionado at heart, he enjoyed reviewing stage plays in Karachi, particularly those in Memoni and Gujarati for the weekly ‘Rang Kala’ page in Dawn Gujarati. During his time at Dawn, he was also elected as the chairman of the All Pakistan Newspapers Employees Confederation (APNEC) and served as a member of the Pakistan Herald Workers Union for 12 years. Upon his retirement from Dawn in 1983, he dabbled in advertising. When he learnt about Dawn’s decision to axe Vatan (formerly Dawn Gujarati), he was quick to negotiate and was successful in acquiring the rights for the newspaper so that it could be published independently, and continue to serve the Gujarati-speaking community of Pakistan and beyond.
In a casual conversation, I enquired why he continued to publish under the name ‘Vatan’ when he could have renamed the publication. In his great wisdom, my father explained that “after the Pakistan resolution was passed, Muhammad Ali Jinnah hoped his voice would reach all corners of India where Muslims were present and therefore felt the need to establish a Gujarati newspaper.” This led to the creation of Vatan Gujarati in March 1942. After Independence, the rights for Vatan Gujarati were acquired by Dawn Media (formerly known as the Dawn Group of Newspapers). Vatan became synonymous with the voice and identity of Gujarati-speaking people and is often credited as the first newspaper of Pakistan. This explains why my father chose to retain the name Vatan.
Shahid Saati with his father, Usman Arab Saati|Photo: Dawn
Just two days before he passed away, my father joyously celebrated the marriage of his grandson, Muhammad Amin Akhtar Saati. He departed, surrounded by dear friends and family who had travelled from far to attend the wedding and were able to participate in his funeral procession.
May he rest in peace, Ameen.
Muhammad Shahid Usman Saati is Editor, Vatan Gujarati.