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Sunday, October 11, 2026




'Careless use of AI is the real threat - not the ghost stories'


BBC
Megha Mohan - Gender and identity correspondent
Fri, October 9, 2026 



Meredith Whittaker believes science doesn't support the idea that AI will turn against humans [Alvaro Alvarez/ BBC]

Warning: This article contains strong language.

Meredith Whittaker has little patience for the AI doom that dominates headlines - she thinks warnings of AI turning on humanity is a fear "not anchored in science".

"The risk is very real," says the boss of the Signal Foundation, which runs the encrypted messaging app of the same name, "but it's not the shiny ghost stories the wild-eyed boys are talking about".

Instead, she believes the more immediate danger is the technology being used carelessly.

She cites an alleged incident, reported by CNN, in which a chatbot used by US intelligence invented information about a Chinese vessel carrying nuclear material, reportedly leading the US to prepare a military response.

"We almost went to war with China," she tells BBC Global Women.

"A system that produces faulty intelligence and almost gets us into a war with China should not be considered super-intelligent by any standards."

Signal has an estimated 40-70 million users - a drop in the ocean next to WhatsApp, which has billions.

But it is renowned for its tough stance on protecting users' privacy - it hides who is sending a message from its own servers, limiting the data available to outside observers or hackers.

Project Maven protest

Time magazine named Whittaker one of the most powerful people in AI. She moves through the rooms where its future is discussed, from Silicon Valley boardrooms to Downing Street, Davos and the Vatican.

She studied literature at university and joined Google in 2006 as an entry-level temp with no computer science degree.

In late 2017, she made her name when a colleague told her about Project Maven, a secret Google contract with the US Department of Defense to build AI for drone targeting.


She understood what it meant to "compress the kill chain": to shrink the time between a machine flagging a target and someone deciding to fire, reducing deliberation. With thousands of colleagues, she pushed back.

"This is going to launder bad intelligence and bad data," she remembers arguing publicly.

The following year Whittaker helped organise a walkout, in which some 20,000 staff protested against the company's handling of several issues, including what they felt was the rushed introduction of new technology. Google dropped the contract and Palantir picked it up.


Whittaker criticises venture capitalists' lack of support for startups led by women [Alvaro Alvarez/ BBC]

She draws a direct line from Maven to the US missile attack on a school in Iran this year, which she says relied on the system and on outdated intelligence that identified the school as a military target.

"This is exactly what we were warning about in 2017," she says.

In response, Palantir told Global Women there was "no evidence that Palantir's software was at fault in this terrible tragedy".

It added that "Palantir is not responsible for the underlying data nor identifying intelligence deficiencies". And earlier this year it's UK and Europe boss, Louis Mosley told the BBC that "there's always a human in the loop, so there is always a human that makes the ultimate decision".

The US military has yet to release the findings of its investigation into the Minab strike, but Defense Secretary Pete Hegseth has said it would "never target civilian targets".
'I have a backbone'

Governments, including the UK's, argue for more access to conversations on messaging apps. They say this is to protect women and children.

At London Tech Week 2026, then Prime Minister Keir Starmer said technology companies would be expected to detect and block nude images on children's devices, or face legislation.

Whittaker argues children would be able to circumvent any such measures, calling the government's approach "an unprecedented regime of communication and information controls".

The Department for Science, Innovation and Technology told the BBC it is preparing legislation.

Would Signal leave any country, the UK included, that forced it to weaken its encryption?

"Yes! My God, I have a backbone," she says. "It doesn't change based on mood. It doesn't change based on consultants."

Faced with exposing people "who rely on us, sometimes in the context of life or death, to surveillance that could be weaponised against them", she says, "we would leave the market".

The app is fully or partially blocked in Russia, China and Iran.


Whittaker advises women in tech to stand up to bullies [Alvaro Alvarez/ BBC]

Rani Govender, Head of Child Safety Online at the National Society for Prevention of Cruelty to Children, told the BBC it hears from children who have been groomed and moved on to end-to-end encrypted platforms, where they are coerced into creating child sexual abuse material.

"Tech companies are responsible for the design choices they make, and they cannot ignore the risks those choices can create for children."

But Signal does have support from some women's groups, often those from the Global South who use the app themselves.

"In a time of state surveillance and cyber-attacks, Signal is a tool for survival," says Hera Hussain, founder of the gender abuse charity Chayn, which is active throughout South Asia.

"With any platform, it can be used by bad actors too, and we have to hold that truth too."
'What do we do about the kitchens?'

I put to Whittaker a case from Canada, where police officers shared racist and misogynistic messages in a Signal group which leaked only when one of them passed it on to the media.

A lawyer for one officer said the men believed Signal was as private and safe as their own home.

"If they had that conversation in the kitchen and their bro snitched, would it be: 'What are we doing about kitchens?'" she asks.

"It has to work for everyone or it works for no-one. This is the principle of fundamental rights. They apply even to assholes."

She points to a US woman jailed after Meta handed over messages showing she helped her daughter access abortion in a state where it had been criminalised.

Private communication, she says, protects people from many kinds of harm - "an abusive spouse, a misogynist law enforcement officer with access to a database, or an authoritarian government that doesn't think women should get educated".

What would she want to say to a woman who wants to enter the tech field but is intimidated by the gendered aspect of the profession?

"Do you love it?" she says.

"Do you sit down at a terminal and feel a rush of energy? Do you enjoy playing with and defining AI systems?"

Then she pauses and says: "Are you able to navigate interesting and gnarly environments where not everyone is going to be chill? Because there's nothing more dangerous than being a coward in front of a bully."

I ask her if these environments are full of bullies.

Her colleague says, "I think that's 2pm" - the time we agreed to end the interview.

Meredith smiles. "I'd say don't be a simp," she says, using a term for someone who shows extreme deference to authority figures.

"It's not going to help you. Don't laugh at the joke if you don't think it's funny."

Additional reporting by Katie Roberts

This is part of the Global Women series from the BBC World Service, sharing untold and important stories from around the globe

Saturday, October 10, 2026

'The Orange Plague': Naked Trump statue on display at European Parliament in Strasbourg

"The Orange Plague": Naked Trump statue on display at European Parliament in Strasbourg
Copyright AP Photo
By David Mouriquand
Published on


A gold statue depicting Donald Trump fully naked and crushing a smaller man’s shoulders has been unveiled in the European Parliament building in Strasbourg, France.

A new statue has been introduced to the European Parliament building in Strasbourg, and it’s all kinds of satirical and naked.

Titled "The Orange Plague," the 2.6-meter statue by Danish artist Jens Galschiøt, is a depiction of a nude Donald Trump holding a comically sized golf club in one hand, a set of scales in the other, all while sitting on the back of a smaller, frailer man.

The artist said it is coated with 23-karat gold and that his work is also known by the name "King of Injustice."

Jens Galschiøt next to his statue "The Orange Plague" in Strasbourg - 7 October 2026
Jens Galschiøt next to his statue "The Orange Plague" in Strasbourg - 7 October 2026 AP Photo

Beneath the statue is a plaque which reads:

"I am sitting on the back of a man.

He is sinking under my burden

I will do anything to help him.

Except stepping down from his back.

- The King of Injustice."

"The Orange Plague" in Strasbourg
"The Orange Plague" in Strasbourg AP Photo

According to Galschiøt, the work was inspired by Hans Christian Andersen’s The Emperor’s New Clothes, and is a “satirical outcry” against Trump’s volatile climate and foreign policies.

“Nations as well as NGOs are afraid to openly raise the subject [of] how to deal with Trump and his policies, fearing tariffs, fund-cuts, deportations or the like,” Galschiøt wrote on his website. “As an independent art workshop we are not restricted by such bonds. This sculpture has been made to address ‘the elephant in the room’ and start a necessary debate [about] how the US is destroying the world’s only chance to counter the climate catastrophe.”

"The Orange Plague"
"The Orange Plague" AP Photo

All visitors receive a 3D-printed miniature of the sculpture to take home.

Galschiøt has said he printed around 20,000 sculptures that he distributed not only to visitors but also to staff throughout the European Parliament.

Left-wing Danish European Parliament member Per Clausen, who invited the artist, said he is not worried about a potential reaction by Trump.

"If someone is so thin-skinned that they cannot tolerate this sculpture being exhibited in the European Parliament, then they have no place on the world stage," Clausen said.

As of yet, no reaction from the subject of “The Orange Plague", who is usually reactive online and not known for his thick skin in these matters.

The statue was previously displayed at the “hands off Greenland” demonstrations in Copenhagen earlier this year and the COP30 UN Climate Summit in Belém, Brazil last year.

After the present installation in Strasbourg, Galschiøt plans to exhibit "The Orange Plague" again at the COP31 UN Climate Conference next month Antalya, Türkiye.


'Saint or Sinner'? British artist Mason Storm crucifies Donald Trump in sculpture on show in Basel

'Saint or Sinner?': British artist crucifies Donald Trump in new sculpture
Copyright X screenshot - Basler Kunstmeile / Mason Storm

By David Mouriquand
Published on

Hero or villain? Martyr or criminal? “Saint or Sinner”?

A hyperrealistic sculpture depicting Donald Trump nailed to a cross while wearing an orange prison jumpsuit has gone on display at the Basler Kunstmeile in Switzerland, weeks after its debut near Basel Central Station was postponed over fears of public backlash.

The sculpture, titled “Saint or Sinner”, is by British artist Mason Storm, who is celebrated for his satirical and often politically charged art. And like Banksy, he cultivates a sense of anonymity by wearing masks and balaclavas.

Here, he plays on the dichotomy between a vertical crucifixion and a horizontal execution gurney, leaving a provocative space where religion and politics mix to better question whether the current US president deserves entry to heaven or a lethal injection.

The sculpture is eerily realistic – something which Konrad Breznik, owner of the Gleis 4 gallery, marvels at.


“You can see every wrinkle, the skin is so realistic, it's really disturbing,” he told AFP.

Breznik even said he believed that Trump might actually appreciate the piece.

“I do absolutely think that Mr Trump might see himself very well in the role of a modern Jesus,” he said. “I’m pretty sure he is very much convinced that he is doing the right thing.”

Appropriately, Trump himself said last month, aboard Air Force One: "I don't think there's anything that's going to get me into heaven. I think I'm not maybe heaven-bound."

Well, there we have it, folks.

Whether or not the artwork could be exhibited in the US remains another matter... It has already sold to an “internationally renowned” European collector, whose name remains confidential, according to the gallery.

“Saint or Sinner” is proudly on display in Basel until mid-November.



Saturday, September 12, 2026

Republican's ‘disgusting’ 9/11-themed attack ad earns widespread derision

Alexander Willis
September 11, 2026 
RAW STORY


Republican nominee for Michigan Governor, Rep. John James, speaks before U.S. Vice President JD Vance delivers remarks at a MAGA Inc. event in Sterling Heights, Michigan, US., August 31, 2026. REUTERS/Jeff Kowalsky

Republican Michigan gubernatorial nominee Rep. John James received widespread condemnation Friday after releasing a 9/11-themed campaign ad attacking his Democratic opponent Jocelyn Benson, with critics blasting its central claim as false.

“Jocelyn Benson stands with a radical left that says America deserved 9/11. I stand with you, and I say never forget,” James is heard saying in the ad.

As James spoke, the ad displayed a photo of Benson standing alongside Democratic Senate nominee Abdul El-Sayed. The claim, coupled with the photo, was an apparent attempt to tie Benson to progressive influencer and activist Hasan Piker, who in 2019 made the controversial remark that “America deserved 9/11.”

Piker’s remark was made during a live broadcast of himself reacting to remarks from Rep. Dan Crenshaw (R-TX) in support of American military interventionism abroad. He immediately elaborated on his controversial statement by arguing that the United States had “brought it on ourselves” due to the U.S. government “[funding] the people who did 9/11 to this day.”

Benson has never campaigned with Piker, and on Thursday actually condemned his remarks as “reprehensible.” Piker did, however, campaign with El-Sayed.

“Benson’s husband enlisted in the Army after his friend died on 9/11, I believe. What a disgusting attack from James,” wrote Democratic strategist Mike Nellis Friday in a social media post on X to his more than 142,000 followers. “These people are pathetic.”

Forbes contributor and attorney Sophia Nelson called James’ attack ad “vile” and “disgusting,” political consultant Matt Dearing called it “lower than dirt behavior,” and Oscar-nominated director Billy Ray urged James not to run for office if he couldn’t “win without lying.”

Benson herself delivered James a scathing rebuke.

“How dare you, Congressman. My husband enlisted in the Army and put his life on the line for our country after losing his friend, Todd Ouida, in the towers on 9/11,” Benson wrote.

“This is a despicable lie to the people of Michigan about what that day means to me and my family, the sacrifices made, and the devastating impact of that attack on our country. I have never, and would never, campaign with anyone who says something so reprehensible. If you have any decency, you will immediately take down this false ad.”


'Absolute madman': George W. Bush's wild 9/11 paintings spark firestorm

Erik De La Garza
September 11, 2026 
RAW STORY


Former U.S. President George W. Bush and former U.S. Secretary of State Condoleezza Rice (not pictured) have a conversation as the George W. Bush Presidential Center commemorates the 25th anniversary of the September 11, 2001 attacks in Dallas, Texas, U.S., September 9, 2026. REUTERS/Jeremy Lock

Former President George W. Bush marked the 25th anniversary of the Sept. 11 attacks by unveiling a series of 9/11 paintings — including the moment he learned America was under attack.

The artwork quickly left social media users stunned.

“The absolute mad man. He actually did it. Unreal,” wrote podcaster Ryan Broderick, a former BuzzFeed tech reporter who now runs The Garbage Day newsletter.

“You think no George W. Bush painting could surprise you after the nude self-portraits, but then…” Semafor’s Josh Billinson posted to X.

Bush shared four paintings on Instagram Friday, including one depicting then-White House chief of Staff Andy Card whispering into his ear inside a Florida classroom after a second plane struck the World Trade Center.

Another showed smoke rising above Lower Manhattan, while a third depicted a hand holding a badge. The final painting the former president posted recreated the massive American flag draping over the Pentagon on Sept. 12, 2001.

“He nailed the dumbfounded facial expression,” one X user wrote.

“I didn't realize George Bush made a painting of *that* moment,” added Business Insider features and investigations correspondent Jacob Shamsian.

Eric Michael Garcia, Washington bureau chief for The Independent and an MS NOW columnist, declared in his own post: “This belongs in the National Portrait Gallery.”

Bush, for his part, wrote on Instagram that the paintings — along with others in the collection — would be on display all month at The George W. Bush Presidential Center.

“Twenty-five years ago, the actions of an enemy revealed the spirit of the American people,” Bush wrote Friday. “These and other paintings are my reflections of this solemn anniversary.”

He added: “May we always honor the precious lives stolen, and may God bless America.”



Sunday, August 09, 2026

DuckDuckGo Releases ‘Normal Sunglasses’ to Troll Meta’s AI-Powered ‘Pervert Glasses’

“These are the first smart glasses guaranteed to never record nude videos of you and send them to random people. I never thought I’d have to guarantee that, but here we are.”



A woman is holding a pair of smart glasses from Ray-Ban Meta in her hand at an eyewear store in Stuttgart, Germany on July 22, 2026.
(Photo by Christoph Schmidt/Picture Alliance via Getty Images)

Stephen Prager
Aug 07, 2026
COMMON DREAMS


As Meta faces heat for selling artificial intelligence-powered sunglasses that record people without their knowledge, the web browser DuckDuckGo responded with what it called “the world’s most innovative anti-surveillance sunglasses”... otherwise known as normal sunglasses.

Meta, the Big Tech behemoth that owns Facebook and Instagram, likely did not expect to become the subject of relentless scorn and mockery over its new line of “Meta Glasses,” which retail for upwards of $299 and have been plugged by the likes of Kylie Jenner.

But internet users have saddled the shades with the nickname “pervert glasses.” For good reason: among other high-tech bells and whistles, the latest version is equipped with photo and video technology that some of the clientele have used to discreetly film strangers.

As the Los Angeles Times chronicles, some women have been approached by bespectacled creeps only to later find a recording of the encounter posted online, entirely without their consent. Although the glasses have a white light to indicate that recording is in progress, some elite-tier perverts have found ways to disable it.



DuckDuckGo, a company that has billed itself as an alternative to its data-mining, privacy-violating competitors, responded to the backlash against Meta by partnering with the eyewear company Knockaround and selling its own pair of glasses whose primary gimmick is that they do absolutely nothing but sit on your face.

“No camera, no microphone, no AI, no battery, no electronics of any kind,” reads the website, “Just a beautifully crafted pair of matte black sunglasses with a glossy DuckDuckGo logo, designed to block the sun and never send data to the cloud.”

“We’re obsessed with innovation. So when Big Tech started putting cameras in smart glasses, we asked ourselves a radical question: What if we just didn’t do that?” a July 30 social media post from DuckDuckGo said. “These are the first smart glasses guaranteed to never record nude videos of you and send them to random people. I never thought I’d have to guarantee that, but here we are.”



This was not merely a hyperbolic what-if. It’s been reported that Meta’s AI glasses have recorded videos of users having sex and using the bathroom that were then viewed by Kenyan subcontractors involved in manually training Meta’s AI systems.

Internal documents have also revealed plans by Meta to embed facial recognition technology into the glasses, which dozens of rights groups, including the American Civil Liberties Union, warned “would allow anyone wearing them to identify by name any strangers in their vicinity—including at protests, medical clinics, and businesses.”

After being secretly implemented for a brief period without being accessible to consumers, the technology was rolled back. But concerns remain that it could be added again, and there have been growing calls from lawmakers and privacy groups in the US and Europe to ban the glasses.



One British activist group called Everyone Hates Elon has begun a viral guerrilla marketing campaign against the Meta glasses.

One satirical ad, placed at a bus stop in London, shows the infamous sex criminal Jeffrey Epstein wearing the frames, with the tagline “glasses for people who don’t do consent” next to the Meta logo.

“These glasses feel like they’re making perverts’ and abusers’ lives easier when we should actually be making women’s lives easier. They are pervert glasses,” a spokesperson for the group told The Times of London. “We wanted to use Jeffrey Epstein to highlight who these glasses will be used by, and it’s powerful men and abusers.”

In this environment, it’s perhaps not a surprise that DuckDuckGo’s tech-free alternative has been a hit. The company said that within a week, the shades, which cost $35 a pair, had sold out.

‘Good Start’: Meta Fine Now Nearly $1 Billion for Social Media Giant’s Harm to Kids


“We cannot allow Meta to put its short-term profits above the emotional well-being of our kids,” said Sen. Bernie Sanders.



A teen girl uses her cellphone in this undated stock photo.
(Photo by dragana991/iStock via Getty Images Plus)

Brett Wilkins
Aug 07, 2026
COMMON DREAMS

A New Mexico court on Thursday ruled that Meta must pay an additional $567 million fine on top of the $375 million a jury fined the tech giant in March for harms caused to teens and children who use its Instagram and Facebook social media platforms.

First Judicial District Judge Bryan Biedscheid said in his 68-pager ruling that “significant numbers of people in New Mexico experience harm from Meta’s products due to risks of sexual exploitation, interference with education, and adverse mental health outcomes.”

“The harm to the impacted New Mexicans is not doubtful, eventual, or contingent, but an immediate, temporally connected, and highly probable result of Meta’s actions,” he continued.

“The youth mental health crisis has inflicted significant and widespread harm in New Mexico in terms of the number of youth suffering mental health harms, the profound suffering they and those in their families suffer, and the resulting interferences with the functioning of the schools, law enforcement, [and] healthcare systems in New Mexico,” the judge added.

The case centered on allegations that Meta knowingly designed and operated Facebook and Instagram in ways that exposed children to harmful content, encouraged excessive use, and failed to adequately protect minors from exploitation. New Mexico officials argued that internal company knowledge and outside warnings showed Meta was aware of risks associated with its platforms but did not act sufficiently to address them.

Most of the new fine—$420 million—will go toward funding youth treatment services, while the rest is designated for awareness and prevention, screening services, and other costs.

Biedscheid’s order also compels Meta to make changes to its platforms in New Mexico, including removing “like” counts and only showing them to minors with parental consent, and prohibiting overnight push notifications for users under age 18.

“Regardless of whether it is labeled as an ‘addiction’ or ‘problematic use,’ the evidence at trial proved that design elements, such as autoplay, infinite scroll, ‘like counts,’ and push notifications create a product that, particularly for adolescent users, is highly rewarding psychologically and neurochemically,” he wrote. “As a result, for many, it is irresistibly compelling to start scrolling and very difficult to stop or abstain from its use.”

“In addition,” the judge added, “algorithmic content recommendations can create harmful feedback loops and ‘rabbit hole’ users. Within a similar vein, ‘like counts’... can provide a potentially harmful focus for adolescent users.”

Meta spokesperson Andy Stone said the company would appeal the ruling, claiming: “We work hard to keep people safe on our platforms and have been transparent about the challenges of identifying and removing bad actors and harmful content. We remain confident in our record of protecting teens online and will continue to defend ourselves against claims that misrepresent the facts.”

New Mexico Attorney General Raúl Torrez hailed the ruling, saying that “Meta built products it knew would fuel addiction, deepen a youth mental health crisis, and expose children to sexual exploitation, then lied to parents and policymakers about the danger. Today, it pays for that choice.”

At Fairplay—a children’s advocacy group—executive director Josh Golin hailed the “landmark ruling” as “the clearest indication yet that the tide is turning when it comes to protecting kids from social media.”

“For the first time, Meta is being compelled by a court to change its dangerous and harmful design,” he continued. “And with so many states lined up to sue Meta and other social media companies, we should expect to see a lot more injunctive relief to make online platforms used by young people safer.”

“This ruling also clearly indicates why families need the Kids Online Safety Act,” Golin added, referring to a controversial bill advanced this week by the Senate Commerce Committee. “The judge said it was up to Congress to address the addictive features on Instagram and other social media platforms. KOSA’s duty of care against compulsive use is the key to ensuring that Meta and other social media companies stop designing for addiction, as addictive design is the root of all social media harms.”

Justin Mazzola, deputy director of research at Amnesty International USA, said in a statement: “This verdict is an important step towards creating safer social media for children and young people. For years, Amnesty International has warned that major social media platforms have been designed to maximize engagement and profit, while failing to adequately protect children’s rights.”

“Crucially, the court went beyond imposing a financial penalty,” he continued. “By ordering changes to platform features, including removing ‘like’ counts for people under 18 and restricting overnight notifications, the ruling recognizes that the harms children experience online are often the result of deliberate design choices.”

“Amnesty has been calling for exactly this kind of action,” Mazzola added. “Child safety must be built into platforms from the start, not added as an afterthought once harms are identified. This decision sends a clear message that social media companies cannot continue to prioritize engagement at the expense of children’s well-being and rights.”

Congresswoman Pramila Jayapal (D-Wash.) said on Bluesky: “This is good news. For far too long, Big Tech corporations have put their bottom lines ahead of the health and safety of kids on their platforms.”

“Congress must continue to push for accountability and real guardrails for companies like Meta as tech giants continue to grow,” added Jayapal, who was critical of the Kids Internet and Digital Safety Act approved by the House of Representatives in June.

US Sen. Bernie Sanders (I-Vt.) also welcomed the ruling, posting on X that billionaire Meta CEO Mark Zuckerberg’s “greed is fueling a youth mental health crisis in America.”

“Today, a judge ordered Meta to pay a $567 million fine for the damage it has done to our kids,” Sanders added. “Good start. We cannot allow Meta to put its short-term profits above the emotional well-being of our kids.”

Wednesday, August 05, 2026

Trump’s Federal Trade Commission Is Threatening to Punish Big Tech for “Woke AI”

As Elon Musk defends nude deepfakes, the FTC is moving to censor AI models trained to recognize historical injustices.
August 4, 2026

Tesla and SpaceX CEO Elon Musk reacts ahead of a state banquet for US President Donald Trump and China's President Xi Jinping at the Great Hall of the People Beijing in China on May 14, 2026.Brendan SMIALOWSKI / AFP via Getty Images

To understand the stakes of the debate over AI regulation, look no further than Minnesota, where tech oligarch Elon Musk is once again generating embarrassing headlines.

Last week, a federal judge denied a request from Musk’s artificial intelligence company xAI to block a Minnesota law banning nude deepfakes used to sexually harass women and girls from taking effect. Musk faced widespread backlash after Grok, one of xAI’s signature products, introduced an AI feature that allowed users to digitally undress people in images circulating online. In March, three young girls sued xAI, alleging Grok was used to create child sexual abuse material. Minnesota Gov. Tim Walz called Musk a “creep.”

It’s a bad look for Musk, but the lawsuit wasn’t filed for applause. Musk and competing tech titans are currently spending immense political capital molding to their advantage the regulatory environment that AI companies are stepping into as the technology rapidly advances. The xAI lawsuit against Minnesota’s ban on nude deepfakes is part of Musk’s broader campaign against state regulation and so-called “woke AI.”

Musk has worked closely with President Donald Trump, who issued multiple executive orders attempting to shape AI development and discourage regulation by individual states. In response to Trump’s orders, the Federal Trade Commission (FTC) proposed a new policy in July that critics say would undermine the First Amendment and civil rights laws while potentially coercing companies into promoting white nationalist narratives with AI models that millions of people increasingly rely on for information.

“This tech-Trump alliance — far from bringing expertise to responsibly guide policy on tech and AI — has only furthered the administration’s corruption and enabled its campaign to censor and control our information ecosystem,” said Shilpa Jindia, policy counsel at the digital rights group Free Press, in a statement on August 3.


Op-Ed |
Google’s New AI-Fueled Search Bar Threatens to Further Upend Journalism Industry
Independent journalism needs a lifeline to survive as Google urges readers toward AI summaries instead of article links.
By Negin Owliaei , Maya Schenwar , Ziggy West Jeffery , Truthout June 9, 2026


Free Press is one of several digital rights groups that recently submitted comments opposing a policy statement on “AI accuracy” proposed by the FTC, which is tasked with protecting consumers from deceptive advertising. Echoing comments by Musk and others on the right about “woke AI,” the FTC statement claims AI companies may be required by state laws or simply “tempted” to train large language models (LLMs) such as Claude and ChatGPT to deliver “ideologically motivated distortions” to consumers expecting objective answers to their questions.


Allowing such ideological “distortions” may violate the federal law that created the FTC to protect consumers from deceptive advertising.

AI companies market their products as problem-solving tools that “distill all of human knowledge,” so allowing such ideological “distortions” may violate the federal law that created the FTC to protect consumers from deceptive advertising, according to the policy proposal. Using LLMs as a primary source of information is “becoming part and parcel of daily life,” and the FTC could take legal action against companies that do not provide clear disclaimers about ideological “distortions” in the answers AI models provide.

“An adequate disclaimer could not be buried in terms of service, for instance,” the FTC wrote.

In an interview, Jindia said that behind the FTC’s threat of legal action against AI companies lies the far right’s obsession with diversity, equity, and inclusion (DEI). A broad pool of ideas originally developed by educators for addressing discrimination in schools and the workplace, DEI is now used as a smear by Republicans and fascist trolls to discredit any policy viewed as remotely anti-racist, pro-LGBTQ, pro-women, or progressive.

“This began with Trump’s executive order signed on day one against DEI, and it’s under that guise they are going after AI outputs, or basically the content of AI,” Jindia told Truthout.

In March 2025, Trump controversially fired both Democratic members of the FTC, leaving two Republicans on what is supposed to be a bipartisan, five-member commission. Concerned that AI may suppress “accuracy” in the name of “so-called equity,” Trump’s FTC warns that AI engineers may train their models on “ideologically motivated distortions” to correct “what the developer believes are ‘historical injustices’ in the facts.”

This recent policy statement is a dog whistle for culture warriors, insisting that all U.S. consumers must “feel their values are being respected” by AI.

Jindia said that language is a thinly veiled reference to the Black and Indigenous history the Trump administration has worked to systematically erase across all levels of the federal government. Trump’s MAGA movement has censored books on racial justice and queer people in public school libraries while denying the reality of such historical injustices as slavery, segregation, and the mass displacement and slaughter of Native Americans — topics men such as Musk and Trump dismiss as “woke.”

“It’s really a way for them to try to pressure private companies to suppress certain viewpoints, the viewpoints the Trump administration disagrees with, which is anything about diversity, equity, inclusion — and truth it wants to deny,” Jindia said.


Under the FTC’s proposal, companies that meet the law’s requirements could be targeted for deceptive advertising.

Jindia is describing “jawboning,” or the use of public appeals or informal pressure by government officials to persuade private companies to take certain actions — often censoring or regulating speech. Republicans accused the Biden administration of free-speech violations after officials encouraged social media companies to enforce their own content moderation rules against disinformation about the COVID pandemic — a form of jawboning in service of public health — but now the Trump administration appears to be writing jawboning into official policy.

John Coleman, the legislative counsel at the Foundation for Individual Rights and Expression (FIRE), a non-partisan free-speech group, said the FTC’s proposal risks giving the government power to control AI-generated expression in violation of the First Amendment.

“AI developers shape their systems through choices about training data, system prompts, alignment, and other design decisions — editorial judgments protected by the First Amendment,” Coleman said in a July 31 statement. “The FTC’s proposal assumes there is one ‘best output’ and one set of user expectations.”

The FTC claims authority to take legal action against AI companies that “deceive” consumers with chatbots or LLMs under Section 5 of the FTC Act, which created the agency in 1914. However, FIRE’s comment to the FTC points out that values and expectations held by individual consumers are not uniform, and people will likely choose AI models as they do news outlets. Besides, FIRE argues, the right to make editorial decisions when training AI models is clearly protected by the First Amendment:


Again, the First Amendment protects from government encroachment that freedom to choose where to share and receive information, and the Commission has no authority to recharacterize protected editorial decisions as “deceptive” based on a declaration that AI users monolithically desire to, as the Statement suggests, ‘feel that their values are being respected.’ The Commission has no authority to define Americans’ values.

The FTC’s proposed policy is also an attempt to preempt and undermine state regulation of AI, according to the Electronic Privacy Information Center (EPIC), a digital rights group focused on algorithmic discrimination. While the vast majority won’t become law, in 2026 alone, lawmakers in states across the country have introduced roughly 1,500 bills to protect consumers in the age of AI, including legislation criminalizing digital impersonation with AI deepfakes and addressing the mental health risks associated with chatbots, especially for children.


“This is part of the same censorship campaign that has been in place since day one of the Trump administration, and just expanding it to AI.”

Big Tech has fought state regulations at every turn and has a stalwart ally in the Trump administration. According to the FTC’s proposed policy statement, if AI engineers are not tempted to train AI models on their own ideological biases, state laws may require them to do so in the name of “so-called equity.” However, the federal government is falling behind on regulating AI, and states continue to be at the forefront of creating online privacy and safety, according to EPIC and Free Press.

For years, researchers have recognized that the nation’s legacy of racism is reflected in data — including the data hoovered up by AI. In Colorado, a new law cited by the FTC statement requires companies to be transparent about the data their AIs use to make decisions about online financial services, health care, education, housing, and hiring, in order to provide consumers with some level of protection against algorithmic discrimination. Under the FTC’s proposal, companies that meet the law’s requirements could be targeted for deceptive advertising.

“They are also trying to tell the states: Don’t pass laws that attempt to address racist algorithmic bias, even though everybody understands that it’s been a documented problem in the rise of machine learning,” Jindia said. “This is part of the same censorship campaign that has been in place since day one of the Trump administration, and just expanding it to AI.”

Monday, July 13, 2026

Young Australian men falling victim to online sexual extortion: regulator

AFP
Mon, July 13, 2026 


Australia's eSafety Commissioner received over 2,200 complaints in the six months to December about sexual extortion (Saeed KHAN)

Young men and boys are being targeted for sexual extortion on social media platforms, Australia's online watchdog said Tuesday, finding "significant gaps" in how tech companies deal with the problem.

Australia's eSafety Commissioner received more than 2,200 complaints in the six months to December about sexual extortion, in which criminals trick victims into sharing intimate images before demanding money and threatening to expose them to family and friends.

The biggest group falling victim was men aged 18 to 24 years old, with 803 complaints received from this cohort.

Children under 15 were also falling prey, with 186 complaints received from boys and 58 complaints from girls.

Instagram and WhatsApp were the social media platforms most often named in the sexual extortion complaints, with TikTok the service identified by more children as the platform where contact with the abuser began, the report said.

The report highlighted the experience of 16-year-old "Sam", who came into contact with fraudster "Jessica" while scrolling Instagram.

Sam was next lured to the private messaging service WhatsApp and asked to share a nude photo.

Seconds later, he was told to pay $200, with the suggestion he steal it from his parents, or the photo would be sent to everyone he knew online.

eSafety Commissioner Julie Inman Grant said the report showed there were "significant gaps" in how platforms protect users, and it was "vital" tech companies provide faster responses to victims reporting harm.

"The goal is often quick financial gain, with perpetrators using high-pressure tactics to force victims into paying. This form of extortion can cause high levels of stress, panic, psychological distress and financial loss," she said in a statement.

"In several cases, we have provided these platforms with evidence of how their services are being colonised by criminals to devastating impact, with clear guidance on how to stem the abuse. Even when we've laid this out, we haven't seen adequate responses, despite the technology being readily available."

The Australian regulator sees "the same kill chains, scripts and images being used across multiple sexual extortion scams, and platforms should be picking this up," she added.

The regulator said language analysis tools should be used by platforms to detect sexual extortion, however this is often prevented by encryption on private messaging services.

Meta said in March it would remove encryption on private messaging on Instagram.

kln/djw/abs

Thursday, July 02, 2026

 

Beyond Disney: A 1616 portrait of Pocahontas shows how English colonizers saw Indigenous Americans

(The Conversation) — The English assumed people they colonized would convert to their way of life, including Protestant Christianity – an assumption reflected in Pocahontas’ portrait.
Simon van de Passe's 1616 engraving of Pocahontas is the only known portrait made during her lifetime. (National Portrait Gallery/Wikimedia Commons)

(The Conversation) — Thanks to the Walt Disney Company, Pocahontas may be the most famous Native American who lived in the 17th century. The animated film version of her early life included her speaking with a willow tree, befriending animals, singing about “the colors of the wind,” and being caught up in an ill-fated romance with Captain John Smith.

The 1995 film created an enduring visual image of Pocahontas, and contained some details drawn from the historical record, though plenty is pure fiction. Smith was, in fact, one of the English colonists who arrived in Jamestown, Virginia, soon after its founding in 1607. Pocahontas’ father Wahunsonacock – whom colonists and Disney called Powhatan – was the paramount chief of the Powhatans, who lived in communities along the edges of Chesapeake Bay and its tributaries.

Only one portrait of Pocahontas from her lifetime exists – a sharp contrast with the Disney-drawn image most Americans know. And it speaks volumes about how the English saw colonization.

Powerful family

As I describe in my 2026 book, “Contested Continent: The Struggle for North America, c. 1000 to 1680,” Wahunsonacock was the most consequential political figure in early Virginia, the land Powhatans knew as Tsenacommacah. Through personal alliances and shrewd stratagems, he controlled perhaps 30 communities along the shores of Chesapeake Bay and its tributaries.

A black and white illustration shows a man in a feather headdress sitting on a platform above a seated crowd.

An engraving of Wahunsonacock by William Hole appeared on a map John Smith created of Virginia.
Virtual Jamestown/Wikimedia Commons

Pocahontas, also known as Matoaka and Amonute, was probably about 10 or 11 years old when she encountered Smith in late 1607. At that moment he was a captive of her father, who, Smith later wrote, was about to have him killed. Though scholars believe Wahunsonacock was likely putting Smith through a ritual adoption, the colonist claimed Pocahontas saved his life.

In 1613, the English took Pocahontas captive during a conflict known as the first Anglo-Powhatan War. After obtaining his daughter’s freedom in 1614, Wahunsonacock approved her marriage to John Rolfe, who played a leading role in the colony’s tobacco economy, and she converted to Christianity. Sometime between 1615 and 1617 she gave birth to their son, Thomas.

Pocahontas in England

Two years after the marriage, Pocahontas and Rolfe sailed to England, where she played a leading role in her father’s diplomatic mission.

During her stay in London, which included meeting King James I, Pocahontas sat for a portrait by the artist Simon van de Passe. Her clothing and pose echoed portraits of other elite English women of the era. The image emphasizes her tall stovepipe hat, ample lace collar, a dress with detailed embroidery or brocade, and a pearl earring dangling from her left ear.

A black and white engraving of a woman with a serious expression, wearing an ornately embroidered gown.

Simon van de Passe’s 1616 engraving of Pocahontas is the only known portrait made during her lifetime.
National Portrait Gallery/Wikimedia Commons

In addition to her English clothing, Pocahontas holds either a feather fan, common for an upper-class woman at the time, or a quill pen. Since Europeans considered literacy a crucial marker of civilization, either object would highlight English hopes that Indigenous Americans could rapidly embrace the colonists’ culture.

Power of art

The engraving of Pocahontas was not the first image of Native peoples of the mid-Atlantic coastline circulating in England. Illustrations in one widely reprinted book played a crucial role in convincing the English to establish settlements in North America.

In the late 16th century, advocates of English colonization understood that descriptions of North America could make foreign territory more enticing to potential migrants. They wanted to demonstrate to English men and women that they could create profitable economies and coexist with Native peoples.

An ornate title page looks like a stone monument, with figures with colored clothing positioned around it.

The title page of the 1590 edition of Theodor de Bry’s ‘A Briefe and True Report of the Newfound Land of Virginia.’
Livinncary/Wikimedia Commons, CC BY-SA

Some promoters recognized that watercolor images painted in 1585 by the artist John White depicting the Carolina Algonquians of the Outer Banks could perhaps generate interest – and investments. The promoters, who had ties to leading figures in the English court as well as to printers, also saw the benefits of an in-depth study of the region by the young English mathematician and writer Thomas Harriot, “A Briefe and True Report of the Newfound Land of Virginia.” In 1590, the promoters worked with the Flemish printer Theodor de Bry to produce an illustrated version, which contained engravings based on White’s paintings.

The volume described Carolina Algonquians’ practices and enumerated commodities that could be extracted for profit. Some of the Native Americans depicted in these pages are clad with only a deerskin loincloth. Some of the women wear skirts but not tops.

To Europeans bred on the idea that clothing an entire body was a marker of civilization, these Alqonquians’ appearance was significant. People who colonizers considered “savages” were often depicted nude, like the Tainos whom Christopher Columbus encountered a century earlier. English men and women reading the book about the Algonquians, on the other hand, saw them as a people who would, under the right tutelage, adopt English-style culture – including Protestant Christianity.

“Some religion they have alreadie,” Harriot wrote in “A Briefe and True Report,” “which although it be farre from the truth, yet being as it is, there is hope it may been the easier and sooner reformed.”

To make the point that Native Americans could be converted to European culture, the engravers added depictions of ancient Britons, allegedly based on an old chronicle. Three of these images of Picts depicted them as nude, bearing tattoos more extensive than the Algonquians’. These individuals are also portrayed as more violent: A Pict man holds a head still dripping blood, with another head at his feet, while a Pict woman brandishes spears and a broadsword.

Reality check

When Pocahontas sat for Van de Passe, his portrait did more than create a resemblance of the young woman, who would die the following year, soon after leaving London – felled either by disease or, as a Virginia tribe’s oral history suggests, poison.

Like the images popularized by Harriot’s book, her portrait suggested that Native Americans would soon embrace English ways. Pocahontas herself, as the words on the engraving noted, had become Rebecca Rolfe after her marriage. In his writings, her husband celebrated her conversion to the Anglican faith. The proof of the model of cultural conversion seemed to be on plain view in the portrait.

Pocahontas’ father died in 1618. Four years later, the Powhatans launched a rebellion against English colonists. On March 22, 1622, under the direction of a war captain named Opechancanough, they killed approximately one-fourth of the colonists in Virginia. The English labeled the violence a “barbarous massacre” and launched a war of vengeance, which included a mass poisoning of Powhatans in 1623 – an action that the English at the time knew violated the emerging law of war.

Seeing Pocahontas poised on a chair, wearing an elegant hat and holding a quill pen, the English had assumed that Native Americans would embrace the colonizers’ ways. March 1622 proved them wrong.

This article has been updated to correct the description of the object Pocahontas holds in Simon van de Passe’s engraving.

(Peter C. Mancall, Distinguished Professor and Andrew W. Mellon Professor of the Humanities, USC Dornsife College of Letters, Arts and Sciences. The views expressed in this commentary do not necessarily reflect those of Religion News Service.)

The Conversation

The Conversation religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The Conversation is solely responsible for this content.