Saturday, May 21, 2022

‘Stop Raping Us’ Screams Topless Woman As She Crashes Cannes Red Carpet To Protest Against Sexual Violence In Ukraine

The woman also appeared to have blood-red paint over her lower back and legs with the word 'SCUM' written on her back. The incident happened on the red carpet at the premiere of George Miller's 'Three Thousand Years Of Longing', starring Idris Elba and Tilda Swinton.

Published: May 21, 2022
By Analiza Pathak
A protestor wearing body paint that reads "Stop Raping Us" in the color of the Ukrainian is removed from the red carpet at the premiere of the film 'Three Thousand Years of Longing' at the 75th international film festival, Cannes, southern France. (AP)

Cannes 2022: A woman protesting sexual violence in Ukraine was removed from the Cannes Film Festival red carpet during the world premiere of George Miller’s “Three Thousand Years of Longing.” Video footage from the carpet saw a woman trying to crash the event while screaming at the top of her lungs. The unidentified woman tore off her clothes during the film’s red carpet procession to reveal the message “Stop raping us” written across her torso next to the blue and yellow colors of the Ukraine flag. Red was also painted on her legs and groin. While she yelled “Don’t rape us!” security quickly encircled her and took her off the red carpet. The topless woman had the word “scum” written on her lower back.



The radical feminist activist organisation Scum posted on Twitter, “This activist exposed the war rapes and sexual torture committed on Ukrainian women by Russian soldiers” and shared the video of the topless woman at Cannes 2022. 

While the incident received numerous reactions online, netizens were confused as to how the woman managed to pass the security checks and run on the red carpet. As per Variety, entering the Cannes’ Lumiere theatre in the Palais requires multiple security checks with many guards positioned at the gate. As the attendees walk in, they have to get through more security checks including a metal detector after which they are finally allowed to enter the theatre.

Since the beginning of Russia’s military operation in Ukraine, there have been numerous reports of Russian soldiers raping Ukrainian civilians.

Russia’s war in Ukraine has often been in the spotlight at this year’s Cannes festival, which is screening several films from Ukrainian filmmakers. The festival barred Russians with ties to the Kremlin from attending.

Earlier, Ukrainian President Ukrainian President Volodymyr Zelenskyy delivered a surprise address Tuesday to open the festival.


Activist Removed From Cannes Red Carpet Following Naked Protest Against Sexual Violence In Ukraine


By Andreas Wiseman
May 20, 2022
EDS NOTE: NUDITY - A protestor wearing body paint that reads "Stop Raping Us" in the color of the Ukrainian flag appears at the premiere of the film 'Three Thousand Years of Longing' at the 75th international film festival, Cannes, southern France, Friday, May 20, 2022. (AP Photo/Petros Giannakouris)AP

An activist protesting sexual violence against women in Ukraine has been removed tonight from the Cannes red carpet for George Miller’s Three Thousand Years Of Longing.

The naked and screaming woman had paint daubed on her body in the colours of the Ukrainian flag and the words ‘Stop Raping Us’ across her chest and stomach. She had the word ‘SCUM’ written on her back.

There is mounting evidence of summary executions, rape and torture carried out by Russian forces in Ukraine.

The French activist group SCUM has just posted an explanation on Twitter.

SCUM was a radical feminist manifesto published in the 1960s. However, the above Twitter handle only came into existence last month.

https://twitter.com/RadicalWitch2/status/1494304385001795584
The SCUM Manifesto is essential radical feminist reading. 17 Feb 2022 ...

The dramatic episode took place as the red carpet unfolded for the night’s big premiere: George Miller’s Three Thousand Years Of Longing, starring Idris Elba and Tilda Swinton. The director and stars were in attendance.

It is understood the woman took to the carpet then hastily removed her clothes and began screaming before she was swiftly removed by security.

The festival has taken place amid much discussion about the conflict in Ukraine. Official Russian delegations and journalists from Putin-supporting papers are not welcome at the event but the festival did yesterday debut a movie backed by sanctioned Russian oligarch Roman Abramovich.

Cannes is no stranger to red carpet protests. In 2018, 82 women protested gender inequality in the film industry in front of the Palais. A few days later there was also an anti-racism protest on the carpet.

'Armageddon Time,' portrait of white privilege, stirs Cannes


Anne Hathaway, from left, director James Gray, and Jeremy Strong pose for photographers at the photo call for the film 'Armageddon Time' at the 75th international film festival, Cannes, southern France, May 20, 2022. (AP Photo/Daniel Cole)


Jake Coyle
The Associated Press
Published May 21, 2022

CANNES, FRANCE -

When the Cannes Film Festival audience stood to applaud James Gray's richly observed autobiographical drama "Armageddon Time," about the director's own 1980s childhood in Queens, Gray's voice quivered as he addressed the crowd.

"It's my story, in a way," said Gray. "And you guys shared it with me."

"It took every last bit of control not to burst out into tears," Gray said, still recovering the next day in Cannes. "It's been a really strange journey making the film and my father died two months ago of COVID. The whole process has been fraught and filled with emotion."

"Armageddon Time," starring Anthony Hopkins, Anne Hathaway and Jeremy Strong, has stirred Cannes like no other American film at the festival this year. Gray's movie, which Focus Features will distribute in the U.S. later this year, has been received as a tender triumph for the New York filmmaker of "The Immigrant" and "Ad Astra" not just for his detailed excavation of his childhood but for how the film reexamines his own white privilege growing up -- how race and money can tip the scales in the formative years of young people.

Paul Graff (Banks Repeta) is a sixth-grader modelled after the 53-year-old Gray in a middle-class Jewish family. At school, Paul's friend Johnny (Jaylin Webb) is a Black kid with fewer advantages, who's treated differently than Paul. When Paul's family elects to send him to a private school, the gap only grows. Connections to today's inequities aren't hard to decipher. At the private school, Jessica Chastain makes a cameo as Maryanne Trump, sister to Donald and an assistant U.S. attorney.

For Gray, "Armageddon Time" is period film about now, and a coming home after two far-flung films in the Amazon-set "The Lost City of Z" and the space adventure "Ad Astra."

------

AP: When did "Armageddon Time" start formulating in your head?

GRAY: I was at an art exhibit in Los Angeles five years ago. Painted on the wall it said: "History and myth begin in the microcosm of the personal." I had made this film before this where I went into space. It was a very difficult movie to make and a very difficult movie to complete. The end result was not fully mine. That was a very sad experience for me. I wanted to try to rediscover my love for the medium and why I wanted [to] do it in the first place. I said, "Screw it, I'll make the most personal film I can."

AP: You've called 1980 one of the most pivotal years in American history. Is that because of the election of Reagan?

GRAY: People don't remember that he campaigned in Philadelphia, Mississippi, which is where Goodman, Schwerner and Cheney were killed by the Klan. And he started talking about states rights. He knew exactly what he was doing. I understand he didn't come out and say the N-word. He didn't come out and be Trump completely. But that was his purpose. I feel like that was planting the seeds for a kind of corporatist, me-first, top-down, frankly rooted in racism idea of American capitalism that hasn't left us fully since. When you propose a system which is all about money, it has the basis of oppression built into it. It didn't start with slavery. It started with the Indigenous people who were basically vaporized. We're very good at genocide.

AP: These aren't the normal inward-looking themes of memoir films.


GRAY: All of this is about what the actual economic structure of the country is. I felt that that would have power in a context that's very small, which is a kid's transfer from a public school to a private school and how we all do our part to (expletive) things up. In other words, "I'm going to make this ethical compromise now. I'm going to contribute to ethical compromise just a little bit."

AP: Were you thinking any of this when you were living through it as a kid?

GRAY: When I was a kid I never thought about the levels of capitalism, how if someone is up there, that means somebody's gotta be down there. I knew 48 kids in a class, something's wrong. But here's the thing: Why is it not a source of utter rage in our country that public education in our country is financed by local property taxes? They should be burning down state legislatures because of that. The system makes itself very happy by basically saying: Let's make a superhero movie but put a trans person in it. That's fine. That's excellent, whatever. But that doesn't solve the problem. You have to look at the system itself and understand that it is based on the brutal oppression of one group to survive.

AP: Your film received an enthusiastic reception here in Cannes. Have you thought about how it will be received stateside?

GRAY: I'm sure there will be people who hate the movie. But as an American, I feel a particular sense of loss that we as filmmakers are not as willing to confront the ideas of class. One of the most amazing things about what Francis Ford Coppola did in that movie is how it presents such a vivid picture of the rot of capitalism. Look at "Jaws." That mayor will keep the beaches open no matter what.

AP: Were the Trumps actually involved in your private school experience?

GRAY: They sure were. If I had my high school yearbook, I would show you the board of trustees which had Frederick Christ Trump in the picture. He would walk the halls of the school. His daughter (Maryanne) gave a speech to the school which I had my brother recount the best he could and then I recalled the best I could and we compared notes. They were very similar.

AP: You're a filmmaker considered a classicist devoted to a personal kind of filmmaking for the big screen. Do you ever feel like one of a dwindling breed?

GRAY: It's my obligation to continue trying to do the work that I'm doing. Not out of ego or any feeling of "I'm the best" or anything but because the type of cinema that I like, I'd like to think there's at least somebody out there that likes it, too. And who is speaking for them? The question is: Are you going to pursue with passion what it is you dream about, what you hope for? Or are you going to give in? I'd love to be richer or more powerful or whatever. But if it's not to be, I'm OK with that. I'd rather just pursue my dreams.

It's Marx vs Reagan as Swedish rollercoaster hits Cannes film fest


What's my position in this hierarchy?' Ostlund wonders 

Jurgen HECKER
Sat, May 21, 2022, 1:25 PM·4 min read

Swedish cult director Ruben Ostlund wowed the Cannes Film Festival with a rollercoaster movie about glamour, class, silly money and human nature on Saturday, involving the drunken delivery of quotes by Karl Marx and Ronald Reagan, and stomach-churning scenes of mass sea sickness.

Five years after winning the Palme d'Or top prize with "The Square", Ostlund is back with "Triangle of Sadness", a large-canvas movie initially about two models that quickly broadens out to include the super-rich and their eccentricities.

Events turn their world upside down, creating an unexpected reshuffle of power structures.

"I think human beings are very sensitive to hierarchies. Every day is about: what is my position in this hierarchy?" Ostlund told AFP in an interview.

At one level, the movie can be read as a critique of capitalism and its excesses, he said. In a key scene in the movie a luxury yacht's captain -- played by US star Woody Harrelson -- and a Russian billionaire, both drunk, trade quotes by philosopher Karl Marx and hardcore capitalist Ronald Reagan, the late US president. "Reagan was funnier," Ostlund concluded.


- 'Brought up by a communist' -

Ostlund, 48, said his Swedish upbringing during the Cold War years had been instrumental to his world view.

"I was brought up by a mother who still calls herself a communist," he said. "I grew up in the Cold War. There were two conflicting ideologies: Capitalism and communism.

"I thought a little bit that this was over. But it's almost like now, with Russia invading Ukraine, all of the sudden we're talking about east and west again."

While describing himself as a "socialist who believes in a strong state and a mixed economy", Ostlund said he never wanted to paint rich people as evil although "they should stop bullshitting and pay taxes".

"I didn't want to portray any of the rich people as mean. I wanted to understand their behaviour," the director said. But he added: "Capitalism is so good at exploiting all our needs and all our fears, where we live, our food, and makes money out of our creativity and everything we do."

English actor Harris Dickinson, who stars as male model Carl who forms a couple with influencer Yaya -- played by South African Charlbi Dean -- said Ostlund's movie was ultimately about what makes people tick.

"The film is provocative," said Dickinson. "It's an astute focus on our behaviour and our beliefs and our morality. It's all about human nature rather than politics."

Dean said human behaviour, like that seen in some of the film's scenes, is often dictated by circumstances and not pre-conceived ideas.

"We often tell ourselves 'I would never do that'. But if you're in a similar situation, wouldn't you behave in the same way?", she asked.

- 'Little bit of a dilemma' -


Despite their jetsetting lifestyle and perfect looks, both characters are plagued by insecurities. Carl gets jealous easily, and Yaya thinks she may have to become "somebody's trophy wife" once her modelling days are over.

"In the industry you have a short career," said Dean who herself is both an actress and a model.

"It starts very young, but by the time you're 22, it starts to decline, unless you're lucky. So as a model you often wonder what's next," she said.

Ostlund said he delights in the awkwardness of Swedish social norms which inspired many of his movie scenes.

"In Sweden, we're ashamed in social situations," Ostlund said. "I love it when the expectation of how we should behave puts us in a little bit of a dilemma."

A restaurant scene in the movie leading to a big fight over who should pay the bill was inspired by Ostlund's own, similar, experience with his future wife at a restaurant in Cannes. "And I'm married to her now."

Among the 21 films vying for the coveted Palme are two other Scandinavian entries: "Boy from Heaven", by Sweden's Tarik Saleh and Danish-Iranian Ali Abbasi's "Holy Spider".

Both Abbasi's and Saleh's films draw heavily on their immigrant backgrounds.

Abbasi left Tehran for Sweden in 2002, while Saleh was born in Stockholm to a Swedish mother and Egyptian father.

The Palme d'Or will be awarded on May 28.

jh/dlc/pvh

The Decline of Diplomacy

It takes enormous courage to protest a war, but when is it ever relevant to do so? There is a crisis in American democracy, yet there is no appetite to protest the decline of diplomacy. Many people believe Russia can’t be reasoned with and any chance for a negotiation is only a dream. Nobody should make a deal with the devil, they say. Americans have been led to believe that the heartbreaking war in Ukraine is beyond diplomacy.

And if there is no more time for talking, where then are we headed? Perhaps our distaste for dissent will weaken America, which was founded on the strength and value of American opinions. Differences of opinion are essential for a functioning democracy, this is the backbone of the first amendment. America’s diversity depends on its multitude of voices, which have never been more important. Dialogue is the practice of democracy.

World history continuously tells the story of peace and power, as progress is gained and lost throughout time. Bertrand Russell was once asked what message he would give to future generations. He suggested the necessity of tolerance, humans must learn to live together.

Intolerance has existed not just in recent history, but as a driving force behind all wars. In the face of global insecurity, only the strengthening of democracy through reason and discussion, has the potential to prevent tyranny. For freedom and equality to exist, disparate voices must be heard. Why then has criticism of the war been so readily dismissed as anti-American?

And why are our celebrities so somnambulant? They have huge audiences and countless opportunities to make their voices heard, but they all seem to support this war. Are wars ever really as simple to understand as winning or losing? They are never simple, wars grow through misunderstandings; and democracy dies without dialogue. Yet many are still convinced this war has no peaceful solutions nor should there be.

The war could end today, without an endless cost of money and lives, if we would only send our best diplomats instead of our most deadly weapons. Putin has met and spoken with many mediators from several different countries, proof that a negotiation has been possible. Besides this, the war still could have been prevented months, if not years in advance. What will ever be won from a preventable war?

Rather than ponder the causes of the conflict, we have chosen instead to pledge ourselves to a dramatic victory, no matter how long it takes. This is not the sorely needed language of de-escalation. Another issue boiling on the surface of this predicament is an irrational fear of what may happen if we do not rush to declare war on an evil we assume will engulf the world. Freedom and democracy will not be saved by unnecessary violence. Fear should not dictate our decisions, especially if our own escalations will worsen this war.

For as much as it is convenient to view the war as one-dimensional, it is important that we remember the immortal words of Heinrich Heine about the burning of books, as relevant today as they were 200 years ago. Even differences in dialect have been enough to instigate animosity in the past. America is unique for its tolerance of many different languages. A poorly understood issue at the center of the war in Ukraine is that it is also a war of languages, which is baffling because Zelensky himself speaks Russian. Diplomacy therefore is needed more desperately than we are willing to realize.

The soul of America is in the voice of its people, in our opinions. We are sadly naive to believe that pacifism is misguided or unrealistic. It seems the lack of antiwar sentiment in America is probably due to our assumptions that we are educated on this war, but since there is no reasonable discussion about de-escalation and diplomacy, we are unfortunately not educated enough.

Edward Alvarez writes from San Diego.

US top officer: US is no longer unchallenged global power

“we can feel the light breeze in the air. We can see the storm flags fluttering in the wind. We can hear in the distance the loud clap of thunder. A hard rain is about to fall.”



2022-05-21 
Shafaq News/ 

US Army Gen. Mark Milley, chairman of the Joint Chiefs of Staff, painted a grim picture of a world that is becoming more unstable, with great powers intent on changing the global order. And he told graduating cadets at the US Military Academy at West Point that they will bear the responsibility to make sure America is ready.

“The potential for significant international conflict between great powers is increasing, not decreasing,” Milley said in prepared remarks. “Whatever overmatch we enjoyed militarily for the last 70 years is closing quickly, and the United States will be, in fact, we already are challenged in every domain of warfare, space, cyber, maritime, air, and of course land.”

America, he said, is no longer the unchallenged global power.

Instead, it is being tested in Europe by Russian aggression, in Asia by China’s dramatic economic and military growth as well as North Korea’s nuclear and missile threats, and in the Middle East and Africa by instability from terrorists.

Drawing a parallel with what military officials are seeing in Russia’s war on Ukraine, Milley said future warfare will be highly complex, with elusive enemies and urban warfare that requires long-range precision weapons, and new advanced technologies.

The US has already been rushing new, high-tech drones and other weapons to the Ukrainian military — in some cases equipment that was just in the early prototype phases. Weapons such as the shoulder-launched kamikaze and Switchblade drones are being used against the Russians, even as they are still evolving.

And as the war in Ukraine has shifted — from Russia’s unsuccessful battle to take Kyiv to a gritty urban battle for towns in the eastern Donbas region — so has the need for different types of weapons.

Early weeks focused on long-range precision weapons such as Stinger and Javelin missiles, but now the emphasis is on artillery, and increased shipments of howitzers.

And over the next 25 to 30 years, the fundamental character of war and its weapons will continue to change.

The US military, Milley said, can’t cling to concepts and weapons of old, but must urgently modernize and develop the force and equipment that can deter or, if needed, win in a global conflict. And the graduating officers, he said, will have to change the way US forces think, train and fight.

As the Army’s leaders of tomorrow, Milley said, the newly minted 2nd lieutenants will be fighting with robotic tanks, ships and airplanes, and relying on artificial intelligence, synthetic fuels, 3-D manufacturing and human engineering.

“It will be your generation that will carry the burden and shoulder the responsibility to maintain the peace, to contain and to prevent the outbreak of great power war,” he said.

In stark terms, Milley described what failing to prevent wars between great powers looks like.

“Consider that 26,000 US soldiers and Marines were killed in six weeks from October to November of 1918 in the Battle of the Meuse-Argonne in World War I,” said Milley. “Consider that 26,000 US troops were killed in the eight weeks from the beaches of Normandy to the fall of Paris.”

Recalling the 58,000 Americans killed in just the summer of 1944 as World War II raged, he added, “That is the human cost of great-power war. The butcher’s bill.”

Paraphrasing a Bob Dylan song, Milley said, “we can feel the light breeze in the air. We can see the storm flags fluttering in the wind. We can hear in the distance the loud clap of thunder. A hard rain is about to fall.”

A HARD RAINS GONNA FALL

Rep. Jim Clyburn says democracy is in 'danger of disintegrating' and the US is in 'danger of imploding'
Majority Whip James Clyburn speaks onstage during the 2022 John Lewis Foundation Inaugural Gala at The Schuyler at Hamilton Hotel on May 17, 2022 in Washington, DC. Brian Stukes/Getty Images

Rep. Jim Clyburn said the "country is in danger of imploding" during a Washington Post interview.

He also spoke about the Buffalo shooting and said it reminded him of the 2015 Charleston shooting.

The South Carolina Democrat said the US "refuses to admit" it has a racism problem.


Rep. Jim Clyburn said that the country is under threat of "imploding" in the aftermath of the racially motivated shooting in Buffalo on Saturday.

"The country is in danger of imploding," Clyburn told The Washington Post. "Democracy is in danger of disintegrating. And I don't know why people feel that this country is insulated from the historical trends. These trends are just clear to me."

In the interview, the House majority whip was asked about his thoughts on the Buffalo shooting, in which 10 people in a predominantly Black neighborhood were killed, as well as solutions for racism in the US.

Clyburn said the recent tragedy reminded him of the Charleston, NC, shooting, in which nine people in a Black congregation were murdered. The Charleston shooter, like the Buffalo shooter, was inspired by white supremacist ideology.

"And you know it's just a mystery to me that we've become so tolerable of these kinds of incidents," Clyburn said. "It seems as if they were just supposed to happen then you go and wait for the next one to happen. And they're going to keep happening."

He also said that the country refuses to acknowledge racism, which makes it difficult to put together legislation in response to acts of hate.

In 2021, Clyburn sponsored the Enhanced Background Checks Act and co-sponsored the George Floyd Justice in Policing Act in the House, both of which were blocked by the GOP.

"No problem can be solved until you first admit that the problem exists," Clyburn said. "And we still refuse to admit that we have a race problem in this country. And it's been there for over 400 years."
Palestinian teen killed in Israeli raid in occupied West Bank

Amjad al-Fayyed, 17, was killed after an Israeli raid in the occupied West Bank city of Jenin.

Local media reported confrontations erupted outside Jenin’s refugee camp when Israeli forces stormed the area [File: Mohammed Ballas/AP]

Published On 21 May 202221 May 2022

Israeli troops shot and killed a teenage Palestinian boy as they raided the northern city of Jenin in the occupied West Bank, the Palestinian health ministry and local media said.

The health ministry identified the dead teen as Amjad al-Fayyed, 17. It said an 18-year-old Palestinian was in a critical condition after being wounded by Israeli gunfire.

“A 17-year-old boy was killed and an 18-year-old was critically wounded by the Israeli occupation’s bullets during its aggression on Jenin,” the ministry said in a statement.

Local media reported confrontations erupted outside Jenin’s refugee camp when Israeli forces stormed the area, and al-Fayyed was hit by about a dozen rounds fired into the upper part of his body.

The Israeli military said Palestinian suspects fired on its soldiers and threw fire bombs at them. “The soldiers responded with live fire toward the suspects. Hits were identified,” the military said.

It was not immediately clear whether the teen killed was one of those suspects.

The Palestinian Islamic Jihad group described the teenager as one of its members and said he had taken part in the fighting against the Israeli soldiers. Photos circulated on social media showed him holding a rifle.

A hub of armed Palestinian groups, the Jenin area has been repeatedly raided by Israeli forces since a wave of attacks in late March, with many of the perpetrators coming from there. Operations to track down suspects and clashes with Palestinians have often turned deadly for both sides.

Relatives of 17-year-old Palestinian Amjad al-Fayed wait to see his body outside a hospital morgue in the occupied West Bank city of Jenin [Jaafar Ashtiyeh/AFP]

‘Thorough and transparent’ investigation

Palestinian Prime Minister Mohammad Shtayyeh condemned the killing.

“We warn against the consequences of the occupation’s continued crimes against our people. We urge the international community to condemn them and hold the perpetrators accountable,” Shtayyeh said in a statement.

Immediately after the announcement of al-Fayyed’s killing, a march began in front of Ibn Sina Hospital in the city, in which mourners carried his body on their shoulders and roamed the streets.

The number of Palestinians killed in Jenin since the beginning of 2022 has reached 20.

Israel says it carries out “counterterrorism activities” to detain wanted fighters and planners of recent deadly attacks in the occupied West Bank and Israel.

On May 11, Shireen Abu Akleh, a veteran Palestinian-American journalist for Al Jazeera Media Network was killed by Israeli forces while covering an Israeli raid in Jenin. Israel accused Palestinian fighters of firing at the journalist but backtracked later.

On Thursday, the Israeli military announced it will not conduct an investigation, saying a probe that treats Israeli soldiers as suspects will lead to opposition within Israeli society.

The US State Department renewed calls for a “thorough and transparent” investigation, but stopped short of calling for an independent probe.

KEEP READINGl

 


Israeli forces kill Palestinian teen during clash, group says

Walid Al-Omari, Al Jazeera’s Palestine bureau chief, holds the flak jacket that Al Jazeera reporter Shireen Abu Akleh was wearing when she was killed during an Israeli raid in Jenin, in the Israeli-occupied West Bank May 11, 2022. ― Reuters pic

Saturday, 21 May 2022 3:18 PM MYT

RAMALLAH, West Bank, May 21 ― Israeli forces shot and killed a 17-year-old Palestinian youth in clashes in the occupied West Bank city of Jenin on Saturday, the Palestinian Islamic Jihad group said.

The Israeli military said Palestinian suspects fired on its soldiers and threw fire-bombs at them. “The soldiers responded with live fire toward the suspects. Hits were identified,” the military said.

It was not immediately clear whether the teen killed was one of those suspects. The Palestinian Health Ministry confirmed his death.

The Palestinian Islamic Jihad group described the teen as one of its members and said he had taken part in the fighting against the Israeli soldiers. Photos circulated on social media showed him holding a rifle.

Palestinian Prime Minister Mohammad Shtayyeh condemned the killing. “We warn against the consequences of the occupation’s continued crimes against our people. We urge the international community to condemn them and hold the perpetrators accountable,” Shtayyeh said in a statement.

Israel has stepped up its incursions in the Jenin area since late March, following a string of deadly attacks in its cities, some of which were carried out by Palestinians from Jenin, which is considered a militant stronghold.

The Palestinian Authority regularly condemns Israeli raids in Palestinian cities and villages.

The Israeli operations have often sparked clashes. At least 46 Palestinians, around a quarter of them in Jenin, have been killed by Israeli forces or armed civilians since the beginning of the year. The casualties include armed members of militant groups, lone assailants and bystanders.

On May 11, Shireen Abu Akleh, a Palestinian-American and a veteran reporter for the Qatari-based Al Jazeera TV network, was shot dead in Jenin during an Israeli raid, in an incident that has drawn international concern. An Israeli soldier was killed in clashes there two days later.

The Palestinians accuse Israel of assassinating Abu Akleh and have called for an international response. Israel has denied targeting her, saying she may have been shot accidentally by a soldier or a Palestinian gunman as they exchanged fire.

Since March, Palestinians and members of Israel’s Arab minority have killed 18 people, including civilians, police officers and a security guard in Israel and West Bank. ― Reuters
WHAT TESLA CAN'T DO
Nissan and Mitsubishi unveil EV cars priced at less than $15,000

Manufacturers hope they will cater to Japan's fast-growing 'kei-car' segment



A Nissan Sakura electric vehicle (left) and a Mitsubishi eK X EV at the Mitsubishi Motors Mizushima plant in Kurashiki, Okayama Prefecture, Japan. Bloomberg

Bloomberg
May 20, 2022

Nissan Motor and Mitsubishi Motors have unveiled two new electric mini vehicles, betting consumers will embrace a battery-powered take on the well-loved class of tiny, affordable Japanese cars.

Marking a key push into a less-served part of the EV market that could help spur wider adoption, the chiefs of the car makers took the wraps off Nissan’s Sakura and Mitsubishi’s eK X EV on Friday.

The boxy EVs are set to go on sale in Japan this summer, at a starting price of less than $15,000
 .
The interior of a Mitsubishi eK X EV. Bloomberg

Small and affordable “kei” mini vehicles are a popular means of transportation in Japan, especially among workers and families living outside major cities, where roads are narrow and public transport is sparse.

In 2020, they made up more than a third of new passenger car registrations in Japan.


“What Nissan and Mitsubishi are doing, this is the way it should be,” said Takeshi Miyao, an analyst at automotive consultancy Carnorama, referring to their alliance that also includes Renault, and which has been strained in recent years.

“This technology is going to be beneficial for the alliance.”

As Japan’s government pushes for the country to go net-zero emissions by 2050, the kei-car segment has been highlighted as one that’s especially difficult to electrify.

Industry officials have warned adding batteries to kei cars could push their prices out of traditional buyers’ reach

.
A Nissan Sakura electric vehicle at the Mizushima plant in Kurashiki, Okayama prefecture, Japan. Bloomberg

The cost of buying kei EVs should eventually fall to less than 1.5 million yen ($11,700), according to Mr Miyao. Nissan and Mitsubishi’s joint models get pretty close. After subsidies, both cars start at around 1.8m yen.

While that’s on the expensive side for the category, Japanese car makers have been nudging prices higher in recent years, as they’ve added more features and safety technology.

Tesla for $25,000? New Panasonic battery set to cut cost of electric cars

The vehicles developed by the car makers’ NMKV joint venture are fitted with small 20 kilowatt-hour batteries, giving them “enough cruising range to meet daily needs", Nissan chief executive Makoto Uchida said at an event in Okayama, in Chugoku region.

“I hope many customers will be able to experience the benefits electric vehicles can offer.”

Other car makers — including Honda Motor and Daihatsu Motor, a unit of Toyota Motor — are crafting plans to roll out their own electric mini models within the next few years, which could accelerate Japan’s relatively slow embrace of EVs.

Updated: May 20, 2022









ICYMI HOORAY 
Decade of conservatism in Australia comes to an end with Labor set for victory

Labor's Anthony Albanese will be Australia's next prime minister. Photo: AP/Rick Rycroft.

Rod McGuirk
May 22 2022 02:30 AM

Australia’s centre-left Labour party has toppled the conservative government after almost a decade in power.

In his election victory speech, prime minister-elect Anthony Albanese promised sharper reductions in greenhouse gas emissions, while he also faces an early foreign policy test.

Prime Minister Scott Morrison said he had quickly conceded defeat despite millions of votes yet to be counted because an Australian leader must attended a Tokyo summit on Tuesday with US President Joe Biden, Japanese Prime Minister Fumio Kishida and Indian Prime Minister Narendra Modi.

Albanese, who has described himself as the only candidate with a “non-Anglo/Celtic name” to run for prime minister in the 121 years the office has existed, referred to his own humble upbringing in the Sydney suburb of Camperdown.

“It says a lot about our great country that a son of a single mom who was a disability pensioner, who grew up in public housing down the road in Camperdown, can stand before you tonight as Australia’s prime minister,” Albanese said.

“Every parent wants more for the next generation than they had. My mother dreamt of a better life for me.

“And I hope that my journey in life inspires Australians to reach for the stars.”

Albanese will be sworn in as prime minister after his party cli nched its first electoral win since 2007.

Labour has promised more financial assistance and a robust social safety net as Australia grapples with the highest inflation since 2001 and soaring housing prices.

The party also plans to increase minimum wages, while on the foreign policy front it has proposed to establish a Pacific defence school to train neighbouring armies in response to China’s potential military presence on the Solomon Islands, on Australia’s doorstep.

It also wants to tackle climate change with a more ambitious 43pc reduction in greenhouse gas emissions by 2030 and net zero emissions by 2050.

Morrison’s Liberal party-led coalition was seeking a fourth three-year term. It held the narrowest of majorities — 76 seats in the 151-member House of Representatives, where parties need a majority to form a government.

In early counting , the coalition was on track to win 51 seats, with Labour on 72. Ten went to independents and 18 were too close to call.

The major parties bled votes to fringe parties and independents, which increases the likelihood of a hung parliament and a minority government.

Australia’s most recent hung parliaments were from 2010-13, and during the Second World War.

The Australian Greens appear to have increased their representation from a single seat to three.

The Greens supported a Labour minority government in 2010, and will likely support a Labour administration again if the party falls short of a 76-seat majority.

As well as campaigning against Labour, Morrison’s conservative Liberals fought off a new challenge from so-called teal independent candidates to key government legislators’ re-election in party strongholds.

At least four Liberals appeared to have lost their seats to teal independents, including Liberal Party deputy leader Josh Frydenberg, who had been considered Morrison’s most likely successor.

“What we have achieved here is extraordinary,” teal candidate and former foreign correspondent Zoe Daniels said in her victory speech.

“Safe Liberal seat. Two-term incumbent. Independent,” she added.

The teal independents are marketed as a greener shade than the Liberal Party’s traditional blue colour and want stronger government action on reducing Australia’s greenhouse gas emissions than either the government or Labour are proposing.

The government’s senate leader Simon Birmingham was concerned by big swings toward several teal candidates.

“It is a clear problem that we are losing seats that are heartland seats, that have defined the Liberal Party for generations,” Birmingham said. “T here is clearly a big movement against us.”

Due to the pandemic, around half of Australia’s 17 million electors have voted early or applied for postal votes, which will likely slow the count.
Animal Welfare Campaigners Celebrate as Fate Is Sealed for UK’s Most Notorious Reptile Market

The Animal Protection Agency (APA) is today celebrating a historic breakthrough in ending illegal market trading of exotic animals.





May 21, 2022 
by Animal Protection Agency Foundation

The Animal Protection Agency (APA) is today celebrating a historic breakthrough in ending illegal market trading of exotic animals. This follows an announcement by Doncaster Council that Doncaster Racecourse – the venue for the largest UK reptile market – will no longer host the events after their contractual obligations end, with the final event taking place on 19 June 2022; although the Council is continuing investigations into “a number of instances” on compliance and enforcement.

The hard work and conscientious commitment of supportive Councillors has ensured that reptile markets no longer have a place in Doncaster.

Reptile market organisers planned four events for 2022, the first of which took place on 3rd April. At every event investigated by APA during a long-running campaign, evidence was recorded that it considered to show unlawful animal trading, as well as widespread animal suffering. Throughout the event’s history, many thousands of sensitive wild animals have been treated like inanimate commodities – displayed and sold in small, plastic takeaway tubs. APA has worked, over several years, with English and Welsh councils to clamp down on reptile markets and as a result, the Doncaster reptile market was the last of its kind in the UK.

APA greatly appreciates the time that Council Officers have taken to examine the evidence provided to them, and will continue to offer further assistance if needed. The hard work and conscientious commitment of supportive Councillors has ensured that reptile markets no longer have a place in Doncaster. APA also acknowledges the vital role played by World Animal Protection in bringing this issue to the public’s attention. Their campaign led to the Council being inundated with letters about the event, which ultimately helped to finish one of the largest reptile markets in Europe.

Says Cllr David Shaw, Chair of Doncaster Council’s Licensing Committee:
“I’m grateful for the work put in by the Animal Protection Agency over many years, which has brought us to this current position. APA has worked tirelessly and professionally to end potentially illegal trading. Whilst I accept that many exotic animal keepers care for their animals, I find this business abhorrent and something that should not take place in the UK – and certainly not in Doncaster.”



Says Dr Clifford Warwick, Reptile Biologist:
“In my view, the reptile markets at Doncaster have for years been a blight on the welfare of these wild animals, which are now well accepted to be highly sensitive to the kind of restrictive captive conditions and deprivations that are absurdly endemic to selling pets via makeshift stalls. The Animal Protection Agency, Doncaster Council, and the venue managers deserve high praise for their commitments to safeguarding animal welfare and mirroring the public conscience, which strongly rejects abusive treatment of wild animals for spurious reasons.”

Says, APA Director, Elaine Toland:
“We are delighted to see this event coming to an end. No animal deserves such maltreatment, and we are now closer than ever to completely eradicating wild animal markets in the UK.”

Trading in pet animals at market stalls was outlawed almost forty years ago on the grounds that animal welfare cannot be ensured in temporary and makeshift environments.For more information, images or footage, please contact Elaine Toland on 01273 674253 or out of hours on 07986 535024

Press release distributed by Pressat on behalf of Animal Protection Agency Foundation, on Thursday 7 April, 2022. For more information subscribe and follow https://pressat.co.uk/