Thursday, March 19, 2020


Stromboli volcano spews lava as earthquake rocks Italy amid coronavirus lockdown - 

ITALY's Stromboli Volcano has been captured in dramatic footage as it spewed lava and ash, amid a 4.2 magnitude earthquake also rocking Calabria in the midst of the country continuing its coronavirus lockdown.

By RACHEL RUSSELL Tue, Mar 17, 2020 

Italy: Stromboli volcano spews lava and ash into air
Footage of the volcano eruption emerged on Twitter shortly after midnight. Videos show an orange glow rising out of the volcano, as thick smoke billows into the night sky. One person wrote on Twitter: “Not to say, but Stromboli continues to cough and came out again a few minutes ago.”
Stromboli volcano: Blanket of ash covers Italian island

Anna Zanin expressed her shock at hearing about the natural disasters occurring.

She added: “Last email I wrote to a colleague five hours ago ended with the words #StayPositive because we’re fighting hard #covid19italy here and all around.

“Just woke up and discovering that there’s an #earthquake in #Calabria + #stromboli going on.

“What’s wrong with us?”


Italy's Stromboli volcano spewed ash amid an earthquake in Calabria (Image: TWITTER/USGS)

E VABBÈ ANCHE LO STROMBOLI ERUTTA.
CORONAVIRUS+TERREMOTO+STROMBOLI CHE ERUTTA=2020 #calabria #terremoto #COVID19italia #coronavirus pic.twitter.com/JxTTQEerDF
— Caterina (@Caterin16752552) March 17, 2020

A magnitude 4.3 earthquake also shook Nocero Scalo, Calabria, in Italy, at 12.52am UTC.
It is not known yet if there are any injuries or structural damage.
The mild quake saw a depth of 34.3km, according to USGs.

Some people were able to see the situation in the European country through a lighthearted perspective.

READ MORE: Stromboli volcano: Blanket of ash covers Italian island


Video footage shows Stromboli lighting up the night sky with an orange glow (Image: TWITTER)
 
  Italy volcano erupts: Lava pours down Stromboli volcano

Jessica Princ wrote on Twitter: “Look, I prefer quarantine over earthquake.”

Another Twitter user, simply named Ruby, had comforting words for people living in Calabria.

She wrote: “Stromboli is always sprightly but it is not the cause of the seismic swarm in Calabria.

“It is the faults in motion that are many and sometimes decide to scare.

DON'T MISS

Italy volcano eruption satellite image: Stromboli BLOWS [PICTURES]

Italy volcano erupts: Lava pours down Stromboli volcano [WATCH]

Stromboli volcano erupts: Italy volcano explodes [DEVELOPING]




Italy has seen at least 1,800 deaths over coronavirus (Image: EXPRESS)

“A hug for all of you, this night will also pass”

The volcano eruption and earthquake after Italy became the hardest-hit European nation so far from coronavirus.

There have been at least 1,800 deaths and the Foreign Commonwealth Office (FCO) advises against all but essential travel to all of Italy.

This includes Sicily and Sardinia.

magnitude 4.3 earthquake also shook Nocera Scalo, Calabria (Image: USGS)


An Ash-Damaged Island in the Philippines


December 6, 2019 JPEG

March 11, 2020 JPEG

On January 12, 2020, the Taal Volcano in the Philippines awoke from 43 years of quiet and began to spew gases, ash, and lava into the air. In the days and weeks that followed, the eruption dropped a layer of unusually wet, heavy ash on the surrounding landscape, withering vegetation and turning the lush fields and forests of Volcano Island a ghostly gray.

Two months later, the ash-damaged landscape still looks more like the Moon than the tropics. On March 11, 2020, the Operational Land Imager (OLI) on Landsat 8 acquired an image of Taal that underscores the consequences of the ashfall. For comparison, the other image shows the same area on December 6, 2019.

Aside from a few green promontories on the north side of the island, ash has altered much of the landscape, including several villages along the coasts. “Most of the ash has likely washed away by now, but signs of it will persist for millennia in the rock record,” explained Erik Klemetti, a volcanologist at Denison University. “Most of the ash that fell within the caldera is in the process of getting concentrated into gullies and streams or deposited into the lake.”

Volcanic ash is nothing like the soft fluffy material that forms when wood, leaves, or paper burn. Rather, it is made up of small jagged pieces of rock and glass that are hard, abrasive, mildly corrosive, and do not dissolve in water. Thick blankets of volcanic ash can have big consequences for plants, animals, and people. As shown in the Landsat images, most of the vegetation was killed or stripped of leaves. In Taal’s case, the ash was particularly problematic because it grew wet enough to achieve the texture of mud, before drying and hardening into something like cement.

Coffee, rice, corn, cacao, and banana crops were damaged, according to news reports. In one estimate, damages to plants and animals totaled 577 million Philippine pesos, or $11 million. Despite the widespread effects, plants will eventually recover or re-colonize the island—and the layer of new ash will help keep the soil fertile.

The damage extended beyond plant life. Dozens of people perished during the eruption. Large numbers of livestock and pets were also left behind when tens of thousands of people evacuated. Ash even affected the fish—mainly tilapia and milkfish—being raised in thousands of aquaculture pens in Taal Lake. According to the Taal Lake Aquaculture Alliance, Inc., about 30 percent of the fish cages in the lake were destroyed during the eruption. To keep the remaining fish alive, farmers appealed to authorities to allow them to feed and harvest the fish despite lockdowns that prevent people from getting near the still-active volcano.

Water has returned to Taal’s main crater lake, which mostly evaporated or drained during the eruption.

NASA Earth Observatory images by Joshua Stevens, using Landsat data from the U.S. Geological Survey. Story by Adam Voiland.
Ancient Art Found in Basque Country Changes Understanding of Prehistoric Society

Research — Ruth Schuster, Haaretz, 12th March 2020

Very faded but finally noticed, the Basque region cave paintings show that distinct Paleolithic cultures survived cheek by jowl for millennia

Spain and France are hot spots of Paleolithic sites and art going back thousands and tens of thousands of years. On the other hand, the enigmatic Basque Country, which straddles the border between those two countries, was considered to be a graphic void. There were plenty of Stone Age sites there, where prehistoric peoples had clearly lived, but art had only been found in a measly six caves.

Thus, the full extent of ancient art in Basque Country just hadn’t been noticed1, argue authors Blanca Ochoa of the Universidad del Pais Vasco in Spain, with fellow archaeologists Marcos García-Diez and Irene Vigiola-Toña, in a recent paper in the journal Antiquity, describing in exquisite detail the newly discovered parietal pictures in Danbolinzulo Cave.

....

The fact that differing artistic styles were found among peoples that did rub shoulders with one another throughout thousands of years is a mystery, Ochoa says. “We think maybe that they have different cultural backgrounds. But we don’t know why they chose to have two very distinct styles,” she adds.

If we think about it, “modern” art in Europe, Central Asia, the Near East, India and the Far East all maintained substantive differences over long centuries, during which the cultures were very much in touch. So that could make sense.
1.In fact in recent years archaeologists equipped with sophisticated methodological means have discovered 17 previously unnoticed sites in the Basque region that have art from the late Palaeolithic period, some of which may be as old as 40,000 years. The finds debunk the void theory and bring the total known Stone Age graphic sites there to 23, Ochoa confirms in conversation with Haaretz.

Ochoa, Blanca, Marcos García-Diez, and Irene Vigiola-Toña. “Filling the Void: a New Palaeolithic Cave Art Site at Danbolinzulo in the Basque Country.” Antiquity 94, no. 373 (2020): 27–43.

doi:10.15184/aqy.2019.236

Northern Spain has a high density of Upper Palaeolithic cave art sites. Until recently, however, few such sites have been reported from the Basque Country, which has been considered to be a ‘void’ in the distribution of parietal art. Now, new discoveries at Danbolinzulo Cave reveal a different situation. The graphic homogeneity of the motifs, which comprise five ibex, two horses and a possible anthropomorph, along with several unidentified figures, strongly suggests a pre-Magdalenian (>20 000 cal BP) date for the art. Here, Danbolinzulo is interpreted in its wider context as occupying a pivotal position between Cantabrian-Iberian and Fre

Thursday, March 12, 2020
Ancient Art Found in Basque Country Changes Understanding of Prehistoric Society

The crude red outline and interior color wash is typical of pre-Magdalenian Paleolithic art, over 20,000 years oldB. Ochoa / M. García-Diez / I. Vigiola

Spain and France are hot spots of Paleolithic sites and art going back thousands and tens of thousands of years. On the other hand, the enigmatic Basque Country, which straddles the border between those two countries, was considered to be a graphic void. There were plenty of Stone Age sites there, where prehistoric peoples had clearly lived, but art had only been found in a measly six caves.

Thus, the full extent of ancient art in Basque Country just hadn’t been noticed, argue authors Blanca Ochoa of the Universidad del Pais Vasco in Spain, with fellow archaeologists Marcos García-Diez and Irene Vigiola-Toña, in a recent paper in the journal Antiquity, describing in exquisite detail the newly discovered parietal pictures in Danbolinzulo Cave.

13 MARCH, 2020 - ASHLEY COWIE

40,000-Year-Old Cave Art Fills Basque Country Void

New cave paintings discovered in northern Spain date back 40,000 years and demonstrating two distinct artistic styles.

According to a new paper published by lead author Blanca Ochoa, in journal Antiquity, the discovery of 17 news caves in the Basque region between Spain and France adds greatly to what is known about ancient artistic tradition as only six were previously known which display ancient Paleolithic art .

Researchers from the University of the Basque Country examined 23 sites with prehistoric art in northern Spain and the new study says they are from the pre-Magdalenian period, from between 20,000 and 40,000 years ago and much “more prolific than first thought.”



Entrance to the Danbolinzulo cave, where one of the discoveries was made. 
(Blanca Ochoa et al. / Antiquity Publications Ltd )

Painting A Picture Of An Ancient Territorial Border

According to the team of researchers, the most important new discovery is the “Danbolinzulo cave,” on the slopes of Mount Ertxina near the town of Zestoa in northern Spain which features what they call a “homogeneity of the motifs.” Through the faded orange and brown paint on the rock walls several unidentified figures are represented amidst “five ibex, two horses and a possible anthropomorph (ancient stylized representation of a human being.)

The drawings were executed as far back as far as 40,000 years ago and they bridge two distinctly different artistic traditions which the researchers describe as “a pivotal position” between Cantabrian-Iberian and French/Continental art styles. Another pre-Magdalenian cave near to Danbolinzulo was found to display French/Continental art styles, which again suggests the presence of an ancient cultural border.


Location of the panels in the Danbolinzulo cave. 
(Blanca Ochoa et al. / Antiquity Publications Ltd )
Artistic Split At The Border Zone

Ochoa told Haaretz, despite the distinct differences in the artistic styles in the caves located on either side of the border between the Iberian and continental prehistoric groups, it is “not clear” how they maintained their two distinct styles of art. The authors of the paper said that while they had different cultural backgrounds “we don't know why they chose to have two very distinct styles”. However, putting this artistic style anomaly in context, the author points out that cultures in Europe, Central Asia, the Near East, India and the Far East all intermingled but managed to maintain substantive differences in their art styles over the centuries.


The Danbolinzulo cave in the Basque Country is the archaeological site closest to France that features the prehistoric Iberian style of cave art and the discoveries there are being called a breakthrough for archaeologists as they fill “a void” in the region. It is unclear “ why” the Danbolinzulo cave features this specific style of art but according to Ochoa it means one of two things: either the two cultures didn't communicate or that the different styles reinforced cultural identities in this “ border zone. ”

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The Danbolinzulo Cave, identifiable species include five ibex, two horses and possibly an anthropomorph. Who Painted The First Picture? 
(Blanca Ochoa et al. / Antiquity Publications Ltd )

These new discoveries in the caves of Europe add to the spectacular lions and rhinos of Chauvet Cave , in southeastern France, and the mammoth-ivory figurines found in Germany thought to date between 30,000 and 32,000 years old, but not everyone accepts the archaeological theory that cave art emerged in ancient European cultures. According to a 2016 Smithsonian article it has long been assumed that sophisticated abstract thinking and the artistic expression of these thoughts was perhaps unlocked by “ a lucky genetic mutation in Europe” soon after modern humans arrived about 40,000 years ago.

However, archaeologists in South Africa challenge this standard view by presenting evidence of ocher pigments from caves that contain artifacts dating to 164,000 years ago, for example: pierced shell jewelry and a chunk of zigzagged ocher, which are said to indicate artistic thinking long before modern humans left Africa. However, Wil Roebroeks, an expert in the archaeology of early humans, of Leiden University in the Netherlands suggested in the Smithsonian article that the ochre found on the African cave walls might not be paint, but rather “mosquito repellent, or “one-off, doodles with no symbolic meaning.” Further supporting the idea that abstract thinking and the resultant arts emerged in ancient Europe, by contrast, the animal cave paintings recently discovered in Europe represent not only a consistent tradition, but two.

The full report is available online by Antiquity Publications Ltd, DOI: https://doi.org/10.15184/aqy.2019.236

Top image: Panel 2, graphic unit 3, which has been affected by calcite formations and humidity Source: Blanca Ochoa et al. / Antiquity Publishers Ltd
TODAY
This year, the equinox will occur on March 19, which means the earliest first day of spring in more than 100 years.

Thursday marks the first day of spring, and the new season will be ushered in with the biannual phenomenon known as an equinox.

The spring equinox is one of two that occur each year, with the other ushering in autumn. During each of the equinoxes, there are nearly equal parts of daylight and night, and this year the spring equinox is occurring earlier than it has in more than a century, according to the Farmer's Almanac.

The last time spring arrived this early was in 1896, and for the most part, the equinox has occurred on March 20 or 21. This year, it is set to take place on Friday at 3:50 a.m. Greenwich Mean Time, according to the National Weather Service (NWS). That's equivalent to 11:50 p.m. on Thursday for New York City.


During an equinox, the Earth's axis isn't tilted toward or away from the sun, so the sun shines directly over the equator, according to the NWS. This is why day and night appear equal in time.

For the Northern Hemisphere, the equinox means earlier sunrises and later sunsets because that hemisphere tilts toward the sun. The opposite is true for the Southern Hemisphere, where the autumnal equinox is occurring, which means shorter days.

A day-old lamb explores new surroundings on the first day
 of spring, March 20, 2019, at Coombes Farm in Lancing, 
England. ANDREW HASSON/GETTY

To celebrate the biannual occurrence, people gather at Stonehenge, a prehistoric monument in England. It's unclear if the celebration will happen this year, given the coronavirus outbreak. Newsweek reached out to the English Heritage Society, which manages the monument, but did not receive a response before publication.

CAN THE POWER OF PRAYER ALONE STOP A PANDEMIC LIKE THE CORONAVIRUS? EVEN THE PROPHET MUHAMMAD THOUGHT OTHERWISE 

 OPINION CRAIG CONSIDINE, NEWSWEEK ON 3/17/20


The COVID-19 pandemic is forcing governments and news sources to provide the most accurate and helpful advice to the world's population, as the disease is indeed global in reach. Health care professionals are in high demand, and so too are scientists who study the transmission and effect of pandemics.

Experts like immunologist Dr. Anthony Fauci and medical reporter Dr. Sanjay Gupta are saying that good hygiene and quarantining, or the practice of isolating from others in the hope of preventing the spread of contagious diseases, are the most effective tools to contain COVID-19.

Do you know who else suggested good hygiene and quarantining during a pandemic?

Muhammad, the prophet of Islam, over 1,300 years ago.

While he is by no means a "traditional" expert on matters of deadly diseases, Muhammad nonetheless had sound advice to prevent and combat a development like COVID-19.

Muhammad said: "If you hear of an outbreak of plague in a land, do not enter it; but if the plague outbreaks out in a place while you are in it, do not leave that place."

He also said: "Those with contagious diseases should be kept away from those who are healthy."

Muhammad also strongly encouraged human beings to adhere to hygienic practices that would keep people safe from infection. Consider the following hadiths, or sayings of Prophet Muhammad:

"Cleanliness is part of faith."

"Wash your hands after you wake up; you do not know where your hands have moved while you sleep."

"The blessings of food lie in washing hands before and after eating."

And what if someone does fall ill? What kind of advice would Muhammad provide to his fellow human beings who are suffering from pain?

He would encourage people to always seek medical treatment and medication: "Make use of medical treatment," he said, "for God has not made a disease without appointing a remedy for it, with the exception of one disease—old age.

Perhaps most importantly, he knew when to balance faith with reason. In recent weeks, some have gone so far as to suggest that prayer would be better at keeping you from the coronavirus than adhering to basic rules of social distancing and quarantine. How would Prophet Muhammad respond to the idea of prayer as the chief—or only—form of medicine?

Consider the following story, related to us by ninth-century Persian scholar Al-Tirmidhi: One day, Prophet Muhammad noticed a Bedouin man leaving his camel without tying it. He asked the Bedouin, "Why don't you tie down your camel?" The Bedouin answered, "I put my trust in God." The Prophet then said, "Tie your camel first, then put your trust in God."

Muhammad encouraged people to seek guidance in their religion, but he hoped they take basic precautionary measures for the stability, safety and well-being of all.

In other words, he hoped people would use their common sense.

Dr. Craig Considine is a scholar, professor, global speaker, and media contributor based at the Department of Sociology at Rice University. He is the author of The Humanity of Muhammad: A Christian View (Blue Dome Press, 2020), and Islam in America: Exploring the Issues (ABC-CLIO 2019), among others.


The views expressed in this article are the author's own.

Don't make animals wear face masks, PETA urges amid coronavirus pandemic

PET LIFE

"Our dogs and cats rely on us to take care of them year round, and especially during times of crisis," PETA said Philstar.com/Kristine Joy Patag

Don't make animals wear face masks, PETA urges amid coronavirus pandemic



Kristine Joy Patag (Philstar.com) - March 19, 2020 


MANILA, Philippines — As millions of families stay indoors amid the spread of the deadly novel coronavirus disease, PETA Asia offered tips for caring for your pet cats and dogs amid the lockdown.

Agence France Presse reported on Thursday that some 500 million across the globe are in a lockdown as COVID-19 infections ballooned.

In the Philippines, President Rodrigo Duterte placed Luzon under enhanced community quarantine, restricting movement of families outside their homes. Some towns, cities and provinces outside of Luzon followed suit in a bid to curb the spread of the virus in the country.


PETA Asia noted that while health experts agree that cats and dogs are not at risk of contracting or transmitting the novel coronavirus, pet owners should still keep their furry companions safe and healthy during the pandemic.

The group offered the following tips:

Never put face masks on animals, as they can cause breathing difficulties
Allow animals to move about your home normally—don’t cage or crate them
People who are sick or under medical attention for COVID-19 should avoid close contact with animals and have another member of their household care for animals so as not to get the virus on their fur.

PETA stressed that the coronavirus may still remain on the pet’s fur, just as it would on any other surface, if an infected person touches it.

“Our dogs and cats rely on us to take care of them year round, and especially during times of crisis,” PETA Senior Vice President Jason Baker said.

“PETA is asking everyone to ensure that their animals are still getting healthy food, plenty of exercise and lots of love,” he added.
Veterinarians should be exempted from Luzon lockdown

Meanwhile Agriculture Secretary William Dar said he has approved a memorandum circular where “essential farm personnel who work at production area bearing proper documentation are also requested to be accorded passage at quarantine checkpoints.”

An ABS-CBN report said that this exemption covers “veterinarians, farm hands, and other farm and fisherfolk.”

IDs will also be issued “in due time,” the Agriculture chief said.

The Philippines as of March 18 recorded 202 COVID-19 infections in the country.
GREAT WHITE SHARKS SPOTTED ATTACKING AND KILLING A LIVE HUMPBACK WHALE FOR THE FIRST TIME

BY ROSIE MCCALL NEWSWEEK 3/13/20
A pair of white sharks have been spotted attacking and killing a live humpback in Mossel Bay, South Africa, in what is believed to be a world first.

While there are several accounts of great whites (Carcharodon carcharias) scavenging on whale carcasses, this—say scientists writing in Marine and Freshwater Research—is the first documented observation we have of the apex predators preying on a living humpback (Megaptera novaeangliae).

The attack was witnessed on February 17, 2017, by crew aboard the Oceans Research Institute's research vessel, following a tip-off about a humpback whale entangled in discarded fishing gear. On inspection, they found a 23ft cetacean in poor health. Not only had it been caught in rope, but it was scrawny, covered in barnacles and crawling with whale lice.

Half an hour or so after the crew arrived, the first of two white sharks was seen approaching the whale. It started to circle the humpback before attacking the whale's left flank from behind.

It immediately let go, the study's authors wrote, and continued to circle the whale. It then did not bite again for 42 minutes, by which time the whale had lost a large amount of blood and slowed down. Again, the shark bit from behind and released its grip straight away, when the second and larger of the two sharks approached and took the third bite. The study's authors note that the presence of a bigger shark (13 feet) appeared to send the first shark packing.

An hour or so into the encounter, the second shark attacked again. This time targeting the head with an open gape—it "bumped" the rostrum (or beak) of the humpback. The whale made several attempts to dive into the water, as the shark continued to circle. The shark bit the whale's tail for a final time, more aggressively than each of the previous attempts, the researchers say. At this point, the whale sank. The entire attack lasted 90 minutes or so.

Atlantic white sharks like these are thought to regularly feast on whale carcasses or carrion and may even base their migrations on whale meat supply, some studies suggest. They have also been known to attack smaller cetacean species, such as the harbor porpoise and bottlenose dolphin. But while other species of shark, such as dusky sharks, have been known to prey on live humpback whales, this is the first example of white sharks doing the same.

"We acknowledge that this was a singular event, a consequence of the whale being entangled and in poor condition," the researchers write.

"Therefore, the event should not reflect all white shark attacks on live baleen whales. Nevertheless, this paper presents observations on a rarely observed interaction between white sharks and live whales."
 
A Great White Shark swims in Shark Alley near Dyer Island on July 8, 2010 in Gansbaai, South Africa. Scientists describe two white sharks attacking a live humpback whale in a world first.RYAN PIERSE/GETTY

Wednesday, March 18, 2020

Meet the Designer Making Fantastical Corsets Out of Upholstery 

WHY NOT, DON CHERRY HAD HIS SUITS MADE OUT OF UPHOLSTERY FABRIC
AND CANADIAN RED NECKS LOVE HIM


BY LIANA SATENSTEIN VOGUE March 12, 2020
Photo: Courtesy of Kristin Mallison / @kristinmallison

CORSETS ARE A POPULAR ITEM AT RENAISSANCE FAIRS, SCA EVENTS AND PAGAN GATHERINGS 

During the daytime, Kristin Mallison works at a curtain customization company, dressing windows with one-off drapery. In her spare time, the Brooklyn-based 29-year-old designer creates corsets using similar fabrics. One corset is made from a Rococo tapestry. Another corset shows blown-up florals (the type that might be on a fancy grandmother’s couch); its back is fastened by a lavender ribbon. A standout is a corset that has several tapestries fused together, including the image of a picturesque 18th-century couple strolling through a garden that is paneled with a dainty floral print.


Mallison started making corsets about a year ago for a pop-up for the arty, downtown store Café Forgot. The concept was simple: She was already surrounded by upholsteries and tapestries and knew that these fabrics could stand the test of time. “I have been working in interior design for the last two years, and those fabrics are geared towards things that are supposed to last for a long time,” says Mallison. The idea of clothes with that kind of staying power appealed to her. “Unlike [most] fashion...home furnishings last 30 years or more.”

Photo: Courtesy of Kristin Mallison / @kristinmallison

When she began to make tapestry-based pieces, Mallison would scout flea markets and thrift stores. (Using secondhand fabric was something she had learned at her program at the Pratt Institute in Brooklyn, which encouraged students to repurpose materials. “I was already focused on that [repurposing] and it further developed how I think about design and that approach,” she says.) She also started to use Etsy and eBay as sources. “It is easier to find weird and oddly specific materials that way than [to] go to 20 different thrift stores and not find anything,” she says. Rarely does she find enough fabric to make one corset, so instead, she will patchwork multiple parts of tapestry together, which adds a fresh twist to the pieces.
Photo: Courtesy of Kristin Mallison / @kristinmallison

Mallison often searches for fabric that will show scenic imagery of, yes, women wearing corsets. “It creates another layer of intrigue.” Another reason why Mallison has been gravitating toward creating corsets is the hyper-femininity aspect. She’s not far off from runway trends, either. The vestigial wide-hipped 17th- and 18th-century pannier popped up in several collections. And the Vivienne Westwood corset has been one of the most coveted archival pieces. “I think there is a lot of feminist politics and thinking about what it means to be feminine,” she says. To add some adjustability to the pieces, she will use ribbon to lace up the back of the corset. “I don’t think there is anything more feminine than a corset or these historical silhouettes, and I want to interpret them in a modern, more playful way that is not at all constricting.”
These Penguins Took a Field Trip Around the Aquarium, and I Will Never Be the Same


BY EMMA SPECTER VOGUE March 17, 2020

 
Photo: Getty Images

Thanks to the outbreak of the new coronavirus sweeping the globe, many of us are being encouraged to practice social distancing or fully self-quarantine if we can. Given the scale of the pandemic, you’d have to be a Pollyanna-level optimist not to let some anxiety creep in, and we’re all trying our best.

That’s why when something unprecedentedly nice happens it is imperative to seize and cling to it. To that end, when I found out that a group of rockhopper penguins at Chicago’s Shedd Aquarium had taken the building’s closure as an opportunity to go on a field trip around the premises, I let the news radiate fully through my body, bringing me a sense of peace I haven’t felt in days.

https://twitter.com/shedd_aquarium/status/1239248971006185478

“Without guests in the building, caretakers are getting creative in how they provide enrichment to animals,” the aquarium told the Chicago Tribune; in the penguins’ case, this involves waddling around to take a peek at the marine life they’ve unknowingly been sharing premises with all this time.

It’s hard to explain why exactly the penguins’ big day out hit me so hard. Ultimately, though, I think it has something to do with knowing that these sweet little creatures have no idea why they’re suddenly being allowed to have the run of the aquarium. While the rest of us hunker down, Skyping and Zooming one another in an effort to maintain our mental equilibrium, these penguins are innocently having the time of their lives, and really, who would begrudge them that?
Now Isn’t the Time to Forget About Our Climate Change Efforts



BY EMILY FARRA VOGUE March 17, 2020

Tasha Tilberg, Lindsey Wixson, and Liu Wen photographed for 
Vogue’s September 2019 issue at the Eagle Street Rooftop Garden
 in Brooklyn.Photographed by Tierney Gearson, Vogue, September 2019

The absentminded Instagram scroll looks a lot different these days. Vacation pics and shameless selfies have been replaced with glimpses of how we’re living through the coronavirus outbreak and its necessary quarantines: Health care officials are sharing their tips and expertise; fitness instructors are posting living-room workouts; chefs are sharing easy home-cooked meals; and others are posting about how we can all help those who are most at risk.

It’s a reminder of how social media keeps us connected and informed no matter where we are in the world, a fact we take for granted with every double tap. But it’s mostly a testament to the power of coming together around a crisis and taking collective action for the greater global good. In theory, practicing social distancing, washing our hands more thoroughly, and working from home can slow down this disease and eventually, hopefully, eliminate it. We’re all doing our small, if sometimes inconvenient, part, and already we’re beginning to see how our individual actions contribute to something much, much bigger than us.


For those involved in climate-change efforts, you might see a few through lines between our response to the coronavirus and our response (or lack thereof) to the effects of climate change. Climate scientists and activists have preached for decades that our individual choices and behaviors matter, whether you’re composting, ditching single-use plastic, buying secondhand clothes, or doing the precise opposite of all of those things—wasting food, relying on plastic water bottles and containers, shopping extravagantly.



For many people, of course, awareness is still the root issue; just like some of us didn’t understand the concept of herd immunity or that staying in could save lives, plenty of people still don’t realize the effects of throwing away a plastic bag or shopping at certain retailers. What we need to reverse climate change is a swell of united, all-in-this-together effort from each and every one of us, and, as we’ve learned from the coronavirus, that probably won’t happen until we treat climate change like the crisis that it is. Only when the appropriate media attention (and resulting social media attention) is given to the people being displaced by climate change, the rising water levels, the endangered species, and the dire predictions of what’s to come—natural disasters, fatalities, lost islands—will we link arms and make those crucial lifestyle changes.

It calls to mind a particular meme that made the rounds on Instagram last week: “Climate change needs coronavirus’s publicist.” Jokes aside, the takeaway is astute: Climate change needs a spotlight and sense of urgency to get us moving. “We can see with coronavirus that action did not follow immediacy [of the news]—action more closely aligned to when the stories we were told became more serious,” says Maxine Bédat, the founder of New Standard Institute. “This is why I think the media and communications are such a critical part of solving the climate crisis. We need the communications of the climate crisis to match the urgency that is the climate crisis. As the stories are told, as we have seen with the coronavirus, we, the people, will respond accordingly.”

We asked Bédat and a few other climate-change experts to share what that hypothetical response might look like. After what is looking like weeks, if not months, of social distancing, canceled events, and stressful news, their suggestions might even sound easy.

Step 1: We would dramatically shift our transportation habits.

It’s well known that transportation—by air, train, or car—is one of the top contributors to climate change. “If we took climate change as seriously as the coronavirus, our cities would be oriented around public transportation, which might include shared bicycles for last-mile transport,” Bédat offers. “Public transit would be fast, clean, and low priced and would take us to work and cultural institutions—museums, shows, concerts, or restaurants showcasing locally grown food from farms that use regenerative practices. We would also immediately change from gas cars to electric, like our stoves, and turn our power grids to renewable sources. Our appliances and vehicles would run on renewable energy too.”


“Everyone with access to renewable energy would switch,” adds Haley Boyd, a designer turned sustainability entrepreneur working on a new sourcing tool for the fashion industry. “It’s one of the easiest and most effective ways to reduce your carbon footprint, and it’s widely available and price competitive in many places. Reduced transportation and ride-sharing apps [are also better choices]. I wish UberPool and Lyft shared rides were labeled as eco.”

Susan Tarka Sanchez, a U.N. certified engineer and expert in circular product design who is also working with Boyd, adds that we have to “rethink work as we know it and what impacts that will have on transportation.” For instance, if more people begin to work remotely, which could very well happen after weeks (or months) of these #WFH quarantines, it would reduce the number of cars on the road and put less strain on public transit.

Step 2: We would make clean water a bigger priority.

“Water is already at its crisis stage, and no one is really talking about it,” Tarka Sanchez says. “The water imbalance on planet Earth is a direct correlation to climate change from emissions [created by] manufacturing pretty much everything we use, eat, wear, and do. It’s about chemistry that you do not see—and people are currently dying in this country from contaminated water. It is still the number one killer of children in the world, usually from diarrhea due to water contamination. Without clean water, we have no clean air, no food, no habitat for animals, plants, and all the creatures to drink,” she continues. “We just use way too much water and are destroying it by making all of the other stuff we use.”

Tarka Sanchez mentioned water purifiers and rainwater barrels as water-saving solutions, and you can also donate to clean-water organizations. But water use—and contamination—is something you should consider when you’re buying clothes too. Conventional cotton and denim are both among the top offenders in terms of their water use, and if you’re purchasing cheap polyester clothes, they could be made in an unregulated factory that doesn’t properly dispose of its chemicals. Polyester and other synthetic fabrics shed microplastics in the laundry too, which eventually make their way into the waterways and our bodies.
Step 3: We would change the way we care for our clothes, shop secondhand, and demand transparency from brands.

“Rebuilding a relationship with our closets [would be crucial],” Bédat adds. “Our clothing would be things that we purchased with thought—we would know that they would be worn, taken care of, and cherished for years, not just a few wears. Clothing brands would slow down the release of new items and use that time to design and develop pieces that would delight us. And designers themselves would not suffer from burnout!” she continues. “The fashion we chose would reflect not our insecurities but rather the comfort and joy we have in ourselves.”

“We don’t need to wait for another global crisis like the Rana Plaza collapse to mobilize,” Céline Semaan, the founder of Slow Factory, adds in regards to holding brands accountable for their environmental and social responsibility. “Things this serious are happening every day—we’re just not getting full support from the fashion press about them. We need to think about using our creativity and innovation to adapt to changing times. Design and aesthetics have always had deeper roots in ethics and meaning. This was once only related to status, but I see it shifting to a collective understanding of our humanity.” She continues: “The industry should be taking a closer look at systems and data so we can understand the impact of all fashion products and how they can take a waste-led, circular approach. The more information, transparency, and digestible data that is shared and embraced by the public, the more pressure the public will have on the fashion industry, demanding accountability once and for all.”
Step 4: We would fully embrace the ethos of less is more and would look to prior generations for inspiration.

“In a way, the coronavirus is climate change’s publicist,” Boyd says. “Emissions in China are down 25%. Air travel is down. People aren’t buying material goods. They’re staying local. Those are some of the most important actions individuals can take, and they look a lot like what life was like not too long ago. Some of the most important climate solutions are not novel—they’re the habits of our parents and grandparents,” she continues. “We have to eliminate the idea of waste and disposability. I hope for a future where all materials are valuable, used, and reused, [and we] care for things the way our grandparents did. As I’ve adopted a more conscious lifestyle, I keep noticing that I’m doing things the way my grandmother did—I cook from scratch, I don’t waste things, I avoid disposable goods, like using dish towels instead of paper towels.”

“With personal-care products, we do not need most of any of the stuff we use,” Tarka Sanchez adds. “We should go back to basics, like apple cider vinegar. As for clothing, people are just realizing you are what you wear. I have now gone seven months without buying anything new as an experiment and have learned how to darn socks like they did during the war and to save buttons that fall off like my mom did during the Great Depression.”


On that note, Bédat has an alternative to buying anything at all: “We would have to rebuild our relationships with each other,” she says. “Rather than the short, quick high of a cheap purchase, we can develop more meaningful and long-term ways of finding pleasure, including more connection with our friends, family, and community.”
Step 5: We would ask businesses contributing massive amounts of greenhouse gas emissions to suspend their operations.

Semaan also proposed a temporary shutdown of certain corporations and industries. “[It would be crucial to] shut down businesses and activities that directly and massively contribute to greenhouse gas emissions in the order of negative impact and magnitude, starting with energy used in buildings, schools, governments, and any public-facing infrastructure,” she says. “[They would be] put on pause until they are fully replaced with solar-powered, carbon-negative solutions. Businesses that contribute to the problem would be mandated to shut down immediately while larger solutions are explored. We would cancel all fossil-fuel extractions; replace concrete production with a circular solution, such as green concrete; [and there would be] mandatory green roofs, regenerative agriculture, and the protection of Indigenous lands. This would also include the mandatory reform of all heating and air-conditioning systems in large buildings to comply with circular, solar-powered solutions, and for the recycling of gray water in buildings to be filtered back into drinkable water. Federal funds would be diverted to emergency services around installing clean-energy solutions.”