Content warfare, AI slop and 80s French hits: Is Iran out-trolling Donald Trump?

Iran has been turning Donald Trump’s own communication tactics against him with a series of AI-generated videos which have taken the internet by storm. A recent example features a cover of a French hit from the 80s and has raked up more than 8 million views since its publication...
Welcome to the age of online content warfare. We’d rather be in any other timeline.
Ever since Donald Trump launched the war on Iran with joint US-Israeli airstrikes on 28 February, Iran has trolled the White House with a barrage of AI-generated propaganda videos.
These clips have featured Lego-style figurines, “LOSER” and “Get lost Goldilocks” slogans over gangster rap beats, Trump as Captain Jack Sparrow in a new feature film presented by “Pedoflix”... It's seemingly never-ending slop designed to give Trump a taste of his own medicine.
Indeed, Trump has heavily relied on AI-generated visuals and pop culture pilfering antics to ridicule his political adversaries and marginalised groups – something Kurt Sengul, a researcher at Macquarie University in Australia, ferred to as “memetic warfare” when speaking to Euronews Culture.
The troller-in-chief has shared rage-baiting videos and images of himself as the next Pope, a jedi, Superman, a king dumping feces over protesters and Jesus – a recent image which has drawn criticism from his own MAGA base to prominent members of the Catholic Church.
Now, he’s being hoisted with his own AI-sloppetard, courtesy of a group of pop culture savvy activists creating satirical content which is resonating online, judging by the millions of views.
The X page for Explosive Media, subtitled “Iranian Lego-style animation team. Fast, Instant, Explosive”, produce their Trump-trolling efforts which speak to a huge audience. In their propaganda videos, they demonstrate their literacy when it comes to Western cultural references and aesthetics.
Some are irked by this 21st century online warfare, as the videos make light of a real war with immense loss of lives; some official government accounts have shared these AI videos, responding in kind to the White House posting a video of real American attacks spliced with clips from movies and video games.
The most recent example is an AI-generated, 80s-style music video shared by the Iranian embassy in South Africa, featuring Donald Trump singing about the Strait of Hormuz blockade - all soundtracked to a cover of the 1989 hit song ‘Voyage, voyage’ by French singer Desireless.
The video, mocking the blockade of the Strait of Hormuz ordered by a mullet-sporting Trump, is titled ‘Blockade, blockade’. It features lyrics like “I will never give you up / The Strait of Hormuz must be shut” and “Blockade, blockade / I thought this was easy-peasy / Now MAGA & Melania leave me / Surrender is beneath me.”
As of writing, it has racked up 8.6 million views, showing that this trolling communication strategy is depressingly effective.
Once again, videos like these mirror the style of those shared by the White House and Trump on Truth Social, and show that Iran has understood its adversary. At least understood how attention economy works.
A sad indictment of modern geopolitical communication? Without a doubt.
Has Trump been completely outmanoeuvred in the trolling wars he started? At least, he’s been matched.
As for the ‘Voyage, voyage / Blockade, blockade’ video, Desireless singer Claudie Fritsch-Mentrop has spoken out, and she’s not best pleased at being cast as a propaganda tool.
“I've had it all,” she told French broadcasters BFMTV, adding: “I refuse to let anyone use my song without my consent, let alone politicians.”
The less said about the fact that those behind the video probably didn’t pay royalties, the better.
The slopaganda wars continue... And if anyone knows the entrance to the alternative dimension poet ee cummings was referring to when he wrote “there's a hell of a good universe next door; let's go”, do share.
One expert said the videos have gone viral by “hitting on points of disaffection in the United States.”

A Lego-style animated video posted by the Iranian company Explosive Media mocks US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu on March 7, 2026.
(Screenshot from a video by Explosive Media)
Stephen Prager
Apr 14, 2026
COMMON DREAMS
Iran’s foreign ministry is accusing YouTube of trying to “suppress the truth” by banning the account responsible for a series of viral Lego-style animations mocking the US-Israeli war.
The small team known as Explosive Media has racked up tens of millions of views across several platforms, with slickly produced music videos mercilessly lampooning the Trump administration and glorifying Iran’s struggle against the US and Israel’s attacks that began at the end of February.

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Last week, Explosive Media had its channel suspended from YouTube for “violent content,” which its owners disputed. “Are our LEGO-style animations actually violent?” the group asked on social media.
On Monday, Esmaeil Baghaei, the spokesperson for Iran’s Ministry of Foreign Affairs, joined the criticism of the ban.
“In a land that proudly hosts Pixar, DreamWorks Animation, and The Walt Disney Company, an independent animated YouTube channel—which had organically grown by depicting US aggression and warmongering, and garnered millions of viewers—was abruptly shut down!!” he wrote on social media.
“Why?!” Baghaei said. “Simply to suppress the truth about their ‘illegal war’ on Iran and shield the American administration’s false narrative from any competing voice.”
While Explosive Media’s content can no longer be viewed on YouTube—which is owned by Google—it appears unaffected on other major platforms like Instagram, X, and TikTok, where it has garnered millions of views.
The videos appear aimed at a US audience, often leaning into jokes and memes about the personal foibles of those leading the war.
They frequently reference the familiar accusation that President Donald Trump launched the war to distract from the growing scrutiny of his connections to the late multimillionaire sex criminal Jeffrey Epstein. Another video takes aim at Defense Secretary Pete Hegseth’s history of alcoholism and accusations of serial adultery and sexual misconduct.
The videos also portray a strident pro-Iran message. Following the announcement of a ceasefire last week, a video declared that “Iran won” the war. Others have shown Iranian missiles hitting the White House or heading toward Tel Aviv.
The videos also seize on growing domestic outrage over the US government’s devotion to Israel, which it implies is controlling Trump and dragging the US into a war against its interests. One video, uploaded last week, portrays Trump being literally walked like a dog by Israeli Prime Minister Benjamin Netanyahu.
“Your government is run by pedophiles. They ordered you to die for Israel,” repeats one video’s chorus.
A spokesperson for the team, who identified himself as “Mr. Explosive” in an interview with the BBC, has described his group as “totally independent.” But he did say that the Iranian government is a “customer,” implying possible collaboration.
Explosive Media has denied any links with the Iranian government. Responding to a journalist at The Associated Press who said the sophistication of the videos suggests government involvement, the group’s official X account replied, “We’ve told you—and other journalists—multiple times that we are independent. Yet you keep repeating the same false claim, insisting that we are connected to the government.”
It added: “Western media shows no real commitment to truth—they simply repeat their own baseless claims until they start to sound like facts.”
While the Trump administration often portrays the war as a clash of civilizations, the videos posted by Explosive show the American people in a sympathetic light.
Though the videos pull no punches toward their leaders, ordinary Americans are portrayed protesting the Trump administration or fearful about being sent to fight in a foreign war by an administration that promised to end such conflicts.
Polls show that the majority of Americans disapprove of the war and fear it escalating. Moustafa Ayad, a researcher with the Institute of Strategic Dialogue, told WIRED that the videos have likely gotten so much attention because they tap into this discontent.
“People are disengaging from some of the real conflict content and looking for something that can distill what’s happening quickly and in a language and tone that they understand, and that’s what those Lego videos are doing,” he said. “They’re making it easily accessible to understand the conflict from Iran’s point of view, and it’s hitting on points of disaffection in the United States at the same time. It’s working on two fronts.”








