Thursday, December 18, 2025

 

Roman soldiers defending Hadrian’s Wall infected by parasites, study finds




University of Cambridge
3rd century baths and latrine block at Vindolanda 

image: 

3rd century baths and latrine block at Vindolanda, the Roman fort close to Hadrian’s Wall in the UK. 

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Credit: Credit: Vindolanda Trust





A new analysis of sewer drains from the Roman fort of Vindolanda, close to Hadrian’s Wall, has shown that the occupants were infected by three types of intestinal parasite – roundworm, whipworm, and Giardia duodenalis.

These parasites are all spread by ineffective sanitation, with contamination of food, drink or hands by human faeces. Roundworms are 20-30cm long and whipworms about 5cm long. Giardia are microscopic protozoan parasites that cause outbreaks of diarrhoea. This is the first evidence for Giardia duodenalis in Roman Britain.

Vindolanda was located near to Hadrian’s wall in northern England. Hadrian’s Wall was built by the Romans in the early 2nd century AD to defend their province of ‘Britannia’ from attack by tribes from the north and remained in use until the end of the 4th century. The site of Vindolanda is located between Carlisle and Corbridge in Northumberland, Britain.

Hadrian’s Wall runs east-west from the North Sea to the Irish Sea and was constructed with forts and towers spaced regularly along it. It was defended by a range of infantry, archery and cavalry units from across the Roman Empire.

Vindolanda is famous for the organic objects preserved in the waterlogged soil at the site, such as more than 1,000 thin wooden tablets written with ink that document daily life at the fort and a collection of over 5,000 Roman leather shoes.

The analysis of sediment from the sewer drain leading from the latrine block at the 3rd century CE bath complex was performed jointly by researchers from the universities of Cambridge and Oxford, and is published in the journal Parasitology.

Fifty sediment samples were taken along the length of the latrine drain, which measured around nine metres and carried waste from the communal latrine down to a stream north of the site. Artifacts recovered from the drain included Roman beads, pottery and animal bones.

These samples were split between labs at Cambridge and Oxford, where researchers conducted microscope analyses to hunt for the ancient remains of helminth eggs: parasitic worm species that infect humans and other animals.

Some 28% of the samples contained either roundworm or whipworm eggs. One sample contained remnants of both species, so researchers analysed it using a bio-molecular technique called 'ELISA', in which antibodies bind onto proteins produced by single-celled organisms, and found traces of Giardia duodenalis.

The team also took a sample connected to an earlier 1st-century CE fort, constructed around 85 CE and abandoned by 91/92 CE. The sample came from a ditch that was part of the fort’s defensive system, and contained both roundworm and whipworm. 

“The three types of parasites we found could have led to malnutrition and cause diarrhoea in some of the Roman soldiers,” said Dr Marissa Ledger, who led the Cambridge component of the study as part of her PhD at the University of Cambridge’s Department of Archaeology.

“While the Romans were aware of intestinal worms, there was little their doctors could do to clear infection by these parasites or help those experiencing diarrhoea, meaning symptoms could persist and worsen. These chronic infections likely weakened soldiers, reducing fitness for duty. Helminths alone can cause nausea, cramping and diarrhoea.”

Study senior author Dr Piers Mitchell, Affiliated Scholar at Cambridge’s McDonald Institute for Archaeological Research, said: “Some soldiers could have become severely ill from dehydration during summer outbreaks of Giardia, which are often linked to contaminated water and can infection dozens of people at a time. Untreated giardiasis can drag on for weeks, causing dramatic fatigue and weight loss.”

“The presence of the faecal-oral parasites we found suggests conditions were ripe for other intestinal pathogens such as Salmonella and Shigella, which could have triggered additional disease outbreaks,” Mitchell said.

The predominance of faecal-oral parasites at Vindolanda is similar to Roman military sites elsewhere, say researchers, such as Carnuntum in Austria, Valkenburg on Rhine in the Netherlands, and Bearsden in Scotland. Urban sites, such as London and York, had a more diverse parasite range, including fish and meat tapeworms.

“Despite the fact that Vindolanda had communal latrines and a sewer system, this still did not protect the soldiers from infecting each other with these parasites,” said Dr Patrik Flammer, who analysed samples at the University of Oxford.

“The study of ancient parasites helps us to know the pathogens that infected our ancestors, how they varied with lifestyle, and how they changed over time,” said Prof Adrian Smith, who led the lab at Oxford where part of the analysis was performed.

Dr Andrew Birley, CEO of the Vindolanda Charitable Trust, who leads the excavations at Vindolanda, added: “Excavations at Vindolanda continue to find new evidence that helps us to understand the incredible hardships faced by those posted to this northwestern frontier of the Roman Empire nearly 2,000 years ago, challenging our preconceptions about what life was really like in a Roman frontier fort and town.”

W. H. Auden’s famous poem about a miserable Roman soldier guarding a rain-soaked wall in northern Europe mentions “lice in my tunic and a cold in my nose”. It seems the poet could have added serious stomach trouble to that list of woes.


Whipworm egg from the analysis of sediment from the sewer drain leading from the latrine block at the 3rd century CE bath complex at Vindolanda. 

Credit

Marissa Ledger

Roundworm egg from the analysis of sediment from the sewer drain leading from the latrine block at the 3rd century CE bath complex at Vindolanda. 

Credit

Patrik Flammer

 

Pinochet’s prisoners were tormented with music but still found solace in it, a new book reveals



Manuel Flores 

image: 

'Manuel Flores', watercolour by Francisco Aedo Carrasco (Chacabuco, 1974). The artist and his model were political prisoners at Chacabuco concentration camp in the Atacama Desert during the Pinochet dictatorship. The artist is among the disappeared.

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Credit: María Cristina González Benedetti collection. Museum of Memory and Human Rights





University of Cambridge media release

 


 

110 years after Augusto Pinochet’s birth, Chile has just elected a new far-right President, José Antonio Kast, who has praised the dictator's legacy. At the same time, a new book exposes the brutal and tender realities of political imprisonment during the dictatorship (1973–1990) through the power of music.

 

Music and Political Imprisonment in Pinochet’s Chile is published today by Oxford University Press. The book’s author, Dr Katia Chornik, grew up in the Chilean diaspora as her parents experienced political detention and exile under Pinochet. She first became aware of the horrors of Pinochet’s detention centres* after returning to the country as a teenager in the 1990s. She learnt that her own parents had been imprisoned in a Santiago torture house known as Venda Sexy (Sexy Blindfold) and La Discotheque, on account of the sexual violence and blasting of loud music which its prisoners, always blindfolded, were subjected to.

Chornik, a Research Associate at Cambridge University’s Centre of Latin American Studies, has interviewed dozens of survivors, as well as former prison guards and convicted perpetrators from the higher echelons of Pinochet’s regime.

 

Survivors’ memories of life, death and music

 

In 1975, Ana María Jiménez, a music teacher and pianist, was arrested and taken to the torture and detention complex of Villa Grimaldi in Santiago. There, she told Chornik, she was forced to listen to recorded music: “You lived a permanent torture session because if they weren’t torturing you, you were listening to the torture of others, which was absolutely unbearable. And with music the whole time.”

One of the songs that Jiménez heard most was ‘Gigi l’amoroso’, popularised by the Italian-Franch singer Dalida. Its lyrics narrate the story of Gigi, a serial seducer.

Jiménez recalls: “When they would come to torture you, they said: “here comes Gigi l’amoroso.” They sang the song, and they loved to feel like they were Gigi. They used to put that song on at full blast while they performed the torture.” But Chornik found that agents’ use of this song was far more sinister as it repurposed their slang word “gigi”, which referred to a device for administering electric shocks to prisoners.

As well as documenting the use of music as background to torture, Chornik emphasises that prisoners also comforted themselves and each other with music, took courage and hope from songs, and mounted acts of musical resistance.

Ana María Jiménez once sang to comfort a fellow prisoner who was suffering in solitary confinement after a brutal torture session. She chose to sing “Zamba para no morir” (Zamba so as Not to Die), a song popularised by the Argentine singer, Mercedes Sosa. “All of my comrades had tears rolling down their faces,” Jiménez recalls. The agent in the prison abruptly stopped her and told her not to overstep her bounds “with cute little political songs”. Jiménez refused to comply and was made to spend the entire night in the rain. She later learned that her singing was the last thing her fellow prisoner heard before he died.

In another camp, Jiménez ran music workshops and founded and directed a choir of prisoners. Forty years after her imprisonment, she revived the choir, a story Chornik details in the book.

Luis Cifuentes, a political prisoner held at the National Stadium, listened to Cat Stevens singing ‘Morning has broken’ on a radio receiver secretly circulating in the changing rooms. The song helped him build up courage for imminent torture sessions. “I had an obsession for ‘Morning has broken’,” he says, “it was reassuring.”

In 1975, a young couple, Carmen Espinoza and César Montiel, were detained at the torture and extermination center Colonia Dignidad, an isolated colony in Southern Chile, founded by Nazi fugitives. A man Espinoza and Montiel identified as a guard repeatedly sang Julio Iglesias’s love song ‘A flor de piel’ (Under my Skin) to them. This song was special to them before their detention and it still gives the couple fond memories of their youth, despite how they experienced it at Colonia Dignidad.

Julio Iglesias himself attempted to perform at Valparaiso Jail in February 1975. As Chornik reveals in the book, the gig did not go according to plan. Iglesias was booed when he addressed the prisoners and had to leave without singing.

Chornik set out to explore memories of the dictatorship from different types of people, not only former political prisoners. María Fedora Peña describes finding a melody written by her father on a scrap of paper using burned matchsticks while he was in solitary confinement (see images). In September 1973, Jorge Peña Hen – a respected composer, conductor and pedagogue – was detained at La Serena prison and soon after writing this melody, he was assassinated by the Caravan of Death, an army death squad. His daughter says: “In his unfathomable universal loneliness, defiled and deserted in his senseless confinement. And in the midst of that nothingness, I see the historic man celebrating life.”

 

The perpetrator: Álvaro Corbalán

 

Chornik interviewed Álvaro Corbalán in Punta Peuco prison near Santiago, where he is serving sentences for disappearances and murders of scores of political opponents. Corbalán is the former Head of Operations of the CNI secret police and commander of Cuartel Borgoño, one of the dictatorship’s most notorious torture centres. He also happens to be a prolific singer-songwriter and still manages to share recordings of his songs, made against prison rules, on social media.

“Music was part of the violence, and the ability of some agents to appreciate, write, and play music doesn’t lessen the severity of their actions,” Chornik says. “I firmly oppose any suggestion that the ‘human’ side of perpetrators of human rights violations should invite redemption or pardon.”

Corbalán avoided discussing use of music in the prisons he oversaw but revealed to Chornik that the guitar he still plays was a personal gift from Lieutenant General Jorge Rafael Videla when he headed Argentina’s military junta.

“Corbalán said he received the guitar during a work trip to Buenos Aires. The location, timing and people involved suggest he may have had a role in Operation Condor,” Chornik says.

Operation Condor was a CIA-backed secret programme of cooperation between South American intelligence services. Chile, along with Paraguay, Bolivia, Brazil, Uruguay and Argentina, were core members. This November marked the 50th anniversary of Operation Condor's formal creation. Condor operatives carried out covert disappearance, torture, and extrajudicial executions across borders. Special death squads also targeted leading opposition figures exiled in Latin America, Europe, and the USA.

This book has taken Chornik a decade to write and she feels it was a matter of ‘now or never’. “Many of the survivors have already passed away,” Chornik says. “I felt the urgency to record their experiences before it was too late.”

 

Educating through memory

 

In 2015, Katia Chornik founded Cantos Cautivos (Captive Songs), an acclaimed digital platform which has compiled 168 testimonies of musical experiences in political detention centres in Pinochet’s Chile. She is currently working with UNESCO on a Global Citizenship Education project that is bringing material from Cantos Cautivos into classrooms across Latin America and the Caribbean.

Presidents do not often write prologues to books but Chornik’s opens with the resolute words of Michelle Bachelet Jeria, Former President of Chile and now a candidate for UN Secretary-General:

“For Chile, this work serves as a vital tool for deepening our understanding of our history and reinforcing our permanent commitment to justice and human rights. Yet its relevance extends far beyond our borders … As we look to the future, let us draw inspiration from the courage and creativity of those who resisted oppression through music. Their stories remind us of the enduring power of art and humanity to confront even the darkest forces.”

 

Reference

 

Katia Chornik, Music and Political Imprisonment in Pinochet’s Chile (Oxford University Press, 2025) Online ISBN: 9780190052294 / Print ISBN: 9780190052263

 

Notes to editors

 

*In 2004, a truth commission set up by the Chilean state recognized 1,132 centers for political imprisonment and torture active during Pinochet’s dictatorship, including clandestine houses, camps, stadiums, prisons and commissariats.

Photograph taken in 2000 of the third floor of the Valparaíso Jail, where political prisoners were held during Pinochet's dictatorship

Credit

Mario Patricio Cordero


Ana María Jiménez leading the choir at Villa Grimaldi Park for Peace in September 2013

Credit

Villa Grimaldi Park for Peace Corporation


Unfinished melody written by Jorge Peña Hen with burned matchsticks while in solitary confinement at La Serena Jail in October 1973, shortly before he was assassinated.

Credit

Peña Camarca collection



The front cover of Katia Chornik's book, Music and Political Imprisonment in Pinochet’s Chile (OUP, 2025)

Credit

Oxford University Press


 

Strategic river sensors could have forewarned of Texas Camp flood disaster



Water levels upstream rose hours before Camp Mystic’s deadly flood




American Geophysical Union




NEW ORLEANS — Camp Mystic in Texas flooded on July 4, killing 27 people, including 25 children. Over 200 millimeters (over seven inches) of rain fell over the area in 12 hours, and the Guadalupe River rose nearly 8 meters (26 feet) in just 45 minutes. New research recreated the flood conditions and found multiple spots upstream where local communities could have placed water level monitors to give early warnings about rising water. 

Researchers presented the findings on Thursday, 18 December at AGU25, joining more than 20,000 scientists discussing the latest Earth and space science research. 

The flooding of the camp occurred along a confluence of the South Fork Guadalupe River and Cypress Creek and contained no upstream monitoring of water levels. While the United States Geological Survey has over 11,000 gauges measuring river conditions across the country, many rural areas still lack such devices.  

A team at the University of South Carolina is conducting research on cheap, solar-powered sensors that could be placed upstream to serve as early warning bells for rivers without government gauges.

Ayman Mokhtar Nemnem, the lead author of the study, used computer simulations to reconstruct the storm and flood evolution. The modeling revealed multiple spots where sensors could have been placed to warn downstream communities of the rising danger — specifically, certain upstream tributaries where water began rising several hours before the flooding made it downstream. 

The researchers aim to make those sensors cheap, easily accessible, and open source so anyone would be able to use them. 

“If we are able to monitor those locations in advance, it can give us a few hours so that we can prepare those in vulnerable locations,” Nemnem said. 

One issue preventing adequate planning for the July 4 flood was that water levels on the Guadalupe River exceeded modeled predictions based on severe floods historically occurring only once every 100 to even 1,000 years.  

Climate change is projected to impact rainfall and droughts, and flash flooding events have been steadily increasing with over 5,100 flash flood warnings issued in the United States this year. It’s the first time over 5,000 warnings have been issued and beats the previous record holder by 400 warnings.  

“Patterns have changed,” said Jasim Imran, a researcher at the university and a co-author on the study. “They’re not like before. So, we need to be proactive with our infrastructure, our resources and our understanding of the process. We need to be resilient to whatever comes our way.” 


Abstract information: 

NH43G-0500 Forensic Analysis of the Camp Mystic Flash Flood Event and Opportunities for Early Warning Systems Using Low-Cost Sensors 

Thursday, 18 December, 14:15 – 17:45 Central Time 

Hall EFG (Poster Hall) NOLA Convention Center 


AGU’s Annual Meeting (#AGU25) will bring more than 20,000 Earth and space scientists to the Ernest N. Morial Convention Center in New Orleans, LA from 15-19 December. Members of the press and public information officers can request complimentary press registration for the meeting now through the end of the conference. Learn more about the press AGU25 experience in our online Press Center. 

AGU (www.agu.org) is a global community supporting more than half a million professionals and advocates in Earth and space sciences. Through broad and inclusive partnerships, AGU aims to advance discovery and solution science that accelerate knowledge and create solutions that are ethical, unbiased and respectful of communities and their values. Our programs include serving as a scholarly publisher, convening virtual and in-person events and providing career support. We live our values in everything we do, such as our net zero energy renovated building in Washington, D.C. and our Ethics and Equity Center, which fosters a diverse and inclusive geoscience community to ensure responsible conduct.