Monday, July 27, 2020

SEX POSITIVE***
Maitland Ward: How Porn Saved Me From Hollywood
SECOND ACT


OPINION
Maitland Ward

The former “Boy Meets World” star writes about how the world of adult film gave her the opportunities and freedom to be herself that Hollywood wouldn’t.

Maitland Ward

Published Jul. 25, 2020

“Excuse me, are you…” a voice in a restaurant catches me just as salmon flakes off my fork. I look up. My silverware is settling onto my plate as a man with shaky hands gives me the back of a menu to sign. He’s smiling as he tells me he loves my work. Really smiling. Really really loves my work. Did I mention he was smiling? But he’s also wearing a Frozen the musical T-shirt. He hands me a pen and I loop his name onto the paper. As I finish, he asks me what I’m working on next. My jaw slacks in the expectant pause. It’s moments like this that I have to take a quick scan of the evidence before me and assess: Does he know me from Disney or from porn?

A decade prior the answer would be clear. A dad and his boy would approach. The kid skipping up to see the redhead from Boy Meets World. We’d chat about episodes or story points, and how a penguin really is a fish (if you watch the show, you know). The kid would pose for a selfie as the dad would look on. Well today, more than ever, the dads are looking on. And the kids that watched me in their family rooms on Friday nights are all grown up. They’re in their twenties and thirties, and are part of the porn generation, where internet access to viewing sex has always been easily accessible and readily attained. They’re parents themselves now, too. And while their kids may binge me on Disney+, the grown-ups are viewing me in a whole new way.

The Christopher Nolan of Porn Is Breaking Down Barriers
TRAILBLAZER

Marlow Stern


It was a big deal when I starred in my first hardcore adult feature. The college roommate of Eric and Jack, who used to dance around washing dishes in her purple underwear, was now taking them off. And she was doing a whole lot more than that. The day Drive, the film I made with Kayden Kross for Deeper.com, was announced, the site’s traffic skyrocketed. Subscriptions for the site and Vixen Media Group went wild. The headlines were international and viral. I trended No. 1 on Google all day, topping Bernie Sanders’ heart attack (the joke was that I gave it to him). I guess you’d have to expect news of a TV teen crush becoming a full-fledged porn star to have legs, but I don’t think anyone expected they’d have such long-running ones. Celebs, especially ones from children’s TV of yesteryear, are always trying to grab their 15 minutes from TMZ. If this had been my intention, I would’ve followed the formula: make a bad sex tape, cry that it was a mistake to make said bad sex tape, then start a YouTube channel where you gain followers and sponsors by constantly wailing in your shame about your really bad sex tape.

Yawn.

This was not me. It would never be me. I am not ashamed.

Many expected my rise in the adult world, including many in the adult world itself, to be a flash in the pan. It was a stunt. I wasn’t serious. No one from mainstream ever is—like mainstream is a place you go and can never look back. But that’s what makes this story different: my genuine love for adult performance and for colorful cinema. My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.

My story is a journey rather than a cautionary tale. And I was ready to prove the naysayers wrong.

Shortly after the massive success of Drive, I signed an exclusive contract, partnering with Kayden and Vixen Media Group, to be the face of Deeper. To marry art house with taboo. I was fortunate enough to find someone in Kayden who not only has the talent and vision, but also the belief that we can do both. Not long after that, I won six awards at XBIZ and AVN—not only for the acting, but also the sex. I can’t say there’s ever been a prouder moment for me than when I was recognized for both.

I like that people ask me questions about what I do now. Whether it be total strangers or shell-shocked friends, it usually starts out in a whisper, like if the words are at full volume one of us might die. People are curious and a little afraid. Their vision of a porn set is some version of Ron Jeremy behind the camera, cigarette hanging from his lip, as a drug-infused orgy plays out before his lens. He’s always sweaty and it’s eternally 1975. But then they see me. A typical comment is, “Wow, you’re so normal”—as if porn, or the desire to perform sexually, is not. They wouldn’t feel comfortable coming up and asking a performer they saw on the internet in a double penetration gang bang these questions, but they feel safe with me. They know me. I was in their living room every week. And that means something. I’m happy to be that bridge; to normalize something that is absolutely normal.

Aurora Snow


Porn’s Brave New World of Camming
GET YOUR COINS


Lily LaBeau



A lot of people tell me they’ve been masturbating to me for more than 20 years. Think about that. That’s no easy task—being fap material for someone for nearly three decades. It’s so rare, I don’t think Guinness World Records has a category for it. But my fans can now buy my Fleshlight! How many of you can say your childhood crush’s vagina is in your nightstand drawer?

Porn sets are run much like mainstream. The same lights. The same cameras. Just different actions. People will ask me if I fear that the adult industry has ruined me for mainstream. It’s quite the opposite. Mainstream ruined me for mainstream. It became limiting and I was bored. This pigeonhole they put me in grew smaller and smaller. I was light. I was funny. That’s all I was allowed to be. When I hit my thirties, I was told I couldn’t be sexy. A publicist said to me, in a way that seemed polite to him, that if they wanted sexy they’d get someone who was 25. I’m glad I didn’t listen.

Now, I’m playing roles that I want to play. I can be dark and twisted and sexual. I’m afforded the freedom to find my voice, and that isn’t something mainstream often allows you to do. I have porn to thank for that. I have Kayden and Deeper. I have my fans. Now, it’s time for the walls to come down. It’s time for porn to be mainstream and mainstream to accept porn.

As for the guy in the restaurant—the one in the Disney shirt with the smile—I have my answer for him. It doesn’t matter where he knows me from. I’m proud of what I do and who I am becoming. I’m always unapologetically just me.

I smile as I hand him back the autograph and say, “I’m going to do whatever the hell I want.”

He gives me a smile back and says, “Well, I really hope it’s anal.”

Maitland Ward’s Journey From ‘Boy Meets World’ to Porn’s A-List
DIFFERENT STROKES


Handout

The former soap opera star and “Boy Meets World” actress opens up to Marlow Stern about her decision to walk away from playing “Disney moms” and enter the world of porn.

Marlow Stern

Senior Entertainment Editor

Updated Dec. 16, 2019

“Everything bad happened to me,” discloses Maitland Ward. “I had diabetes, I was in a coma, my mother had an affair with my boyfriend, I was raped, I was almost set on fire in a gas leak…”

The journeywoman actress—who, with her fiery mane and piercing blue eyes, resembles a more statuesque Amy Adams—is describing her roller-coaster ride of a tenure on The Bold and the Beautiful. She landed the role of Jessica Forrester, whom she calls an “innocent little flower,” at the age of 16, wading its comically treacherous soap-opera waters for two years before her big break: being cast as Rachel McGuire, a college student from Texas artfully dodging the romantic overtures of Eric (Will Freidle) and Jack (Matthew Lawrence), on the sitcom Boy Meets World.

Now, nearly 20 years after her two-season arc on the celebrated teen comedy, Ward has decided to pursue a decidedly more risqué career: porn star. “I thought I’d be more nervous, but I wasn’t,” she offers. “It’s been way easier and I’ve enjoyed it so much more than I’d expected. And I’m good at it. It feels natural to me. If you talked to my younger, more virginal soap-opera self, I never would have seen this coming out of me.”

Ward, who is now 42, recently collected two nominations at the AVN Awards, otherwise known as the Oscars of Porn, for Best Three-Way Sex Scene and Best Supporting Actress. They came thanks to her turn in Drive, an ambitious erotic thriller directed by Kayden Kross that clocks in at three hours and 29 minutes—just one minute shy of Scorsese’s The Irishman. She’s also been anointed the face of Deeper, a high-end XXX brand helmed by porn auteur Greg Lansky, placing her firmly on porn’s A-list.

And she’s only been at it five months.


How Much Do Porn Stars Actually Get Paid for Sex Scenes?
SEX WORK



“It’s insane! At my age, to come in and become a porn star?” she says. “I don’t have a label either. I’m just this grown woman who loves sex. One thing I really like is to surprise people, to shock them, and to get them stirred up. I’m going to keep doing that.

After her stint on Boy Meets World, which lasted from 1998 to 2000, bit parts in various projects followed, including the series Boston Public and a supporting role in the cult comedy White Chicks as Brittany Wilson, a very rich, very blonde socialite targeted by kidnappers in the Hamptons. In the mid-aughts she swapped coasts, moving to New York to study theater and screenwriting, and married her husband Terry Baxter, a real-estate investor. She then moved back to L.A. to continue her studies at UCLA whilst weathering the unforgiving transition into thirtysomething Hollywood actress.

In 2013, she gained notice cosplaying at comics’ conventions—including a female Robin getup at the Playboy Mansion that made headlines—and posting racy photos to her social media. “It was cool because on social media I could be my authentic self, and sometimes, in acting, they put you up to be who they want you to be,” she says. “So I could finally have fun, and be crazy, and be sexy, and be out there—to an extent.”

Her publicist at the time was, shall we say, less than thrilled with her foray into semi-nude modeling. “I had a publicist who was like, ‘Stop putting up sexy pictures. They will not hire you for anything if you do that. Once you get past 30, 35, they don’t hire you for doing sexy stuff. You should be auditioning to play Disney moms.’ He thought he was giving me good advice but it just wasn’t my thing,” she recalls. “I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.”

I was typecast. I was seen as a wholesome comedy star, and I was trying to fight against that. I didn’t want to play a Disney mom.

Ward maintains that porn happened somewhat “by accident.” Her dedicated army of online fans—she currently has over a million Instagram followers—asked her about selling various adult content, including nude photos, and begged her to set up a premium Snapchat account. She obliged, and later set up a Patreon. It blew up. After one day, she’d amassed 2,500 paying subscribers. “For 2018, I was the No. 1 adult-content creator for Patreon. And it put the power back in my hands. Studios wouldn’t give me that.”

She’s also immensely popular on OnlyFans, a subscription site where stars provide exclusive content to devotees. Ward says she makes five figures a month on OnlyFans, and her biggest month for 2018 was $62,000. “So when people say she had to turn to porn I laugh, because this is a good thing and I’m making more now.”

Then, she “started wanting to explore the more sexual side of me, and take the people who’d been following me along on this sexual journey.” So she began by participating in girl-girl sex scenes on her premium Snapchat, and then eventually transitioned to studio XXX productions. “My husband has been supportive of me, because this is something that’s in me, that I need to do, and that I like to do,” she says. “And it’s just another kind of performance.”

Her experience filming Drive with Kayden Kross really opened her eyes to the differences between the adult world and Hollywood: “I was blown away. I was like, this is nothing anyone in porn has seen before—and by a powerful female director. That’s something a lot of people don’t talk about: how many more female directors there are in porn than in Hollywood, and the women are the ones winning awards.

Ward is showing no signs of slowing down, either. She’s already filmed another glossy porn production with Kross, which she calls “an anti-Hallmark Christmas featurette,” wherein she plays a woman who seduces a man at a Sex Addicts Anonymous meeting. “I get him to go away from abstinence for the holidays,” she chuckles.

There are also a number of other “insanely-hot scripted films,” including several for Lansky, that are in the pipeline. Most of all, she says she’s grateful for this new stage of her career, and that her fans from the Boy Meets World days have stuck by her through it.

“They say, I’ve been masturbating to you all these years,” she says, adding, “And you know, that’s a feat that I will be proud of."


PORN IS NO DIFFERENT THAN ANY OTHER FORM OF SEXUAL EXPRESSION IN
TODAY'S INTERNET WORLD, IN FACT THIS PICTURE IS TAME COMPARED TO
WHAT IS ON PAGE 3 IN BRIT TABLOIDS.


https://www.instagram.com/p/B2sj66in-Cq/?utm_source=ig_embed


Sex-positivity is "an attitude towards human sexuality that regards all consensual sexual activities as fundamentally healthy and pleasurable, encouraging sexual pleasure and experimentation." The sex-positive movement also advocates for comprehensive sex education and safe sex as part of its campaign.


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Elisabeth Moss Opens Up About Scientology and Resisting Trump: ‘The Only Place I Can Speak From Is My Own’

IN CONVERSATION


Being on Mad Men and The Handmaid’s Tale and playing these fiercely feminist characters, people have criticized you for being a Scientologist, which some see as being at odds with the themes of those shows—particularly Handmaid’s. I’m sure you’ve heard those criticisms before, but what do you say to those criticisms?

Listen, it’s a complicated thing because the things that I believe in, I can only speak to my personal experience and my personal beliefs. One of the things I believe in is freedom of speech. I believe we as humans should be able to critique things. I believe in freedom of the press. I believe in people being able to speak their own opinions. I don’t ever want to take that away from anybody, because that actually is very important to me. At the same time, I should hope that people educate themselves for themselves and form their own opinion, as I have. The things that I believe in personally, for me, The Handmaid’s Tale, and the ability to do something that is artistically fulfilling but is also personally fulfilling, I’ve never had that. The Handmaid’s Tale lines up so perfectly parallel with my own beliefs in freedom of speech, freedom of religion, and the things that this country was actually built on.


Whatever happens, I’m never going to take away your right to talk about something or believe something, and you can’t take away mine.— Elisabeth Moss

I once spoke with Neil deGrasse Tyson about Scientology and he argued that much of the criticism it receives is because it’s newer and weirder. But I’m sure you’ve heard the criticisms of Scientology—from “disconnection” to the sums of money some adherents have been forced to fork over to it. Is the argument, then, that what it’s doing is not worse than, say, what the Catholic Church has done with its systematic abuse of children? I’m curious where you stand.

Right. It’s funny, there’s two things you’re never supposed to talk about at a dinner—politics or religion—and of course I’m doing The Handmaid’s Tale, which is politics and religion, so it’s a strange situation where you’re going to be asked about these topics. I choose to express myself in my work and my art. I don’t choose to express myself about it in interviews. I don’t choose to talk about not just religion, but my personal life—who I’m dating and that kind of thing. So for me, it’s so hard to unpack in a sound bite or an interview, but I will say that the things that I truly believe in are the things that I’ve mentioned, and I think that they’re very important. I think people should be allowed to talk about what they want to talk about and believe what they want to believe and you can’t take that away—and when you start to take that away, when you start to say “you can’t think that,” “you can’t believe that,” “you can’t say that,” then you get into trouble. Then you get into Gilead. So whatever happens, I’m never going to take away your right to talk about something or believe something, and you can’t take away mine.

Scientology—especially in L. Ron Hubbard’s writings—has a history of being quite anti-LGBT.


Which is not where I stand. It’s like, it’s a lot to get into and unpack that I can’t do. But that is not my bag. I am obviously a huge feminist and huge supporter of the LGBTQ community and believe so strongly—I can’t even tell you—in people being able to do what they want to do, to love who they want to love, to be the person that they want to be—whoever that is. To me, it’s a huge reason why I love doing the show. That’s all I can say. I can’t speak to what other people believe, I can’t speak to what other people’s experiences have been. That’s where I stand and the only place I can speak from is my own.


The Handmaid’s Tale does seem remarkably in tune with the times. Just last week there was the case of an Alabama man suing an abortion clinic on behalf of an aborted fetus, as well as Georgia’s controversial “heartbeat bill.” And that powerful Super Bowl ad really brought home how much the show is seen by many as an act of resistance against this administration, and the assault on reproductive rights.

It’s an honor. We went to D.C. and shot at the Lincoln Memorial, and I find it incredibly moving what Lincoln stood for, what’s written on the walls, what those monuments stand for. The principles that this country was built on are important and we’re losing them—and perhaps we’ve already lost them. You feel a sense of responsibility and you feel honored telling this story at this time. When you’re kneeling on the steps in front of the Lincoln Memorial, you’re looking at where MLK gave his ‘I Have a Dream’ speech, you’re in the outfit of complete lack of freedom, and your president is a few blocks away arguing about putting up a wall, you can’t help but feel that you have the responsibility to tell this story, and I feel honored to be able to express what I think, what I feel, and what a lot of other people feel through what I love doing. For me, it’s an unfortunate thing. I wish this was crazy, and I wish Handmaid’s Tale was insane Game of Thrones shit and pure fantasy. I wish that were true. But it’s not.

And you’re the face of the show, which in and of itself is a tremendous responsibility.


I’m not a politician—I’m just a person, and a woman. I believe that June stands for any person—man, woman, whatever you want to identify as, whoever you want to love, whoever you want to believe—who’s had their human rights taken away, who’s been abused, or who’s felt like they didn’t have a choice, or felt like they couldn’t live the life they wanted to live. You can take the personal and make it political very quickly, and that’s my job: to put a face to the people who don’t have that, and to give a voice to the people who don’t have a voice. What’s really gratifying to me is when someone in another country—that’s far closer to Gilead than we are—who’s gay comes up to me and says, “I feel like I’ve watched the show and it’s given me hope; I feel like I’m not alone.” That, to me, is what I value. That’s important to me.


Elisabeth Moss as Peggy Olson on 'Mad Men'
AMC

You were brilliant on Mad Men. Have you thought about how the show’s aged, amid #MeToo, Time’s Up and our current cultural climate?


It wouldn’t be so cute now, would it?

It seemed there were different camps of Mad Men viewers. There were people like myself who watched the show and respected these courageous women pushing back against this patriarchal system, and there were people who watched it as some sort of cultural wish-fulfillment fantasy, and wished America could return to those times where men behaved badly with impunity.Totally—except I think the thing that Mad Men did is we actually did show the consequences of that behavior. We did show the consequences of drinking, smoking, infidelity, and harassing women. I think Mad Men lines up perfectly with the #MeToo movement and Time’s Up because it’s a feminist show, and if you watch the entire thing, Don starts out as the hero, the sex symbol, the guy on top, the guy you want to be, and near the end, he’s broken, he’s alone and he’s miserable. And it’s Peggy who has it all. So for me, there was a way to go with that show which is what you just said, which was like, “Oh god, that’s not very feminist!” but I think the way that Matt [Weiner] did it was brilliant because he told the story accurately and he gave the women the power.

I need to re-watch it now and see how it’s aged, but I agree.


Same with Joan, too—Christina Hendricks’ character. It’s one of the most powerful female characters ever written and one of the most harassed. That’s something that will make that show timeless, and I’m so glad it went that way. And that’s the truth: women fought back, women started to demand equal pay, women started to say “you can’t do that anymore.” Women did that. So we just followed history.


 DAILY BEAST APRIL 2019
EXCERPT
READ THE REST HERE


ORIGINALLY SCIENTOLOGY PROMOTED RELIGIOUS FREEDOM BECAUSE IT WAS NOT CLASSIFIED AS SUCH ANYWHERE ELSE BUT THE USA WHERE ANYONE CAN CREATE A NOT FOR PROFIT RELIGIOUS CHARITY FOR ANY PURPOSE, INCLUDING WORSHIPPING THE GREAT SPAGHETTI MONSTER.

IT WAS AND IS DESCRIBED AROUND THE WORLD AS A CULT, THOUGH IT HAS SUCCEEDED IN SOME COUNTRIES IN BEING DEFINED AS A RELIGION INCLUDING CANADA BUT NOT GERMANY.

BUT OTHER COUNTRIES STANDARDS OF RELIGIOUS FREEDOM THAT RESTRICT SCIENTOLOGY BUT ACCEPT CULTS LIKE JEHOVAH WITNESSES, MORMONS, PENTECOSTALS, ETC. ETC. ARE ENGAGING IN RELIGIOUS DISCRIMINATION AND WOULD PROBABLY RESTRICT WICCANS, PAGANS AND OTHER NEW RELIGIOUS MOVEMENTS. 








New Evidence Says US Misled Canada About Case Against Huawei's CFO - Chinese Media

© REUTERS / TINGSHU WANG
 25.07.2020


Meng Wanzhou is the chief financial officer of Huawei, the company at the heart of a multi-faceted conflict between the United States and China. The executive argues that the United States misrepresented her statements that served as the basis for charges of wire and bank fraud.


Lawyers for Meng Wanzhou have submitted new evidence to a Canadian court suggesting that US prosecutors have mislead Canada about the case, Xinhua reports, citing new court filings.

Meng, Huawei’s chief financial officer, was arrested at Vancouver International Airport in December 2018 on a US warrant and is currently fighting extradition to the United States.

She is accused of lying to the bank HSBC about the nature of Huawei’s relationship with its Hong Kong affiliate Skycom. According to US prosecutors, Huawei used Skycom as a shell company to do business with Iranian telecommunications companies, in violation of sanctions the US had in place against Iran at the time.

Huawei and Meng, who is the daughter of the company’s founder, deny any wrongdoing and insist that Skycom was a separate business partner in Iran.

Meng’s charges are based on a 17-slide PowerPoint presentation she gave to a senior HSBC employee in August 2013, which describes the links between Huawei and Skycom as “normal business cooperation”.
According to Xinhua, Meng’s defence argues in a new filing that the US had intentionally omitted crucial parts of that presentation. These include her statements about “cooperative relationship with Skycom in Iran” and the “regulatory compliance measures Huawei was taking so as not to violate the US relevant export controls”.

The new disclosure says that Meng admitted during the presentation that Huawei had once held shares in Skycom and she was a director of the Hong Kong firm. By the time of the meeting, however, Huawei had sold all its shares and Meng stepped down as Skycom director, her lawyers claim.

© SPUTNIK / ALEXEI DRUZHININ
Meng Wanzhou, Chief Executive Officer, Huawei Technologies, attending the 6th Annual VTB Capital Investment Forum "Russia Calling" at the World Trade Center, October 2, 2014

Expert testimony included in this new filing also claimed, according to the report, that HSBC “only needed to understand that Huawei and Skycom had business cooperation in Iran to assess its own compliance risks” and didn’t need to be informed about their relationship in this case.

Meng’s defence team maintains that by not disclosing this information in their submissions to Canadian court, US prosecutors have been “seriously misleading” Canada about the case.

Meng’s lawyers on Thursday also accused President Donald Trump of using the Huawei executive as a “bargaining chip” in his trade war with China.

The US president has cracked down on Huawei and other Chinese tech firms in recent years, citing allegations of espionage and intellectual property theft which Huawei strongly denies. The United States has also pushed its allies to cut Huawei out of their burgeoning next-generation wireless networks, banned the telecoms giant from doing business with American firms, and sought to choke off its supplies of vital microchips.

China’s Foreign Ministry has repeatedly urged Canada to release Meng and ensure her safe return to China. Her extradition case, originally scheduled to wrap up this October, has been stretched until April 2021 because of the coronavirus pandemic.
Opposition Brews to Chinese Company's Purchase of Gold Mine in Canada as Ottawa Keeps Mum About Deal

© REUTERS / TINGSHU WANG 07/26/2020

The cabinet of Prime Minister Justin Trudeau along with members of his party are refusing to comment on the possible purchase and the prospects of it being permitted, while Canada’s Innovation Ministry, responsible for examining major foreign investments for possible threats to "national security", said it would weigh in on the benefits of the deal to the country's economy before making any decisions.
Regardless of the government's position, the deal has prominent opponents. A former national security adviser to Prime Minister Trudeau and his predecessor Stephen Harper, Richard Fadden, told The Wall Street Journal that the deal should be blocked by the government because China is allegedly the country's "adversary".
"This purchase should not go forward. They are clearly adversaries, and I think we have to take that into account every time they seek to buy something", Fadden opined.
A foreign policy analyst at the Washington-based Centre for Strategic and International Studies think tank, Heather Conley, also suggested in an interview with the newspaper that despite not appearing suspicious, the deal could raise some issues in light of China's recent policy of trying to get a foothold in the Arctic region. The company itself has insisted that the deal is purely economic in nature, dismissing allegations that it might be something other than an ordinary acquisition.
"We are a commercially focused company that is well known to the Canadian mining industry. […] We see it as a straightforward gold-mining transaction", the company said.
Ottawa could also face pressure from abroad in regards to Shandong's attempts to buy the gold mining operation in the Arctic. The US Senate Energy and Natural Resources Committee has confirmed that it has been following developments relating to the deal, with its chairwoman, Republican Senator Lisa Murkowski, warning against ceding control of "vital resources to economic competitors". She, however, didn't clarify what actions the committee would be taking regarding the planned acquisition, only noting that some US policies may be needed to be brought up to date.
The concerns over the purchase of Canada's TMAC come as China has been increasingly showing interest in the Arctic region – its resources and potential waterways for transporting goods. It has recently declared itself a “near-Arctic state”, positing its interests in the Arctic, such as building a "polar silk road" in a separate white paper

At the same time, Beijing and Ottawa's relations have been spoiled by the ongoing detention of Huawei's chief financial officer, Meng Wanzhou, who was arrested in Canada following an extradition request from the US. Washington claims that Wanzhou misled bankers about the nature of Huawei's operations in Iran, with the US alleging that the company had violated American sanctions, while Beijing and the tech giant are confident that the case is politically motivated and is not based on any hard evidence.
National Guard commander suggests Attorney General lied about gassing protesters for Trump photo o

July 27, 2020 By David Edwards


A National Guard commander who was present when authorities cleared Lafayette Square or protesters last month is expected to contradict Attorney General William Barr’s account of events.

In a statement posted to the House Natural Resources Committee website on Monday, Major Adam DeMarco said that “demonstrators were behaving peacefully” before authorties deployed “excessive use of force” against the protesters.

While Barr is on record insisting that a 7 p.m. curfew was not moved so the president could conduct a photo op at St. John’s Church, DeMarco tells a different story.

According to DeMarco, Park Police issued a warning at 6:20 p.m. that Lafayette Square would be cleared, but the warning was issued 50 yards from the protesters.

“[T]he announcements were barely audible and I saw no indication that the demonstrators were cognizant of the warnings to disperse,” he explained.

Just 10 minutes later, DeMarco said that he began to feel the effects of “tear gas,” which was familiar from his Army training. DeMarco claimed to have found spent “tear gas” cannisters on the street.

For their part, Park Police have said that “tear gas” was never used.

By 7:05 p.m., DeMarco saw Trump entering the square, where he held up a Bible and had his picture taken.

“Having served in a combat zone, and understanding how to assess threat environments, at no time did I feel threatened by the protestors or assess them to be violent,” DeMarco concluded. “From my observation, those demonstrators – our fellow American citizens — were engaged in the peaceful expression of their First Amendment rights. Yet they were subjected to an unprovoked escalation and excessive use of force.”

In June, Barr said that there was “no correlation” between Trump’s photo op and the decision to move up the curfew.
Trump says veterans’ ‘wall’ of protectors and ‘line of innocent mothers’ were ‘anarchists who hate our country’

Published  July 26, 2020 By Sarah K. Burris



President Donald Trump is desperately trying to win a “law and order” campaign, but to do so he has to paint Black Lives Matter protesters as a group of violent anti-American attackers. The video footage not only doesn’t support it, it’s working against him.

Over the weekend in Portland veterans from every branch of service lined up to protect Black Lives Matter protesters as Trump’s federal troops tear-gassed and beat protesters.

Here is Marine Corps veteran Duston Obermeyer talking about the Wall of Vets.

He mentions Chris David, a Navy veteran that went up to speak with federal officers last week and got brutally hit with a baton.

That backstory/video here: https://t.co/JhGC1R9ncq pic.twitter.com/gTPY1024u4
— Mike Baker (@ByMikeBaker) July 25, 2020

Trump responded to the news by attacking the veterans.

“The ‘protesters’ are actually anarchists who hate our Country (sic),” Trump tweeted Sunday. “The line of innocent ‘mothers’ were a scam that Lamestream refuses to acknowledge, just like they don’t report the violence of these demonstrations!”

The “protesters” are actually anarchists who hate our Country. The line of innocent “mothers” were a scam that Lamestream refuses to acknowledge, just like they don’t report the violence of these demonstrations! https://t.co/A0IBAzqVoT
— Donald J. Trump (@realDonaldTrump) July 26, 2020
Section of Donald Trump's 'indestructible' border wall COLLAPSES as Tropical Storm Hanna lashes south Texas

A video that went viral on Twitter on Sunday shows a section of the border wall toppling to the ground amid fierce wind and rain

The clip became the target of widespread ridicule as critics likened the collapse to President Donald Trump's re-election campaign 

Some users pointed out that last month Trump boasted that his wall is 'the most powerful and comprehensive border wall structure' in the world

But others users called the validity of the footage into question, noting that its unclear when and where it was recorded

CPB officials reportedly said the video was not recorded in the Rio Grande Valley
By MEGAN SHEETS FOR DAILYMAIL.COM

PUBLISHED:26 July 2020

ABC
A viral video purportedly shows section of the border wall separating the US and Mexico collapsing under strong winds and heavy rains from Tropical Storm Hanna.

The video posted to Twitter by journalist Yadith Valdez on Sunday shows construction workers standing by and watching as fierce gusts knock the steel structure to the ground.

The clip became the target of widespread ridicule on social media as critics likened the section's collapse to the re-election campaign of President Donald Trump, who has already spent more than $11billion building the wall that is expected to cost an estimated $21.6billion to complete.

Some users pointed out that just a few weeks ago Trump boasted that his wall is 'the most powerful and comprehensive border wall structure' in the world.

But others users called the validity of the footage into question, noting that its unclear when and where it was recorded.

Scroll down for video

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A viral video appears to show a section of the border wall between the US and Mexico collapsing under strong winds and heavy rains from Tropical Storm Hanna on Sunday

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The video posted to Twitter on Sunday shows construction workers standing by and watching as fierce gusts knock the steel structure to the ground. The clip became the target of ridicule on social media as critics likened the collapse to President Trump's re-election campaign
Shocking moment Tropical Storm Hanna 'knocks down US border wall

Mexican news outlet Debate claimed in an article that the video was filmed at a section of wall dividing Texas from Ciudad Camargo in the state of Tamaulipas.

However, Washington Post reporter Nick Miroff refuted that report in a tweet, saying that Customs and Border Patrol officials told him the video was not recorded in the Rio Grande Valley.

'Unclear where it was filmed, but based on desert terrain, daytime recording and style of bollards, I'm guessing these are images of a monsoon out west, prob Arizona,' Miroff wrote.

Regardless of questions over the origin of the video, Trump critics had a field day with jokes about the collapse.

Best-selling author Rick Wilson tweeted: 'I have a Trump wall joke but it blows.'

Another man tweeted in response to Wilson: 'I have a trump wall joke but I know it will fall flat.'

'I have a Trump wall joke but it will fall apart before it's finished,' a third man wrote.

Yet another critic added: 'I hope the Trump Wall is still under warranty. I'd hate to see Mexico have to pay for it a second time.'




Washington Post reporter Nick Miroff discredited claims about the video being recorded in the Rio Grande Valley, citing information from Customs and Border Patrol officials




Regardless of questions over the origin of the video, Trump critics had a field day with jokes about the collapse

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Trump has already spent more than $11billion building the wall that is expected to cost an estimated $21.6billion to complete. He is pictured at a promotional event for the wall in June

DailyMail.com has reached out to CBP for clarification about the video.

Hanna was downgraded to a tropical depression after it made landfall in south Texas along the Gulf Coast as a Category 1 hurricane on Sunday morning.

The storm dumped more than 12 inches of rain along the US-Mexico border as it tore through the area with winds of up to 50 miles per hour.


USA

No work, no rent: Tenants grapple with mounting debt, shrinking benefits

With lower rent collections and tenants moving out early, some experts forecast rent declines by year's end.

By JEFF COLLINS | JeffCollins@scng.com | Orange County Register
PUBLISHED: July 26, 2020

Alicia Kneifl had just started a new life in a new city with a new job.

She and her husband sold their house in Lancaster, put their goods and their boat in storage, and rented an 11th-story Long Beach apartment with city and ocean views.

Then the coronavirus shutdowns came, and the Kneifls rapidly lost everything — first their jobs, then their savings.

They paid less than half their rent through June and couldn’t pay any in July.


Adding to their hardship, Kneifl’s unemployment check will drop to $198 next week unless Congress extends the $600 weekly unemployment supplement approved under the CARES Act. 
 
With thousands of businesses closed, nearly 2 million jobless people in California are waiting for unemployment benefits, putting bills and rent in peril. In this file photo, a couple wearing protective masks from coronavirus walk by a closed hair salon in the Panorama City section of Los Angeles on Tuesday, July 14, 2020. (AP Photo/Richard Vogel)

“You can’t really survive on that. That’s nothing,” Kneifl said during a phone interview, starting to sob. “All day long, I’m researching. Mornings, I’m applying for jobs, afternoons I’m trying to find resources, like food stamps. … It’s definitely a scary situation.”

More than four months into on-again, off-again pandemic lockdowns, many Southern California tenants like Kneifl are at the end of their rope, with incomes cut and state and federal benefits coming up short — if they come at all.

One-third of 220 respondents to an online Southern California News Group poll said they missed 25% or more of their rent payments since the pandemic shutdowns began in March.

A U.S. Census Bureau survey found that 22% of Southern California tenants said they failed to pay their June rent on time. Thirty-seven percent said they have little to no confidence they’ll be able to make their next payment on time.


“Missed rent payments could become more common if Congress doesn’t take steps to provide financial assistance for those who have lost jobs,” said Greg Willett, chief economist for Dallas-based rent tracker RealPage.

Landlords hit

Southern California landlords also are getting hit as vacancies rise and rent hikes shrink.

In Los Angeles County, rents actually went down $1 a month this past spring from a year ago — the first annual dip in a decade. In Orange County, apartment rents leveled off, while Inland Empire rent hikes were the smallest in six years.

“Without a doubt, we’re seeing an increase in vacancies, and rents are decreasing,” said Fred Sutton, the California Apartment Association’s L.A. spokesman. “The pandemic has had a far-reaching effect throughout the economy.”

Los Angeles and Orange counties — which have higher numbers of workers in the hard-hit hospitality and service sectors — are seeing tenants breaking their leases and moving out, with or without their landlords’ consent. The two counties had a net loss of about 7,600 households, Willett said.

“Many of these renters are moving into smaller spaces or taking on roommate situations, or in some cases, even moving back in with parents,” Daniel Yukelson, executive director of the Apartment Association of Greater Los Angeles, said in an email.

Some moving companies are being affected as well. San Luis Obispo-based Meathead Movers has gone on a hiring spree to meet increased demand for movers. Many people are moving for traditional reasons, like a home sale, said Meathead Movers Marketing Manager Dawn Ventura. But others either are fleeing the virus in hard-hit states like California or are downsizing due to job losses.

“At least a quarter of our business seems to be related to people making major life decisions following the impacts of COVID,” Ventura said. “There’s also been dozens of customers taking us up on our financing option, which seems to tie directly back to financial hardship and an unexpected need to move.”
Back rent due

Others are trying to come up with the rent money so they can stay put.
Renters are nearing the end of their financial rope as the assistance and protections given to them during the pandemic run their course. (AP Photo/Andrew Harnik, File)

Torrance resident Sofia Pasta — proud mother of a 2020 USC engineering grad and a 16-year-old high schooler — saw her work at the South Bay Galleria Mall in Redondo Beach cut from 30 hours a week to as few as eight.

Her husband’s hours at a warehouse were halved. Her oldest son has a job, but the start date was postponed because of the pandemic.

She’s the only one getting unemployment checks — $475 a week from the state and $600 a week from the federal government.

The federal bonus is technically set to expire July 31, but the cutoff was effectively Saturday, July 25 owing to how states process payments.

“That extra $600 was a big help,” said Pasta, 42. If the payment expires, “it’s going to be a nightmare. I’m already behind on my bills.”

She’s negotiated with her credit card companies to waive interest payments. She’s also behind on car payments and auto insurance.

After paying for food, gas and utilities, Pasta’s only been able to pay $500 toward her $1,650 monthly rent for her family’s two-bedroom apartment.

“They said they want me to pay full rent in August and start paying the back rent,” she said. “We have the full intention to do so. But with a limited income, we’re not sure how.”
Unemployment rebounding

Renewed shutdowns have caused ebbing jobless claims to rebound.

The number of laid-off Americans seeking unemployment benefits rose to 1.4 million in mid-July, up slightly from the week before, U.S. Labor Department figures released last week show. About 32 million Americans now are getting jobless benefits.

The most recent state data show Southern California’s unemployment rate was 17.2% in June — down from 18.3% in May, but still towering over the 4.1% unemployment rate a year ago.

Yet, nearly 2 million Californians who applied for jobless benefits still haven’t received a check due to a backlog.

Nearly 12 million renters nationwide could be served with eviction notices in the next four months, an analysis by advisory firm Stout Risius Ross showed, Bloomberg News reported. California’s ban on processing most evictions remains in effect in California until three months after the coronavirus emergency ends, although a vote to end the ban early was under consideration briefly in June.
Help for some

The city of Los Angeles is about to disburse $103 million in CARES Act money to tenants, enough for just over 50,000 households. But the city received more than 200,000 applications — four times the number the city can help.

More cities should be following suit, said Sutton of the state apartment association.

“CARES dollars for direct rental assistance should be primary for local municipalities,” he said.
Salerno, an 80-unit affordable rent project, is under construction and will open in March 2021. Nearly 7,000 people applied to live here, where rents start as low as $560. (Courtesy: Irvine Community Land Trust)

The SCNG survey shows the need is great.

Eighty-two percent of respondents reported their household lost income since the pandemic began.

“I lost my damn job,” said a San Bernardino renter who has only paid two-thirds of his rent since the pandemic hit. “I can’t pay my freaking bills.”

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Apartment rents level off; more cuts likely ahead

“My small business has been mandated to close once again,” added an esthetician, saying she hasn’t paid any rent for her Anaheim granny flat since April. “I’m worried I will struggle to pay it all back while paying for my current rent.”

Many complained their unemployment barely covers rent and food bills, worrying about benefits running out.

Susan Taylor of Newport Beach, laid off from her job as a real estate appraiser, hasn’t seen a dime of unemployment benefits, nor has she gotten the $1,200 stimulus payment from the CARES Act.

“I’m hoping that (assistance) will come through,” she said. “Now would be a good time.”

Taylor has only paid 40% of her rent since March. She’s negotiated with her utilities to work out a payment plan. Her only expenses are food and medicine.

“Beyond cost-cutting on food, utilities and all non-essentials, I’ve put off getting glasses, dental work, non-urgent medical appointments (and) haircuts to keep a roof over my head,” she said.

Lawmakers in Washington are negotiating a new coronavirus relief bill as state and local governments, schools, businesses and others push for a new dose of aid. Congressional Democrats want to keep the $600 benefit, the Associated Press reported. Senate Republicans have proposed benefits worth 70% of what people made before.

“It’s clear now that this crisis will not end any time soon and will be made much worse for renters (if Congress is) unwilling to extend unemployment benefits for 30 million people,” Taylor said.
No more parties

Jessica Hoxsey, 33, of La Habra had just returned to her old job working for a photo booth rental company when the pandemic stopped business in its tracks. Nobody was having parties anymore, so nobody was renting photo booths.

Her boyfriend now works just two or three days a week at his foundry job.

Her unemployment check will drop to $146 a week when the $600 supplement ends, which “really is not much of anything.”Members of Alliance of Californians for Community Empowerment (ACCE) gather outside California Senate Majority Leader Bob Hertzberg home in Van Nuys Friday, July 17, 2020. The protesters went to the home to encourage Hertzberg to support AB 1436, a bill prohibiting landlords from evicting tenants because of unpaid rent due to the pandemic. (Photo by Hans Gutknecht, Los Angeles Daily News/SCNG)

She hasn’t paid any rent for five months.

“I know this sounds really petty, but I don’t have any makeup. We don’t have cable or any Internet. We’re eating cheaper food. It’s not healthy for you,” she said. “We even started selling little things we have no use for. … But that doesn’t make much.”

Like Hoxsey, Alicia Kneifl has been selling possessions to raise cash.

Her husband had been making good money as a welder for a company that sets up conventions. But now, conventions have been canceled, and he’s still waiting for his unemployment benefits to get approved.

She had just started work as an escrow officer for a San Francisco company expanding into Irvine. But when the lockdowns began, the company lost an account, halted the expansion and laid off Kneifl and her fellow employees.

Kneifl applied for food stamps and for rent assistance from the city.

Under her agreement with her landlord, she was able to make partial payments through July but was supposed to resume paying full rent in August. She doesn’t have the money.

The manager posted a notice on her door warning eviction proceedings will begin “upon the lifting of the eviction moratorium” if the back rent isn’t paid.

She worries that within a few months, she may no longer have a roof over her head.

“That’s the scary thing,” she said. “Not knowing.”
Right-Wing MAGA Artist's Weird New Trump Prayer Portrait Gets Hilarious Makeover

Jon McNaughton's latest effort brings out Twitter's art critics.


By Ed Mazza, HuffPost US


Right-wing artist Jon McNaughton, known for his over-the-top portraits of President Donald Trump, is out with a new work showing historical figures gathered around the president while he prays. And it’s brought out Twitter’s art critics.

The image, titled “Legacy of Hope,” depicts people such as former presidents George Washington and Abraham Lincoln as well as Harriet Tubman, Frederick Douglass and Robert E. Lee standing around Trump, some with a hand on his shoulders. In a video explaining the piece, McNaughton said that he was inspired by an image of people like “Diamond and Silk” and televangelist Paula White praying over Trump in the Oval Office.

McNaughton has a history of placing Trump in weird situations, including riding a motorcycle past the Capitol and commanding a boat à la Washington crossing the Delaware.

Most of his past images have brought out the critics on Twitter and the latest was no exception, with some offering observations and others making a few alterations to the image:

"time to step away from the desk" https://t.co/hmq4xVZzUH— Jemaine Clement (@AJemaineClement) July 26, 2020
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Ive got a theory... In years to come, we will discover Jon McNaughton has been playing out one of the greatest "art heists" of our time, an art world Sacha Baron Cohen, grifting the entire right-wing base & selling them prints that appeal to their dumbest instincts. pic.twitter.com/zRQTbzqjpO— Duncan Jones (@ManMadeMoon) July 26, 2020
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As you command. pic.twitter.com/L5Z6u2HUr0— Jo (@JoJoFromJerz) July 26, 2020
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Oh pic.twitter.com/zzKPvLlaPt— Molly Jong-Fast🏡 (@MollyJongFast) July 26, 2020




Fixed it pic.twitter.com/wa0R3hy3Au— Double Dee (@DCdebbie) July 26, 2020


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“We share a legacy” is one way to summarize people who literally went to war with one another (Lincoln and Lee) with one of these sides seeking to keep the Black people enslaved pic.twitter.com/iRg1km3xmN— Don Moynihan (@donmoyn) July 26, 2020

Ok. MUCH improved! Now I must go back to work!! pic.twitter.com/LoHz0jGZXD— LynSanity (@LynKream) July 26, 2020
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pic.twitter.com/clvwifhxSJ— jocнarвra (@greenngold4me) July 26, 2020


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I get it now. They are asking Trump to resign. Well done. pic.twitter.com/Mq79dVcpgV— Boozy NoBody (@tcapotesashes) July 26, 2020
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This painting is closer to reality... "Legacy of Joke" pic.twitter.com/bSIJYH8IoY— PinkPurpleBlue🌊🌊🌊✊😻🗽 (@PinkPurpleBlu12) July 26, 2020
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I don’t understand. pic.twitter.com/qE9X64rYsy— Blackstar Whitestar (@LionBlackstar) July 26, 2020


Fixed it. pic.twitter.com/SIJuAkUv2u— StickyBunny (@skullisland1919) July 26, 2020
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More appropriate..... pic.twitter.com/juuMRHi0yN— O.P. YATES (@DaveMayberry335) July 27, 2020


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