Saturday, March 07, 2026

Hegseth proclaims 'Christ is king,' turning Christian hope into a political slogan
(RNS) — The phrase does not — and should not — point to any earthly nation or project.
U.S. Secretary of Defense Pete Hegseth addresses the annual National Religious Broadcasters convention at the Gaylord Opryland Resort and Convention Center, Thursday, Feb. 19, 2026, in Nashville, Tenn. (Photo courtesy of National Religious Broadcasters)

(RNS) — Defense Secretary Pete Hegseth concluded his speech to the National Religious Broadcasters convention in Nashville last week by declaring, “Christ is king.” His remarks had traced what he described as a direct line from biblical faith to the American founding, into the present political moment. For Americans steeped in civil religion, such language resonates deeply. It sounds familiar, reassuring — even pious.

In fact, Hegseth’s phrase points to the way our political rhetoric often borrows Christian language without attending to its history in Scripture — or to the message of Christian hope itself. Modern appropriations of phrases like “Christ is king” can subtly transform what was once a radical proclamation into an earthbound slogan.



To understand why this matters, it helps to know a little of Christian eschatology — the doctrine of the end of all things.

The Hebrew Bible’s eschatological vision is grounded in God’s faithfulness. Israel’s story unfolds around a simple but profound conviction: God has made promises — to Abraham, to David, to the people delivered from Egypt. Those promises have not yet reached their fullness, but because God is faithful, history can’t simply collapse into disappointment. If the present doesn’t reflect the promise, the future must. 

The prophets give that hope shape. Isaiah, an eighth-century BCE Israelite, envisioned a day when swords are beaten into plowshares, when the wolf lies down with the lamb, when the nations stream to Zion not in conquest but in peace.

These promises are rooted in Israel’s particular covenant story, yet they look beyond mere national restoration. Even in its earliest layers, Israel’s hope contains universal horizons — “through you all the families of the earth shall be blessed,” God tells Abraham when he made his covenant. After the Israelites were conquered, exiled and under foreign domination, that horizon widened further. The anticipated reign of God becomes not simply the vindication of a nation, but the renewal of creation itself.

This hope was never just a political triumph. It was about God’s sovereign action to set things right — to judge injustice, to heal the wounded and to dwell again with God’s people. By the time Jesus steps onto the scene, he is stepping into a story thick with deferred promise and restless expectation. Jesus proclaimed the kingdom of God. His message was not simply that God would reign, but that the reign of God had already begun.

Jesus’ kingdom announcement disrupted expectations: It was not centered on political power or territorial dominion, but on God’s justice, mercy and reconciliation breaking into the here and now. The earliest Christian interpreters — Irenaeus, Origen, Gregory of Nyssa and Maximus the Confessor — carried forward this understanding. For them, Christian eschatology was not merely future oriented. It was moving toward the fullness of a kingdom already inaugurated in Jesus and anticipated in the church’s worship and sacramental life.

Irenaeus insisted that Christ recapitulates humanity, summing up all things in the way of love. Gregory of Nyssa saw the Christian life as a journey of endless growth into the divine likeness. Maximus imagined the cosmos united in Christ, with each creature’s freedom participating in the universal reconciliation.

None of these teachers envisioned the kingdom as a political regime. None equated Christian hope with the rise or renewal of an empire. Their eschatology was expansive — cosmic — and grounded in God’s restorative purposes for all creation.

In response to Rome’s fall in 410, Augustine wrote to help Christians understand how the temporal — the collapse of the known world — and the eternal — heaven above — intersect. The love of self characterizes the earthly city; the love of God, the City of God. Importantly, Augustine doesn’t equate the City of God with any earthly political entity, any nation — not even the visible institutional church. The City of God is ultimately pilgrim and future-oriented. It is not the same as Rome, Constantinople or Washington.

Now, centuries later, we find political rhetoric that does the opposite: It sacralizes the nation by borrowing Christian language, suggesting that the legitimacy of a political project depends on its proximity to some presumed biblical through-line. This is not the Augustine we read; it is a version of Augustine reshaped by modern political needs.

When political leaders appropriate phrases such as “Christ is king,” they risk inverting the delicate relationship between church and state that Augustine worked so carefully to articulate. In his own time, the church — newly entangled with imperial power — faced the temptation to mistake political stability for divine purpose, and so Augustine labored to relativize empire, rather than sanctify it.

Today, the dynamic often runs in the opposite direction: Political institutions, sensing fragility or division, reach for the language of the church to secure moral gravity. In both cases, theology is pressed into service for projects it was never meant to guarantee.

For Christians especially in this season of Lent, there is another story to tell.

Christian eschatology is not primarily about the triumph of a political agenda. It is about the kingdom of God — a reality already begun in the life, death and resurrection of Jesus. It is about justice that flows like a river, peace that is not simply the absence of conflict and a reign that turns logos into love.

To proclaim “Christ is king” is to point not to any nation or political project, but to the crucified and risen Lord whose sovereignty unsettles the powers of this world. It is to say that our ultimate hope is embedded not in civil triumph but in divine transformation.

In Lent, we remember that kingship was revealed most profoundly on a cross. We recall that the kingdom grows not through coercion but through lives shaped by mercy, humility and self-giving love. And we confess that our ultimate allegiance is to a king whose crown was thorns and whose kingdom does not waver with the shifting winds of political fortune.

Christ is king. But his reign is not Washington’s or Rome’s or any other city’s. It is the reign of God’s steadfast love, a kingdom already breaking in among us and yet to be revealed in its fullness.

(The Rev. Michael W. DeLashmutt is dean of the Chapel of the Good Shepherd and senior vice president at the General Theological Seminary in New York City, where he also serves as associate professor of theology. His most recent book is “A Lived Theology of Everyday Life.” The views expressed in this commentary do not necessarily reflect those of Religion News Service.)

HOMOPHOBIA LEGALIZED

Religious parents awarded $1.5M after Supreme Court win in LGBTQ+ books case

(RNS) — The settlement will signal to public schools that parents should have ‘the final say’ on their children’s education, wrote Eric Baxter, the plaintiffs’ attorney.


Wael Elkoshairi, left, addresses supporters of opt-out options, before oral arguments in the Mahmoud v. Taylor case, at the Supreme Court in Washington, April 22, 2025. (RNS photo/Reina Coulibaly)


Fiona André
February 26, 2026
RNS


(RNS) — A group of religious parents who sued the Montgomery County Board of Education in Maryland after it refused to let them opt their children out of classes discussing books on LGBTQ+ characters will receive a $1.5 million settlement.

The agreement, approved on Feb. 19 by District Judge Deborah L. Boardman, also requires the school board to alert the parents when classes will be discussing books with LGBTQ+ themes and allow their children to skip those lessons.

The parents filed the suit in May 2023 after the school system introduced a pre-K through fifth grade English/language arts curriculum in 2022 with some LGBTQ themes and removed the option for parents to opt students out of the lessons. The curriculum had already drawn tensions among the county’s religious parents, with some worrying about appropriateness and arguing the material promoted a particular ideology.

According to the plaintiffs — Tamer Mahmoud and Enas Barakat, who are Muslim; Jeff and Svitlana Roman, who are respectively Catholic and Ukrainian Orthodox; and Melissa and Chris Park, who are Catholic — the school system decision to remove the opt-out option infringed on their religious rights.

The case was heard last June by the Supreme Court, which ruled 6-3 in favor of the religious parents, with the three liberal justices dissenting. In his opinion, Justice Samuel Alito, writing for the majority, said the board’s refusal to allow opt-outs infringed on the parents’ religious rights. The court instructed the lower court to order the board to restore the option to opt out.

The books, Alito wrote, were “designed to present certain values and beliefs as things to be celebrated and certain contrary values and beliefs as things to be rejected.”



Eric Baxter, of Becket Law, speaks during a press conference about the Mahmoud v. Taylor case in Rockville, Md., Aug. 9, 2023. (RNS photo/Reina Coulibaly)

After the Supreme Court decision, the Montgomery County Public Schools introduced an opt-out request form parents can fill out if they believe the use of instructional material would interfere “with their sincerely held religious beliefs.”

The settlement ought to signal public schools that parents should have “the final say” on their children’s education, wrote Eric Baxter, the plaintiffs’ attorney and senior counsel at the Becket Fund for Religious Liberty, in a statement.

“Running roughshod over parental rights and religious freedom isn’t just illegal — it’s costly,” he wrote. “Their victory reshaped the law and ensured that generations of religious parents will be able to guide their children’s upbringing according to their faith.”

In a statement shared with ABC7, Montgomery County Public Schools noted it already had implemented measures to “ensure compliance and improve responsiveness.” It added, “This work is ongoing, and we remain dedicated to partnering with our families to guarantee we are moving forward in a way that aligns with the Court’s decision.”

The curriculum featured “Pride Puppy!” on a family celebrating Pride Day and “My Rainbow” on a mom creating a rainbow-colored wig for her transgender daughter. The school system initially allowed parents to opt children out of the lessons discussing the material before changing its policy in March 2023, arguing it wasn’t “feasible or consistent with its curricular goals to accommodate requests for students to be excused from classroom instruction using the LGBTQ-Inclusive books,” according to a motion opposing the preliminary injunction sought by the parents.

RELATED: ‘We were called book burners’: Families react to SCOTUS LGBTQ+ books decision

After the Supreme Court decision, Mark Eckstein, a Montgomery County resident who helped introduce the curriculum, said the storybooks had only intended to expose children to the diversity of sexual orientations and gender identities. Local LGBTQ+ rights activist David S. Fishback denounced the decision as a “major setback.”

Tamer Mahmoud and Enas Barakat and Jeff and Svitlana Roman have since removed their children from the public school systems.
How the Book of Esther echoes through 17th-century Netherlands to this day
RALEIGH, N.C. (RNS) — Since its inclusion in the Hebrew Bible, the Book of Esther has been embraced in different ways and in different times by Jews and Christians around the world.
Visitors view “The Book of Esther in the Age of Rembrandt" exhibit at the North Carolina Museum of Art in Raleigh, N.C. (Photo courtesy of the North Carolina Museum of Art)

RALEIGH, N.C. (RNS) — As the United States and Israel began pummeling Iran with airstrikes Saturday (Feb. 28), Israeli Prime Minister Benjamin Netanyahu offered a biblical analogy to explain his motives for going to war.

“Twenty-five-hundred years ago, in ancient Persia, a tyrant rose against us with the very same goal, to utterly destroy our people,” Netanyahu said in a statement, referring to the story from the biblical Book of Esther, which takes place in Susa, or Shushan, then the capital of the ancient Persian empire, now Iran.

Then, as now, he said, “this evil regime will fall.”

It was a timely statement. Jews read the Book of Esther during the holiday of Purim, which begins Monday evening (March 2), recounting the heroine’s resilience and determination to save her people from the king’s evil adviser, Haman. Through the years, Jewish girls have dressed up as Esther during the boisterous holiday.

But Netanyahu was not the first to tie present-day battles to the Book of Esther. Since its inclusion in the Hebrew Bible, the story — only 10 chapters long — has been embraced in different ways and in different times by Jews and Christians around the world. An exhibit, “Esther in the Age of Rembrandt” — now on view at the North Carolina Museum of Art in Raleigh until Sunday — shows how the 17th-century Dutch looked to the Book of Esther for resonances with their own struggle for independence from Spanish rule.

The exhibit, featuring paintings, prints and drawings by Dutch artist Rembrandt van Rijn and other artists from the time, was first shown at New York City’s Jewish Museum last year and will open on a slightly smaller scale at the Isabella Stewart Gardner Museum in Boston in August.

Jan Lievens, The Feast of Esther, circa 1625. (North Carolina Museum of Art)

Esther, in particular, became a popular subject in art, politics and literature of the time. Her actions in saving the Jewish people from annihilation echoed the Dutch nation’s triumphant efforts shaking off the yoke of Catholic Spain.

“The Dutch see a lot of equivalences between themselves and the Israelites of the Old Testament, but it’s Esther’s story that has kind of the deepest association,” said Michele Frederick, curator of European art at the North Carolina Museum of Art. “They elaborate on this in their political pamphlets where they equate it with the military actions with Esther and Mordecai’s victory over Haman.”


RELATED: Purim is raucous and chaotic. But the lesson for us may be in Esther’s strategic protest.


The biblical Book of Esther tells the story of the Persian King Ahasuerus, who replaces his disobedient wife, Vashti, with a new queen, Esther, whom he chooses as part of a beauty pageant. Esther hides her Jewish identity, but when the king’s adviser, Haman, convinces the king to issue a decree to eradicate the Jewish people, Esther reveals her identity to the king, and he comes to regret issuing the decree. Outraged that his adviser tried to kill his wife’s people, the king orders Haman to be hanged, and the Jews slaughter their enemies.

There’s no evidence that the story of Esther as told in the Bible actually took place between the 6th and early 4th century BCE, said Carol Meyers, professor of religion emerita at Duke University in Durham, North Carolina. It is usually understood as satire.

“It’s fiction, but its context is probably historical, although no one has successfully made a case for which Persian emperor might be represented by Ahasuerus,” she said.

The Book of Esther is only one of two books in the Hebrew Bible named after women. (The other is Ruth.) Other prominent Hebrew Bible heroines, such as Miriam, Moses’ sister, and Deborah, an Israelite judge, don’t get as much space devoted to them.

Rembrandt van Rijn, A Jewish Heroine [possibly Esther] from the Hebrew Bible, 1632–33. (National Gallery of Canada, Ottawa, Purchased 1953, 6089)

 

Rembrandt’s portrait of Esther, from 1632 or 1633, is the centerpiece of the exhibit. Loaned from the National Gallery of Canada, it depicts a translucently fair-skinned Queen Esther in her chamber, with her chambermaid in the shadows combing her wavy red hair.

What’s distinctive about Rembrandt’s Esther is how Dutch she looks.

“This is a Dutch model, sitting in (Rembrandt’s) studio that he then translates as an Esther of his contemporary moment,” Frederick said. “She’s not idealized in any way; her features aren’t smoothed out. This is someone the viewer might have seen on the street.”

The exhibit came together more than four years ago, when a curator from the Jewish Museum in New York asked to loan a piece from the North Carolina museum’s collection, Jan Lieven’s 1625 painting, “The Feast of Esther.” The painting by the contemporary of Rembrandt’s — the two may have once shared a studio — portrays the dramatic moment when Esther accuses Haman of treachery against her people.

The North Carolina museum, which has a significant gallery of Jewish ceremonial art, decided to join forces with the Jewish Museum on the Esther exhibit, which also includes a wide collection of decorative Esther scrolls, called megillahs, pottery and illustrated books of Purim plays and parodies, called purimshpiels.

Visitors view “The Book of Esther in the Age of Rembrandt” exhibit at the North Carolina Museum of Art in Raleigh, N.C. (Photo courtesy of the North Carolina Museum of Art)

At the end of the exhibit is a contemporary 1992 ink print by Fred Wilson that combines a Dutch engraving of Esther with an iconic photograph of Harriet Tubman, the U.S. abolitionist. Both women risked their lives to save their people, with Tubman helping enslaved people escape to freedom through the Underground Railroad.

“We wanted to keep the show mostly historically based in the age of Rembrandt, but we did want this window into the story through the contemporary lens,” Frederick said.

The exhibit, which closes March 8, was meant to end a few days after the celebration of Purim. Now fascination with the Book of Esther amid the renewed intrigue with Iran may give it a whole new contemporary spin.

 Opinion

Purim is raucous and chaotic. But the lesson for us may be in Esther's strategic protest.
(RNS) — Esther’s greatness lies not only in her willingness to speak truth to power, but in choosing the strategic moment to do so.
Activists confront a federal agent conducting immigration enforcement operations in a neighborhood on Monday, Feb. 2, 2026, in Minneapolis. (AP Photo/Ryan Murphy)

(RNS) — Purim, the Jewish holiday that falls this year on Monday (March 2), is often regarded as a joyful, even raucous holiday — costumes, laughter, drinking and noise meant to drown out the name of Haman, the evil counselor to the Persian emperor, King Achashverosh. But beneath the celebration lies a complex ethical question: When does personal risk become a moral obligation?

The Purim story, told in the Bible’s Book of Esther, focuses on the plot by Haman to kill all the Jews in Persia after he takes offense when Mordechai, another Jewish figure at court, refuses to bow to Haman. When Mordechai hears of Haman’s plot, he goes to his cousin Esther, a young Jewish woman who has been forced to become Achashverosh’s queen, and asks her to expose the plot to the king.



Esther’s initial response is fear and hesitation. Approaching the king without being summoned is a capital offense, and revealing that she had concealed her Jewish identity before their marriage endangered her further. 

Silence would be safer for her, but it would mean abandoning her community. To help Esther muster her courage, Mordechai asks, “Who knows whether you have come to the kingdom for such a time as this?” Though she was right to be afraid, Mordechai tells her there was a greater purpose to her being queen — perhaps a divine plan led her to this moment, so she can intervene on behalf of the Jewish people.

When Esther summons the nerve to tell the king to save the Jews in Persia, she shows that moral courage doesn’t require you to cast aside your fears. Rather, it challenges us to rise to the occasion, despite our fears, in moments of potential danger and uncertainty.

“Esther Denouncing Haman” (1888) by Ernest Normand. (Image courtesy of Wikimedia/Creative Commons

This year, Purim arrives amidst a crackdown in immigration enforcement, ICE activity and deportations that have left communities feeling helpless and fearful. Many feel an understandable urgency to act — even by attempting to physically intervene when ICE seeks to detain someone.

While that impulse comes from compassion and moral courage, such confrontations can be construed by law enforcement as obstruction of justice and may escalate already volatile situations or embolden ICE officers to respond more aggressively. Actions with righteous intent have led to more tragic outcomes, such as the horrific killings of protesters Renee Good and Alex Pretti. 

In an American society with leaders truly dedicated to upholding the rule of law and ensuring that those who break it are held accountable, nobody would have to fear being shot or killed for protesting — or even “obstructing justice.” We should expect our law enforcement personnel to act with the professionalism and restraint they are (supposedly) trained for.

In the harsh reality of this administration, however, our situation is more like Esther’s — in protecting others, we must exercise vigilance to protect ourselves. Jewish tradition affirms that preserving life — “pikuach nefesh” — is itself a sacred value. Even as we embrace our inner moral courage, endangering yourself to protect another should be avoided if another option is available.

Not all of us are cut out to face danger head-on as Esther did, but we can learn moral courage from her example. Esther fasts; she consults with others; she builds support. Her courage is deliberate and strategic. 

The question, then, is not whether to act, but how to act wisely and effectively. Purim points us toward forms of courage that are less dramatic but more enduring: being vocal about our values, showing up consistently to advocate for humane and compassionate immigration reform, lobbying elected officials, supporting legal and community organizations and insisting on policies that protect dignity and due process and hold officers accountable when they violate the law or use excessive force.



These actions may lack the immediacy of confrontation, but they are far more likely to produce lasting change. 

Esther’s greatness lies not only in her willingness to speak truth to power, but in choosing the strategic moment and method for doing so. This Purim, as we celebrate survival against all odds, we are invited into that same discernment: to take risks that are brave but not impulsive or goading, grounded in the hope that thoughtful, collective action can still bend history toward justice.

(Olivia Brodsky is the cantor and co-clergy of East End Temple in Manhattan. The views expressed in this commentary do not necessarily reflect those of Religion News Service.)