Friday, April 24, 2026

 

War, satire & resistance: Peabody Awards 2026 winners revealed

Peabody Awards 2026
Copyright Yabayay Media / Antipode films - Apple TV - ZDF/Arte

By Mohammad Shayan Ahmad
Published on 

From 'Adolescence' and 'Pluribus' to Gaza war reporting, the 2026 Peabody winners highlight storytelling that prioritises impact over ratings, spanning entertainment, documentary and public service.

The winners of the 86th annual Peabody Awards have been announced, spotlighting a wide spectrum of storytelling, from late-night satire to urgent reporting from conflict zones.

A total of 34 winners were selected from more than 1,000 entries, following deliberations by a jury of industry professionals and scholars, underscoring the scale and competitiveness of the awards.

Established in 1940, the Peabodys honour stories that prioritise public impact and cultural significance across television, radio, podcasts and digital media, often looking beyond ratings to recognise work that has a tangible impact on society.

This year’s winners reflect that range.

In entertainment, titles such as AdolescenceJimmy Kimmel Live! and Pluribus were among those recognised.

The awards leaned into urgent global issues, with projects such as Fault Lines: Kids Under FireThe Disappearance of Dr. Abu Safiya and _The Rise and Fall of Terrorgram -_all recognised for their reporting on Gaza and online extremist networks, as well as investigations into immigration crackdowns and ICE operations.

In the documentary category, among the winners was the Oscar-winning Mr Nobody Against Putin. Based on secretly recorded footage by school teacher Pavel Talankin, who exposes how the Putin administration aims to indoctrinate schoolchildren in the aftermath of Russia’s invasion of Ukraine, this powerful piece of filmmaking has been recognised across the European documentary circuit for its political reporting. Last month, a Russian court banned the distribution of the award-winning documentary, after authorities claimed the film promoted “negative attitudes” about the government and the war in Ukraine.

Among other winners were No Other Land, which previously won the Academy Award for Best Documentary Feature in 2025, and The Alabama Solution, which received a 2026 Goldsmith Special Citation for Documentary Film.

The awards underline the global reach and prior acclaim of this year’s winners.

“The winners of the 86th annual Peabody Awards reflect Peabody’s mission to honor storytelling that has the potential to change culture, whether it’s examining the destructive tactics of ICE, viewing terminal illness through a deeply personal lens, or resisting attempts to stifle free speech,” said Jeffrey Jones, executive director of Peabody. “We look forward to recognizing and celebrating these winners.”

The 86th annual Peabody Awards winners will be recognized with a ceremony at the Beverly Wilshire Hotel on 31 May.

Here is the full list of winners:

News

  • Fault Lines: “Kids Under Fire” (Al Jazeera English)
  • Fault Lines: “The Disappearance of Dr. Abu Safiya” (Al Jazeera English)
  • The Rise and Fall of Terrorgram (FRONTLINE/ProPublica)
  • 60 Minutes: “The Uvalde Response” (CBS News)
  • PBS NewsHour: “America’s Child Care Crisis” (PBS)
  • Reuters: “Myanmar’s Hidden War”

Entertainment

  • Adolescence
  • Jimmy Kimmel Live!
  • The Pitt
  • Heated Rivalry
  • Andor
  • Pluribus
  • Reservation Dogs
  • Somebody Somewhere

Documentary

  • Mr. Nobody vs Putin
  • No Other Land
  • Come See Me in the Good Light
  • The Alabama Solution
  • 20 Days in Mariupol
  • Beyond Utopia

Interactive and immersive / digital storytelling

  • South of Midnight
  • Additional investigative and immersive projects

Children’s and youth / arts / podcast-radio / public service

  • Multiple winners across categories spanning educational, cultural and public-interest storytelling

Harrowing image of children clinging to detained father named World Press Photo of the Year

'Separated by ICE', taken by Carol Guzy Credit: Carol Guzy/World Press Photo 2026/Zuma Press


By Theo Farrant
Published on 


The image, showing two young girls clinging to their father as he is detained in New York, was chosen from over 57,000 entries.

The World Press Photo Foundation has announced its 2025 Photo of the Year, awarding the top prize to a powerful and deeply distressing image that captures the human impact of U.S. immigration enforcement.

Titled Separated by ICE, the photograph was taken by independent photojournalist Carol Guzy inside New York’s Jacob K. Javits Federal Building. It captures the moment two young girls cling desperately to their father, Luis, an Ecuadorian migrant, as he is detained by immigration authorities.

According to his family, Luis has no criminal record and was the sole provider for the household. His wife, Cocha, and their three children - aged seven, 13 and 15 - were "left inconsolable, facing immediate financial hardship and profound emotional trauma."

Shot for the Miami Herald in August 2025, it was selected from 57,376 entries submitted by more than 3,000 photographers worldwide. Judges praised the winning photo's raw emotional intensity and said it "serves as a witness to a policy that has turned courthouses into sites of shattered lives."

Global jury chair Kira Pollack described the image as a stark record of reality: "The Photo of the Year is evidence. It's proof, and it's a record of ground zero where a family is being separated and a father is being detained and taken away. And it's the moments before the unknown. This is a record of, quite literally, a disappearance."

She added: "This picture is chaotic. It's terrifying. It captures a very genuine expression of fear, terror, uncertainty and powerlessness. And what brings me into the picture, of course, are the daughters’ faces, trying to keep their father from being torn away. It allows us to look in. We cannot unsee it."

Guzy, who has spent years documenting the effects of immigration policy on families, said in a statement: "This photo should be painful to view, and I hope it stirs people out of any sense of complacency. This award highlights the critical importance of this story worldwide."

She added: "We bear witness to the suffering of countless families, but also to their grace, and resilience that transcends adversity and it's been quite humbling. Their courage to open up their lives to our cameras has allowed us to tell their stories. And certainly this award belongs to them, not me."

BEST PROTEST SONG OF ALL TIME

Thunderclap Newman was a British rock band that Pete Townshend of the Who and Kit Lambert formed in 1969 in a bid to showcase the talents of John "Speedy" Keen, Jimmy McCulloch, and Andy "Thunderclap" Newman. Their single, 

"Something in the Air", a 1969 UK number one hit, remains in demand for television commercials, film soundtracks and compilations. The band released a critically acclaimed rock album, Hollywood Dream, and three other singles (which appeared on the album), "Accidents", "The Reason" and "Wild Country". 

From 1969 until 1971, the nucleus of the band consisted of the songwriter John "Speedy" Keen (vocals, drums, guitar), Andy "Thunderclap" Newman (piano) and Jimmy McCulloch (guitar). Pete Townshend (using the alias "Bijou Drains") played bass guitar on their album and singles, all of which he had recorded and produced at the IBC Studio and his Twickenham home studio. 

The band augmented its personnel during its tours: in 1969 with James "Jim" Pitman-Avery (bass guitar) and Jack McCulloch (drums); and in 1971 with Ronnie Peel (bass guitar) and Roger Felice (drums). The band folded in April 1971 but was resurrected by Andy Newman with a new group around 2007. 

Singing truth to power: The best protest songs of the past 10 years

Singing truth to power: The best protest songs of the past 10 years
Copyright AP Photo - Canva

By David Mouriquand
Published on 

Musicians have always harnessed the power of music to protest war, inequality and oppression, in the aim of promoting positive change. Euronews Culture delves into the best protest songs of the last decade.

WARNING: This article contains language some may find offensive.

“All of that art-for-art’s-sake stuff is BS. What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. And the ones that try hard not to be political are political by saying, ‘We love the status quo’.” - Toni Morrison -

Despite what some may very foolishly claim, culture and politics do go hand in hand. Art in all its forms is a mirror held up to the world, reflecting the troubled times we live in.

Music has seen its fair share of rebellion and resistance through protest songs, with musicians using their craft as tool to denounce, empower, motivate and inspire change

From Aretha Franklin to Rage Against The Machine, via Nina Simone, Fela Kuti, Bob Marley, Marvin Gaye, Bob Dylan, NWA, Public Enemy, Dead Kennedys, The Clash and Bikini Kill (to name but a few), the tradition of artists releasing politically and socially engaged songs is nothing new.

Those who declare that the age of the protest song peaked in the 1970s are not paying enough attention: the art of the protest song is alive and well today, with artists like System Of A Down, Run The Jewels, Kendrick Lamar and Fontaines D.C. continuing to voice their dissent in song. Only this year, we’ve had Bruce Springsteen releasing ‘Streets Of Minneapolis’, a protest song denouncing “King Trump and his private army” following the killing of Alex Pretti and Rennee Good by ICE agents; U2 putting out two politically charged EPs; and Massive Attack teaming up with Tom Waits to release one of the most powerful protest anthems of the 21st century.

Can music change the world? It certainly can awaken consciousness and empower those who do pay attention.

Here is our non-exhaustive list of the most impactful protest songs of the past 10 years – art from those who believe that music does have the power to change things for the better.

Beyoncé & Kendrick Lamar – Freedom (2016)

Ever since its release in 2016, this gospel-rock song has become an anthem for various social and political movements – most notably for the 2020 George Floyd protests and Kamala Harris’ 2024 presidential campaign. It’s a song about discrimination and prejudice, one which opposes oppression in all its forms. When Beyoncé sings: “I can’t move”, the line echoes “I can’t breathe” - Eric Garner’s final words before being choked to death by the police. According to a 2020 New York Times investigation, those three words were used by more than 70 people who died in US police custody.

Key lyrics: “Freedom / Freedom / I can't move / Freedom, cut me loose”

Pussy Riot – Putin Lights Up The Fires (2016)

Russian feminist punk rock collective Pussy Riot have revolted against oppression, homophobia, sexism, and were one of the first groups to take aim at Vladimir Putin. Many of their songs call out Putin (‘Organs’ and ‘Putin Has Pissed Himself’ spring to mind), and ‘Putin Lights Up The Fires’ stands out as a punk anthem that Bikini Kill would have been proud of. More impressively, the collective has made it abundantly clear that even in the face of jail sentences, staying quiet is not an option.

Key lyrics: (Translated) "The country is going to the streets with audacity / The country is going to say goodbye to the regime / The country is a wedge of feminists / And Putin is going"

Kae Tempest – Europe Is Lost (2016)

In ‘Europe Is Lost’, Kae Tempest creates a sharp and hard-hitting call to arms. It’s a cry to end apathy and “thoughts and prayers” armchair activism. Faced with the chaos of the world, they call out hard truths as well as our hypocrisy when confronted with despair happening right in front of us. It’s a perfect companion piece to their 2019 song ‘People’s Faces’ - a heart-ripping track about broken Britain, the ills of Brexit and the solace that can be found in people’s faces

Key lyrics: “Meanwhile the people were dead in their droves / And no, nobody noticed / Well, some of them noticed / You could tell by the emoji they posted”

Anohni – Drone Bomb Me (2016)

A powerful yet delicate song dealing with geopolitics, drone warfare, and the destruction of humanity, 'Drone Bomb Me' is an ode to a young Afghani girl whose family has been killed. The song chronicles how she now wants the same fate. It features on the aptly titled album 'Hopelessness', which also contains the song ‘4 Degrees’ - an engaged track about our hypocrisy when faced with climate change.

Key lyrics: “Drone bomb me / Blow me from the mountains / And into the sea”

Nadine Shah – Out The Way (2017)

Featuring on her politically charged third album ‘Holiday Destination’ (the follow-up to the gorgeous ‘Fast Food’), ‘Out The Way’ deals with nationalism and the right wing demonisation of immigrants. Shah, a second generation immigrant herself, manages to make her confrontational songs both powerful and melodically stunning, calling out dehumanisation in the most meaningful of ways.

Key lyrics: “You say "Out the way! Out the way! Out!" / Where would you have me go? / I'm second generation, don't you know?”

Hurray For The Riff Raff – Pa’lante (2017)

Derived from the Spanish phrase "para adelante" ("onwards"), this song – the penultimate track on the must-hear ‘The Navigator’ - is Alynda Segarra’s rousing call to perseverance. The singer, of Puerto Rican heritage, calls out the systemic oppression and cultural erasure of Puerto Ricans. It’s a cry for hope in the face of economic, cultural and environmental damage, and it also happens to be utterly mesmerising. If ever you have the opportunity to see Hurray For The Riff Raff live, there’s a chance the set closer will be ‘Pa’lante’. Prepare to get goosebumps.

Key lyrics: “Colonized, and hypnotized, be something / Sterilized, dehumanized, be something / Well, take your pay / And stay out the way, be something / Ah, do your best / But fuck the rest, be something”

Kneecap – C.E.A.R.T.A. (2017)

Irish rappers Kneecap released their first single in 2017, the title meaning “rights”. The story goes that a band member and his mate spray painted the word on a bus stop. When arrested by the police, the “peelers” made them spend a night locked up after refusing to speak English. The incident is documented in the song, as well as in the fantastic film Kneecap. ‘C.E.A.R.T.A’ was banned by certain radio stations, but that didn’t stop the track from putting the band on the map. It didn’t hurt that the song’s popularity coincided with the push for the Irish Language Act in the British parliament – which aimed to officially recognize and protect the Irish language.

Key lyrics: (Translated) “I don't give a fuck about any Garda / A lit joint, I'm too fast / You won't see me standing too long”

Childish Gambino – This Is America (2018)

Donald Glover, performing under Childish Gambino, released this catchy but politically charged song in 2018. It addresses Black life in America, calls out entrenched racism and opposes the violence that decries from prejudice. These themes are best heard and seen in the arresting music video, which is symbolically-loaded. With every year that passes in the US, its message continues to grow as a pertinent state of the union.

Key lyrics: “This is America / Don't catch you slippin' now / Look at how I'm livin' now / Police be trippin' now”

Angèle – Balance Ton Quoi (2019)

In the wake of the #MeToo movement (#BalanceTonPorc in French - ‘Squeal on your pig’), Belgian singer Angèle released a candid track which commented on the misogyny that women are faced with in daily life. Her lyrics denounce how women are still being treated as inferior citizens, and the cover for the single saw Angèle wearing a t-shirt that read: “Women need more sleep than men because fighting the patriarchy is exhausting.”

Key lyrics: (Translated) “People say to me, implicitly: ‘For a pretty girl, you're not that dumb’ / ‘For a funny girl, you're not that ugly’ / ‘Your parents and your brother help, they must be useful”

H.E.R. - I Can’t Breathe (2020)

H.E.R. won the Grammy for Song of the Year and the MTV Video Music Award for Video For Good for ‘I Can’t Breathe’ - a mournful track that calls for change in the face of repeated tragedy. The title and the lyrics refer to police brutality and the institutionalised racism at the heart of the US. It’s an eloquent and direct protest song, matched by its music video, which shows footage of different marches around the world protesting police violence and racism. The video also pays tribute to victims of police brutality by naming victims, including George Floyd, Ahmaud Arbery and Philando Castile.

Key lyrics: “All of the names you refuse to remember / Was somebody’s brother, friend / Or a son to a mother that’s crying, saying / I can’t breathe, you’re taking my life from me”

Run The Jewels – A Few Words For The Firing Squad (Radiation) (2020)

Run The Jewels have never shied away from making a powerful political statement, and this final song on their stellar fourth album ‘RTJ4’ is another example of their dexterous lyricism and engaged spirit. It's a fiery condemnation of oppression and a call for society to evolve, with the track’s title referring to the tradition of the final words before an execution. The words ‘firing squad’ heavily imply that the person is about to be killed by a repressive regime. Many of the lyrics allude to past protest songs, including the line about bodies hung like “strange fruit” - a callback to Billie Holiday’s civil rights song about the lynching of Black people in the US.

Key lyrics: “This is for the do-gooders that the no-gooders used and then abused / For the truth tellers tied to the whippin' post, left beaten, battered, bruised / For the ones whose body hung from a tree like a piece of strange fruit / Go hard, last words to the firing squad was, "Fuck you too"

Fiona Apple – Under The Table (2020)

The incomparable Fiona Apple has long called out sexist behaviours, complex social relationships and gender inequalities in her songs. In 2017, she even released an anti-Trump song, ‘Tiny Hands’, in honour of the Women’s March on Washington. Three years later, she gave us her masterpiece, the LP titled ‘Fetch The Bolt Cutters’, which featured haunting songs about refusing to stay silent and the possibility of liberation after abuse. ‘Under The Table’ is one of these songs – a passionate call for rejecting the social and cultural expectations routinely imposed on women.

Key lyrics: “Kick me under the table all you want / I won't shut up / I won't shut up”

Bob Vylan – We Live Here (2020)

“This place has got so ugly / But this is my fucking country / And it’s never been fucking lovely.” This intense track from controversial British punk-rap duo Bob Vylan was released during the summer of the Black Lives Matter protest, and takes a wrecking ball to the archetypical depictions of Britain as a supposedly tolerant nation. It paints the picture of a country that is broken and still plagued by racial abuse.

Key lyrics: “Strong black man in the making / Hated by the place I was made in / This country is finished, but they're proud to be British / Who are they kidding?”

Shervin Hajipour – Baraye (2022)

In 2022, Iranian singer Shervin Hajipour shared his song ‘Baraye’ with the world via an Instagram post. The song was recorded in response to the protests ignited by the tragic death of Mahsa Amini, the 22-year-old woman who was arrested by Iran’s morality police for allegedly not wearing her hijab properly. She died from injuries sustained during her incarceration. ‘Baraye’ became an anthem for the Woman, Life, Freedom protest movement. The powerful song made history in 2023 for becoming the first winner of the new Grammy category ‘Best Song for Social Change’. Announcing the winner, then-US First Lady Jill Biden described the song as a “powerful and poetic call for freedom and women’s rights.” A year later, Hajipour was sentenced to 3 years and 8 months for "encouraging and provoking the public to riot to disrupt national security". Thankfully, he received a pardon.

Key lyrics: (Translated) “For the tired and sleepless nerves / For men, homeland, eternity / For the girl who wanted a boy / or woman, life, freedom / For freedom / For freedom”

Fontaines D.C. - I Love You (2022)

Like Kneecap, Irish post-punkers Fontaines D.C. have continued to express their anger at modern day politics and the fresh scars of history, as well as their solidarity for Palestinians facing genocide. Described by frontman Grian Chatten as the band’s first “overtly political song”, ‘I Love You’ is a gorgeous track that contains multitudes. On the surface, it seems like an ode to a lover. However, it becomes clear that the song is about Ireland, a protest track describing abandoned youth amidst political uncertainty. Both specific in its call for change in Ireland and universal in the way it describes the heavy emotions linked to the realisation you can never return to the same place you once loved, ‘I Love You’ is a modern masterpiece in the pantheon of protest songs.

Key lyrics: “Selling genocide and half-cut pride, I understand / I had to be there from the start, I had to be the fucking man / It was a clamber of the life, I sucked the ring off every hand / Had 'em plying me with drink, even met with their demands”

Rina Sawayama – This Hell (2022)

‘This Hell’ is the sound of Japanese-British singer Rina Sawayama opposing religious extremists who violently target the queer community. Taken from her second studio album ‘Hold The Girl’, Sawayama winds up homophobes, denouncing hatred and bigotry in her empowering LGBTQ anthem. Upon the song's release, during gay pride month, Sawayama stated that she "wanted to write a western pop song that celebrated COMMUNITY and LOVE in a time where the world seemed hellish."

Key lyrics: “Don't know what I did, but they seem pretty mad about it / God hates us? Alright then / Buckle up, at dawn we're riding”

Iyah May – Karmageddon (2025)

Australian singer and former emergency room doctor Iyah May has garnered much attention and controversy over ‘Karmageddon’, which has become a viral hit on social media. The song - one of the most divisive on this list - reportedly led her management to drop her because she refused to change certain lyrics. Some of these denounce big pharma, cancel culture, violence against women, gun rights, a “man-made virus” (in reference to COVID) and genocide. It’s a scattergun approach to a myriad of topics. Some have applauded her for her DGAF candidness; others bemoan that the song has been embraced by the far-right.

Key lyrics: “Diss tracks about beating up your queen / While women dying doesn't cause a scene / While we're fed all these distractions / Kids are killed from Israel's actions”

Massive Attack & Tom Waits – Boots On The Ground (2026)

This year has seen the release of several protest songs - whether it’s Bruce Springsteen flipping the bird to Trump and paying tribute to the victims of ICE or U2 releasing a politically-charged EP addressing both how “America will rise against the people of the lie” and how one can live compassionately in times of violence. Arguably the most powerful one (so far) has come from British trip-hop icons Massive Attack and legendary American singer-songwriter Tom Waits, who teamed up for ‘Boots On The Ground’. Both a missile aimed at the criminal actions of ICE and the wider state of play ("Across the western hemisphere, state authoritarianism and the militarisation of police forces are fusing again with neo-fascist politics"), the song is uniquely haunting and undeniably impactful. The track was accompanied by a stirring video, made with the work of photo artist thefinaleye. When artists of this caliber deliver songs this rousing, it gives you hope that humanity isn’t completely doomed.

Key lyrics: “Now who the hell are these federal pricks? / Hiding in the Senate like a bloated-ass tick / Air-conditioned fuckstick loafers / Sittin' in a room full of army posters”

World’s largest condom maker warns prices could rise as the Iran war impacts supply chains

Condom prices set to rise as Iran war disrupts supply chains.
Copyright Canva/Cleared

By Marta Iraola Iribarren
Published on 

Karex, the world’s largest condom producer, says shipping disruptions and increased manufacturing costs caused by the Iran war are upping prices.

The world’s largest condom manufacturer, the Malaysian company Karex, has said it will need to raise its prices by 20% to 30% if supply chain disruptions caused by the Iran war continue.

The company has seen an increase in condom demand after transport costs and shipping delays have depleted customers’ stockpiles, Karex’s CEO, Goh Miah Kiat, told the news agency Reuters in an interview.

Karex produces more than five billion condoms annually and exports to over 130 countries worldwide. It supplies some of the biggest condom brands, including Durex and Trojan.

They also supply the United Kingdom’s National Health Service (NHS) and health organisations such as the Global Fund to Fight AIDS, Tuberculosis and Malaria, and the United Nations Popul

“The situation is definitely very fragile, prices are expensive. We have no choice but to transfer the costs right now to the customers,” Goh said.

Shipments on their way to Europe and the United States are taking almost two months to arrive, while others are stuck on vessels unable to reach their destination, the company said.

How are condoms made?

Since the war began in February 2026, Karex has seen costs increase for synthetic rubber and nitrile used in manufacturing condoms, packaging materials, and lubricants such as aluminium foils and silicone oil, Goh said.

Most condoms are made from natural rubber, the sap from rubber trees. Non-latex variants are often made with nitrile and polyurethane.

Supply chains for petrochemical derivatives have been affected by transport disruptions linked to the conflict’s impact on flows through the Strait of Hormuz.

Aluminium and naphtha suppliers –materials used in condom packaging– have also reported disruptions.

Global condom shortages

The global market of condoms was already experiencing shortages due to the dismantling of the United States Agency for International Development (USAID), which was the largest bilateral donor to global family planning and reproductive health.

The agency provided 35% of the contraceptives within global family planning supply chains and supplied commodities to 23 countries.

Countries in Africa and the Middle East, the main receivers of USAID have reported shortages in sexual health products since the agency stopped its work.

Nigeria reported a 55% decline in male condom distribution between December 2024 and March 2025, according to the Joint United Nations Programme on HIV/AIDS.

According to Goh, Karex has enough supplies for the next few months and is looking to boost output to meet growing demand.

Euronews has contacted Karex for comment.