Celebrated singer-songwriter John Prine has died at 73 from COVID-19
I WAS INTRODUCED TO JOHN PRINE BY A ROOMATE GUITAR PLAYER OF MINE WHEN I WAS IN UNIVERSITY IN LETHBRIDGE.
BY THE ASSOCIATED PRESS April 7, 2020
BY THE ASSOCIATED PRESS April 7, 2020
Musician John Prine performs onstage during the
2014 Stagecoach: California's Country Music Festival
at the Empire Polo Club on April 27, 2014 in Indio,
California.
FRAZER HARRISON—GETTY IMAGES FOR STAGECOACH
John Prine, the ingenious singer-songwriter who explored the heartbreaks, indignities and absurdities of everyday life in “Angel from Montgomery,” “Sam Stone,” “Hello in There” and scores of other indelible tunes, died Tuesday at the age of 73.
His family announced his death from complications from the coronavirus; he died at Vanderbilt University Medical Center in Nashville, Tennessee, where he had been hospitalized last month.
Winner of a lifetime achievement Grammy earlier this year, Prine was a virtuoso of the soul, if not the body. He sang his conversational lyrics in a voice roughened by a hard-luck life, particularly after throat cancer left him with a disfigured jaw.
He joked that he fumbled so often on the guitar, taught to him as a teenager by his older brother, that people thought he was inventing a new style. But his open-heartedness, eye for detail and sharp and surreal humor brought him the highest admiration from critics, from such peers as Bob Dylan and Kris Kristofferson, and from such younger stars as Jason Isbell and Kacey Musgraves, who even named a song after him.
In 2017, Rolling Stone proclaimed him “The Mark Twain of American songwriting.”
Prine began playing as a young Army veteran who invented songs to fight boredom while delivering the U.S. mail in Maywood, Illinois. He and his friend, folk singer Steve Goodman, were still polishing their skills at the Old Town School of Folk Music when Kristofferson, a rising star at the time, heard them sing one night in Chicago, and invited them to share his stage in New York City. The late film critic Roger Ebert, then with the Chicago Sun-Times, also saw one of his shows and declared him an “extraordinary new composer.”
Suddenly noticed by America’s most popular folk, rock and country singers, Prine signed with Atlantic Records and released his first album in 1971.
“I was really into writing about characters, givin’ ‘em names,” Prine said, reminiscing about his long career in a January 2016 public television interview that was posted on his website.
“You just sit and look around you. You don’t have to make up stuff. If you just try to take down the bare description of what’s going on, and not try to over-describe something, then it leaves space for the reader or the listener to fill in their experience with it, and they become part of it.”
He was among the many promoted as a “New Dylan” and among the few to survive it and find his own way. Few songwriters could equal his wordplay, his empathy or his imagination.
“I try to look through someone else’s eyes,” he told Ebert in 1970. His characters were common people and confirmed eccentrics, facing the frustrations and pleasures anyone could relate to. “Sam Stone” traces the decline of a drug-addicted Vietnam veteran through the eyes of his little girl. “Donald and Lydia” tells of a tryst between a shy Army private and small-town girl, both vainly searching for “love hidden deep in your heart:”
They made love in the mountains, they made love in the streams
they made love in the valleys, they made love in their dreams.
But when they were finished, there was nothing to say,
‘cause mostly they made love from ten miles away.
“He writes beautiful songs,” Dylan once told MTV producer Bill Flanagan. “I remember when Kris Kristofferson first brought him on the scene. All that stuff about Sam Stone the soldier-junkie-daddy, and Donald and Lydia, where people make love from ten miles away -- nobody but Prine could write like that.”
Prine’s mischief shined in songs like “Illegal Smile,” which he swore wasn’t about marijuana; “Spanish Pipedream,” about a topless waitress with “something up her sleeve;” and “Dear Abby,” in which Prine imagines the advice columnist getting fed up with whiners and hypochondriacs.
“You have no complaint,” his Abby writes back:
You are what you are and you ain’t what you ain’t
so listen up Buster, and listen up good
stop wishin’ for bad luck and knocking on wood!”
Prine was never a major commercial success, but performed for more than four decades, often selling his records at club appearances where he mentored rising country and bluegrass musicians.
“I felt like I was going door to door meeting the people and cleaning their carpets and selling them a record,” he joked in a 1995 Associated Press interview.
Many others adopted his songs. Raitt made a signature tune out of “Angel from Montgomery,” about the stifled dreams of a lonely housewife, and performed it at the 2020 Grammys ceremony. Bette Midler recorded “Hello in There,” Prine’s poignant take on old age. Prine wrote “Unwed Fathers” for Tammy Wynette, and “Love Is on a Roll” for Don Williams.
Others who covered Prine’s music included Joan Baez, Johnny Cash, John Denver, the Everly Brothers, Carly Simon, George Strait, Miranda Lambert, Norah Jones and Old Crow Medicine Show.
Prine himself regarded Dylan and Cash as key influences, bridges between folk and country whose duet on Dylan’s country rock album “Nashville Skyline” made Prine feel there was a place for him in contemporary music. Though mostly raised in Maywood, he spent summers in Paradise, Kentucky, and felt so great an affinity to his family’s roots there he would call himself “pure Kentuckian.”
Price was married three times, and appreciated a relationship that lasted. In 1999, he and Iris DeMent shared vocals on the classic title track of his album “In Spite of Ourselves,” a ribald tribute to an old married couple.
In spite of ourselves we’ll end up a-sittin’ on a rainbow
Against all odds, honey we’re the big door-prize
We’re gonna spite our noses right off of our faces
There won’t be nothin’ but big ol’ hearts dancin’ in our eyes
Prine preferred songs about feelings to topical music, but he did respond at times to the day’s headlines. Prine’s parents had moved to suburban Chicago from Paradise, a coal town ravaged by strip mining that inspired one of his most cutting protest songs, “Paradise.” It appeared on his first album, along with “Your Flag Decal Won’t Get You Into Heaven Anymore,” which criticized what he saw as false patriotism surrounding the Vietnam War.
Many years later, as President George W. Bush sent soldiers to war, Prine had a song for that, too. In “Some Humans Ain’t Human,” he wrote: “You’re feeling your freedom, and the world’s off your back, some cowboy from Texas, starts his own war in Iraq.”
Prine’s off-hand charisma made him a natural for movies. He appeared in the John Mellencamp film “Falling From Grace,” and in Billy Bob Thornton’s “Daddy and Them.” His other Grammy Awards include Best Contemporary Folk Recording for his 1991 album “The Missing Years,” with guest vocalists including Raitt, Tom Petty, Bruce Springsteen and Phil Everly. He won Best Traditional Folk Album in 2004 for “Beautiful Dreamer.”
Prine didn’t let illness stop him from performing or recording. In 2013, long after surviving throat cancer, he was diagnosed with an unrelated and operable form of lung cancer, but he bounced back from that, too, often sharing the stage with DeMent and other younger artists. On the playful talking blues “When I Get to Heaven,” from the 2018 album “The Tree of Forgiveness,” he vowed to have the last laugh for all eternity.
When I get to heaven, I’m gonna shake God’s hand
Thank him for more blessings than one man can stand
Then I’m gonna get a guitar and start a rock-n-roll band
Check into a swell hotel; ain’t the afterlife grand?
John Prine, the ingenious singer-songwriter who explored the heartbreaks, indignities and absurdities of everyday life in “Angel from Montgomery,” “Sam Stone,” “Hello in There” and scores of other indelible tunes, died Tuesday at the age of 73.
His family announced his death from complications from the coronavirus; he died at Vanderbilt University Medical Center in Nashville, Tennessee, where he had been hospitalized last month.
Winner of a lifetime achievement Grammy earlier this year, Prine was a virtuoso of the soul, if not the body. He sang his conversational lyrics in a voice roughened by a hard-luck life, particularly after throat cancer left him with a disfigured jaw.
He joked that he fumbled so often on the guitar, taught to him as a teenager by his older brother, that people thought he was inventing a new style. But his open-heartedness, eye for detail and sharp and surreal humor brought him the highest admiration from critics, from such peers as Bob Dylan and Kris Kristofferson, and from such younger stars as Jason Isbell and Kacey Musgraves, who even named a song after him.
In 2017, Rolling Stone proclaimed him “The Mark Twain of American songwriting.”
Prine began playing as a young Army veteran who invented songs to fight boredom while delivering the U.S. mail in Maywood, Illinois. He and his friend, folk singer Steve Goodman, were still polishing their skills at the Old Town School of Folk Music when Kristofferson, a rising star at the time, heard them sing one night in Chicago, and invited them to share his stage in New York City. The late film critic Roger Ebert, then with the Chicago Sun-Times, also saw one of his shows and declared him an “extraordinary new composer.”
Suddenly noticed by America’s most popular folk, rock and country singers, Prine signed with Atlantic Records and released his first album in 1971.
“I was really into writing about characters, givin’ ‘em names,” Prine said, reminiscing about his long career in a January 2016 public television interview that was posted on his website.
“You just sit and look around you. You don’t have to make up stuff. If you just try to take down the bare description of what’s going on, and not try to over-describe something, then it leaves space for the reader or the listener to fill in their experience with it, and they become part of it.”
He was among the many promoted as a “New Dylan” and among the few to survive it and find his own way. Few songwriters could equal his wordplay, his empathy or his imagination.
“I try to look through someone else’s eyes,” he told Ebert in 1970. His characters were common people and confirmed eccentrics, facing the frustrations and pleasures anyone could relate to. “Sam Stone” traces the decline of a drug-addicted Vietnam veteran through the eyes of his little girl. “Donald and Lydia” tells of a tryst between a shy Army private and small-town girl, both vainly searching for “love hidden deep in your heart:”
They made love in the mountains, they made love in the streams
they made love in the valleys, they made love in their dreams.
But when they were finished, there was nothing to say,
‘cause mostly they made love from ten miles away.
“He writes beautiful songs,” Dylan once told MTV producer Bill Flanagan. “I remember when Kris Kristofferson first brought him on the scene. All that stuff about Sam Stone the soldier-junkie-daddy, and Donald and Lydia, where people make love from ten miles away -- nobody but Prine could write like that.”
Prine’s mischief shined in songs like “Illegal Smile,” which he swore wasn’t about marijuana; “Spanish Pipedream,” about a topless waitress with “something up her sleeve;” and “Dear Abby,” in which Prine imagines the advice columnist getting fed up with whiners and hypochondriacs.
“You have no complaint,” his Abby writes back:
You are what you are and you ain’t what you ain’t
so listen up Buster, and listen up good
stop wishin’ for bad luck and knocking on wood!”
Prine was never a major commercial success, but performed for more than four decades, often selling his records at club appearances where he mentored rising country and bluegrass musicians.
“I felt like I was going door to door meeting the people and cleaning their carpets and selling them a record,” he joked in a 1995 Associated Press interview.
Many others adopted his songs. Raitt made a signature tune out of “Angel from Montgomery,” about the stifled dreams of a lonely housewife, and performed it at the 2020 Grammys ceremony. Bette Midler recorded “Hello in There,” Prine’s poignant take on old age. Prine wrote “Unwed Fathers” for Tammy Wynette, and “Love Is on a Roll” for Don Williams.
Others who covered Prine’s music included Joan Baez, Johnny Cash, John Denver, the Everly Brothers, Carly Simon, George Strait, Miranda Lambert, Norah Jones and Old Crow Medicine Show.
Prine himself regarded Dylan and Cash as key influences, bridges between folk and country whose duet on Dylan’s country rock album “Nashville Skyline” made Prine feel there was a place for him in contemporary music. Though mostly raised in Maywood, he spent summers in Paradise, Kentucky, and felt so great an affinity to his family’s roots there he would call himself “pure Kentuckian.”
Price was married three times, and appreciated a relationship that lasted. In 1999, he and Iris DeMent shared vocals on the classic title track of his album “In Spite of Ourselves,” a ribald tribute to an old married couple.
In spite of ourselves we’ll end up a-sittin’ on a rainbow
Against all odds, honey we’re the big door-prize
We’re gonna spite our noses right off of our faces
There won’t be nothin’ but big ol’ hearts dancin’ in our eyes
Prine preferred songs about feelings to topical music, but he did respond at times to the day’s headlines. Prine’s parents had moved to suburban Chicago from Paradise, a coal town ravaged by strip mining that inspired one of his most cutting protest songs, “Paradise.” It appeared on his first album, along with “Your Flag Decal Won’t Get You Into Heaven Anymore,” which criticized what he saw as false patriotism surrounding the Vietnam War.
Many years later, as President George W. Bush sent soldiers to war, Prine had a song for that, too. In “Some Humans Ain’t Human,” he wrote: “You’re feeling your freedom, and the world’s off your back, some cowboy from Texas, starts his own war in Iraq.”
Prine’s off-hand charisma made him a natural for movies. He appeared in the John Mellencamp film “Falling From Grace,” and in Billy Bob Thornton’s “Daddy and Them.” His other Grammy Awards include Best Contemporary Folk Recording for his 1991 album “The Missing Years,” with guest vocalists including Raitt, Tom Petty, Bruce Springsteen and Phil Everly. He won Best Traditional Folk Album in 2004 for “Beautiful Dreamer.”
Prine didn’t let illness stop him from performing or recording. In 2013, long after surviving throat cancer, he was diagnosed with an unrelated and operable form of lung cancer, but he bounced back from that, too, often sharing the stage with DeMent and other younger artists. On the playful talking blues “When I Get to Heaven,” from the 2018 album “The Tree of Forgiveness,” he vowed to have the last laugh for all eternity.
When I get to heaven, I’m gonna shake God’s hand
Thank him for more blessings than one man can stand
Then I’m gonna get a guitar and start a rock-n-roll band
Check into a swell hotel; ain’t the afterlife grand?
John Prine, revered American folk songwriter, dies of coronavirus complications
AFP/File / Angela WeissJohn Prine performs onstage during the 2019 Songwriters Hall Of Fame Gala, where he was among those inducted
John Prine, an American folk legend widely considered one of his generation's most influential songwriters, died following complications of coronavirus Tuesday, his publicist told AFP on behalf of his family. He was 73 years old.
On April 3 Prine's wife Fiona had posted on social media the beloved country and folk star was on his eighth day in the ICU on a ventilator, and had pneumonia in both lungs.
Once dubbed the "Mark Twain of American songwriting," over his five decades in the music business Prine carved an image as an off-the-cuff wordsmith who forged melancholy tales with a dose of surrealist wit.
Bob Dylan has named Prine among his favorite songwriters, citing the literary yarn "Lake Marie" as a favorite from his fellow folk bard's vast catalogue.
"Prine's stuff is pure Proustian existentialism," Dylan said in 2009.
"Midwestern mind-trips to the nth degree."
Born October 10, 1946 in Maywood, Illinois, Prine took up music as a hobby before emerging on the Chicago folk revivalist scene in the late 1960s, when he was discovered by country star Kris Kristofferson.
John Prine, an American folk legend widely considered one of his generation's most influential songwriters, died following complications of coronavirus Tuesday, his publicist told AFP on behalf of his family. He was 73 years old.
On April 3 Prine's wife Fiona had posted on social media the beloved country and folk star was on his eighth day in the ICU on a ventilator, and had pneumonia in both lungs.
Once dubbed the "Mark Twain of American songwriting," over his five decades in the music business Prine carved an image as an off-the-cuff wordsmith who forged melancholy tales with a dose of surrealist wit.
Bob Dylan has named Prine among his favorite songwriters, citing the literary yarn "Lake Marie" as a favorite from his fellow folk bard's vast catalogue.
"Prine's stuff is pure Proustian existentialism," Dylan said in 2009.
"Midwestern mind-trips to the nth degree."
Born October 10, 1946 in Maywood, Illinois, Prine took up music as a hobby before emerging on the Chicago folk revivalist scene in the late 1960s, when he was discovered by country star Kris Kristofferson.
GETTY IMAGES NORTH AMERICA/AFP/File / Scott DudelsonSinger John Prine, recipient of the 2020 Recording Academy's Lifetime Achievement Award, performs during a pre-Grammy show honoring Willie Nelson
His 1971 self-titled debut album was a critical hit, a first collection of his unique social commentary and protest songs that would make the troubadour a staple of Americana for decades to come.
His anti-Vietnam War hit "Your Flag Decal Won't Get You Into Heaven Anymore" found a second coming in the early 2000s as the United States embarked on wars in Afghanistan and Iraq, earning Prine both standing ovations and angry hate mail.
"When someone turns the country backwards," he told Florida's St. Petersburg Times in 2005, "they should at least expect to be called out on it."
- 'Homespun sense of humor' -
The bluegrass-loving musician with a penchant for allegory enjoyed riffing on country music tropes with stereotypical spoofs, adding whimsical touches to heavier lyricism.
Prine spun tales of past loves as well as solitude, estrangement and regret, in work often streaked with prominent threads of mortality.
"His is just extraordinarily eloquent music -- and he lives on that plane with Neil [Young] and [John] Lennon," said Pink Floyd's Roger Waters of Prine in 2008.
In 1981, tired of the recording establishment he considered exploitative of artists, Prine founded his own record label Oh Boy Records in Nashville.
The Grammy winner with 19 studio albums to his name this year received a lifetime achievement award from the Recording Academy, which praised him as "one of the most influential songwriters of his generation."
His 1971 self-titled debut album was a critical hit, a first collection of his unique social commentary and protest songs that would make the troubadour a staple of Americana for decades to come.
His anti-Vietnam War hit "Your Flag Decal Won't Get You Into Heaven Anymore" found a second coming in the early 2000s as the United States embarked on wars in Afghanistan and Iraq, earning Prine both standing ovations and angry hate mail.
"When someone turns the country backwards," he told Florida's St. Petersburg Times in 2005, "they should at least expect to be called out on it."
- 'Homespun sense of humor' -
The bluegrass-loving musician with a penchant for allegory enjoyed riffing on country music tropes with stereotypical spoofs, adding whimsical touches to heavier lyricism.
Prine spun tales of past loves as well as solitude, estrangement and regret, in work often streaked with prominent threads of mortality.
"His is just extraordinarily eloquent music -- and he lives on that plane with Neil [Young] and [John] Lennon," said Pink Floyd's Roger Waters of Prine in 2008.
In 1981, tired of the recording establishment he considered exploitative of artists, Prine founded his own record label Oh Boy Records in Nashville.
The Grammy winner with 19 studio albums to his name this year received a lifetime achievement award from the Recording Academy, which praised him as "one of the most influential songwriters of his generation."
GETTY IMAGES NORTH AMERICA/AFP/File / KEVORK DJANSEZIANBonnie Raitt performed a tribute to John Prine at the 62nd annual Grammy awards, where he received a lifetime achievement award
In 2019 Prine was inducted into the Songwriter's Hall of Fame, and in 2016 joined elite company including Chuck Berry and Leonard Cohen in earning a prestigious songwriting award from the PEN literary organization.
"The combination of being that tender and that wise and that astute mixed with his homespun sense of humor -- it was probably the closest thing for those of us that didn't get the blessing of seeing Mark Twain in person," said fellow musician Bonnie Raitt, who covered one of Prine's most cherished songs "Angel From Montgomery" in 1974.
- 'National treasure' -
Prine's storied career included two battles with cancer. In 1998 he received a squamous cell cancer diagnosis and had surgery to remove diseased tissue in his neck, severing several nerves.
After a year of speech therapy he was able to perform again, albeit with a new gravelly timbre.
In 2019 Prine was inducted into the Songwriter's Hall of Fame, and in 2016 joined elite company including Chuck Berry and Leonard Cohen in earning a prestigious songwriting award from the PEN literary organization.
"The combination of being that tender and that wise and that astute mixed with his homespun sense of humor -- it was probably the closest thing for those of us that didn't get the blessing of seeing Mark Twain in person," said fellow musician Bonnie Raitt, who covered one of Prine's most cherished songs "Angel From Montgomery" in 1974.
- 'National treasure' -
Prine's storied career included two battles with cancer. In 1998 he received a squamous cell cancer diagnosis and had surgery to remove diseased tissue in his neck, severing several nerves.
After a year of speech therapy he was able to perform again, albeit with a new gravelly timbre.
GETTY IMAGES NORTH AMERICA/AFP/File / Scott DudelsonSinger John Prine's 1971 self-titled debut album was a critical hit, a first collection of his unique social commentary and protest songs that would make him a staple of Americana for decades to come
In 2013 he fought lung cancer and had part of his lung removed, a process he rehabilitated from by running up and down his stairs and singing two songs with his guitar while still breathless.
The artist's wife Fiona had said on March 17 that she had tested positive for COVID-19, and his family on March 29 said Prine was intubated and in "critical" condition due to the virus that's left more than 80,000 people dead worldwide.
Tributes poured out for the deeply influential artist, with Justin Vernon of experimental folk band Bon Iver calling Prine "my number 1."
"A simple majority of who I am as a person, let alone a musician, is because of John prine," Vernon said.
Bruce Springsteen declared Prine a "true national treasure and a songwriter for the ages," writing "over here on E Street, we are crushed by the loss of John Prine."
"John and I were 'New Dylans' together in the early 70s and he was never anything but the loveliest guy in the world."
Ever fun-loving in the face of tribulation, the heaven Prine envisioned on his last album, released in 2018, would allow him to resume his youthful habits: "I'm gonna get a cocktail: vodka and ginger ale / I'm gonna smoke a cigarette that's nine miles long."
"I'm gonna kiss that pretty girl on the tilt-a-whirl," Prine sang. "'Cause this old man is goin' to town."
In 2013 he fought lung cancer and had part of his lung removed, a process he rehabilitated from by running up and down his stairs and singing two songs with his guitar while still breathless.
The artist's wife Fiona had said on March 17 that she had tested positive for COVID-19, and his family on March 29 said Prine was intubated and in "critical" condition due to the virus that's left more than 80,000 people dead worldwide.
Tributes poured out for the deeply influential artist, with Justin Vernon of experimental folk band Bon Iver calling Prine "my number 1."
"A simple majority of who I am as a person, let alone a musician, is because of John prine," Vernon said.
Bruce Springsteen declared Prine a "true national treasure and a songwriter for the ages," writing "over here on E Street, we are crushed by the loss of John Prine."
"John and I were 'New Dylans' together in the early 70s and he was never anything but the loveliest guy in the world."
Ever fun-loving in the face of tribulation, the heaven Prine envisioned on his last album, released in 2018, would allow him to resume his youthful habits: "I'm gonna get a cocktail: vodka and ginger ale / I'm gonna smoke a cigarette that's nine miles long."
"I'm gonna kiss that pretty girl on the tilt-a-whirl," Prine sang. "'Cause this old man is goin' to town."
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