Showing posts sorted by relevance for query human zoos. Sort by date Show all posts
Showing posts sorted by relevance for query human zoos. Sort by date Show all posts

Sunday, April 16, 2023

IMPERIALIST COLONIALISM = CRT
'Human zoos': Europe struggles to confront its racist past


Ferenc Gaal
DW
Hamburg, Lisbon and Brussels are just some of the European cities where racist ethnographic exhibitions were once frequent events. Today, there is still a reluctance to acknowledge the trauma they caused


In colonial Europe, ethnological exhibitions of "exotic" people and "human zoos" were widespread. As early as the 15th century, people were kidnapped in colonized areas and brought to Europe for show. In the late 19th century, racist human displays became particularly lucrative. They were also used to demonstrate the supposed "superiority" of European civilization.

People from European colonies were lured to Europe under false pretenses and forced to work in degrading circumstances. They were often presented to onlookers as "savages" or cannibals.

Across Europe, there has been little official acknowledgement of the crimes of the colonial era, and there is still very little public awareness.

'Human zoos' in Hamburg


In 1874, the Hamburg merchant Carl Hagenbeck was one of the first to display humans alongside animals in zoos, and he quickly became a successful "ethnography showman." His Hagenbeck company, which still exists under the same name today and runs the main zoo in Hamburg, in northern Germany, made money with human exhibitions until the 1930s.

The historian Jürgen Zimmerer recently told German broadcaster NDR that in these zoos, people were shown in "an environment that was deliberately staged as being primitive." For his part, Claus Hagenbeck, the great-grandson of Carl, downplayed the harm of the exhibitions and described them as an "art form" of the time.

The Hamburg zoo has since said that it is re-examining its past, but there is currently no indication highlighting that humans used to be displayed on the site or any attempt to commemorate them.
The Hamburg zoo is still run by the Hagenbeck company, which first put humans on display alongside animals
Axel Heimken/dpa/picture alliance

Portuguese World Exhibition in Lisbon

In Lisbon, the capital of another vast European colonial power, humans were also displayed in 1940 at the Portuguese World Exhibition. People were brought from colonized countries to live in an environment that had been built to simulate their supposed habitat. They were used as "indigenous extras" to confirm colonial stereotypes.

The Portuguese dictator Antonio de Oliveira Salazar used the 1940 World Exhibition to glorify the colonial era and strengthen his own regime, and today the debate about Portugal's colonial past often centers on him. But Elsa Peralta, a historian at Lisbon University, believes that this is inadequate: "The leading narrative of the democratic period is that the crimes of the colonial period were linked to the dictatorship," she said. "It does not reflect the long duration of Portugal's colonial history." Peralta added that even the commemorative plaque that pays tribute to the victims of the "human zoo" in the city's botanical gardens today referred explicitly to the Salazar period.

She pointed out that many Portuguese people remained unaware of the racist exhibitions but said that there had been a growing public debate about the country's colonial past in recent years, albeit at a slower pace than in other former colonial states. "Portuguese society is slowly waking up to this issue; it has not yet been dealt with," she noted.

The Portuguese dictator Antonio de Oliveira Salazar used colonial exhibitions in Lisbon to strengthen his own power
CPA Media Co. Ltd/picture alliance

'Human zoo 2.0'

In Belgium, which put people on display in a "human zoo" as late as 1958 at the Brussels World Fair, the debate about the country's colonial crimes has become particularly animated over the past few years.

The activist and anthropologist Stella Nyanchama Okemwa from the European Network Against Racism (ENAR) has criticized the use of exhibitions to explore this chapter of Belgium's past and commemorate its victims. She says that displaying pictures of ethnographic exhibitions can reproduce racist practices. "For me, it was 'human zoo' 2.0," she said. "It triggered a lot of trauma."

She thinks that it is imperative that Belgian society acknowledge the trauma of the colonial past but says that there seems to be little willingness to do so. According to a 2020 survey, half of the country thought that colonialism had had more positive consequences for Belgian Congo than negative ones.

In the 1950s and 1960s, the spread of film, television and mass tourism changed the way of viewing "exotic" people. "People no longer brought adventure into their own country, but could afford to travel after it," said historian Anne Dreesbach.

Belgium has not apologized for its colonial crimes. "People don't want to engage in this conversation because it will open Pandora's box," said Stella Nyanchama Okemwa.

This article was translated from German.

How colonial powers presented people in 'human zoos'

'Human zoos' were vectors for racism, a Belgian exhibition shows

Wednesday, January 12, 2022

How colonial powers presented people in 'human zoos'

Up into the 20th century, ethnological shows presented people as exotic objects. Two exhibitions shed light on the cruel colonial history


From the age of colonial exhibitions

The 267 women and men from the Belgian colony of Congo were housed somewhere in the back of the extensive park in the Brussels suburb of Tervuren, penned up as if they were in a petting zoo.

Brought to Belgium at the behest of King Leopold II, they were set up under the thatched-roof huts of a fake "Congo village" to be marveled at by the European public. Up to 40,000 visitors a day came to gawk at them at the 1897 World's Fair.

Seven Congolese had died by the time the fair ended. In their honor, the AfricaMuseum Tervuren — designed as a colonial museum in the late 19th century, and renovated and renamed several times since then — is now holding a special exhibition, which runs until March 5: "Human Zoos: The Age of Colonial Exhibitions."

Claim of superiority

At the Berlin Africa Conference of 1884-1885, 14 European nations divided up the continent among themselves.

Belgian King Leopold II was granted an area 80 times the size of his country as a private colony: the Congo.


Belgium claimed that it was "bringing civilization to Congo"

His "Africa Palace" museum in Tervuren, complete with living exhibits, left no doubt as to the European's claim to superiority: a brass plaque beneath a portrait of Leopold with two Black children read, "Belgium brings civilization to the Congo." In reality, the country's resources were ruthlessly exploited, the people abused as laborers, or brought to Europe and gawped at.

Popular pastime

The human zoo drew enormous crowds, said Maarten Couttenier, a historian and anthropologist and one of the three curators of the Brussels show. They literally presented people from the Congo as cavemen, dancing in raffia skirts, full of primitive desires, he told DW, adding they were never shown as intellectuals or artists or just normal people.


Belgian King Leopold II

It was not a regional phenomenon, either, Couttenier said. People of all races were exhibited, and shown everywhere, in Europe, America, Japan, and even in Africa, he says. But the mechanism was always the same, he added — visitors would see what was totally strange to them and "feel superior."

Pseudo science of racial types

In the heyday of European colonialism, "human zoos" — or exhibitions of groups such as Africans, Indigenous peoples of the Americas and the Sami from Scandinavia — traveled the countryside for popular amusement. They were set up along the lines of a crude "scientific" anthropology.

A 1903 diagram of "racial types" shows that racist fantasies of superiority considered non-European people to be nonhuman primates; the colonial powers were convinced of their own "civilized superiority."


Racial classification, presented as 'science'

In Germany, the Hamburg-based animal trader and zoo founder Carl Hagenbeck turned human zoos into a business model. The fairground showman Friedrich Wilhelm Siebold displayed people at the Munich Oktoberfest until 1931.

Berlin exhibition also looks back at its human zoos

The first colonial exhibition in Germany was held in 1896. As part of a trade show in Berlin, organizers had set up a village in a park in the city's Treptow district, dubbing it with a derogatory term for Black people.

Lured by false promises, more than 106 Africans from the German colonies were brought to Berlin, where they were forced to present themselves to the astonished public for seven months as villagers in exotic costumes. They were repeatedly subjected to publicly humiliating medical or "racial" examinations.


"Looking Back" is the first permanent exhibition on colonialism, racism and

 Black resistance in a public museum in Berlin

"Zurückgeschaut" (Looking Back), an updated permanent exhibition at the Museum Treptow that reopened in October 2021, sheds light on this dark chapter and traces the biographies of the people who were reduced to objects.

It also shows how the colonial masters suddenly encountered resistance when the living exhibits stepped out of the role assigned to them.

For example, Kwelle Ndumbe, from Cameroon, bought an opera glass and used it to stare at the audience.

The same mechanisms today

The concept of the racist gaze underlying the human zoos still exists today, Couttenier said. He has colleagues with darker skin color who face it every day, for instance when looking for an apartment or a job. It's always the same process, he says: defining an otherness in order to be able to say, "I'm better than you."

Children are not born racists, he said: "We raise our children to see people as different and inferior."

Wednesday, May 20, 2026

How Zoos Contribute to Disease Transmission Between Humans and Animals


 May 19, 2026