Wednesday, March 19, 2025

  

Safeguarding coffee grinders from hidden stones






Singapore University of Technology and Design

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Setup of the system and graphs showing the accuracy of acoustic method developed to detect hidden stones among coffee beans

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Credit: SUTD




Most coffee connoisseurs are familiar with the gentle hum of their favourite café’s grinder while they wait in eager anticipation of that aromatic first sip. But behind this everyday scene lies a surprisingly tricky problem. Coffee beans often come mixed with small stones—accidental stowaways from harvesting and processing. Nearly identical to beans in size, shape, and colour, stones routinely evade even the most meticulous of inspections.

For cafés and commercial coffee producers, stray stones spell trouble. When they enter the grinding mechanism, they can severely damage the grinder’s precision-engineered cutting discs known as burrs. These burrs, essential but highly expensive, require expert alignment after replacement, which often disrupts operations and therefore imposes considerable downtime.

“Large-scale factories rely on advanced screening methods early in coffee production. Due to the size and cost constraints, these traditional screening methods aren’t practical for most busy cafés and smaller commercial settings,” said Dr Teo Tee Hui from the Singapore University of Technology and Design (SUTD).

Motivated by this industry challenge, Dr Teo and his team set out to develop a solution based on sound—quite literally! Their method involves a microphone placed strategically within the grinder. As beans tumble through and the burrs begin their rotations, the microphone captures the machine’s acoustic profile in real time. In particular, a stray stone trapped amongst the beans produces a distinctive acoustic signature, different from the softer sounds of beans alone.

The team’s findings were published in the paper, “Innovative EMD-based technique for preventing coffee grinder damage from stones with FPGA implementation.”

The centrepiece of their method is an algorithm called empirical mode decomposition (EMD), which breaks down complex sound signals into simpler components known as intrinsic mode functions (IMFs). By isolating these IMFs, the team’s system can accurately pinpoint the presence of stones. The team’s innovation is further enhanced by implementing this algorithm on field programmable gate arrays (FPGA), specialised processors that swiftly and accurately handle real-time data analysis.

“We chose EMD because it adapts seamlessly to the grinder’s changing acoustic environment. Stones produce transient, distinctive acoustic patterns that EMD easily recognises, even amidst background noise,” Dr Teo highlighted. “We specifically chose FPGA for its real-time processing capabilities and cost-effectiveness—crucial for adoption in small-scale commercial coffee settings.”

In extensive tests, the system reliably identified stones that closely resembled coffee beans with near-perfect accuracy, preventing damage to the burrs. However, Dr Teo acknowledged that there is room for improvement with respect to the detection of smaller, crushed stones, which are harder to distinguish acoustically.

“Detecting tiny fragments remains challenging, as their acoustic signatures can overlap and become masked by bean noise. We’re actively working to enhance our method by better utilising subtle acoustic cues embedded in the signal’s time-domain characteristics," said Dr Teo. “We already have a promising solution in the pipeline, and we hope to share it soon—so watch this space!”

Importantly, this innovative acoustic approach has significant potential for commercial translation. Easy to integrate without major modifications to existing machines, it offers cafés and smaller coffee businesses a practical, economical alternative to large-scale screening methods, which most lack the resources to afford.

“Ultimately, our goal is straightforward. We want to prevent stones from ever damaging a coffee grinder again,” Dr Teo said. “By developing a reliable detection method that enhances the efficiency and longevity of coffee grinders, we could benefit café operations and the coffee industry as a whole.”

Looking ahead, the team is focused on refining their algorithm’s sensitivity, aiming for widespread adoption across the diverse coffee-grinding scene.

Coffee-making robot breaks new ground for AI machines



University of Edinburgh
Coffee-making robot 

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Coffee-making robot pours water from a kettle into a cup

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Credit: Ruaridh Mon-Williams




An AI-powered robot that can prepare cups of coffee in a busy kitchen could usher in the next generation of intelligent machines, a study suggests.

Using a combination of cutting-edge AI, sensitive sensors and fine-tuned motor skills, the robot can interact with its surroundings in more human-like ways than ever before, researchers say.

The new technology, developed by a team at the University of Edinburgh, could transform robots’ ability to carry out tasks that previously could only be done by people.

While robots are adept at working in tightly controlled settings such as factories and production lines, they struggle in dynamic, unpredictable places like kitchens, experts say.

This is because robots have traditionally relied on pre-programmed actions and responses, and lack the ability to adapt to unforeseen obstacles in real-time, the researchers say.

Now, the Edinburgh team has combined advances in sensitive motor skills and AI to create a robot that can interact skilfully with objects and people in challenging settings. Previous developments in these areas had taken place largely independent of each other, the team says.

The new device – a robotic arm with seven movable joints – first interprets verbal instructions it receives, then analyses its surroundings.

Next, it searches the kitchen to find a mug by working out how to access drawers with opening mechanisms it has never encountered before. The robot then measures and mixes a set ratio of ground coffee from a jar with water from a kettle.

The technology behind the robot enables it to adapt seamlessly to unforeseen events, such as if someone bumps or moves the mug unexpectedly while it is working, the team says.

The research, published in the journal Nature Machine Intelligence, was supported by the Engineering and Physical Sciences Research Council (EPSRC). The work was led by Ruaridh Mon-Williams, a PhD student jointly at the University of Edinburgh, Massachusetts Institute of Technology and Princeton University.

Ruaridh Mon-Williams, of the University of Edinburgh’s School of Informatics, said: “We are glimpsing a future where robots with increasingly advanced intelligence become commonplace. Human intelligence stems from the integration of reasoning, movement and perception, yet AI and robotics have often advanced separately. Our work demonstrates the power of combining these approaches and underscores the growing need to discuss their societal implications.”

 GOOGLE BUYS WIZ

Hebrew University congratulates its alumni – founders of WIZ – on a historic achievement





The Hebrew University of Jerusalem




We extend our heartfelt congratulations to Hebrew University alumni Assaf Rappaport, Ami Lotbek, and Yinon Costica on achieving the largest exit in Israel’s history with the acquisition of WIZ by Google!

Rappaport, Lotbek, and Costica are all proud graduates of the Hebrew University, with Lotbek also holding a master’s degree from the School of Engineering and Computer Science. We take immense pride in your achievement.

Notably, this landmark deal with Google surpasses the previous record set by Mobileye, another groundbreaking company developed at the Hebrew University’s School of Engineering and Computer Science.

 

High levels of traumatic stress found in caregivers of adult cancer patients



Research underscores urgent need for mental health screening and caregiver support




University of Toronto





Toronto, Canada – Every year, millions of family members and friends provide care for loved ones undergoing cancer treatment, often at great emotional cost. A new scoping review, published this week in Archives of Geriatrics and Gerontology Plus, confirms the toll that this work can take on caregivers’ mental health. According to the review, most studies show that more than 15% of those who care for loved ones with cancer suffer from post-traumatic stress disorder (PTSD).

“Caregivers remain largely overlooked in psychosocial oncology care, leaving many without the support they need,” says lead author Elizaveta Klekovkina, a social worker in the Department of Supportive Care at Princess Margaret Cancer Centre.

The comprehensive literature review found that caregivers with pre-existing mental health conditions, lower social support, and higher caregiver burden were at greater risk of PTSD. Additionally, patient-related factors such as disease severity, symptom burden, and perceived likelihood of death also contributed to caregiver distress.

“Identifying these risk factors is important for developing targeted interventions to prevent and alleviate traumatic stress in caregivers,” says co-author Maya Stern, also a social worker from the Department of Supportive Care at Princess Margaret Cancer Centre. Stern and Klekovkina are both recent graduates from the Master of Social Work program at the University of Toronto’s Factor-Inwentash Faculty of Social Work.

The study also found that caregivers of patients with head and neck cancer or acute leukemia were among the most distressed, with up to 37% of them meeting PTSD criteria.

The most commonly reported PTSD symptoms were intrusive thoughts and hypervigilance. Unlike in other forms of trauma, avoidance, typically a key symptom of PTSD, was not an option, as caregivers remained deeply involved in their loved one’s cancer care.

The scoping review uncovered 23 studies that examined the relationship between traumatic stress and caregivers of adult cancer patients. However, the majority of published studies are cross-sectional, with small sample sizes, and a lack of racial and gender diversity.

“We were surprised to find so few studies on traumatic stress among caregivers of adult cancer patients,” says co-author Carmine Malfitano, director of research and education at the Centre for Psychology and Emotional Health and clinical social work specialist at the Princess Margaret Cancer Centre. “There is an urgent need for further research to reduce this gap in the literature and to develop proactive, evidence-based interventions to better integrate caregiver support in oncology care.”

Improving support will require more proactive screening, say the researchers.

“If left unaddressed, traumatic stress in caregivers can have long-term impacts on their mental and physical health,” says senior author Esme Fuller-Thomson, Director of the Institute for Life Course & Aging at the University of Toronto. “The high prevalence of PTSD among adult cancer caregivers underscores the need to ensure they receive early support, especially at key points such as diagnosis, recurrence, or treatment transitions.”

 

Singapore and Japan unveil world’s deepest ocean art installation

Deployed 7km below the sea, the artwork is by Singaporean artist Lakshmi Mohanbabu, tech firm NuStar and NTU Singapore

Business Announcement

Nanyang Technological University

Singapore and Japan unveil world’s deepest ocean art installation 

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A replica of the NTU 3D printed cube which was send beneath the ocean.

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Credit: NTU Singapore

Singapore is now the first country to have an art installation 7,000 metres beneath the ocean.

It comprises three metal cubes designed by Singaporean artist Ms Lakshmi Mohanbabu, the first Singaporean to send her artwork into space on the International Space Station in 2022.

A tribute to all those impacted by natural disasters, these artworks were installed near the Mariana Trench off the coast of Japan by NuStar Technologies in December last year.

They were deployed as part of a specially designed early warning seismic sensor for undersea earthquakes, in collaboration with Japan’s Agency for Marine-Earth Science and Technology (JAMSTEC).

One of the cubes was made using a new hybrid manufacturing process developed by Nanyang Technological University, Singapore (NTU Singapore).

The historic milestone in conjunction with Singapore’s SG60 celebrations was observed at Gallery ART NOW, attended by Guest-of-Honour, NTU Board Chair Ms Goh Swee Chen, who is also Chairman of the National Arts Council.

Each hollow cube is crafted from corrosion-resistant stainless steel, and they measure 10 cm on each side. There are five sides for each cube, showcasing the iconic “Universal Language of Symbols” by Ms Mohanbabu.

The five designs for each of the five exposed sides - Nautilus, Primary, Secondary, Windmill and Dromenon - were created to resonate with communities worldwide, fostering a deeper, universal connection by embodying nine existential elements common to all humanity - Creation, Lifecycles, Colour, Shape, Movement, Direction, Energy, Space and Time.

Each cube is featuring a different design at the top. For instance, NTU’s 3D printed cube has Dromenon facing outwards, while the other two cubes featured Primary and Nautilus.

Artist, architect and leader of the projectMs Lakshmi Mohanbabu explained, “Art has the unique ability to connect humanity across physical and metaphorical depths. With the Deep Ocean Interactions Project, we aim to inspire meaningful change highlighting our interconnected existence by bringing people together through a shared journey and purpose.

“The earlier interactions cubes that had orbited around Earth in space will also be sent to the moon as part of a permanent art installation. With these two art installations, Singapore is the first nation to have artworks on the moon and the deep ocean. This milestone is also a testament to Singapore’s pioneering spirit and tenacity as we celebrate SG60 this year.”

 

Engineering feat by NuStar and JAMSTEC

The successful deployment of the art installation was made possible through a partnership between NuStar Technologies and JAMSTEC as part of the Long-Term Borehole Monitoring System (LTBMS).

The LTBMS was originally developed to monitor seismic activity near tectonic plate boundaries and supports real-time data monitoring for earthquake and tsunami early warning systems.

To accommodate the artwork, specially designed cavities and holders were incorporated into the LTBMS equipment bay frame. A specialised ultra-deep-sea camera system was remotely deployed from the surface to the ocean depths to monitor the LTBMS installation and capture video and photos of the cubes at the record-breaking water depth.

JAMSTEC and NuStar subsequently deployed the equipment to the ocean floor and successfully integrated it into the Dense Ocean Network System for Earthquakes and Tsunamis (DONET) on 12 December 2024.

Mr Goi Kim Kok, Managing Director of NuStar, described the project as an example of the fusion of technological innovation, art, and scientific monitoring: “Together with Lakshmi and our partners at JAMSTEC, we have demonstrated that the deep ocean can be a platform for both scientific discovery and cultural expression. It is also timely that next year will mark the 60th anniversary of Singapore-Japan diplomatic relations.”

 

Breakthrough in additive manufacturing

One of the three cubes is not made from ordinary steel but manufactured using 80 layers of ultra-thin stainless-steel sheets fused into a 4mm thick wall.

This hybrid 3D printing technology was invented by Assistant Professor Lai Changquan and his team at NTU’s Singapore Centre for 3D Printing (SC3DP), who worked closely with Lakshmi Mohanbabu on several prototypes before printing the final product.

Known as LAPIS (Laser Patterning and Incorporation of Sheets), it combines 3D printing with laser cutting to produce highly intricate, fully dense structures that are over 70 per cent stronger than bulk steel and resilient to the extreme pressure and corrosive conditions of the deep ocean.

The technique also delivers a surface finish three times superior to conventional methods, reducing the need for additional refinement.

Asst Prof Lai said, “This project demonstrates the potential of interdisciplinary research to push the boundaries of what is possible. Creating a piece of art capable of withstanding the immense pressures of the deep ocean is a testament to the versatility and durability of our technology.”

Following the success of this project, Asst Prof Lai recently co-founded a start-up with his students with the support of the NTU Innovation and Entrepreneurship initiative. The team plans to expand the potential applications of their unique technology in industries such as aerospace, maritime, and energy.

This marks Lakshmi’s third collaboration with NTU SC3DP on her artworks. The first two collaborations involved miniature Interactions artworks, one where NTU helped with prototyping, while the other was 3D-printed using a unique process as the final artwork.

Lakshmi had two cubes sent to space aboard the International Space Station as part of the Moon Gallery project in 2022, with plans for placement on the Moon in 2025.




A replica of the world’s first deep-sea installation that was installed near the Mariana Trench off the coast of Japan.

Credit

NTU Singapore

A symbol of unity and innovation

The installation of the Deep Ocean Floor Art Gallery is not only a technological and artistic feat but also a profound statement about the power of collaboration, said Ms. Mohanbabu. She hopes the project will inspire fellow Singaporeans to aim for the stars and the deepest oceans, demonstrating that nothing is impossible when we put our minds to it.

This project brings together experts from diverse fields, showcasing how art, science, and engineering can work in harmony to achieve extraordinary outcomes.

The three uniquely designed cubes - Red and White, Ocean Blue and Orange, and Purple and Aquamarine Blue - reflect the mysteries of the deep, life’s cyclical nature, change and transformation. The vibrant colours signify Earth’s changing hues, the Ocean’s enigmatic depths, and the boundless expanse of space.

The Red and White Cube carries a special resonance celebrating the collaboration between Japan and Singapore. Its design draws from the shared colours and symbolism of their flags evoking the sun, stars and the moon. Together, these creations bridge the realms of art, science, and nature, connecting the cosmos to the deep sea.

With its seamless blend of artistic vision, engineering ingenuity, and scientific purpose, the Deep Ocean Interactions Project reinforces Singapore’s reputation as a hub for creativity and innovation.

It aims to inspire future endeavours and interdisciplinary collaborations at the intersection of art and technology, driving meaningful collaborations that push boundaries and spark new possibilities.