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Sunday, May 03, 2026

The Feminization of Poverty: A Socialist Feminist Perspective

Source: Originally published by Z. Feel free to share widely.

When we speak of poverty in political or academic discourse, we often tend to treat it as a neutral phenomenon, as though it falls upon everyone equally and in the same way. Yet a critical class-based lens exposes the falsity of this supposed neutrality, affirming that poverty is not distributed evenly, and that women bear its burden in a more acute and enduring way.

This is precisely where the concept of the feminization of poverty comes in, not merely as a statistical description, but as a critical analytical tool that reveals the structural relationship between the capitalist economic system and gender relations, and the multiple forms of exclusion and marginalization that arise from both.

The concept emerged in the 1970s to describe the ongoing rise in poverty rates among women, particularly as the number of women bearing sole responsibility for supporting their families grew. Since then, it has become clear that poverty is neutral neither in terms of gender nor in terms of class, and that it is tied to power structures that determine who holds resources and who is denied them.

The latest data from UN Women indicate that 9.2% of women and girls live in extreme poverty, compared to 8.6% of men and boys, with the gap worsening in the 25 to 34 age group, where women are 25% more likely to live in extreme poverty. World Bank reports show that the global gender wage gap stands at 23%, rising to 47.9% in regions of the Global South such as South Asia. These figures confirm that poverty is not gender-neutral, yet numbers alone are insufficient for understanding what is happening, as they describe symptoms without digging into the roots.

When Exploitation Is Twofold

The feminization of poverty cannot be explained by focusing solely on the wage gap; it must be understood within the framework of a deeper economic structure that systematically reproduces gender inequality. Capitalism does not merely produce class disparity, it also reproduces gender disparity through the organization and division of labor in ways that serve the interests of capital above all else.

This is what Clara Zetkin saw with clarity when she argued that the working woman faces a twofold exploitation, neither dimension of which can be understood without the other: she is exploited as a worker paid less than a man in the labor market, and she is exploited within the family through unpaid domestic labor that guarantees the reproduction of the workforce without costing capital a single penny. Anuradha Ghandy reaffirmed this analysis, noting that this dual exploitation takes even sharper forms in Global South contexts, where class, caste, and gender intersect in a single system of domination.

One of the most important manifestations of this system is the separation between economically recognized productive labor and the unpaid labor necessary for the continuation of life. The domestic and care work performed by women forms the foundation for social reproduction, yet it receives no economic recognition, which diminishes its value and excludes women from economic independence. When socialist feminism demands recognition of this labor and its transformation into a collective responsibility, through public nurseries, care facilities, and social services, it is not calling for a partial reform. It is calling for a fundamental reorganization of the relationship between production and social reproduction at the heart of the economic system.

At the same time, women are integrated into the labor market in an unequal manner, concentrated in low-wage, precarious sectors with little stability or protection. Rather than becoming a vehicle for economic liberation, paid work frequently becomes an extension of dependency, particularly in the context of persistent wage discrimination and limited professional advancement. This situation is compounded by the double burden women carry as a result of combining paid labor with unpaid domestic work, without any fair redistribution of roles. This duality is neither a biological fate nor a culturally neutral inheritance; it is the product of a class-based economic system that needs to keep women in the position of the flexible worker who can be pushed to the margins when the market demands it, then recalled when cheap labor is needed.

Crises and Austerity: When Women Pay for Crises They Did Not Create

What makes the picture more complex is that economic crises, conflicts, and climate change deepen the feminization of poverty, with women disproportionately affected by these shifts, particularly in the most fragile societies. In a global context where economic exploitation intersects with historical forms of domination, women across vast regions of the world become more exposed to the harshest forms of poverty and marginalization.

Yet the issue does not stop at exceptional crises. The austerity policies imposed by international financial institutions on Global South countries over decades represent a glaring example of the feminization of poverty as a deliberate political decision. When public services such as education, health, and welfare are cut back, they do not disappear. Instead, their burden shifts onto women, who compensate with their bodies and time for what neoliberal policy has stripped from state budgets. Austerity, in this sense, is not a neutral policy; it is a gendered policy whose costs women pay first and most heavily.

The struggle against austerity policies and the struggle for women’s rights cannot be separated. The woman who loses access to public education when schools are privatized, the woman forced to leave work when public nurseries close, the woman who bears the care of the sick when health budgets are slashed; all of them pay the price of economic decisions made in international institutions that are neither elected nor held accountable. For this reason, confronting the feminization of poverty is inseparable from confronting the global capitalist economic system that produces and reproduces it.

This gap is equally visible in the realm of employment, where women’s participation in the labor market is lower than men’s, and where a large proportion of working women are in precarious, low-wage jobs with limited protection. Women suffer to a greater degree from food insecurity and the absence of social protection systems, a reality that deepens their economic vulnerability and makes any external shock more capable of pushing them below the threshold of subsistence.

From Diagnosis to Change: Toward Radical Policies, Not Superficial Ones

What makes this phenomenon particularly dangerous is that it is not confined to individual suffering; its effects extend to household welfare, contribute to the intergenerational reproduction of poverty, and constrain development potential by marginalizing women’s roles and excluding their economic and social contributions. The feminization of poverty thus becomes an expression of a structural dysfunction requiring radical treatment, not partial solutions that soothe symptoms without touching the roots.

This is where the divide between the class perspective of socialist feminism and liberal reformist feminism becomes apparent. Liberal currents limit themselves to demanding women’s empowerment within the existing system without challenging its structure, focusing on individual empowerment through education, training, and access to microfinance. The socialist feminist perspective, by contrast, holds that these tools are insufficient unless accompanied by fundamental change in relations of production, property, and power. The woman who obtains a small loan in a society that excludes her from education, burdens her with unpaid domestic work, and subjects her to precarious labor laws remains a prisoner of the same structure, even if her situation improves marginally.

Confronting this phenomenon demands policies grounded in both gender equality and the elimination of class exploitation together. This includes achieving wage equality, guaranteeing women’s legal rights at work, broadening social protection to cover the most vulnerable groups, and investing in education and training to economically empower women. It also requires recognition of the economic value of care work, the provision of public services that reduce its burden, and a redistribution of roles within the family and society that allows for more equitable participation in both paid and unpaid labor.

Yet these measures, however necessary, remain insufficient unless they bring about a change in the nature of property relations that structurally make women’s labor cheaper, more precarious, and less protected. Full recognition of care work does not mean merely including it in GDP calculations; it means transforming it into a collective responsibility borne by the state and society, not by women alone. And achieving wage equality does not mean only raising the minimum wage; it means dismantling the class hierarchy in the labor market that makes women, particularly those from the lower classes, the most vulnerable in every crisis.

Ultimately, eliminating the feminization of poverty cannot be separated from a critique of the capitalist economic structure that produces it. The issue is not merely about improving living conditions; it is about a fundamental reconsideration of how labor is organized and how resources and power are distributed within society. As long as women bear the burden of reproducing life without recognition, without wages, and without protection, any talk of equality remains a discourse suspended in the air, never touching the ground on which millions of women stand every day.

Statistical Sources

A Danish leftist-feminist activist and writer of Iraqi origin, Bayan Saleh is a feminist activist, writer, and long-time leftist organizer. She co-founded the Independent Women’s Organization in Erbil in 1991, was active in the Worker-Communist Party of Iraq and the Committee for the Defense of Iraqi Women’s Rights, and represented the committee at the UNHCR in Turkey. Since 2001 she has been a member and candidate of the Danish Red-Green Alliance, and since 2003 she has served on the editorial board of Al-Hiwar Al-Mutamaddin. She coordinates the Center for Women’s Equality, is a member of Amnesty International, and has served in leading positions in the Danish Women’s Council. Bayan has led multiple projects on migrant and refugee women’s rights in Denmark, Kurdistan, and the Middle East, and frequently participates in Scandinavian and international conferences on women’s rights, migration, and equality. Her educational background includes a BSc in Agriculture (University of Mosul, Iraq), diplomas in administration and IT (Denmark), and professional qualifications in psychotherapy and family counseling. She currently works as a family counselor and project manager supporting migrant women in Denmark.


Women in Conflict Zones

Source: World Beyond War

Webinar: Women in Conflict Zones

Retired U.S. Army Reserve colonel Ann Wright will open the webinar with the latest update on U.S. Central Command (CENTCOM) activities in the region. Dr. Jamila J. Ghaddar will talk about her work archiving conflicts across the region.

This webinar aims to create a space for examining the gendered impacts of war and violent conflict for all people who experience gender-based oppression. 

Speakers

Hanan Awwad has been the President of WILPF Palestine since she started the Section in 1988. An academic, writer, editor and cultural advisor by profession, her main expertise lies in various areas including (resistance) literature, human rights and women’s rights. Hanan received a PhD from Oxford University, has published twelve books and received multiple awards for her work in defending human rights and dignity. Hanan is also a member of the Palestinian National Council and has represented Palestine in more than 700 conferences.

Nagham Al Baba is a student and youth activist from Gaza. She is engaged in raising awareness about the impact of conflict on young people, especially women, and speaks about the realities of life and education in conflict-affected areas.

Dr. Parisa Babaali is an Iranian American data scientist in the US Tech industry whose work bridges science, ethical AI, and human-centered innovation. She was born and raised in Iran during the 1979 revolution and travels regularly to Iran and keeps in contact with activists in Iran. She is an advocate for peace and uses her voice to speak against violence and the human cost of conflict. Passionate about advancing women in STEM, she mentors and supports the next generation of female leaders in the society. Parisa works extensively on addressing social determinants of health and advancing equity, using data and AI to uncover disparities and drive more inclusive outcomes across communities.

Hania Bitar founded The Palestinian Youth Association for Leadership and Rights Activation (PYALARA) in 1999, and she continues to lead it until today.

She started her career as an English teacher at Bethlehem University, then worked as a business manager at the weekly Jerusalem Times newspaper.

In 2005, she co-founded the International Women’s Commission for a Just and Sustainable Peace between Israel and Palestine with Palestinian, Israeli, and international women leaders.

In 2006, she ran in the Palestinian Legislative Council elections as part of the “Third Way” list. She also served as a member of the Board of Trustees of the Arab American University in Jenin, and on the boards of several Palestinian NGOs such as MIFTAH and the Women’s Centre for Legal Aid and Counselling (WCLAC).

She founded the Global Solidarity for Peace in Palestine, which now includes more than 150 organizations, networks, and activists working worldwide to support Palestinian rights and issues.

In 2025, she was awarded the Seán MacBride Peace Prize by the International Peace Bureau (IPB) in recognition of her outstanding work in promoting peace, human rights, and resisting injustice under difficult conditions.

She is a founding member of the Media and Information Literacy Experts Network (MILEN). She was also selected as one of the Young Global Leaders and Young Arab Leaders.

In early 2026, she was elected as the representative of Arab Region to the UNESCO Global Alliance for Media and Information Literacy (MIL).

She is the author of many articles and a keynote speaker at various national and international conferences. In addition to her leadership skills, she is a professional media figure and an influential personality.

Jamila Ghaddar is a South Lebanese archivist and historian of liberation movements and the Arab region. She has been organizing in the anti-Zionist struggle her whole life. Jamila is co-lead of the Fighting Erasure-Digitizing Gaza’s Genocide & the War on Lebanon project; and Assistant Professor at University of Amsterdam. She lives between Lebanon and Netherlands, learning more about the bloody trail of Dutch empire and how to fight erasure in active zones of genocide and war.

Shirine Jurdi is a highly accomplished expert in Women, Peace, and Security (WPS) with over 20 years of experience in peacebuilding, conflict resolution, and gender equality across the MENA region. Her career is marked by a deep commitment to empowering women and youth in conflict-affected areas, ensuring their voices are heard in peace processes and recovery efforts. Shirine has collaborated with renowned organizations such as WILPF, MENAPPAC (GPPAC), Arab States CSOs and Feminist Network, Choueifat Women’s League, Local Mediators Network Marj’oun Hasbaya to design and implement programs that bridge global agendas with local implementation.

Shirine’s work spans a diverse range of initiatives, from documenting peacebuilding initiatives to the impact of war on women and youth to advocating for gender-sensitive policies in post-conflict recovery. She has led groundbreaking projects, including murals on UNSCR 1325; storytelling documentaries on WPS in Libya, Tunisia, Iraq, and Lebanon, and policy papers on the role of women in peacebuilding amid war. Her expertise also extends to environmental impacts of militarization, where she has championed women’s leadership in addressing the environmental consequences of conflict.

As a skilled facilitator and trainer, Shirine has conducted workshops on WPS and Youth, Peace, and Security (YPS) in countries like Lebanon, Iraq, Tunisia, Libya and Georgia. She also fostered collaboration among civil society organizations and integrating climate change and small arms prevention into peacebuilding agendas. Shirine’s contributions have been recognized globally, and she has been invited to speak at high-profile events such as the UN Commission on the Status of Women (CSW), COP28, Conference on Conventional Weapons (CCW), Control Arms and others.

Shirine holds a master’s degree in International Affairs from the Lebanese American University and has pursued doctorate studies in Peace and Conflict Studies at Tokyo University of Foreign Studies. She is a passionate advocate for amplifying voices, aiming to contribute to a more peaceful and inclusive world. Awarded certificate on ceasefire in negotiation from UNDPPA. Recognized for her dedication, Shirine was awarded the International Young Women’s Peace and Human Rights Award from Democracy Today in 2019.

Ann Wright is a retired U.S. Army Reserve colonel and a 29-year veteran of the Army and Army Reserves. She was also a diplomat in Nicaragua, Grenada, Somalia, Uzbekistan, Kyrgyzstan, Sierra Leone, Micronesia, Afghanistan, and Mongolia. She received the State Department’s Award for Heroism for her actions during the civil war in Sierra Leone. She resigned from the Department of State on March 19, 2003, in opposition to the Iraq war. She is the co-author of Dissent: Voices of Conscience and appeared in the documentary “Uncovered”. Ann is a board member of CODEPINK and an advisory board member of Veterans For Peace, International Peace Bureau, World BEYOND War, Gaza Freedom Flotilla, NO to NATO, Hawaii Peace and Justice, Pacific Peace Network, and Women Cross DMZ.

This article was originally published by World Beyond War; please consider supporting the original publication, and read the original version at the link above.

Alexandre Dumas and His Revolutionary Novel “The Count of Monte Cristo”


 May 1, 2026

The Count of Monte Cristo visits Albert de Morcerf, Illustration, 12 June 1888. Source: Internet Archive.

The British Marxist historian E. J. Hobsbawm called it The Age of Revolution. It began in 1789, ran until 1848, and witnessed revolutions in industry, politics and culture, especially in the novel and with the Herculean efforts of Balzac, Hugo and Dumas who is the most famous ever Black French author. But can an epic French novel published nearly two hundred years ago still be revolutionary, and can it offer kicks to viewers who binge on Netflix and other streaming services? 

If the novel is Dumas’s The Count of Monte Cristo (1846), published near the end of the age of revolution then the answer is “Yes.” The Count is still subversive, though readers will have to slow down, savor the dialogue, pour over the profiles of the villains, and digest the author’s frequent digressions and meaty reflections on freedom and justice, death and the truth.

Divided into over 100 riveting chapters with compelling titles such as “The Raving Prisoner and the Mad One,” “The Vendetta,” “Ideology” and “The Telegraph,” Alexandre Dumas’s The Count of Monte Cristo runs to more than 1,000-pages with dozens of characters in a variety of locations (Marseille, Rome and Paris, and from piazzas to prisons and palaces). Technology plays a crucial role and so does chemistry.       One of the characters is a lesbian and another a filicide, a child murderer.  At 1,000+ pages, Dumas has ample space to explore his passions.

Beginning in 1908 when it ran as a silent movie, the novel has been made into feature films and TV-dramas dozens of times and in more than a dozen languages including English, Turkish, French, Spanish, Japanese and Korean. The most recent version, from PBS, starring Sam Claflin and Jeremy Irons, arrives as an eight-part series. Billed as a “tale of revenge” it features Edmond Dantès, a sailor framed for the crime of treason (conspiring with Napoleon) who becomes an “avenging angel,” in part a Brechtian “Mack the Knife” and in part a Mario Puzo, “Godfather” who pulls the strings and controls the fate of foes.                                                           Millions of viewers and readers on four continents for almost two centuries surely can’t be wrong. They have voted repeatedly in favor of Dumas’s The Count of Monte, which appeared in print between the revolutions of 1830 and 1848 and that reflects the revolutionary spirit of the times iot reflects. It still beckons as a classic tale about class and class consciousness, love and hate, subterranean intrigues and the spectacle of death and defiance. Race and ethnicity also play crucial roles with characters from the four corners of the earth.                                                                                               The 2026 PBS melodrama hues to the bold outlines of the novel, but by framing the theme as “revenge” rather than retribution, it flattens the complex psychology of the protagonist, a mythical hero with a thousand faces who evolves as the narrative itself evolves. Indeed, the twists and turns in the plot suggest that Dumas discovered what he wanted to say in the process of saying it, which gives the novel a sense of contemporaneity. 

The PBS producers have left largely untouched Dumas’s biting satire, his roasting of the European aristocracy, and his unalloyed, explicit identification with pirates, smugglers, outlaws, thieves, outsiders and underdogs, who make the novel, which was first published in 1844, relevant for our own monstrous time of capitalist crooks, corrupt judges and the greedy nabobs among the nouveau riche.                                                                                            Fascinated by crime and criminals—Dumas shared Balzac’s notion that behind every great fortune lies a great crime— he compiled an eight-volume encyclopedia about history’s arch villains including the Borges. (Dumas also believed that behind every great political career lies a great crime. That notion is embodied in The Count).

Intrigued by what might be called “identity theft” and the art of impersonation, Dumas created in Edmond Dantès an indelible hero who escapes from prison, infiltrates the inner echelons of society, and brings about the downfall of his enemies, especially Gérard de Villefort and Baron Danglars who have conspire against him. Getting even is its own best reward.

I binge watched the PBS version with its lavish costumes and spectacular settings and then (re) turned to the novel in a hardback edition from Penguin. I first perused the novel as a pre-teen soon after I raced through Dumas’s The Three Musketeers— who are famously“all for one and one for all—published before Monte Cristo hooked readers eager for adventure, intrigue and news of the high and mighty, including emperors, popes, kings and countesses.

The loveable, rapscallion count is surely Dumas’s most beloved protagonist, though the musketeers, Athos, Aramis, Porthos, and their pal, D’Artagan, provide stiff competition as does “the man in the iron mask.”                                                                                     A writing machine – he published dozens and dozens of novels, romances, historical narratives, travel books and plays— Dumas (1802-1870) relied on ghost writers and co-authors including August Maquet to help him flesh out the characters he sketched and the plots he concocted. The French literary critic Sainte-Beuve dismissed his work as “industrial literature.”

Perhaps so, but it was literature and not “dime fiction” and it satisfied the needs and wants of an industrial society. No 19th century French author was better suited than Dumas to mass produce fiction for readers hungry for characters who were obviously good and characters who were obviously evil and with suspense in the saddle from beginning to end. Historical figures and historical events punctuate his novels, though he plays fast and loose with facts and the past. “What’s history?” he asked rhetorically. “A nail on which I hang my novels.”

The son of Marie-Cessette, an enslaved African woman, and Thomas-Alexandre Dumas, a Haitian-born Frenchman who became a general who fought on the side of Napoleon, Dumas rivals Balzac and Victor Hugo in the Pantheon of French novelists of the mid-19th century, when the novel was the king of all media. Marx, an advocate for realism and an astute literary critic was partial to Balzac, despite Balzac’s self-proclaimed allegiance to monarchy, while he shunned Dumas, who took part in the revolution of 1830 that overthrew King Charles X. (Marx was an astute reader who understood that the “message” or veracity that a novel delivered might differ from the author’s explicit beliefs.)                                                                                  A freemason, and with Victor Hugo, Charles Baudelaire, Eugene Delacroix and Honore de Balzac, a member of The Hashish Club, Dumas lodged in the heart of bohemian Paris and on the fringe of bourgeois society. The Count uses hashish as did the author himself. Given his own peripatetic life, it’s no wonder that Dumas chose to move his protagonist from the fringes of law and order on the waters of the Mediterranean, to the elite salons and the posh apartments in the city of Paris, a center in the 1840s of the emerging capitalist world and a character in its own right in The Count.

n 1852, to escape from his creditors and from Louis Napoleon’s autocratic regime, he fled to Belgium, lived there in exile for a year, traveled to the island of Guernsey where he rubbed shoulders with his contemporary, Hugo, then moved to Italy where he supported Garibaldi and ran guns to the rebels.                                                       Legend has it that decade after decade he had almost as many lovers and mistresses as Mozart’s Don Giovanni. Near the end of his life Dumas wrote a prodigious cookbook, Grand Dictionaire de Cuisine, into which he poured his passion for fine food and wine. On his deathbed in 1870, in the aftermath of the Paris Commune and the Prussian defeat of the French, he asked his son, who was also a famed novelist, “Do you think anything of mine will survive?”

Surely, Parisians who first read The Count when it appeared in installments from 1844 to 1846 knew they were in good hands, beginning with the very first sentence: “On February 24, 1815, the look-out at Notre-Dame de la Garde signaled the arrival of the three-master Pharaon, coming from Smyrna, Trieste and Naples.” In the opening chapters, which foreground the Mediterranean, the plot engages the reader’s imagination while the comments by the characters— which spring from Dumas’s  own ideas born of the revolutionary times in which he lived—appeal to the intellect.

“Providence,” one character observes, “brings down the one whom she has raised up and raises the one she had brought down.” Another character says, “in politics you don’t kill a man, you remove an obstacle.” Yet another observes that on a scaffold at a public hanging, “death tears away the mask that one has worn all one’s life and the true face appears.” (For Marx, it was in the colonial world where the mask was stripped and the true nature of capitalism was revealed.)

 In chapter 36, “The Carnival in Rome.” Dumas writes that “there is no more interesting spectacle than the spectacle of death.” For him, all of capitalist society was one big grotesque spectacle. With the citizens of Rome the spectators, one condemned man is guillotined while another is pardoned. The ending – spoiler ahead – is upbeat. The count tells his friends (and Dumas tells his readers): “all human wisdom” is embodied in “two words – wait and hope.”  Skip the PBS show. But do read the novel and follow Dumas’s advice.

Jonah Raskin is the author of Beat Blues, San Francisco, 1955.