Sunday, May 10, 2026

Togo’s fight against centuries-old map revives debate over African representation

A plan by Togo to ask the United Nations General Assembly in September to move away from the Mercator world map has revived a broader debate over how different projections can shape perceptions of Africa.


Issued on: 10/05/2026 - RFI

Africa’s representation on world maps is under renewed focus, as Togo challenges the use of a centuries-old projection. 
ASSOCIATED PRESS - Charles Rex Arbogast

By:Anne-Marie Bissada

The proposal was approved by the African Union in April after leaders raised the issue during the bloc’s February summit, backing a campaign to replace the long dominant Mercator projection with one that more accurately reflects the true size of the world's continents – especially Africa.

Faya Ndiaye, co-founder and deputy executive director of advocacy organisation Speak Up Africa, argues that distorting the true size of countries on maps can quietly shape how people view who matters in the world.

“I think it’s important to note that maps are not neutral," she told RFI.

Of the widely used Mercator map, she said: “Greenland appears almost as large as Africa, when in reality Africa is 14 times larger."

Shaping perceptions


For Africa, Ndiaye said, being shown as smaller than its true size can send a damaging message about the continent’s importance – and even cause it to be sidelined in negotiations.

The African Union published a decision during its February summit backing the use of the Equal Earth wall map – despite the Mercator outline still appearing in its own logo.

“The Mercator cartographic projection distorts the real size of the African continent, influences perceptions, and negatively affects the objective assessment of Africa’s economic viability,” it said in a statement.


The Equal Earth map. © Tom Patterson


Geography remains one of several enduring markers that continue to shape perceptions of Africa, said Carlos Lopes of the Mandela School of Public Governance at the University of Cape Town, South Africa.

Lopes – one of the academics behind the Correct the Map project, which was established in 2025 with Africa No Filter, a group focused on changing global narratives about Africa – says the way the continent is viewed is still influenced by how the world is drawn.

“There are some markers that continue to be used that influence the views about the continent,” he told RFI. “One of those markers is the way we look into geography.”



Mercator legacy

Still widely used around the world, the Mercator projection was first drawn in 1569 by Flemish geographer Gerardus Mercator. It transformed navigation by helping sailors chart more direct routes across oceans, by representing compass directions as straight lines.

Its design was a major scientific breakthrough at the time, but critics say its lasting dominance also reflects the values of a period in which European powers placed themselves at the centre of a colonial world view.

“Maybe [the Mercator map] was not meant to minimise Africa, but we know that it was important for European powers to place Europe as the centre of the of the world,” Ndiaye said.

In the 1500s, its creation was “amazingly progressive," said Lopes, describing it as an ambitious effort to design a map that brought the world together.

“But that’s the 16th century, it’s not today,” he added. “It can only be justified in the name of comfort and in the name of the power dynamics of that time. Keeping the same mentality in today’s world is not acceptable because we know better.”



Gall-Peters Projection


The debate over map projections is linked to wider efforts to correct narratives about Africa.

During struggles for independence by colonised African countries in the 1950s and '60s, efforts to reduce colonial markers often focused on changing the names of streets and even the countries themselves.

In 1957, for example, when the British colony known then as the Gold Coast gained its independence, it took the name Ghana to honour its ancient Ghana empire. Following its independence from the United Kingdom in 1980, Zimbabwe changed its name from Rhodesia, and the name of its capital from Salisbury to Harare.

But the debate over how Africa as a whole was represented largely remained within academic circles, said Ndiaye.

That changed when cartographers proposed the Gall-Peters Projection. James Gall, a Scottish clergyman and cartographer, had first outlined the map in 1855, but Arno Peters, a German historian, revived the idea and brought it to international attention in the early 1970s.

Peters argued that the Gall-Peters map was a socially just projection because it preserved equal-area projection – the true relative size of landmasses.

He pushed the name "Peters World Map", saying it was easier to brand, and tied this directly to his campaign to change the world map.

The Peters projection map of the world. © By Strebe (Wikimedia Commons)


“The Peters Projection was actually quite popular with the UN,” said Lopes. “A lot of UN agencies [began] producing maps using the Peters Projection.”

Peters officially presented his map in 1973, including on it a legend to help people understand why it looked different from the more familiar Mercator version.

It was adopted throughout the mid-1970s and 1980s by agencies including the UN's Unesco and Unicef and the World Council of Churches, and remains widely used by schools across the United Kingdom and in parts of the United States.

However, while the Peters World map fixed one problem – land area distortion – it introduced another: shape distortion. For example, countries near the equator such as the Democratic Republic of Congo and Indonesia appear tall and narrow, while high-latitude countries such as Canada and Russia appear flattened and widened.

While UNESCO and UNICEF continue to use the Peters projection, there has been pushback against it since the 1980s.

In 1989, several geographic organisations, including the National Geographic Society in the US, the American Cartographic Association (now the Cartography and Geographic Information Society) and the National Council for Geographic Education, came together to call for a ban on all rectangular coordinate maps, including Peters projection.

Today’s campaign, Ndiaye said, aims to move the debate beyond academia and into public discussion so Africans can “take full ownership over how our continent is being represented globally”.

Women's board share at Germany's largest listed firms dips again

08.05.2026, DPA

A woman sits among numerous men at Hotel Adlon in Berlin - FILE PHOTO - A woman sits among numerous men at the Family Business Day 2024 at the Hotel Adlon. (zu dpa: «Women's board share at Germany's largest listed firms dips again»)

Photo: Bernd von Jutrczenka/dpa

The share of women on supervisory boards at Germany's largest listed companies among shareholder representatives has declined for a second consecutive year, according to an analysis by recruitment consultancy Russell Reynolds.

The proportion fell by 0.1 percentage points to 38.3% during the current round of annual general meetings. Among newly appointed board members, the share dropped to 32%, the lowest level recorded this decade. 

The companies in question are listed on Germany's DAX index, which tracks Germany's 40 largest listed firms by market capitalization.

The data marks a reversal over the past two years after 15 years of steady gains in female representation, which rose from around 7% to more than 40% by 2024. 

One possible explanation is shorter tenure among female board members. Women leaving or set to leave supervisory boards this year served an average of 5.4 years, compared with 9.5 years for men, the study found.

Jens-Thomas Pietralla of Russell Reynolds said that the lack of progress toward parity for two consecutive years was not a positive development, especially as it countered broader European trends. Pietralla added that women also remained underrepresented in key leadership positions.

The study suggests past inequality is now feeding into current disparities. 

In uncertain times, companies tend to prefer candidates with chief executive experience, Pietralla said. As relatively few women have held chief executive roles at DAX firms, the pool of eligible female candidates is smaller, he added.

At the top level, however, female representation has improved slightly. Following Sabrina Soussan's recent appointment as chair of the supervisory board at Continental, five of the boards are now chaired by women. If Amparo Moraleda takes over the supervisory board at Airbus from René Obermann in October, that number would rise further, lifting the share to 15%.

Have posters for Kneecap’s album ‘Fenian’ been censored by London transport?

Posters for Kneecap’s new album ‘Fenian’ censored in London transport
Copyright Heavenly - Canva

By David Mouriquand
Published on 


The band’s manager Daniel Lambert has claimed that Transport For London would not allow promotional posters for Kneecap's new album 'Fenian'.

Warning: This article contains language some readers may find offensive.

Irish hip-hop trio Kneecap are no strangers to controversy, as evidenced by their recent legal woes, which eventually saw the charges against member Mo Chara dropped, with the UK government losing its appeal.

However, beyond the headlines, they can back up their engaged verve with artistic mastery, as their new album ‘Fenian’ can attest.

However, Transport For London (TfL) doesn’t seem to be letting them off the hook.

The band’s manager has said that the posters for ‘Fenian’ had to be censored as the local government body responsible for most of the transport network in London would not allow them.

Daniel Lambert has claimed that they had to censor the promotional posters, which originally featured the album artwork, the title, and review pull quotes – including one from UK Prime Minister Keir Starmer, who branded Kneecap as “completely intolerable”.

Kneecap - Fenian album cover
Kneecap - Fenian album cover Heavenly

Lambert revealed on X that the design was not permitted by TfL and that they had to submit amended versions that censored both the word ‘Fenian’ and the Keir Starmer’s name.

TfL shared a statement with Belfast Telegraph, claiming that they had only ever received the censored version, and did not ask the band’s management to make any adjustments.

“The redacted style of the poster reflects the version that was submitted to us for approval. We did not request any changes to the artwork before the current advertising campaign commenced,” a TfL spokesperson told the outlet.

However, Lambert claims that the band was rejected when they put forward the non-censored design.

“The company we book London tube ads with confirmed our original artwork was NOT accepted by TFL & ‘FENIAN’ had to be removed,” he wrote. “We then provided a redacted poster – took a week for approval and deadlines missed. Delay was then TFL making the decision to even approve redacted one.”

Lambert added in a subsequent post: “The facts here are pretty clear. I said they ‘only accepted with them blanked out’. Which is true and accurate”.

The post included a screenshot of an email with the subject “KNEECAP Tube Ads’ with a response that read: “I can confirm TFL will not allow the word FENIAN to be displayed unfortunately. All ads have to be completely impartial and non-political of any movement.”

Despite their criticism of England, Starmer and the UK justice system, what could possess TfL to ban the image?

It could be something to do with the word “Fenian”, which refers to the 19th-century Irish revolutionaries who fought to overthrow British rule to achieve an independent Irish republic.

The term has been used as an insult. However, the album 'Fenian' sees Kneecap reclaim the word.

In the informative, tongue-in-cheek and foul-mouthed liner notes for ‘Fenian’, the band provide some context for the word: “Origin: name of an ancient Irish people. Historical: Irish Republican revolutionaries that fought for Irish independence from the British Empire (and the church). Modern: Member of a secret socialist society of sound cunts active globally. Offensive: A derogatory term for an Irish nationalist - ‘You Fenian cunt’.”

Released on 1 May, Euronews Culture called the album “engrossing”, “incredibly catchy” and “a masterful album”.

“Yes, they rap about “international law they were abusing”. Yes, they’ve provoked tabloid outrage. And yes, they’ve released ‘Fenian’, a masterful album which proves they know exactly what they’re doing, and that they have the range to match their verve.”

Read the full review here.

This is not the first time that an advert for the band has been banned in London.

Last year, the trio said that they were “banned” from advertising one of their posters on the London Underground.

TfL deemed the Kneecap poster, showing their frequently used logo depicting a balaclava, "would likely cause widespread or serious offence to reasonable members of the public".

In an Instagram post, the group shared a picture of the offending poster.

“[It] has been rejected because: ‘it is likely to cause widespread or serious offence to reasonable members of the public on account of the product or services being advertised, the content or design of the advertisement, or by way of implication’,” they wrote. “See it. Say it. Censored.”

The group, longtime supporters of Palestine, suggested at the time that they had been repressed for speaking up about the ongoing genocide in Gaza.

“Speak out against genocide and they’ll use every single angle they can to silence you. Join the IOF [pejorative term for the Israeli Defence Force], murder kids, fly to London and nothing happens – you’ll be welcomed and applauded.”

Kneecap’s ‘Fenian’ is out now.

 

'David Attenborough Effect': Meet the wildlife artists inspired by the legendary broadcaster

David Attenborough (left) and Skip Khangurra (right).
Copyright AP Photo and Libra Fine Arts.

By Liam Gilliver
Published on 

As David Attenborough turns 100, Euronews Earth explores the real-life impacts of his extraordinary career.

Sir David Attenborough will likely go down in history as the most treasured wildlife broadcaster on planet Earth – and tomorrow, he turns 100

Starting his TV career as a trainee producer for the BBC in 1952, Attenborough oversaw the first-ever colour broadcast in Europe, and quickly became the leading voice of the world’s most popular nature documentaries.

To date, he has written, presented or narrated more than 100 films, including the award-winning ‘Life’ series which tracks the “extraordinary ends” to which animals and plants go in order to survive.

Alongside his melodic storytelling and clear passion for the natural world, Attenborough has ended up inspiring a new generation of conservationists, animal-lovers, and environmental activists.

The ‘David Attenborough Effect’

Attenborough’s work is so persuasive that fans have coined the term ‘the David Attenborough Effect’, demonstrating how the issues he highlights in his work have brought about real change.

A 2019 poll by GlobalWebIndex, which surveyed 3,833 people in the US and the UK, found that when Attenborough issued a call to action to combat plastic waste in the second series of Planet Earth, searches for “plastic recycling” spiked by 55 per cent in the UK.

In the wake of the documentary, survey participants reported a 53 per cent drop in their single-use plastic consumption.

But it isn’t just ordinary people sitting at home watching TV who have been inspired by Attenborough’s work.

Following galvanising footage of bottom trawling in ‘Ocean’ – where boats drag heavy, weighted nets across the seabed to catch fish and kill everything in their wake – a ban on deep-sea fishing in parts of the Atlantic rich with marine life was upheld by the EU’s General Court.

David Attenborough is a ‘constant source of inspiration’

Artists Skip and Katherine Khangurra lives were changed by the David Attenborough effect. They set up their company Libra Fine Arts after watching the broadcaster’s shows.

“We both grew up watching Attenborough’s programmes on TV, captured by his remarkable voiceovers,” Katherine, 42, tells Euronews Earth.

“Skip, 57, is often inspired to draw after watching a series – whether it’s penguins from ‘Frozen Planet’ or gorillas from ‘Gorillas Revisited’. The filmmaking in these programmes is extraordinary, revealing incredible detail in every scene, sometimes even down to the individual hairs of each animal.

Katherine (left) and Skip (right) Supplied by Libra Fine Arts

The couple, who live in Windsor, England, say Attenborough’s work has been a “constant source of inspiration” for them, as it has been for many other artists around the world.

They once gifted Attenborough some of their wildlife cards, and received a “beautiful” handwritten note in response. “The time and care he put into writing to us personally really touched us,” Katherine says.

The next generation learning about wildlife

Now, Katherine and Skip use their art as a learning resource for families – helping parents to teach their children the names of different species and their traits and “connect” with wildlife.

“It’s wonderful to watch those moments of curiosity and connection, and especially lovely to see the next generation learning about animals and building that connection for the future,” Katherine says.

Skip drawing a giraffe. Supplied by Libra Fine Arts.


A 2022 study of 842 primary school students, which was published in the science journal Global Ecology and Conservation, found that children's willingness to conserve wild animals was positively associated with both direct (time spent outdoors) and indirect (watching nature programmes or reading nature books) nature contact frequency, their knowledge of species, and their likeability of species.

“Children's knowledge and likeability of species were also positively associated with nature contact frequency (direct and indirect forms),” the study states.

“Therefore, wildlife conservation would benefit from environmental education and child care policies that enable children to spend time outdoors and learn about nature in multiple ways.”

 

Round-the-clock renewables: New report says clean energy now challenges fossil fuels on price

As battery prices have dropped, so has the cost of renewable energy, according to a new report
Copyright Nicholas Doherty / Unsplash

By Craig Saueurs
Published on 

The cost of battery storage has dropped more than 90 per cent since 2010, bringing the cost of renewable energy down with it.

Clean energy can provide reliable, around-the-clock electricity at prices that rival fossil fuels, as the war on Iran forces Europe to re-think its reliance.

new report from the International Renewable Energy Agency (IRENA) found that when solar and wind power are combined with battery storage, they can already compete with new coal plants on cost. In many parts of the world, this mix of renewables and storage can even undercut new gas power.

The findings challenge one of the fossil fuel industry’s longest-running arguments against renewables: that they cannot provide reliable, 24/7 electricity when the sun isn’t shining or the wind isn’t blowing.

Can renewables now outcompete fossil fuels?

According to IRENA, the answer is yes.

The report examined so-called “firm” renewable systems – combinations of solar panels, wind farms and battery storage capable of providing round-the-clock electricity.

In regions with strong sunlight and wind resources, solar power paired with batteries now costs between about €50 and €75 per megawatt-hour, the report found.

That compares with about €60 to €75 per megawatt-hour for new coal plants in China and more than €88 globally for new gas power.

A steep drop in battery prices has helped drive the change. Since 2010, the cost of battery storage has fallen by 93 per cent, according to IRENA, while solar panel costs dropped by 87 per cent and onshore wind costs by 55 per cent.

The agency says combining wind, solar and batteries can also reduce exposure to geopolitical shocks, such as Iran’s stranglehold on the Strait of Hormuz, a vital fossil fuel chokepoint that carries around one fifth (I think) of global oil supplies.

Europe is already seeing the impact

The report comes at a particularly relevant moment. Europe is still facing fossil fuel price shocks linked to Russia’s invasion of Ukraine and renewed instability around the US-Israel conflict in the Middle East.

Advocacy group Positive Money recently found that renewables helped cut electricity prices in some European countries by almost 25 per cent between 2023 and 2025.

Another report revealed that consumers in Denmark, Finland, France, Sweden and Slovakia could save up to €8.5 billion on energy bills this year because of their cleaner electricity mixes, while countries still more reliant on fossil fuels face significantly higher costs.

Solar alone saved Europe €3 billion in March by reducing its gas imports. An analysis by SolarPower EUrope says total savings could exceed €67 billion if gas prices remain high,

The renewables argument is changing

For years, critics argued that solar and wind power could never fully replace fossil fuels because they depend on weather conditions.

According to IRENA, battery storage is changing that calculus.

Batteries can store electricity generated during sunny or windy periods and release it later when demand rises or supply drops, reducing the need for backup plants run on fossil fuels.

IRENA says their costs will continue falling over the next decade, too, potentially making round-the-clock renewable power far more attractive for energy-hungry industries such as AI and data centres.

By 2035, some large-scale solar-and-battery projects could deliver continuous electricity for less than €45 per megawatt-hour in the best-performing regions.

“The long-standing argument that renewables lack reliability no longer holds,” Francesco La Camera, director general of IRENA, said in a statement.












Germany sees rise in battery storage system capacity in first quarter

03.05.2026, DPA

Solar-Battery Storage Hybrid Power Plant - FILE PHOTO - There are 88 battery storage units at the new photovoltaic (PV) battery storage hybrid power plant located on the site of a former gravel pit. (zu dpa: «Germany sees rise in battery storage system capacity in first quarter»)

Photo: Jan Woitas/dpa

Germany saw two-thirds more battery storage systems installed in the first quarter of 2026 compared to the previous year, industry figures showed on Sunday. 

The German Solar Industry Association (BSW-Solar) said around 2 million kilowatt-hours, or two gigawatt-hours, of new storage capacity came online between January and March. 

This brought the total battery storage capacity to around 28 gigawatt-hours, spread across 2.5 million installations.

More than half of the new capacity added in the first quarter – over one gigawatt-hour – was accounted for by large-scale storage systems with capacities exceeding one megawatt-hour. This was almost four times the figure from the previous year. 

In the domestic storage segment, with capacities of 5 to 20 kilowatt-hours, expansion stagnated at around 0.74 gigawatts, however.

In purely mathematical terms, the total installed capacity corresponds to the average daily electricity consumption of around 3 million households in Germany, according to BSW-Solar. This capacity could be used to offset weather-related fluctuations in the production of solar and wind power.

However, BSW-Solar’s managing director Carsten Körnig is concerned about the current legislative plans from the Economy Ministry.

"Battery storage must not be disadvantaged compared to gas-fired power stations in upcoming power plant auctions due to unsuitable tender criteria," he said. 

Instead, storage should be specifically promoted. It is "a key component of a cost-effective, resilient and climate-neutral energy system," Körnig argued.



Construction of new solar power plants in Germany slowing

02.05.2026, DPA

Rooftop solar power system - A view of solar panels on the roof of a Metro logistics center. (zu dpa: «Construction of new solar power plants in Germany slowing»)

Photo: Bernd Thissen/dpa

Fewer new solar power systems are being built in Germany, with newly installed capacity down 6% in the first quarter year-on-year, according to calculations by the German Solar Industry Association (BSW-Solar) based on data from the Federal Network Agency.

The total maximum capacity was around 3.5 gigawatts.

The decline was particularly sharp in the residential sector. Peak capacity in the home segment dropped by 21% to 0.85 gigawatts. In the commercial rooftop segment, which features larger systems, the decline was even steeper at 33% to 0.6 gigawatts.

Even the comparatively small and inexpensive "balcony power plants," small solar panels whose output is limited to 800 watts, showed signs of slowing down, with new installations declining 6% to 0.09 gigawatts.

Strong growth in ground-mounted systems cushioned the overall drop. These are usually fewer but larger installations. Capacity of newly installed systems in this segment rose 20% to 1.97 gigawatts.

BSW-Solar warned against further cuts to subsidies. The association expects for demand to pick up in the coming weeks as a result of the recent energy crisis and in anticipation of possible subsidy cuts.  But this does not replace reliable investment conditions, said BSW boss Carsten Körnig.

The energy crisis is demonstrating how important it is to make Germany less dependent on expensive energy imports through to quickly expand renewable energy and storage, said Körnig. "Anyone who hits the brakes on solar energy now is harming the business climate and curbing the most popular means of keeping energy prices down for citizens."