Michelle Goldberg: The awful advent of reactionary chic
MICHELLE GOLDBERG
The New York Times
MAY 1, 2022
10:00 PM
David Brock, the conservative journalistic hit man turned Hillary Clinton acolyte, described how he first became a reactionary in his 2002 book “Blinded by the Right.” He’d arrived at the University of California, Berkeley, at the dawn of the Reagan era as a Bobby Kennedy-worshipping liberal but grew quickly alienated by the campus’s progressive pieties.
“Rather than a liberal bastion of intellectual tolerance and academic freedom, the campus was — though the phrase hadn’t yet been coined — politically correct, sometimes stiflingly so,” he wrote.
A formative experience was seeing a lecture by Ronald Reagan’s U.N. ambassador, Jeane Kirkpatrick, shut down by left-wing protesters. “Wasn’t free speech a liberal value?” he asked. The more Mr. Brock challenged the left, the more he was ostracized, and the more his resentment pushed him rightward.
By the time he got to Washington, where he became an influential conservative journalist, he’d developed what we might now call an “edgelord” sensibility. He traveled to Chile to write a defense of murderous dictator Augusto Pinochet. “I was flippantly engaging in the extremist one-upmanship that characterized not only me, but many young conservatives of the era,” he wrote.
Of course, not just that era. The dynamic Mr. Brock described — extremist one-upmanship meant to scandalize hated left-wing persecutors — is a major driver of right-wing cultural innovation. That’s why stories about the American New Right (also called the dissident right, national conservatism and neo-reaction) seem so familiar, even if the movement’s ideology is a departure from mainstream conservatism.
Last week, Vanity Fair published James Pogue’s fascinating look at the American New Right’s constellation of thinkers, podcasters and politicians, many funded by Peter Thiel, a tech billionaire who once wrote that freedom and democracy are incompatible. It’s hard to summarize the scene’s politics; a milieu that includes both the aggressively anti-cosmopolitan Senate candidate J.D. Vance of Ohio and the louche hipster podcast “Red Scare” doesn’t have a coherent worldview. What it does have is contempt for social liberalism and a desire to épater le bourgeois.
“It is a project to overthrow the thrust of progress, at least such as liberals understand the word,” Mr. Pogue wrote. One of the movement’s leading intellectual lights is Curtis Yarvin, a blogger who sees liberalism as creating a Matrix-like totalitarian system and who wants to replace American democracy with a sort of techno-monarchy.
According to Mr. Pogue, the movement “has become quietly edgy and cool in new tech outposts like Miami and Austin, and in downtown Manhattan, where New Right-ish politics are in, and signifiers like a demure cross necklace have become markers of a transgressive chic.” This might be an overstatement, but it’s pretty clear that there’s cultural energy in the opposition to the progressive norms and taboos that are derisively called “wokeness.”
BuzzFeed News writer Joseph Bernstein captured this energy in a March article about an anti-woke New York film festival funded by Mr. Thiel and headed by a Black queer provocateur named Trevor Bazile. “Call it, if you must, a vibe shift: a new generation of internet-native tastemakers — like many of the people crowded into Mr. Bazile’s party — who find the moralistic gatekeeping of millennials all a bit passé,” wrote Mr. Bernstein.
This vibe shift was predictable; when the left becomes grimly censorious, it incubates its own opposition. The internet makes things worse, giving the whole world a taste of the type of irritating progressive sanctimony Mr. Brock had to go to Berkeley to find. As a result, an alliance with the country’s most repressive forces can appear, to some, as liberating.
I suspect this can last only so long as the right isn’t in power nationally. Eventually, an avant-garde flirtation with reaction will collide with the brutish, philistine reality of conservative rule. (As Brock would discover, being a gay man in a deeply homophobic movement was not cheeky fun.)
In the short term, however, it’s frightening to think that backlash politics could become somehow fashionable, especially given how stagnant the left appears. In New York magazine, Sam Adler-Bell recently wrote about a dispiriting lull in progressive movement-building: “There appears almost no grassroots energy or urgency of any kind on the Democratic side.” The one thing the left could count on in recent years is its cultural capital. What happens if that is squandered?
Michelle Goldberg is a columnist for The New York Times.
First Published May 1, 2022, 10:00pm
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