Wednesday, October 14, 2020


Torlonia Collection of ancient marbles displayed in Rome
October 12, 2020


In this undated photo made available Monday, Oct. 12, 2020, ancient Greek and Roman marble statues are seen prior to going on display in the newly refurbished Villa Caffarelli, one of the Capitoline Museum’s exhibition spaces overlooking the ancient Roman Forum, in Rome. One of the most important private collections of ancient Greek and Roman marble sculptures is going on display Monday as part of the Eternal City’s 150th anniversary celebrations. (Fondazione Torlonia via AP)


ROME (AP) — One of the most important private collections of ancient Greek and Roman marble sculptures is going on display in Rome as part of the Eternal City’s 150th anniversary celebrations.

The 90 works from the Torlonia Collection were opening Monday in the newly refurbished Villa Caffarelli, one of the Capitoline Museum’s exhibition spaces overlooking the ancient Roman Forum. Organizers said there were plans to offer to lend the works to other museums, but said the coronavirus pandemic had put those plans on hold for now.



The 620-piece Torlonia Collection is considered one of the greatest private collections of classical art, featuring marble busts, reliefs, sarcophagi and statues. It was begun by one of Rome’s 19th century patricians, Prince Alessandro Torlonia, and was created in part from archaeological excavations of the Torlonia family’s various estates in Rome.

The selections presented in the new exhibit recount the history of the collection’s growth itself and include the 1884 catalogue the prince commissioned to show off his collection when he opened his own museum to house it.

Culture Minister Dario Franceschini told a press conference Monday that it was unfortunate that COVID-19 restrictions would limit the number of people who can visit as well as the show’s near-term lending prospects. But he said the works “take your breath away.”

The new exhibit, which is open until June 29, is the fruit of a public-private collaboration among the culture ministry, the city of Rome, the Torlonia Foundation and key sponsor Bulgari, the Roman jeweler.






Young whales looking to dine flock to waters off NYC
By PATRICK WHITTLE and TED SHAFFREY October 7, 2020


An adolescent Humpback whale designated "Whale 0140," identified through patterns on the whale's fluke, is seen from the vessel American Princess during a cruise offered by Gotham Whale, as the cetacean is spotted off the northern New Jersey coast line Wednesday, Sept. 23, 2020. According to Paul Sieswerda, President and CEO of Gotham Whale, sightings are up nearly a hundred fold from just a decade ago, with an abundance of menhaden seemingly driving the whale resurgence. (AP Photo/Craig Ruttle) 


NEW YORK (AP) — If you’re young and hungry, the place to go is New York City — even if you weigh 25 tons and have a blowhole.

Whale watch captains and scientists around America’s most populous city say recent years have seen a tremendous surge in the number of whales observed in the waters around the Big Apple. Many of the whales are juvenile humpbacks, and scientists say they’re drawn to New York by an abundance of the small fish they love to eat.

There are numerous theories about why whales are suddenly flocking to the city, but one of the most widely held is that the menhaden population has grown around New York and New Jersey. Menhaden are small, schooling fish that humpbacks relish, and environmentalists believe cleaner waters and stricter conservation laws have increased their numbers near New York City.

Gotham Whale, a New York City-based whale research organization, made more than 300 observations of 500 total whales in 2019, said Paul Sieswerda, the nonprofit’s president. That’s up from three sightings of five whales in 2011, after which a steady climb began, he said.

“Somehow or other more and more whales seem to be getting the message that New York is a good place to dine,” Sieswerda said. “That kind of magnitude of increase is just phenomenal.”





The resurgence of whales in the New York-New Jersey Bight, a triangle-shaped indentation in the Atlantic coast, has attracted tourists who want to see and photograph the giant marine mammals. But the concentration of whales near New York City also poses risks to the mammals, as they ply some of the most heavily traversed waters on the planet.

The whales are essentially “playing in traffic” by feeding so close to busy shipping lanes, Sieswerda said. And the National Oceanic and Atmospheric Administration has already declared an “unusual mortality event” for humpback whales from Maine to Florida in recent years due to an elevated number of deaths.

Since 2016, NOAA records show 133 humpback whales have died on the beaches and waters of the Atlantic coast. The 29 in New York were the most of any state. Of the dead whales examined, half had evidence of human interaction, such as a ship strike or entanglement in fishing gear.

The appearance of so many whales near New York City calls for environmental stewardship, said Howard Rosenbaum, director of the Wildlife Conservation Society’s Ocean Giants Program. Environmental safeguards, such as the Clean Water Act and Marine Mammal Protection Act, likely helped bring the whales back to New York’s bustling waterways, and more protection can help keep them safe there, he said.

That will take nongovernmental organizations and state and federal agencies working together “to minimize the risk to animals that are using these habitats to feed,” Rosenbaum said. That could include implementing new regulations to protect the mammals from ship strikes, he said. Such rules have sometimes included speed reductions in areas where whales travel and feed.

The increased sighting of whales off New York City isn’t necessarily evidence that the total whale population is growing, said Danielle Brown, the lead humpback whale researcher with Gotham Whale and a doctoral student at Rutgers University.

The New York whales aren’t a standalone population, but rather members of feeding populations that mostly live farther north, such as in the Gulf of Maine, Brown said. And it’s unclear whether the whales are in New York because the larger population is growing.

Brown and other scientists have observed that the presence of the giant whales off New York City could take mariners by surprise, and that could put the mammals at risk of ship strikes or other hazards. Increasingly clean water and a growing diversity of fish to feed on could keep the whales in the New York area for the foreseeable future, she said.

“This is most likely going to continue, and we have to find a way to coexist with these large animals in our waters,” Brown said.

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Whittle reported from Portland, Maine.

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On Twitter follow Patrick Whittle: @pxwhittle and Ted Shaffrey: @TedShaffrey

Connecticut city OKs renaming sewage plant for John Oliver
By DAVE COLLINS October 9, 2020

This video frame grab shows John Oliver from his "Last Week Tonight with John Oliver" program on HBO, Sunday, Aug. 30, 2020. On Aug. 22, Danbury, Conn., Mayor Mark Boughton announced a tongue-in-cheek move posted on his Facebook page to rename Danbury's local sewage treatment plant after Oliver following the comedian's expletive-filled rant about the city. Oliver then offered to donate $55,000 to charity if the city actually followed through with it. On Thursday, Oct. 8, the Danbury City Council voted 18-1 to rename the sewage plant after the comedian. (HBO via AP)


It’s official. Every time residents of Danbury, Connecticut, flush, they will be sending their special deliveries to the John Oliver Memorial Sewer Plant.

The City Council voted 18-1 Thursday night to rename the sewage plant after the comedian, who began a tongue-in-cheek battle with Danbury when he went on an expletive-filled rant against the city on HBO’s “Last Week Tonight with John Oliver” in August.

Mayor Mark Boughton didn’t waste any time responding on social media. He posted a video of himself at the sewage plant saying the city was going to name it after Oliver.

“Why?” the Republican mayor asked. “Because it’s full of crap just like you, John.”
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That drew a delighted response from Oliver, but he went off against the city again because Boughton later said he was just joking.

Oliver upped the stakes on his Aug. 30 show by offering to donate $55,000 to local charities if Danbury actually followed through with renaming the plant.

“I didn’t know that I wanted my name on your (expletive) factory but now that you floated it as an option, it is all that I want,” Oliver said.

Boughton said Friday that the feud has been a good distraction from the coronavirus and other troubles of the times. He also said Oliver’s promised donations have helped spur local fundraising efforts for area food banks that could end up collecting a few hundred thousand dollars to feed needy families.

The mayor added he will be offering tours of the sewer plant for $500 donations to local food pantries.

“I think it’s been a home run. It’s been a lot of fun,” Boughton said of the spat. “If I can put food on people’s table for Thanksgiving by naming a sewer plant after a very popular comedian, we’ll do it all day long.”

Oliver has offered to provide the new sign for the plant that includes his name, as well as attend the ribbon-cutting, Boughton said. A timeline has not been finalized.

Representatives for Oliver and HBO had no immediate comment Friday.

It’s still not clear why Oliver singled out Danbury for a tongue-lashing. He first brought up the city during an August segment on racial disparities in the jury selection process, citing problems in a few Connecticut towns from decades ago. He noted Danbury’s “charming railway museum” and its “historic Hearthstone Castle.”

“I know exactly three things about Danbury,” he said. “USA Today ranked it the second-best city to live in in 2015, it was once the center of the American hat industry and if you’re from there, you have a standing invite to come get a thrashing from John Oliver — children included — (expletive) you.”



Megan Thee Stallion op-ed calls for protecting Black women

By ANDREW DALTON

Tory Lanez performs at HOT 97 Summer Jam 2019 in East Rutherford, N.J. on June 2, 2019, left, and Megan Thee Stallion attends the 5th annual Diamond Ball benefit gala in New York on Sept. 12, 2019. Megan Thee Stallion penned an op-ed on the failure to protect Black women on the morning that rapper Lanez had his first court hearing for felony charges that he shot her. She writes in the New York Times Tuesday that she was shocked to become a victim of violence from a man on July 12. She said she at first kept quiet about being shot because she feared backlash, and that fear has been justified. Lanez, appearing by phone at his court hearing, did not enter a plea to two felony counts, and his lawyer declined comment. (Photos by Scott Roth, left, Charles Sykes/Invision/AP)


LOS ANGELES (AP) — An op-ed by Megan Thee Stallion on the need to protect Black women was published Tuesday as rapper Tory Lanez had his first court hearing on felony charges alleging he shot her.

“I was recently the victim of an act of violence by a man,” she wrote in the New York Times, without naming Lanez. The op-ed was published shortly before a judge released him on bail and ordered him to stay away from her.

“After a party, I was shot twice as I walked away from him,” she wrote about the attacker. “We were not in a relationship. Truthfully, I was shocked that I ended up in that place.”

In the piece titled, “Why I Speak Up For Black Women,” the hip-hop star writes that “Black women are still constantly disrespected and disregarded in so many areas of life.”

In her first public comments on the matter since Lanez was charged Thursday, she explains why, on July 12, the night she was shot in the feet in the Hollywood Hills, she declined to tell police or otherwise publicize that her injuries were from gunfire.

“My initial silence about what happened was out of fear for myself and my friends,” she writes. “Even as a victim, I have been met with skepticism and judgment. The way people have publicly questioned and debated whether I played a role in my own violent assault proves that my fears about discussing what happened were, unfortunately, warranted.”

Lanez, whose legal name is Daystar Peterson, made his court appearance by phone in Los Angeles on charges of assault with a semiautomatic firearm and carrying a loaded, unregistered firearm in a vehicle. He said only “yes, your honor” to a series of questions from the judge and did not enter a plea. His arraignment was postponed until Nov. 18.

Lanez’s bail was set at $190,000, which was promptly posted, and he was ordered to make no contact with Megan Thee Stallion and to surrender any guns he owns. He has been free since he was briefly jailed after an arrest on suspicion of illegal weapon possession on the day of the shooting.

His attorney Shawn Holley declined comment afterward.

The day after he was charged, Lanez said on Twitter that “the truth will come to the light” and “a charge is not a conviction.”

After teasing on Sept. 24 that he might tell his side of the story on social media later that night, he instead released a new album, “Daystar,” which currently sits at No. 10 on the Billboard album chart.

Prosecutors allege Lanez fired on Megan Thee Stallion, whose legal name is Megan Pete, after she got out of an SUV during an argument. If convicted, he could face a maximum sentence of about 23 years.

In her op-ed, she puts her shooting and its aftermath in the context of larger issues for Black women, “who struggle against stereotypes and are seen as angry or threatening when we try to stand up for ourselves and our sisters.”

“We deserve to be protected as human beings,” she writes. “And we are entitled to our anger about a laundry list of mistreatment and neglect that we suffer.”

Megan Thee Stallion has had a breakout run in the past two years that has put her among the biggest stars in hip-hop. She was nominated for artist of the year at the MTV Video Music Awards, was the musical guest on the season premiere of “Saturday Night Live,” and her guest stint on the Cardi B song “WAP” helped turn the track — and music video — into a huge cultural phenomenon.

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Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton.

‘Driving While Black’ shows history of US Black motorists
today

ALBUQUERQUE, N.M. (AP) — A new film examines the history of African Americans driving on the road from the Great Depression to the height of the Civil Rights movement.

“Driving While Black,” airing this week on most PBS stations in the U.S., show how the automobile liberated African Americans to move around the country while still navigating segregation and violence.

The film was inspired by Gretchen Sorin’s 2019 book, “Driving While Black: African American Travel and the Road to Civil Rights.” The book was a riveting story on how the automobile opened up opportunities for blacks in the U.S.

The car allowed African Americans to avoid segregated trains and buses throughout the American South and gave blacks a chance to travel across the country. Travel guides presented a modern-day Underground Railroad to show black travelers which hotels and restaurants would serve them.

The free movement opened the window to migration across the land and away from Jim Crow, bring in the modern Civil Rights Movement.

The project is one of many recent works examining travel by people of color despite discrimination and threats of racial violence. Candacy Taylor’s “Overground Railroad: The Green Book & Roots of Black Travel in America,” released last year, looks at how the Green Book, a travel guide for African Americans, helped black travelers navigate segregation and create a traveling network.
Congo activist fined for snatching 'looted' Paris museum artefact

Issued on: 14/10/2020 - 
French lawmakers voted to return prized artefacts to Benin and Senegal 
GERARD JULIEN AFP/File

Paris (AFP)

A Congolese activist who snatched an African artefact from a French museum to protest the looting of art during colonial times received a 1,000-euro fine for theft from a Paris court on Wednesday.

Emery Mwazulu Diyabanza grabbed a 19th century Chadian funerary post during a tour of the Quai Branly museum in Paris on June 12

Shouting "we're bringing it home" he then made for the exit with four other members of an association that campaigns for the return of stolen African art before being stopped by guards.

The protest, which one of the activists filmed and live-streamed on Facebook, was the first in a series by Diyabanza who has since snatched African artefacts in museums in the Netherlands and in the French port of Marseille.

He faces court cases in those cities too.

Wednesday's hearing came a week after French lawmakers voted to return prized artefacts to Benin and Senegal more than a century after they were looted by colonial forces and hauled back to Paris to be displayed in museums.

Benin will recover the throne of its 19th-century King Glele -- a centrepiece of the 70,000-odd African items held at the Quai Branly museum, which showcases indigenous art.

Senegal, meanwhile, will get back a sword and scabbard said to have belonged to Omar Saidou Tall, an important 19th century military and religious figure.

African leaders and activists have called on President Emmanuel Macron's government to go further and return more items.

Announcing plans to appeal his fine, Diyabanza told reporters after Wednesday's hearing that the "judges of a corrupt government" had no moral right to prevent him "going to get what belongs to us".

"We will continue the fight with whatever means we have," he said.

Three of the activists who accompanied him to Quai Branly museum received suspended fines of 250 euros ($294), 750 euros ($589) and 1,000 euros ($1,177).

A fourth was cleared of the charges.

- 90,000 African objects -

The judge acknowledged that their actions were "activist" in nature but said he was fining them to "discourage" further such stunts.

"You have other ways of drawing the attention of politicians and the public" to the issue of colonial cultural theft, he said.

An expert report commissioned by Macron in 2018 counted some 90,000 African works in French museums, most of them at the Quai Branly.

Britain has also faced calls to return artefacts, notably the Elgin Marbles to Greece and the Benin Bronzes to Nigeria.

Museums in Belgium and Austria also house tens of thousands of African pieces.

© 2020 AFP


Activist fined for dislodging African art from Paris museum
today



Congolese activist Mwazulu Diyabanza arrives at the Palais de Justice courthouse, in Paris, Wednesday, Sept. 30, 2020. The controversial Congolese activist and four others are going on trial Wednesday on aggravated theft charges for trying to remove a 19th century African funeral pole from a Paris museum, in a protest against colonial-era plundering of African art. (AP Photo/Thibault Camus)

PARIS (AP) — A Congolese activist was fined 2,000 euros ($2,320) Wednesday for trying to take a 19th-century African funeral pole from a Paris museum in a protest against colonial-era injustice that he streamed online.

The Paris court convicted Emery Mwazulu Diyabanza and two other activists of attempted theft, but the sentence stopped far short of what they potentially faced for their actions at the Quai Branly Museum: 10 years in prison and 150,000 euros in fines.

Activists and defense lawyers viewed the case as a trial about how former empires should atone for past crimes. Diyabanza’s museum action took place in June, amid global protests against racial injustice and colonial-era wrongs unleashed by George Floyd’s death on May 25 in the U.S. at the knee of a white policeman.
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In the Quai Branly protest, Diyabanza and other activists dislodged the funeral pole from its perch while he gave a livestreamed speech about plundered African art. Guards quickly stopped them. The activists argue that they never planned to steal the work but just wanted to call attention to its origins.

The presiding judge insisted the trial should focus on the specific funeral pole incident and that his court wasn’t competent to judge France’s colonial era.

French officials denounced the Quai Branly incident, saying it threatens ongoing negotiations with African countries launched by French President Emmanuel Macron in 2018 for legal, organized restitution efforts.

Diyabanza has staged similar actions in the Netherlands and the southern French city of Marseille. He accuses European museums of making millions on artworks taken from now-impoverished countries like his native Congo, and said the funeral pole, which came from current-day Chad, should be among the works returned to Africa.
Sculptor will be 1st Black woman to represent US at Biennale

By WILLIAM J. KOLE2 hours ago


In this 2020 photo provided by Boston's Institute of Contemporary Art, artist Simone Leigh poses for a photo at Stratton Sculpture Studios in Philadelphia. Leigh will be the first Black woman ever to represent the U.S. at Italy's prestigious Venice Biennale arts festival to be held in 2022. (Shaniqwa Jarvis/Simone Leigh and Hauser & Wirth via AP)

Simone Leigh is renowned for creating artworks that transcend race and gender to celebrate Black women and give them a voice. Now she’s sculpting her way into history.

She’ll be the first Black woman ever to represent the U.S. at the prestigious Venice Biennale arts festival, the State Department’s Bureau of Educational and Cultural Affairs and Boston’s Institute of Contemporary Art said Wednesday.

Leigh, who lives in New York City and gives interviews infrequently, declined to comment — but it’s clear that the national reckoning with racial injustice has been on her mind.

“I’m so looking forward to a respite from this climate we are living through,” she said in a recent Instagram post

The Chicago native is creating a new series of sculptures for the U.S. pavilion at the 59th Biennale to be held in 2022, said the Boston museum, which is organizing a major exhibition of Leigh’s work to be displayed in 2023.

Leigh originally was to appear at next year’s Biennale, but the coronavirus pandemic prompted organizers to delay the 2021 edition by a year, Institute of Contemporary Art spokesperson Margaux Leonard told The Associated Press.

“At such a crucial moment in history, I can think of no better artist to represent the United States,” ICA director Jill Medvedow said in a statement.

“Over the course of two decades, Simone Leigh has created an indelible body of work that centers the experiences and histories of Black women,” she said, calling Leigh’s work “probing, timely and urgent.”




In this May 29, 2019 , file photo, a bronze bust of a Black woman entitled "Brick House," by Chicago artist Simone Leigh, stands among buildings and vegetation in the High Line park in New York. Leigh will be the first Black woman ever to represent the U.S. at Italy's prestigious Venice Biennale arts festival to be held in 2022. (AP Photo/Bebeto Matthews, File)



Founded in 1895, the every-other-year Biennale has become a leading venue for artists worldwide to call attention to war, racism, poverty, human trafficking and other issues preoccupying the planet.

Eva Respini, the ICA’s chief curator, said Leigh’s sculptures for the Biennale will highlight Black feminist thought, include works inspired by leading Black intellectuals and serve as “a beacon in our moment.”

Leigh, 53, is known for edgy, bold forms that draw from themes in African art. “Brick House,” her towering 16-foot-tall (5-meter-tall) bronze bust of a Black woman with braids, is currently installed on Manhattan’s elevated High Line greenway.



UnitedHealth tops profit forecast, finally hikes outlook
By TOM MURPHY

This July 12, 2019, photo shows the UnitedHealthcare headquarters in Minneapolis. UnitedHealth Group beat forecasts for its earnings in the third quarter, and the U.S.'s largest health insurance provider finally hiked its 2020 outlook after holding off while trying to sort out COVID-19’s impact. (AP Photo/Jim Mone, File)


UnitedHealth Group beat forecasts for its earnings in the third quarter, and the U.S.’s largest health insurance provider finally hiked its 2020 outlook after holding off while trying to sort out COVID-19’s impact.

Health insurers had approached 2020 forecasts cautiously so far this year, even though many reaped huge profits in the first half as the spreading pandemic kept people home and out of the health care system.

Both analysts and insurers have said they expected medical costs to rise in the second half of the year, as communities that had shut down opened back up and people felt more comfortable seeking elective surgeries.

UnitedHealth said Wednesday that both care patterns and prescription volumes approached normal levels in its recently completed quarter. The company now expects adjusted net earnings to range between $16.50 to $16.75 per share for 2020.

That’s up from a forecast it first laid out late last year for 2020 earnings of between $16.25 and $16.55 per share. UnitedHealth usually raises its forecast a couple times during the year.

The new range mostly exceeds the average forecast on Wall Street for earnings of $16.57 per share, according to FactSet.

Based in Minnetonka, Minnesota, UnitedHealth Group Inc. runs a health insurance business that covers about 48 million people, mostly in the United States.

Its Optum segment also runs one of the nation’s largest pharmacy benefit management operations as well as a growing number of clinics and urgent care and surgery centers. Operating earnings from that segment grew 8% to $2.6 billion in the quarter.

Overall, the company’s net income dropped 10% to $3.17 billion in the quarter, due in part to costs tied to the pandemic.

The company booked medical costs from COVID-19 care and testing. It also gave some customers premium breaks and temporarily waived fees like co-payments for doctor visits.

In addition to that, UnitedHealth’s commercial insurance enrollment, which includes employer-sponsored coverage, slipped. Many companies laid off workers earlier this year as the pandemic spread in the U.S. and the economy slowed down.

UnitedHealth’s adjusted earnings totaled $3.51 per share in the third quarter. Total revenue rose about 8% to $65.11 billion.

Analysts expected, on average, adjusted earnings of $3.10 per share in the quarter on $63.79 billion in revenue, according to financial data provider FactSet.

Company shares edged up about 1% to $334.51 in early-morning trading Wednesday.

Shares of UnitedHealth, a Dow Jones industrial average component, have hit several all-time high prices so far this year.



Study: Health systems, govt responses linked to virus tolls

A man wearing a face mask walks past a statue of the Beatles, as new measures across the region are set to come into force in Liverpool, England, Wednesday, Oct. 14, 2020. New plans unveiled this week show Liverpool is in the highest-risk category, and its pubs, gyms and betting shops have been shut. (AP Photo/Frank Augstein)

BERLIN (AP) — Scientists say a comparison of 21 developed countries during the start of the coronavirus pandemic shows that those with early lockdowns and well-prepared national health systems avoided large numbers of additional deaths due to the outbreak.

In a study published Wednesday by the journal Nature Medicine, researchers used the number of weekly deaths in 19 European countries, New Zealand and Australia over the past decade to estimate how many people would have died from mid-February to May 2020 had the pandemic not happened.

The authors, led by Majid Ezzati of Imperial College London, then compared the predicted number of deaths to the actual reported figure during that period to determine how many likely occurred due to the pandemic. Such models of ‘excess mortality’ are commonly used by public health officials to better understand disease outbreaks and the effectiveness of counter-measures.

The study found there were about 206,000 excess deaths across the 21 countries during the period, a figure that conforms to independent estimates. In Spain, the number of deaths was 38% higher than would have been expected without the pandemic, while in England and Wales it was 37% higher.

Italy, Scotland and Belgium also had significant excess deaths, while in some countries there was no marked change or even — as in the case of Bulgaria — a decrease.

While the authors note that there are differences in the compositions of populations, such as age and the prevalence of pre-existing conditions that contribute to mortality rates, government efforts to suppress transmission of the virus and the ability of national health systems to cope with the pandemic also played a role.

Amitava Banerjee, a professor of clinical data science at University College London who wasn’t involved in the study, said it was well designed and had used standardized methods.

He noted that the comparison between death rates in the United Kingdom and New Zealand, where the age of the population and the rates of pre-existing conditions such as obesity are similar, supports the argument that other factors contributed to the differing mortality figures.

“Even if vaccines and better treatments for severe (COVID-19) infection are developed, the way to minimise excess deaths is to reduce the infection rate through population level measures,” said Banerjee.

These include lockdowns, protecting high risk groups,and establishing effective “test, trace and isolate” systems, he said.

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Follow AP’s pandemic coverage at http://apnews.com/VirusOutbreak and https://apnews.com/UnderstandingtheOutbreak
Push to bring coronavirus vaccines to the poor faces trouble
By MARIA CHENG and LORI HINNANT October 1, 2020


FILE - In this July 30, 2020 file photo, Kai Hu, a research associate transfers medium to cells, in the laboratory at Imperial College in London. Imperial College is working on the development of a COVID-19 vaccine. South Africa and India on Friday Oct. 2, 2020, asked the World Trade Organization to waive some provisions in the international agreements that regulate intellectual property rights, to speed up efforts to prevent, treat and contain the COVID-19 pandemic and make sure developing countries are not left behind. (AP Photo/Kirsty Wigglesworth, File)

LONDON (AP) — An ambitious humanitarian project to deliver coronavirus vaccines to the world’s poorest people is facing potential shortages of money, cargo planes, refrigeration and vaccines themselves — and is running into skepticism even from some of those it’s intended to help most.

In one of the biggest obstacles, rich countries have locked up most of the world’s potential vaccine supply through 2021, and the U.S. and others have refused to join the project, called Covax.

“The supply of vaccines is not going to be there in the near term, and the money also isn’t there,” warned Rohit Malpani, a public health consultant who previously worked for Doctors Without Borders.

Covax was conceived as a way of giving countries access to coronavirus vaccines regardless of their wealth.

It is being led by the World Health Organization, a U.N. agency; Gavi, a public-private alliance, funded in part by the Bill & Melinda Gates Foundation, that buys immunizations for 60% of the world’s children; and the Coalition for Epidemic Preparedness Innovations, or CEPI, another Gates-supported public-private collaboration.

Covax’s aim is to buy 2 billion doses by the end of 2021, though it isn’t yet clear whether the successful vaccine will require one dose or two for the world’s 7.8 billion people. Countries taking part in the project can either buy vaccines from Covax or get them for free, if needed.

One early problem that has emerged: Some of the world’s wealthiest nations have negotiated their own deals directly with drug companies, meaning they don’t need to participate in the endeavor at all. China, Russia and the U.S. have said they do not intend to join. Other countries, including France and Germany, will technically join Covax but won’t procure vaccines for their citizens via the initiative.

Not only that, but firm agreements with Covax came in too late to prevent more than half of all potential doses being snapped up by countries representing 13% of the world’s population, according to an Oxfam study.

“As a continent of 1.2 billion people, we still have concerns,” Africa Centers for Disease Control and Prevention director John Nkengasong said Thursday.

He praised Covax for the solidarity it represents but said there are serious questions about allocation, saying African nations’ envoys are meeting directly with vaccine manufacturers to ask “if we came to the table with money, how would we get enough vaccines to cover the gap?”

The European Union has contributed 400 million euros ($469 million) to support Covax, but the 27-country bloc won’t use Covax to buy vaccines. Instead, the EU has signed its own deals to buy more than 1 billion doses, after some member states raised concerns about what was described as Gavi’s “dictatorship” approach to running Covax.

Gavi, WHO and CEPI announced in September that countries representing two-thirds of the world’s population had joined Covax, but they acknowledged they still need about $300 million more from governments or other sources. By the end of next year, Gavi estimates the project will need $5 billion more.

Covax did reach a major agreement this week for 200 million doses from the Indian vaccine maker Serum Institute, though the company made clear that a large portion of those will go to people in India.

Covax said negotiations to secure vaccines are moving forward despite the lack of funds.

Gavi’s Aurelia Nguyen, managing director of Covax, said that nothing similar has ever been attempted in public health.

Covax “is a hugely ambitious project,” she said, “but it is the only plan on the table to end the pandemic across the world.”

Full Coverage: Understanding the Outbreak

Still, the project is facing doubts and questions from poor countries and activists over how it will operate and how effective it will be.

Dr. Clemens Auer, who sits on WHO’s executive board and was the EU’s lead negotiator for its vaccine deals, said there is a troubling lack of transparency about how Covax will work.

“We would have no say over the vaccines, the price, the quality, the technical platform or the risks,” Auer said. “This is totally unacceptable.”

He said WHO never consulted countries about its proposed vaccine strategy and called the health agency’s goal of vaccinating the world’s most vulnerable people before anyone else a “noble notion” but politically naive.

As part of Covax, WHO and Gavi have asked countries to first prioritize front-line health workers, then the elderly, with the goal of vaccinating 20% of the world’s population.

One expensive hurdle is that many of the vaccine candidates need to be kept cold from factory to patient, according to internal documents from Gavi. Industry has signaled that “air freight for COVID vaccines will be a major constraint,” and a “significant and urgent ramp-up of cold chain capacity” may be needed.

On Thursday, Gavi announced it will provide $150 million to help some countries with planning, technical assistance and refrigeration equipment.

Another obstacle: Many of the leading vaccine candidates require two doses. That will mean twice as many syringes, twice as much waste disposal, and the complications involved in ensuring patients in remote corners of the world receive the second dose on time and stay free of side effects.

“Because of the fact that we’re looking at trying to get vaccines out as quickly as possible, we’re looking at limited follow-up and efficacy data,” said Gian Gandhi, who runs logistics from UNICEF’s supply division in Copenhagen.

There is also concern that the fear of lawsuits could scuttle deals. According to the internal documents, Gavi told countries that drug companies will probably require assurances that they won’t face product liability claims over deaths or side effects from their vaccines.

Dr. Nakorn Premsi, director of Thailand’s National Vaccine Institute, said officials there are reviewing whether that condition is acceptable. Thailand so far has signed only a nonbinding agreement with Covax.

Some critics say Gavi isn’t ambitious enough. The pandemic won’t end until there is herd immunity well beyond the rich nations that have secured their own doses, said Eric Friedman, a scholar of global health law at Georgetown University who is generally supportive of Covax.

“If we want to achieve herd immunity and get rid of this, 20% is not going to do it,” he said. “What’s the end game?”

Alicia Yamin, an adjunct lecturer on global health at Harvard University, said she fears the “window is closing” for Covax to prove workable. She said it is disappointing that Gavi, WHO and their partners haven’t pushed pharmaceutical companies harder on issues like intellectual property or open licenses, which might make more vaccines available.

With little evidence of such fundamental change in the global health world, Yamin said it’s likely that developing countries will have to rely on donated vaccines rather than any equitable allocation program.

“I would say that poor countries probably will not get vaccinated until 2022 or 2023,” Yamin said.




FILE - In this Wednesday, June 24, 2020 file photo, a volunteer receives an injection at the Chris Hani Baragwanath hospital in Soweto, Johannesburg. An ambitious humanitarian project to deliver coronavirus vaccines to the world’s poorest people is facing potential shortages of money, cargo planes, refrigeration and vaccines themselves — and is running into skepticism even from some of those it’s intended to help most. (Siphiwe Sibeko/Pool via AP, File)


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Lori Hinnant reported from Paris. Cara Anna contributed from Johannesburg.

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Follow AP’s pandemic coverage at http://apnews.com/VirusOutbreak and https://apnews.com/UnderstandingtheOutbreak