Thursday, October 07, 2021

In Egypt's Red Sea, corals fade as oceans warm

Issued on: 07/10/2021 -
Coral reefs, dubbed the "rainforests of the oceans" for their rich biodiversity, are under threat everywhere as rising sea temperatures and acidification cause catastrophic "bleaching" events 
Khaled DESOUKI AFP

Sharm el Sheikh (Egypt) (AFP)

Standing on a boat bobbing gently in the Red Sea, Egyptian diving instructor Mohamed Abdelaziz looks on as tourists snorkel amid the brilliantly coloured corals, a natural wonder now under threat from climate change.

"If they disappear, we'll disappear with them," he says of the vibrant corals on the reef, a species-rich ecosystem just below the turquoise waters that is beloved by diving enthusiasts worldwide.

Coral reefs -- often dubbed the "rainforests of the oceans" for their rich biodiversity -- are under threat everywhere as rising sea temperatures and acidification cause catastrophic "bleaching" events.

Along with pollution and dynamite fishing, global warming wiped out 14 percent of the world's coral reefs between 2009 and 2018, says a new survey by the Global Coral Reef Monitoring Network, the biggest ever carried out.

Tourists snorkel in the Red Sea above a coral reef near Egypt's Red Sea resort city of Sharm El-Sheikh at the southern tip of the Sinai peninsula
 Khaled DESOUKI AFP

Some studies have suggested that many species of coral in the Red Sea -- which is also bordered by the Saudi peninsula, Sudan and Eritrea -- are unusually heat-resistant, but local professionals say they have already witnessed the damage.

"We can see the effects of global warming before our eyes," said Islam Mohsen, 37, another local diving instructor at the resort town of Sharm El-Sheikh.

"We can see the coral discolouring and turning white."

- Biodiversity hotspots -

Coral reefs cover only a tiny fraction -- 0.2 percent -- of the ocean floor, but they are home to at least a quarter of all marine animals and plants.

The Red Sea and Gulf of Aden boast the most biologically diverse coral reef communities outside of Southeast Asia.

In a 2C world, more than 99 percent of all corals would disappear,
 according to the IPCC 
Laurence CHU AFP

The Red Sea -- with just over five percent of the world's coral reefs -- is home to 209 types of coral, according to Egypt's environment ministry.

The new global survey said that live hard coral cover in the region fluctuated over recent decades but declined overall, from 36.1 percent in 1997 to 34.3 percent in 2019.

Causes for the degraded reefs varied by location but included tourism activities, coastal development, land runoff and overfishing, the report said.

Steps have been taken in Egypt to protect reefs and marine life that are crucial to the local tourism sector.

Egypt's Chamber of Diving and Water Sports -- which oversees 269 diving centres and over 2,900 professional divers -- has protected fragile areas with buoys to keep boats from mooring.

It has also suspended beginners' diving classes in some areas to allow damaged reefs to recover.

But the largest looming threat, far harder to fix, is global warming.

- Marine heatwaves -

Oceans absorb more than 90 percent of the excess heat from greenhouse gas emissions, shielding land surfaces but generating huge, long-lasting marine heatwaves.

The Red Sea is home to some 209 different types of coral reefs, according to Egypt's environment ministry
 Khaled DESOUKI AFP

These are pushing many species of corals past their limits of tolerance.

"When the temperature of the ocean goes up, it absorbs more carbon dioxide, which creates carbonic acid," said Cairo-based climate change consultant Katherine Jones.

"So not only will the temperature increase, but the PH level will change too," affecting all animals with shells, she said. "We will lose a lot of wildlife, and the ecosystem will be changing in a way that affects us as humans in terms of resources.

"The coral reefs are nurseries to baby fish and a feeding ground to bigger fish ... it's an essential part of the ecosystem."

Sharm El-Sheikh hosted a United Nations agencies conference in 2018 that called for the protection of coral reefs "before it's too late".

Egypt also plans to host the Climate Conference of the Parties (COP27) in November next year.

A report by the Intergovernmental Panel on Climate Change has warned that up to 90 percent of coral reefs "may be gone by mid-century" even if the rise in temperatures stabilises below 1.5 degrees Celsius.

Sharm El-Sheikh hosted a United Nations agencies conference in 2018 that called for the protection of coral reefs 'before it's too late'
 Khaled DESOUKI AFP

Jones warned that, as things stand now, climate change and its impacts can no longer be reversed -- only slowed -- to prevent the worst consequences.

"Even if humans completely disappear from Earth tomorrow or we stopped producing any kind of emissions," she said, "the temperature will continue to rise by itself."

© 2021 AFP

BIGGER SCANDAL THEN TRUDEAU'S TOFINO HOLIDAY
Wilson-Raybould wasn't consulted on freeing Catholic Church from residential school compensation deal: source
SURPRISE CATHOLIC CHURCH SCREWS FIRST NATIONS PEOPLES, AGAIN

© Cole Burston/The Canadian Press A source close to the case told CBC News that Jody Wilson-Raybould was not consulted on the federal government's decision to absolve the Catholic Church of its financial responsibilities to residential schools survivors, even though…

No one in the federal government is saying who made the final decision to relieve the Catholic Church of its financial responsibilities to residential school survivors.

But a source with direct knowledge of the controversial 2015 case told CBC News that then-minister of justice Jody Wilson-Raybould wasn't consulted, even though a lawyer in her department signed the final release.

"This is stunning. It's just unbelievable that the first Indigenous minister of justice was frozen out of a decision like this," said Tom McMahon, a former general legal counsel for the Truth and Reconciliation Commission who also spent 17 years as a lawyer in the Department of Justice.

Mary Ellen Turpel-Lafond, director of the University of British Columbia's Indian Residential School History and Dialogue Centre, said she was also alarmed to hear that Wilson-Raybould was left out of the loop.

"This was a critical file on one of the most important issues facing the country," said Turpel-Lafond, a former Saskatchewan provincial court judge and member of the Muskeg Lake Cree Nation.

"Why didn't they consult her? Were they worried she'd have a different opinion?"

A Department of Justice official referred a CBC interview request to the Department of Crown-Indigenous Relations; no one at that department returned interview requests on Tuesday or Wednesday. Wilson-Raybould herself declined CBC News' interview request.
© Jason Warick/CBC Saskatoon Catholics raised $28.5 million to build this cathedral in 2012. Critics say the church's promise to compensate residential school survivors was being largely ignored at the time. The story was similar across Canada.

In July 2015, Saskatchewan Court of Queen's Bench Justice Neil Gabrielson ruled on a years-long dispute between the federal government and Catholic Church entities.

Under the landmark 2005 Indian Residential Schools Settlement Agreement (IRSSA), Catholic officials and their team of lawyers overseeing the deal had made three promises totalling $79 million.

They pledged to make "best efforts" to raise $25 million to benefit survivors; in the end, less than $4 million was raised. They promised to pay restitution amounting to $29 million in cash; that sum was not paid in total after the church spent millions of dollars on legal and administrative expenses.

And they committed to delivering $25 million worth of "in-kind" services as compensation to survivors; critics say some of that spending was designed to convert survivors, not to help them heal.

Gabrielson ruled in favour of the Catholic Church, approving the Catholic Church's buyout proposal of less than $2 million and freeing the church from its remaining financial commitments to residential school survivors.

Less than a month later, on Aug. 14, 2015, the federal government filed an appeal. In a four-page document, provided this week to CBC News by the Saskatchewan Court of Appeal, a senior lawyer for the Department of Justice cited several reasons to dispute Gabrielson's ruling.

The document says Gabrielson erred in assuming a deal had been reached, erred in assuming the federal lawyer on the file had the authority to approve the deal, and had made "palpable and overriding errors in his assessment of the facts." The federal government asked that the July decision to be cancelled or "quashed."

That fall, Justin Trudeau's Liberals won a majority government. On Nov. 4, 2015, Prime Minister Trudeau's first cabinet was sworn in. We Wai Kai Nation member and former Crown prosecutor Jody Wilson-Raybould was appointed Canada's first Indigenous minister of justice.

Six days later, on Nov. 10, another document was filed in the Saskatchewan Court of Appeal by a senior Department of Justice lawyer.

Video: How the Catholic Church spent money meant for residential school survivors
(cbc.ca)

The "Notice of Abandonment" informed the court that the federal government's position had changed. The appeal was withdrawn and the case was closed immediately. No reasons were given.

'I can't know who was made aware': former deputy minister

Michael Wernick, who resigned in 2019 as clerk of the Privy Council and secretary to cabinet following allegations he and others pressured Wilson-Raybould on the SNC-Lavalin file, previously served as deputy minister in the department then known as Aboriginal Affairs and Northern Development.

In a series of email responses this week to CBC News, Wernick said he had nothing to do with the decision to abandon the appeal, and neither did cabinet or the Privy Council.

"I can't know who was made aware at the time," Wernick wrote.

Wernick said the decision may not have reached the ministerial level because it wasn't seen as significant enough.

"… You are viewing it with the benefit and lens of hindsight where it looks bigger now six years later because of what we know now than it may have looked at the time in the context of a myriad of other matters and issues swirling around, especially in the hectic period of on-boarding a new government," Wernick wrote.

"Which matters are brought to the attention of people at the top is always subject to judgment. Ministers are responsible to Parliament for their portfolio but can't possibly know everything that is going on."

'It doesn't add up': Turpel-Lafond

Turpel-Lafond and McMahon said Wernick's argument makes no sense.

"That tells you something. How could this not be seen as a major file? Do survivors think that?" McMahon said.

Turpel-Lafond said survivors deserve answers.

"It doesn't add up. It doesn't add up legally. It doesn't add up politically. Why did the federal government let them off the hook? Did the receptionist make the decision?" she said.

"You don't vigorously appeal and then abandon it for no reason. What happened?"

She said the legal appeal process is now closed but she's still calling for an independent review of the actions of both the federal government and the Catholic Church.

© Mike McArthur/CBC Mary Ellen Turpel-Lafond is director of the University of British Columbia's Indian Residential School History and Dialogue Centre.

A senior Department of Justice official (CBC has agreed not to name the individual) said the minister should always be briefed on significant decisions such as this one. The official said the lawyer working on the file would send an "early warning brief" to the deputy minister and then the minister, usually within a matter of hours.

The official said it's "inconceivable" that no one flagged this as a significant file. The decision to leave Wilson-Raybould out must have been deliberate, the official said.

Longtime NDP MP Charlie Angus has been asking these questions for years. In 2016, he wrote to Crown-Indigenous Relations Minister Carolyn Bennett about the decision to absolve the Catholic Church of its responsibilities.

"The Catholic Church got their way with the courts, crying poor. No one has been given a sense of why they were allowed to walk away," Angus said.

Angus said the timing of the appeal's abandonment is suspicious.

"Trudeau appoints a cabinet. The government drops the appeal. There had to be discussion about what to do with the Catholic Church, and they let them walk. I've asked for answers and I've had none," he said.

"Who was it that let the Catholic Church walk?"

Last month, following calls to boycott Sunday mass and a petition to revoke the Catholic Church's tax exemptions, Canada's Catholic bishops issued a public, written apology to survivors. They also pledged to launch a new fundraising campaign with a goal of raising $30 million over five years.

Survivors interviewed by CBC News say they're skeptical, given the history of broken promises.
Giant “Faucet” Spewing Single-Use Plastic Urges Us To Reconsider Our Plastic Use
By Sara Barnes on October 4, 2021


©Von Wong Production 2021 – #TurnOffThePlasticTap

The accumulation of single-use plastics is one of the most visible ways in which we can see our damage to the environment. These pollutants clog our landfills and oceans, and we should be doing all we can to eliminate their use. Unfortunately, the global pandemic has only increased our reliance on single-use plastics; consumption of this material has gone up 250 to 300%. Artist and activist Benjamin Von Wong is using his power as a creative to bring light to this dire issue and change how we view the problem.


“I’m always looking for exciting ways to make the boring problem of plastic pollution more interesting,” Von Wong writes. Previously, he’s created an 11-foot wave made from 168,000 plastic straws as well as a crystal cave comprising 18,000 plastic cups. Aside from being visually impactful, the thought-provoking images implore us to rethink how we consume.

Von Wong’s latest piece titled Giant Plastic Tap is his most ambitious yet. “The Embassy of Canada in France reached out and asked if I could build an art installation to raise awareness for plastics,” he says. “This was my chance to create more than a piece of art. It was my chance to create a symbol inviting the world to #TurnOffThePlasticTap.”

As the hashtag implies, the artist and his team built a giant faucet that is spewing heaps of single-use plastics—cleaning bottles, water bottles, and other materials that line our grocery store shelves. Von Wong also shares fascinating behind-the-scenes shots that reveal how all of the materials in the project were reused. The tap, for instance, was made from scavenged ventilation ducts and fitted for a forklift. The plastic “water” was sorted, poked, and threaded together, making for easy setup and tear-down so that it could be photographed in multiple locations.

Von Wong sees these images as just the beginning of his project. He's inviting everyone to help spread awareness and gearing it towards creatives. Create a remix of Giant Plastic Tap between October 4 and November 4, 2021, and you’ll automatically be entered into a $10,000 prize pool. Learn more about the competition and how to enter.

Artist and activist Benjamin Von Wong has created Giant Plastic Tap, a series that rethinks how the single-use plastic problem looks.


©Von Wong Production 2021 – #TurnOffThePlasticTap




©Von Wong Production 2021 – #TurnOffThePlasticTap
Von Wong sees these images as just the beginning of his project.


©Von Wong Production 2021 – #TurnOffThePlasticTap

Artists who create a remix of Giant Plastic Tap between October 4 and November 4, 2021 will automatically be entered into a $10,000 prize pool.



©Von Wong Production 2021 – #TurnOffThePlasticTap


©Von Wong Production 2021 – #TurnOffThePlasticTap



©Von Wong Production 2021 – #TurnOffThePlasticTap
Von Wong has also shared behind-the-scenes looks at his massive project.


©Von Wong Production 2021 – #TurnOffThePlasticTap



©Von Wong Production 2021 – #TurnOffThePlasticTap


©Von Wong Production 2021 – #TurnOffThePlasticTap
Benjamin Von Wong: Website | Instagram | Facebook | YouTube
My Modern Met granted permission to feature photos by Benjamin Von Wong.

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SARA BARNES
Sara Barnes is a Staff Editor at My Modern Met, Manager of My Modern Met Store, and co-host of the My Modern Met Top Artist Podcast. As an illustrator and writer living in Seattle, she chronicles illustration, embroidery, and beyond through her blog Brown Paper Bag and Instagram @brwnpaperbag. She wrote a book about embroidery artist Sarah K. Benning titled 'Embroidered Life' that was published by Chronicle Books in 2019. Sara is a graduate of the Maryland Institute College of Art. She earned her BFA in Illustration in 2008 and MFA in Illustration Practice in 2013.
Read all posts from Sara Barnes




Photographer Sheds Light on Plastic Pollution with a Giant Floating Faucet
OCT 04, 2021
ANETE LUSINA

Photographer Benjamin Von Wong — known for tackling environmental issues in his photographic work — has released his latest project that raises the discussion of plastic pollution in a creative and collaborative way.

In 2016, Von Wong’s photographic work brought awareness to a diverse range of subjects and issues and encouraged others to join in. The most recent project — “Turn Off the Plastic Tap” — further amplifies Von Wong’s dedication to creatively bring attention to a global issue.



Von Wong, who is “always looking for exciting ways to make the boring problem of plastic pollution more interesting,” was approached by the Embassy of Canada in France and asked if he can build an and art installation to bring awareness to plastic production.
Photo by Philippe Boivin – philboivin.com

Von Wong excitedly took on the challenge and, with the help of like-minded community members, built a three-story-tall tap that look as though ti is leaking plastic. He tells PetaPixel that volunteers were found through social media and local community organizations like Ocean Wise.


Photo by Philippe Boivin – philboivin.com
Photo by Philippe Boivin – philboivin.com

The project, as large as the tap itself, required the volunteer team to create a faucet, which was built from used ventilation ducts from a building that was about to be demolished. It was then cut, painted, and adapted to fit a manual forklift.



The participants organized and prepared the plastics by sorting them into three categories — transparent, mixed, and black. The plastics were then tightly assembled — using a rope that was made from plastic bottles – to create the water flow coming out of the tap
.
Photo by Philippe Boivin – philboivin.com

  


The team photographed the art installation in several locations, such as a children’s playground, container yard, recycling facility, landfill, and beach. Each one required volunteers to work closely together to help create the final shot.



For example, for the beach photo, it took the team five hours to assemble the tap along with two hours spent on capturing the image.



It wasn’t an easy task to light it up so the team used mirrors to direct the light while a simple bee smoker came in handy to diffuse it and add a touch of mystery.



To further light it artificially, Von Wong and his team of volunteers brought whatever lighting they had on hand. Von Wong says that they used everything from speedlights to Godox strobes to top-of-the-line Broncolor Move Outdoor packs.




And, once the sun and clouds got into the perfect position, the shot was ready. Von Wong also used the Sunseeker app to predict the position of the sun while scouting the chosen shoot location at a beach in Oka, Canada.



The final beach shot was taken using Sony a7R IV with Sony 16-35mm f/2.8 lens at 1/250 s, f/11, and ISO 50.



Von Wong explains that the photo-taking stage took the team two weeks and the project was long from finished. They still had to pack up the installation and ship it to France so that it can be displayed in Paris on October 7.

The behind-the-scenes work such as editing, putting together press and marketing materials, building non-profit partnerships, and more takes a lot of work — so for Von Wong, the project is still not done.




For anyone interested, Von Wong encourages artists and creative talents to participate by creating a remix of the original Giant Plastic Tap between October 4th and November 4th. Those who take part will be automatically entered into a $10,000 prize pool.

Detailed instructions on how to enter can be found here. More of Von Wong’s work can be found on his website and Instagram, with additional information about the Giant Plastic Tap project available on the Turn Off the Plastic Tap website.

Image credits: All images provided courtesy of Von Wong Production 2021 and used with permission.