Thursday, October 16, 2025

'Bigger, hotter, faster': extreme blazes drive rise in CO2 fire emissions

Paris (AFP) – Rampant wildfires in the Americas drove a jump in global greenhouse gas emissions from fires in the year to February, new research found Thursday, warning that climate change was fanning the flames.


Issued on: 16/10/2025 - FRANCE24

Wildfires fuelled by climate change have driven a rise in global greenhouse emissions © HANDOUT / Manitoba Government/AFP

Infernos that ravaged huge areas of Canada's boreal forest and swept through the dry forests and vulnerable wetlands in South America drove global fire CO2 emissions 10 percent above the 20 year average, the State of Wildfires report found.

That is despite a below-average total of areas burned across the world, the international team of researchers said.

The report found that heat, drought and human activities helped intensify blazes in particularly carbon-rich forests and ecosystems.

"It's the scale and frequency of these extreme events that I find most staggering," said co-author Matthew Jones, of the University of East Anglia in eastern England.


He said satellite monitoring has shown that fires are becoming more intense across the world, expanding in key ecosystems and burning more material than in the past.

"During these extreme wildfire years, we see more fires, bigger fires, hotter fires and faster fires and these properties all aggregate up to extreme extent and destructive impacts on people and nature," Jones told AFP.

Climate change is one key factor, helping to create the optimal hot, dry conditions for fire to spread and burn.

The report, which looked at extreme wildfires from March 2024 to February 2025, found that devastating infernos in Los Angeles and parts of South America were two to three times more likely due to climate change.

Warming also made the area burned during those events 25 to 35 times larger, the authors said.

Global temperatures in 2024 were the hottest on record, going above 1.5C relative to the pre-industrial period for the first time.

Flames engulfed millions of hectares of forests and farmland last year in Canada, western parts of the United States and the Amazon, as well as in the Pantanal, the world's largest tropical wetland, which is shared by Brazil, Bolivia and Paraguay.

Across the world, the authors said wildfires killed 100 people in Nepal, 34 in South Africa and 31 in Los Angeles during the report period, with smoke drifting across continents and causing dangerous levels of air pollution far from the heat of the flames.

Globally, the report said fires emitted over eight billion tonnes of CO2 in the 2024-2025 period -- about 10 percent above average since 2003.

It comes after the World Meteorological Organization on Wednesday warned that the increase in the amount of carbon dioxide in the atmosphere last year was the biggest ever recorded.

The WMO voiced "significant concern" that the land and oceans were becoming unable to soak up CO2, leaving the greenhouse gas in the atmosphere.

It warned that the planet could be witnessing a so-called "vicious cycle" of climate feedback -- whereby increasing greenhouse gas emissions fuel rising temperatures that help stoke wildfires that release more CO2, while warmer oceans cannot absorb as much CO2 from the air.

© 2025 AFP

Record surge in CO2 puts world on track for more long-term warming


Carbon dioxide levels in the atmosphere jumped by a record amount in 2024, reaching the highest concentration ever measured and locking the planet into more long-term warming, the UN weather agency warned on Wednesday.


Issued on: 16/10/2025 - RFI

Morning sunlight over Frankfurt’s banking district. The World Meteorological Organisation says record carbon dioxide levels in 2024 signal worsening long-term climate impacts. 
AP - Michael Probst

The World Meteorological Organisation (WMO) said the rise was fuelled by human-caused emissions, massive wildfires and a drop in the ability of forests and oceans to absorb carbon – a feedback loop that scientists fear could make climate change spiral faster.

From 2023 to 2024, the global average concentration of carbon dioxide surged by 3.5 parts per million (ppm), the biggest increase since records began in 1957.

The annual growth rate has now tripled since the 1960s, climbing from 0.8ppm per year to 2.4ppm per year between 2011 and 2020.

“The heat trapped by CO2 and other greenhouse gases is turbo-charging our climate and leading to more extreme weather,” WMO Deputy Secretary-General Ko Barrett said in a statement.

“Reducing emissions is therefore essential not just for our climate but also for our economic security and community well-being.”

Storage systems weakening

Average carbon dioxide levels reached 423.9ppm in 2024, compared to 377.1ppm when the WMO first began issuing its annual greenhouse gas bulletin in 2004.

About half of all CO2 released each year stays in the atmosphere, while the rest is absorbed by land ecosystems and oceans.

But that balance is shifting. Hotter oceans hold less gas, and drought and fires are reducing forests’ capacity to store carbon. The effect was especially strong in 2024, the hottest year ever recorded, as a powerful El Niño caused extreme drought and wildfires in the Amazon and southern Africa.

“There is concern that terrestrial and ocean CO2 sinks are becoming less effective, which will increase the amount of CO2 that stays in the atmosphere, thereby accelerating global warming,” Oksana Tarasova, a WMO senior scientific officer, said.

“Sustained and strengthened greenhouse gas monitoring is critical to understanding these loops.”

The likely reason for the record rise between 2023 and 2024 was the combination of wildfire emissions and reduced CO2 uptake by land and sea. Warmer ocean waters are less able to dissolve carbon dioxide, while dry vegetation and fire damage further limit natural absorption.

Record highs

Methane and nitrous oxide – the second and third most important greenhouse gases linked to human activities – also hit record highs in 2024.

Methane levels climbed to 1,942 parts per billion, up 166 percent from pre-industrial times. About 60 percent comes from human sources such as cattle farming, rice cultivation, fossil fuel extraction and landfills, while the rest comes from natural sources like wetlands. Methane accounts for roughly 16 percent of the warming effect from long-lived greenhouse gases.

Nitrous oxide, mostly produced through fertiliser use and industrial processes, reached 338 parts per billion – a 25 percent rise above pre-industrial levels.

The WMO released its findings ahead of the UN Climate Change Conference in Belém, Brazil, in November, where governments are expected to seek stronger commitments on emissions.

Today’s carbon dioxide emissions will continue to heat the planet for centuries, the agency warned, underscoring the need for urgent action to cut greenhouse gases.

 

Poland's president signs off on new zero income tax law for parents with two children

Polish President Karol Nawrocki speaks during a press conference in Vilnius, 8 September, 2025
Copyright AP Photo

By Agata Todorow
Published on 

The bill, presented by Karol Nawrocki in August, removes the income tax obligation on families earning up to 140,000 zloty (€32,973) a year.

Poland's president has signed a new law introducing zero personal income tax (PIT) for parents raising at least two children, a reform which aims to support families, increase household income and boost economic activity.

The bill, presented by Karol Nawrocki in August, removes the income tax obligation on families earning up to 140,000 zloty (€32,973) a year.

The tax break is available to all parents who have parental responsibility over children, including legal guardians and foster parents.

According to calculations by the presidency, an average Polish family is expected to be around 1,000 zloty (€235) per month better off thanks to the new tax break.


A family at a railway station in Przemysl, 22 March, 2022 AP Photo/Sergei Grits

The actual impact of the new regulations will only be visible in the 2026 tax return, which will be filed in 2027.

The aim of the reform is to reduce the tax burden on families, increase disposable income, stimulate consumption and encourage professional activity.

Nawrocki made zero PIT for families one of the pillars of his presidential campaign.

As early as March, he presented his so-called "Contract with the Poles," in which he announced the introduction of the tax relief from the first day of his presidency.

After his victory in the June run-off he kept his word, symbolically signing the bill on 8 August before passing it to Poland’s parliament, the Sejm.

Zero PIT is just one element of a wider reform dubbed the "tax armour," a package of reforms that also includes a reduction of VAT from 23% to 22%, the abolition of capital gains tax and the introduction of a quota-based pension indexation.

Poland’s lower house of parliament, the Sejm, in Warsaw, 7 March, 2025 AP Photo

Who will benefit?

The president's office says that financing the programme will come from a tightening of the tax system to the tune of 14 billion zloty (€3 billion), but financial experts believe that such a sum is unrealistic to achieve by this route alone.

Tax specialists also warn that the real benefits will be felt mainly by the wealthiest citizens.

Piotr Juszczyk, chief tax adviser at inFakt, stresses that low-income families, who pay little or no income tax, will gain a negligible amount while those with high incomes will benefit the most.

For example, a family with a gross monthly income of 7,000 zloty (€1,648) can count on a relief of around 395 zloty (€93) per month.

In comparison, parents earning 12,000 zloty (€2,826) per month will save as much as 913 zloty (€215) every month, or over 11,000 zloty (€2,590) per year.

Meanwhile, those earning the lowest national income can only expect to see savings of around 75 zloty (€17) while those with incomes lower than the tax-free amount will not see any change at all as they are already exempt from PIT.

What do Poles think?

On 11 September, public consultations were held on the draft law prepared by the President. 476 people took part in the consultation, 71% of whom were men and 29% were women.

Around 76% of respondents felt that the new tax law was definitely needed, while only 16% expressed strong opposition to Nawrocki's proposal.

In addition, 66% of respondents positively assessed the presented assessment of the economic and financial impact of the introduction of zero PIT for 2+2 families, while between 10-11% disagreed with it.




Faulty engineering led to 2023 implosion of Titan submersible, NTSB report finds



Copyright AP Photo

By Gavin Blackburn
Published on 16/10/2025 - EURONEWS


The catastrophic implosion of the OceanGate "Titan" submersible killed all five people on board as it was diving to explore the wreck of the Titanic.

Faulty engineering led to the implosion of an experimental submersible that killed five people on the way to the wreck of the Titanic, the US National Transportation Safety Board (NTSB) said in a report on Wednesday.

The NTSB made the statement in its final report on the hull failure and implosion of the Titan submersible in June 2023.

Everyone on board the submersible died instantly in the North Atlantic when the Titan suffered a catastrophic implosion as it descended to the wreck.

The NTSB report states that the faulty engineering of the Titan "resulted in the construction of a carbon fibre composite pressure vessel that contained multiple anomalies and failed to meet necessary strength and durability requirements."

It also stated that OceanGate, the owner of the Titan, failed to adequately test the submersible and was unaware of its true durability.


The Titanic leaves Southampton on her maiden voyage, 10 April, 1912 AP/1912 AP

The report said the wreckage of the Titan would likely have been found sooner had OceanGate followed standard guidance for emergency response, and that would have saved "time and resources even though a rescue was not possible in this case."

The NTSB report dovetails with a US Coast Guard report released in August that described the Titan implosion as preventable.

The Coast Guard determined that safety procedures at OceanGate, a private company based in Washington state, were "critically flawed" and found "glaring disparities" between safety protocols and actual practices.

OceanGate suspended operations in July 2023 and wound down. A spokesperson for the company declined to comment on Wednesday.


In August, after the Coast Guard report was released, a company spokesperson offered condolences to the families of those who died.

Professor Robert Ballard points to his footage of the wreck of the Titanic in the Belfast Building, 14 April, 2012 AP Photo

The Titan's implosion killed OceanGate CEO Stockton Rush and led to lawsuits and calls for tighter regulation of private deep sea expeditions.

The implosion also killed French underwater explorer Paul-Henri Nargeolet, known as "Mr Titanic"; British adventurer Hamish Harding; and two members of a prominent Pakistani family, Shahzada Dawood and his son Suleman.

The NTSB report recommends the Coast Guard commission a panel of experts to study submersibles and other pressure vehicles for human occupancy.

It also recommends that the Coast Guard implement regulations for the vehicles that are informed by that study. The report states that current regulations for small passenger vessels "enabled OceanGate's operation of the Titan in an unsafe manner."

Related


The report also called on the Coast Guard to "disseminate findings of the study to the industry," which has grown in recent years as privately financed exploration has grown.

The company was aware of the possibility of Coast Guard regulations prior to the implosion. In describing OceanGate's corporate culture, the report quotes an operations technician who quit the company after expressing concern about calling paying passengers "mission specialists."

The company's CEO responded that "if the Coast Guard became a problem…he would buy himself a congressman and make it go away," the technician said, according to the report.

Submersible pilot Randy Holt communicates with the support boat as he and OceanGate CEO Stockton Rush dive in the company's submersible off Fort Lauderdale, 28 June, 2013 AP Photo

The vessel had been making voyages to the Titanic site since 2021.

Its final dive came on the morning of June 18, 2023. The submersible lost contact with its support vessel about two hours later and was reported overdue that afternoon.

Ships, planes and equipment were rushed to the scene about 700 kilometres south of St. John’s, Newfoundland.

A multiday search for survivors off Canada made international headlines. It soon became clear there would be no survivors and the Coast Guard and other authorities began lengthy investigations into what had happened.

 

Human Rights Watch reject donations from comedians who appeared at Riyadh Comedy Festival

Human Rights Watch reject donations from comedians who appeared at Riyadh Comedy Festival
Copyright Riyadh Comedy Festival - Instagram - Human Rights Watch


By David Mouriquand
Published on 

The two-week entertainment event has been criticised due to the Saudi government's alleged human rights abuses. Several comedians who attended have offered to donate part of their performance fees from the Riyadh Comedy Festival. Here's everything you need to know.

Several comedians have been heavily criticised for performing at the first-ever Riyadh Comedy Festival in Saudi Arabia, due to the Saudi government’s alleged human rights abuses and the way it oppresses its critics

Debate has raged over whether stand-up comedians like Dave Chappelle, Jimmy Carr, Bill Burr, Chris Tucker, Kevin Hart, Louis C.K. and Hannibal Buress should rent their talents to a wealthy and repressive regime.

Celebrated comedian David Cross shared on Instagram: “I am disgusted, and deeply disappointed in this whole gross thing. That people I admire, with unarguable talent, would condone this totalitarian fiefdom for…what, a fourth house? A boat? More sneakers?”

“We can never again take seriously anything these comedians complain about (unless it’s complaining that we don’t support enough torture and mass executions of journalists and LGBQT peace activists here in the states, or that we don’t terrorize enough Americans by flying planes into our buildings),” he continued.

Cross also wrote in an open letter: “How can any of us take any of you seriously ever again? All of your bitching about ‘cancel culture’ and ‘freedom of speech’ and all that s–t? Done. You don’t get to talk about it ever again.”




Riyadh Comedy Festival poster Instagram

While Saudi Arabia has taken steps to welcome more Western influence in the past few years – like allowing women to drive and play sports – the latest attempt by Crown Prince Muhammad bin Salem to establish a two-week entertainment platform has been overshadowed by Hollywood talent taking handsome paychecks – especially at a time when the battle over free expression in the US is escalating under the Trump administration’s threats to cancel comedians like Jimmy Kimmel or Rosie O’Donnell.

Human Rights Watch weighed in on the festival, describing it as Saudi Arabia’s latest attempt to “deflect attention from its brutal repression of free speech and other pervasive human rights violations.”

The non-profit’s campaign against the event has once more put the spotlight on the dissidents who are currently detained in Saudi prisons, as well as the murder of journalist Jamal Khashoggi, who was dismembered at the Saudi consulate in Istanbul in 2018.

“The seventh anniversary of [slain Saudi journalist] Jamal Khashoggi’s brutal murder is no laughing matter, and comedians receiving hefty sums from Saudi authorities shouldn’t be silent on prohibited topics in Saudi-like human rights or free speech,” HRW Researcher Joey Shea said in a press release on the eve of the festival. “Everyone performing in Riyadh should use this high-profile opportunity to call for the release of detained Saudi activists.”

None of the comics who performed in Riyadh used their platforms to mention the detainees or the human rights abuses.

Now, Human Rights Watch have said that they “cannot accept” donations from comedians who “generously offered to donate part of their performance fees” from the Riyadh Comedy Festival.

“While we cannot accept, it is not too late for them to call for the release of detained Saudi activists,” Shea said. “Human Rights Watch didn’t call for comedians to boycott the Riyadh Comedy Festival, but simply asked them to express their support for free speech by urging the release of Saudi activists unjustly imprisoned.”

When pressed on the issue by Jimmy Kimmel, comedian Aziz Ansari, who attended the festival, said: “You kind of have to make a choice of whether you’re going to isolate or engage. For me, especially being me and looking the way I do and being from a Muslim background, it felt like something I should be a part of. And I hope it pushes things in a positive direction.”

Ansari and others offered a portion of their performance fee to Human Rights Watch - donations which have been refused.

For her part, comedian Whitney Cummings has hit back at the backlash over the festival, saying on Sunday’s episode of her podcast, Good For You: “I guess I’m this weirdo. I don’t operate under, you know, the idea that every government and their people are the same… You think that the people of Saudi Arabia and the Saudi government all [share the same values]? So you also believe that the Chinese government and the Chinese people are exactly the same?”

She added: “It’s just racism. I think it took me a second, because when people are going like, ‘You’re doing something unethical,’ I’m like, ‘Oh, these must be ethical people, let me listen.’ And then you’re like, ‘Oh no, you’re just racist.’ These are also the same people who would go, ‘Trump is not my president! I am nothing like our president.’ But other countries are?”

The Riyadh Comedy Festival (26 September – 9 October) was part of Saudi Arabia’s Vision 2030 plan to improve the global image of the country, as well as diversify its economy. Critics of the Saudi regime continue to claim the Vision 2030 plan and its entertainment initiatives are a clear whitewashing attempt from the Saudi government.

 

Jailed journalists, Serbian students and Palestinian aid workers shortlisted for the Sakharov Prize

FILE: An image of imprisoned Polish minority activist in Belarus, Andrzej Poczobut, is projected on the Palace of Culture and Science in downtown Warsaw, 25 September 2021
Copyright AP Photo

By Vincenzo Genovese
Published on 


The European Parliament has selected the finalists for its Freedom of Thought award. The winner will be announced next Wednesday in Strasbourg.

The European Parliament decided on Thursday the three finalists of the 2025 Sakharov Prize for Freedom of Thought, awarded to individuals and organisations who have defended human rights, freedom of expression and democratic values.

This year, the shortlisted candidates are imprisoned journalists Andrzej Poczobut from Belarus and Mzia Amaglobeli from Georgia, journalists and humanitarian aid workers in Palestine and across all conflict zones, and Serbian students for their continuous nationwide protests.

Each political group of the Parliament presented a candidate. Journalist, essayist, and blogger from the Polish minority in Belarus, Poczobut, was nominated by the EPP and ECR groups.

His candidacy was paired with that of Amaglobeli, a Georgian journalist detained in 2025 for participating in an anti-government protest and imprisoned for two years on politically motivated charges.

The second entry, represented by the Palestinian Journalists Syndicate, the Red Crescent, and UNRWA, was put forward by the S&D group and backed by The Left, which itself nominated journalists in Palestine, specifically mentioning Hamza and Wael Al-Dahdouh, Plestia Alaqad, Shireen Abu Akleh and Ain Media

The Serbian students who initiated nationwide protests after a railway station awning collapsed in Novi Sad in November 2024, killing 16, were selected by the liberal group Renew Europe.

Charlie Kirk not among the nominees

The Budapest Pride, nominated by the Greens/EFA group, the Franco-Algerian writer Boualem Sansa, nominated by the Patriots for Europe (PfE) group, and the late US conservative activist Charlie Kirk, nominated by the Europe of Sovereign Nations (ESN) group, have not gained enough votes to make it to the shortlist.

Kirk’s figure sparked controversy in the European Parliament, as a minute of silence to commemorate his death led to a political mudslinging during the Strasbourg plenary session in September.

His candidacy was supported by ESN members and some PfE MEPs, sources from the party told Euronews, but it was not enough to make it to the list.

“Charlie Kirk was a strongly divisive figure. He is for sure a victim, but he was sowing words of hate against certain minorities,” S&D MEP Marco Tarquinio told Euronews after the vote.

“On the contrary, the triad resulting from the vote includes entries in the full spirit of the Sakharov Prize: victims who do not give up, who do not use hate speech, nor legitimise it."

On the other side of the chamber, MEP from the Spanish far-right party Vox, Hermann Tertsch, praised Kirk’s legacy and criticised the inclusion of the Palestinian Journalists Syndicate among the finalists.

“Palestinian journalists often mean members of Hamas,” he told Euronews.

The winner of the Sakharov Prize will be announced next Wednesday in Strasbourg. The decision will be taken by the Parliament’s Conference of Presidents, which includes President Roberta Metsola and the leaders of the eight political groups.

The award ceremony, which encompasses an allocation of 50,000 euros, will take place on 16 December in Strasbourg.

Named after Soviet physicist and political dissident Andrei Sakharov, the Prize for Freedom of Thought has been awarded since 1988 to dissidents, political leaders, journalists, lawyers, and civil society activists, including figures such as South African anti-apartheid activist and first president Nelson Mandela and Russian opposition leader Alexei Navalny.

Last year, the Sakharov Prize laureate was the recently-awarded Nobel Peace Prize recipient María Corina Machado, along with the other leader of the Venezuelan opposition, Edmundo González.

Star Wars, Blade Runner, Indiana Jones: Iconic film poster artist Drew Struzan dies aged 78

Iconic film poster artist Drew Struzan dies aged 78
Copyright Drew Struzan - Universal Pictures / Paramount Pictures / Warner Bros.


By David Mouriquand
Published on 


You may not recognize the name, but Drew Struzan was the supremely talented artist behind countless iconic movie posters – from the original Star Wars and Back To The Future trilogies to 'Blade Runner' and many more. George Lucas and Steven Spielberg have paid tribute to the man and his art.

Iconic film poster artist Drew Struzan, who drew and painted film lovers' childhoods, has died aged 78.

His family revealed that he lost a battle to Alzheimer’s Disease.

They wrote: “Drew was a force of nature. Like a whirlwind, he could not be stopped nor tamed nor manipulated. His power never waned. This disease, this particular disease, took the wind out of him. He could no longer speak his language out loud. We respected this tenacity, his ability to hold on to the fire within that continued to rage.”

“Daily he tended the flame reviewing the paintings of those he long admired. Van Gogh. Gauguin. Cézanne. The Impressionists who fought diligently against the status quo. It was our honor to nurture that glow. Please take a moment to reflect on what he brought to you. Life should be full of love and beauty.”

Among the countless iconic hand-painted and drawn images Struzan created were the original Star Wars posters, as well as the Back To The Future trilogy, Blade Runner and the Indiana Jones posters.

Other renowned films that utilised his art include The GooniesThe ThingThe Shawshank RedemptionE.T., The Muppets films, Coming to America and Hellboy.

The Muppets
The Muppets Facebook

After completing the poster artwork for Indiana Jones and the Kingdom of the Crystal Skull, Struzan announced his retirement in September 2008.

He came out of retirement in 2012, when he collaborated with Mondo for a cover of Stephen King’s "The Dark Tower". In 2015, he designed the poster for the documentary Batkid Begins: The Wish Heard Around The World and Star Wars: The Force Awakens.

His final poster was in January 2019, when Struzan designed three separate posters for the How To Train Your Dragon trilogy.

The Star Wars trilogy
The Star Wars trilogy Drew Struzan - LucasFilms - X

Upon hearing the news of his death, Star Wars creator George Lucas wrote in a statement on the Star Wars website: “Drew was an artist of the highest order. His illustrations fully captured the excitement, tone and spirit of each of my films his artwork represented. His creativity, through a single illustrated image, opened up a world full of life in vivid color… even at a glance. I was lucky to have worked with him time and time again.”

In a statement to The Hollywood Reporter, Steven Spielberg shared: “Drew made event art. His posters made many of our movies into destinations … and the memory of those movies and the age we were when we saw them always comes flashing back just by glancing at his iconic photorealistic imagery. In his own invented style, nobody drew like Drew.”

As for Guillermo del Toro, he wrote: “The world lost a genial man, a genius communicator and a supreme artist. I lost a friend – beloved Drew.”

Guillermo del Toro's tribute
Guillermo del Toro's tribute Bluesky

RIP Drew Struzan 1947 - 2025

Lumière Film Festival: Guillermo del Toro on 'Frankenstein', AI and the ‘dangerous times’ we live in



Copyright Pierre Assemat 

Euronews Culture
By David Mouriquand
Published on 16/10/2025 - 


"Art is not only necessary, it is urgent. And AI can go f*ck itself!”

 Guillermo del Toro is a guest of honour at this year’s Lumière Film Festival. He presents his adaptation of Mary Shelley's "Frankenstein", which audiences got to see on the big screen before it streams on Netflix next month.

For Guillermo del Toro, the master of beautiful macabre and haunting cinematic fairytales, Frankenstein isn’t just his latest movie. It’s the culmination of a life’s work.

The Oscar-winning director of classics like The Devil’s Backbone, Pan’s Labyrinth, Hellboy and The Shape of Water, makes no secret of the fact that Mary Shelley’s creation has been a huge influence on his art since the beginning – from 1992’s Cronos to 2022’s Pinocchio.

More than that, it set him on a path to becoming a filmmaker.

Speaking in front of a packed theatre in Lyon, for the 17th edition of the Lumière Film Festival and prior to the big screen screening of Frankenstein, the 61-year-old shared that he saw James Whale’s 1931 film, with Boris Karloff as Frankenstein’s monster, when he was just seven years old. More than that, he saw it after going to mass.

“When I saw Boris Karloff, I understood religion in that moment,” he said. “I understood Jesus, ecstasy, the immaculate conception, stigmata, the resurrection... I understood that I had found my messiah.”


He added, with a smile on his face: “My grandmother had Jesus. I had Boris Karloff.”


Guillermo del Toro Pierre Assemat - Euronews Culture
Guillermo del Toro in Lyon - 15 October 2025 Pierre Assemat - Euronews Culture

My friends grew up dreaming of Farrah Fawcett – I dreamt of the Brontë sisters and Mary Shelley.
Guillermo del Toro


Del Toro continued: “Four years later, I read Mary Shelley’s book – the 1818 version, which is the less filtered, the most savage and the purest. My friends grew up dreaming of Farrah Fawcett – I dreamt of the Brontë sisters and Mary Shelley.”

“For me, I discovered that everything I couldn’t do as a ‘normal’ child in Mexico, it was all there in the romantic and gothic imagination, as well as in monsters.”


Guillermo del Toro Pierre Assemat - Euronews Culture

“We live in dangerous times – times when we’re ashamed of our emotions, in which we’re told that art is not important and that we can make art on a f*cking App...”
Guillermo del Toro

Indeed, Guillermo del Toro has been telling monster stories for as long as he’s been making movies, and Frankenstein is something of a “culmination”.

The filmmaker went on to share he was glad he had to wait so many years before getting to make his take on "Frankenstein"; because this story, which in del Toro’s mind deals with paternity - and when you watch the film, how sins can be transferred from generation to generation – required the passing of time.

“I’m happy that I'm older - and more tired - to tell this story because the child that saw Frankenstein when he was seven years old and read Mary Shelley’s novel when he was 11 is still in me... But now I feel like Johnny Cash when he sang ‘Hurt’ - and you can’t sing that song if the person singing hasn’t felt pain, time passing, and the weight of things lost.”

He added: “I’m also glad because I didn’t do it as the son of my father, but as the father of my daughters.”

Moreover, the novel asked an urgent question in 1818 that still remains urgent today: What is it to be human?

“The answer to me is: to ask for forgiveness and to be able to forgive.”

Guillermo del Toro Pierre Assemat - Euronews Culture

It’s a film that’s there to remind us that art is not only necessary, it is urgent. And AI can go f*ck itself!
Guillermo del Toro

The director continued: “We live in dangerous times – times when we’re ashamed of our emotions, in which we’re told that art is not important and that we can make art on a f*cking App...”

This was met with applause from the public, who clearly understood the weight and importance of what he was saying at a time when AI prompts are insultingly labelled ‘art’.

“When they rob us of art and emotion, that leads us towards the aesthetics of fascism,” said del Toro. “In this film, all the sets are real, the decor is human-sized, there are painstakingly created miniatures... It’s an opera, made by humans for humans. It’s a film that’s there to remind us that art is not only necessary, it is urgent. And AI can go f*ck itself!”
His comment was met once again with thunderous applause, and as he wished the audience a pleasant viewing experience, the Mexican maestro left the stage with an impassioned: “Viva Mexico, Cabrones!”

Viva Mexico. Viva Shelley. Viva del Toro.
Guillermo del Toro Pierre Assemat - Euronews Culture
Guillermo del Toro Pierre Assemat - Euronews Culture

Frankenstein hits select theatres tomorrow and streams on Netflix on 7 November. Itis this week’s Film of the Week. Stay tuned to Euronews Culture for our full review tomorrow.

 

Waymo says it will expand to Europe next year with driverless robotaxis in London

A Waymo vehicle drives past a No U-Turn sign in San Bruno, Calif., Tuesday, Sept. 30, 2025. (AP Photo/Jeff Chiu)
Copyright AP Photo

By Roselyne Min
Published on 


Waymo is the second company to say it will bring robotaxis to the UK.

American robotaxi firm Waymo announced on Wednesday that it plans to begin operations in the United Kingdom’s capital in 2026.

It said it will start testing its self-driving cars in London in the coming weeks while it works to secure permissions for autonomous ride-hailing there.

“We’ve demonstrated how to responsibly scale fully autonomous ride-hailing, and we can’t wait to expand the benefits of our technology to the United Kingdom,” Waymo co-chief executive Tekedra Mawakana said in a statement.

UK regulations require self-driving cars to meet safety requirements and have a safety level that is at least as high as “careful and competent human drivers”.

The rules are expected to be fully implemented by 2027, and the Waymo rollout is part of an early adoption programme.

“I’m delighted that Waymo intends to bring their services to London next year, under our proposed piloting scheme,” Heidi Alexander, the UK's secretary of state for transport, said in a statement.

Waymo is not the only self-driving car company eyeing European markets. Earlier this year, US ride-hailing app Lyft said it would partner with Chinese artificial intelligence (AI) firm Baidu to introduce robotaxis in the UK and Germany in 2026.

However, safety incidents involving self-driving cars have raised public concerns in recent years that could hinder their adoption – at least at first.

For example, in 2024 a self-driving Tesla crashed and killed a motorcyclist in the United States. The same year, a driverless taxi operated by Baidu struck a pedestrian in Wuhan, China.

However, Waymo says driverless technology can actually help make roads safer.

The firm says its data shows that roads where it operates report five times fewer injury-causing collisions overall and 12 times fewer incidents involving pedestrians, compared with human drivers.

Waymo began as a Google project in 2009 and has operated commercially in the United States since 2018.

The company has also partnered with local firms in Japan to begin testing its taxis there, though it is not yet clear when it might launch commercially.