Wednesday, October 28, 2020

Tim Burton Pitches Rebooted ‘The Addams Family’ Live-Action TV Series

"The Addams Family" is revving to entertain a new generation.
© Photo: CPImages "Addams Family Values" cast Carol Kane, Christina Ricci, Raul Julia, Carel Struysken, Anjelica Huston, Christopher Lloyd, Jimmy Workman.

RELATED: ‘The Addams Family’ Is Back In First Teaser For Animated Sequel

Tim Burton is pitching a new live-action television series based on the iconic Addams family, according to Deadline.

Burton is currently negotiating to executive produce and possibly direct the entirety of the series. "Smallville" executive producers Alfred Gough and Miles Millar are expected to serve as head writers and showrunners.

If "The Addams Family" reboot comes to fruition, it would be the first major live-action TV series under the helm of Burton. The reimagined series is expected to take place in present time and focuses on the perspective of Wednesday Addams.

MGM TV controls the underlying rights to the IP and has financed the development of the series. Multiple buyers are currently bidding for the project. Netflix is believed to be the frontrunner.

RELATED: Christina Aguilera Drops ‘Addams Family’ Track ‘Haunted Heart’

The original "The Addams Family" TV series aired from 1964 to 1966. It was rebooted with the 1991 Oscar-nominated movie starring Anjelica Huston, before a couple more follow-up movie sequels and "The New Addams Family" TV series in the late '90s.

Then in 2019, the animated movie, starring the voices of Charlize Theron, Oscar Isaac and Choe Grace Moretz, came to the big screen. An animated sequel is set for 2021.



Alyssa Wapanatâhk, A Cree Actress From Alberta, Will Play Tiger Lily In The New 'Peter Pan'

Maija Kappler 2020-10-21

Get used to saying Alyssa Wapanatâhk’s name.

The 22-year-old Cree actress from Alberta was just cast as Tiger Lily in Disney’s upcoming live-action remake of “Peter Pan.” She’s joining as cast that includes Jude Law as Captain Hook, Milla Jovovich’s daughter Ever Anderson as Wendy, and New Zealand newcomer Alexander Molnoy as Peter.

Wapanatâhk’s agent confirmed that she had been cast in the role, but told HuffPost Canada that she’s not yet doing interviews.

But here’s what we do know about her: she was born in Fort McMurray and grew up in Conklin, Alta. She’s a member of the Bigstone Cree First Nation and her reservation is Wabasca, southwest of Fort McMurray in Treaty 8 territory.

Earlier this month, she opted to change her name from Alyssa Alook to Alyssa Wapanatâhk. “Wapanatâhk” was a name she was given at birth, which translates to “first star in the sky” or “morning star,” she wrote on Instagram. https://www.instagram.com/p/CGBN9QfBoab/?utm_source=ig_embed


She gave her daughter, who was born in spring 2019, a Cree name, Nitanis, and wants to speak the language with her.

“It feels very right to change my name to this now. I have so much love and respect for my culture and nehiyawewin, the Cree language,” she said.

“It is a part of my goal in this world to bring our language back, and to learn it day by day.”

Last year, she made a short film, “The Boy and the Braid,” about an Indigenous teenager’s relationship with his hair and his cultural traditions. The movie was one of the first-ever recipients of the Telus Indigenous Storyteller Edition grants.



Wapanatâhk’s role as Tiger Lily will be interesting to watch. The character, an Indigenous princess, has been tricky to get right in film. She was certainly written as an offensive stereotype in J.M. Barrie’s original 1904 play, and predictably, Disney’s 1953 animated version didn’t do much to give the Indigenous characters more depth or humanity. (Remember “What Makes the Red Man Red?”)

But Jerod Impichchaachaaha’ Tate, a Chickasaw composer who worked on NBC’s 2014 “Peter Pan Live,” told The Guardian that the character reflects the actor and the culture that continues to re-create her, “and even as a culture we do grow and get better.” Tiger Lily’s bravery, strong will and significant charisma could make her a compelling character, if writers are willing to do the work to understand the cultural context she comes from.

Unfortunately, most of them haven’t, over the course of the half-dozen adaptations we’ve had in the last few decades. The character was cut out of 1991′s “Hook,” and in the 2015 adaptation, she was played by white actress Rooney Mara. The 2003 movie, though, cast Haida actor Carsen Gray, and the 2011 miniseries “Neverland” featured Q’orianka Kilcher, an actor with Quechua roots.

Disney hasn’t yet released any information about the upcoming remake, beyond the casting. But we look forward to seeing what the movie — and Wapanatâhk in particular — have in store.
Over 60 exhibits damaged at Berlin museums, motive a mystery

2020-10-21

BERLIN — More than 60 artworks and artifacts at some of Berlin's best-known museums were smeared with an oily liquid by an unknown perpetrator or perpetrators earlier this month, authorities said Wednesday. They were hopeful that the apparently random damage can be repaired, but said the motive was a mystery. 
© Provided by The Canadian Press

The works at the Museum Island complex, a UNESCO world heritage site in the heart of the German capital that is one of the city’s main tourist attractions, were targeted at some point between 10 a.m. and 6 p.m. on Oct. 3. Investigators said they had watched hours of surveillance camera footage but hadn't found any obvious sign of anyone applying the liquid.

In all, 63 works at the Pergamon Museum, the Alte Nationalgalerie and the Neues Museum were affected, said Christina Haak, the deputy director of Berlin's state museums. There was no thematic link between the targeted works, and “no pattern is discernible” to the perpetrator's approach, Haak added.

The liquid was oily but not corrosive, said Friederike Seyfried, the director of Berlin's Egyptian collection, which is housed in the Neues Museum. She wouldn't give more specific details of the colorless fluid, citing the ongoing investigation.

Carsten Pfohl, a senior official with Berlin's criminal police office, said that more than 3,000 people visited the Museum Island on Oct. 3, a Saturday on which Germany marked the 30th anniversary of its reunification. Complicating investigators' efforts, most of that day's tickets were sold on site and only 1,400 personalized tickets had been booked in advance; all who ordered the latter have been contacted by email to ask whether they noticed anything untoward.

Police said they had decided initially not to go public about the incident out of “tactical considerations related to the investigation.” On Tuesday night, the weekly Die Zeit and Deutschlandfunk radio broke the story. On Wednesday, police called for witnesses to come forward with any accounts of suspicious people or events they noticed on Oct. 3.

It wasn't clear how the liquid was applied to the works, Pfohl said. They appeared to have been chosen at random, and investigators are inclined to believe that a lone perpetrator was responsible, he added — but they aren't ruling out multiple perpetrators.

Pfohl said that police are investigating “in every direction” but wouldn't participate in local media speculation that conspiracy theorists might be involved.

There was no indication of it being “an act that speaks for itself,” he added. “This is a variety of objects that do not have any immediate connection in terms of context ... we have no self-incriminating letter or anything like that, so we have to assume for now that the motive is completely unclear.”

Pfohl said that the incident isn't unique because artifacts in museums in other countries have been attacked with liquids over recent years. Officials weren't aware of any threats. The damage was discovered by museum staff.

Seyfried said the works affected didn't include any paintings and also weren't among the complex's best-known attractions. Those attractions include treasures such as the Pergamon Altar, Babylon’s Ishtar Gate and a famous bust of Egyptian Queen Nefertiti.

Germany's culture minister, Monika Gruetters, strongly condemned the damage to the artworks.

She said in a statement that “there is justified hope that the damage can be repaired," but said that Berlin's state museums once again need to answer questions over their security precautions.

In March 2017, burglars broke into the Bode Museum, part of the Museum Island, and made off with a 100-kilogram (221-pound) Canadian gold coin known as the “Big Maple Leaf.”

The suspects are believed to have smashed a protective case and then lifted the coin out of a museum window before fleeing along a railway track with their haul in a wheelbarrow. It was never recovered.

Haak said the museums' security concept is constantly being reviewed and officials are considering how to improve it, but “100% security for the objects would mean in principle having to withdraw them from public view.”

Geir Moulson, The Associated Press

Hamilton-born artist Kapwani Kiwanga wins France's prestigious Prix Machel Duchamp

2020-10-20

Canadian artist Kapwani Kiwanga has won one of France's most prestigious visual arts prizes.
© Provided by The Canadian Press

The Hamilton-born, Paris-based creator received the Prix Marcel Duchamp, which comes with a cheque for 35,000 euros (the equivalent of roughly $54,000), on Monday.

Her installation, "Flowers for Africa," is being exhibited at the Centre Pompidou in Paris as part of a group show featuring the prize's four finalists.

The work deals with Kiwanga's recurring themes of colonial appropriation and marginalized histories.

Before attending the Ecole des Beaux-Arts in Paris, Kiwanga studied anthropology at McGill University. She often draws from this academic background in her research-based practice spanning sculpture, installation, photography, video and performance.

In addition to having her works exhibited at galleries around the world, Kiwanga won Canada's Sobey Art Award and the U.S.-based Frieze Artist Award in 2018.

The Association for the International Promotion of French Art awards the Prix Marcel Duchamp annually with the aim of raising the global profile of France's top contemporary talent.

This year's runners-up are French-British artist Alice Anderson, Morocco-born artist Hicham Berrada and Chilean artist Enrique Ramirez.

This report by The Canadian Press was first published Oct. 20, 2020.

Zambian-Canadian Rapper Backxwash Wins 2020 Polaris Music Prize

Becca Longmire 2020-10-20

Zambian-Canadian rapper Backxwash is the winner of the 2020 Polaris Music Prize for the album God Has Nothing To Do With This Leave Him Out Of It.
© Credit: Polaris Music Prize

The Montreal-based artist said of the big win, “Be as honest as you want to be and create the art that you want to."

This is Backxwash’s first Polaris Music Prize honour.

The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history, or label affiliation.

It was determined by a grand jury of 11 music media professionals drawn from the greater Polaris jury pool of 201 writers, editors, broadcasters, DJs, and personalities from across the country. This was the 15th edition of the Polaris Music Prize.

RELATED: Polaris Music Prize 2020 Long List: The Weeknd, Jessie Reyez, Daniel Caesar 


Backxwash’s victory comes with a $50,000 reward. The nine other short-list nominees, including Caribou, Junia-T, and Pantayo, each received $3,000, courtesy of Slaight Music.

Backxwash’s name was revealed by Polaris 2019 winner Haviah Mighty, live from the stage of Toronto venue The Carlu during the 2020 Polaris Music Prize Celebration broadcast.

Due to COVID-19, Polaris chose not to host a winner gala event this year. Instead, they invited Canadian filmmakers to apply to create commissioned films inspired by each of the short-list-nominated albums. Hundreds of filmmakers applied, with the selected filmmaking teams being commissioned based on input from Polaris staff, CBC Music, and short-list nominee teams.

These 10 short films were streamed during the 2020 Polaris Music Prize Celebration, hosted by CBC Music’s Saroja Coelho.

"It's an incredible and humbling honour to oversee this year's Polaris Grand Jury," said Polaris jury foreperson Melissa Vincent. "Their devotion to discussing and championing the work of an outstanding group of artists is a testament to the vitality of music coming out of Canada. We could not be more thrilled to congratulate the winner of the 2020 Polaris Music Prize!"

Past Polaris winners include Jeremy Dutcher (2018), Lido Pimienta (2017), Kaytranada (2016), Buffy Sainte-Marie (2015), and Tanya Tagaq (2014).


Backxwash wins Polaris Music Prize for her album "God Has Nothing to Do With This..."

2020-10-20

TORONTO — Backxwash has won the 2020 Polaris Music Prize for her gothic rap-metal album "God Has Nothing to Do With This Leave Him Out of It."
© Provided by The Canadian Press

The recording by the Montreal-based artist was selected by an 11-member jury as the Canadian album of the year based on its artistic merit. The recognition carries with it a $50,000 cash prize.

Backxwash is the first transgender female artist to win the Polaris, an award that in recent years has celebrated an array of Indigenous and Black musicians who are often ignored in mainstream Canadian music. Previous winners include Haviah Mighty, Jeremy Dutcher and Kaytranada.

"My existence itself is political, my livelihood is political, and the livelihood of my sisters is political," she said while accepting the prize.

"We just want rights, and we have to go through so many hurdles to do that, and I feel very connected to that struggle."

Backxwash, the stage name of performer Ashanti Mutinta, drew from her own experiences with faith, family and her queer identity growing up in Zambia to create the dynamic reflection of self.

"This (album) is the most of myself that I've been ever since I started living on this earth," she said by webcam from Montreal.

"I think it's very symbolic, the world just kind of telling me to be myself."

She beat out nine other contenders, including First Nations indie rockers nehiyawak, three-time Polaris shortlisted U.S. Girls and R&B-pop singer Jessie Reyez.

Three other nominees this year were previous winners, electronic composer Caribou, DJ and record producer Kaytranada and singer-songwriter Lido Pimienta.

The Polaris was presented this year with a "cinematic" broadcast that replaced the usual gala concert showcase held at Toronto's Carlu event space. Organizers commissioned a group of directors to bring each of the 10 nominated albums to life as short films.

"God Has Nothing to Do With This Leave Him Out of It" stood out from the other competitors for the elements of horror woven into the lyrics, frequently evoking religious imagery.

The album uses distorted samples of metal legend Ozzy Osbourne performing in Black Sabbath, Led Zeppelin and "In Heaven" a song from David Lynch's film "Eraserhead," alongside pointed words about her life experiences.

"The first time I heard (the lyrics) out loud was me rapping," she said.

"I was like, oh damn, that's pretty dark... the lyrics come from a really deep place in me."

Mutinta grew up in Zambia, making hip hop beats as a teenager before moving to British Columbia to live with her brother and sister at 17 years old. She set aside music to focus on a computer science degree, before a move to Montreal reinvigorated her love for live music.

"I fell in love with the city, and just, it was a perfect city to express myself," she said.

"So I started to express myself from a gender standpoint and a music standpoint, and the two places just coincided well with the type of art that I was making."

But unlike the threads of her music, Mutinta was beaming after learning of her win.

She supposed she would invest the money in her next album, which she describes as a horror anthology inspired by people from her life.

Follow @dfriend on Twitter.

This report by The Canadian Press was first published October 19, 2020.

David Friend, The Canadian Press
SpiderMable web-swings onto big screen in new film about Edmonton cancer survivor

CBC/Radio-Canada

© Min Dhariwal/CBC Spider-Man joined SpiderMable in 2015 to fight crime for a day in Edmonton.

Five years after the story of an Edmonton cancer fighter took off across social media around the world, a documentary about SpiderMable will premiere next week.

The film, SpiderMable — A Real Life Superhero Story, is about Mable Tooke, a young cancer patient who lived out her dream of fighting crime alongside Spider-Man in 2015, as part of a city-wide manhunt set up by The Children's Wish Foundation.

Kelly Wolfert, the director and producer of the film, said when he started filming the day for Children's Wish and saw how popular it became on Twitter, he thought it would be an interesting subject for a short film.

But he knew it would be an even stronger film once he saw how selfless Mable was in giving back to her community afterward.

"You can't get a better message than what's in this film for what we're going through right now which is basically look after each other," said Wolfert, who was interviewed Tuesday on CBC Radio's Edmonton AM.

The film opens at Metro Cinema on Nov. 5, the opening night of NorthwestFest.

On that fateful day in 2015, Mayor Don Iveson summoned Mable to Edmonton city hall to track down a missing hockey player and capture his kidnapper.

"I just remember waking up and being told 'Get into your Spider-Man costume, we're going somewhere.' The day went by in a wonderful haze," Mable said Tuesday on Edmonton AM.

Mable had been diagnosed with acute lymphoblastic leukemia, a cancer of the white blood cells, in 2013.

While in treatment, she read comic books. Her favourites were 1960s-era Spider-Man because of how close he was to being human, her mother said at the time.

Mable's mother, Lisa Tooke, said it was odd to see that day through another set of eyes on screen.

The way Mable's journey blew up on social media showed the value of a feel-good story, Lisa said. The day was also helpful in Mable's own journey to recovery, she added.

"She saw a lot more potential in herself than she ever would have," Lisa said. "Because when other people see something in [you], it makes you realize that maybe you can do more than you thought you could."

As for Mable, nowadays she's feeling a lot better. She is 11 years old now and doing her Grade 6 studies online.

"Even if I'm not physically going out in my SpiderMable costume, I'll always have a little bit of SpiderMable in my heart," Mable said.

"It's not something you can let go of."

Pipeline worker struck and killed by equipment in west Edmonton

CBC/Radio-Canada 
© David Bajer/CBC Occupational Health and Safety officials are investigating after a worker was struck and killed by a piece of equipment at this pipeline construction site.

A worker died Tuesday after being struck by a piece of equipment at a Trans Mountain pipeline construction site in northwest Edmonton.

The employee died around 2:30 p.m. in the area of Whitemud Drive and Winterburn Road, a spokesperson for Occupational Health and Safety said.

The death is being investigated by OHS. Spokesperson Natasha McKenzie said no details are available about what happened.

Work at the site has stopped but no stop work orders have been issued, McKenzie said Wednesday.

The worker killed was an employee of SA Energy Group, a general contractor hired to construct portions of the Trans Mountain pipeline in the greater Edmonton area.

SA Energy Group said it is co-operating with investigators.

"We are deeply saddened to confirm a fatality has occurred at the SA Energy construction site in Edmonton," the company said in a statement.

"Our operations have been put on hold, and we are cooperating fully with Alberta Occupational Health and Safety in respect of the incident.

"Our prayers and sympathies are with our employee's family, friends and colleagues during this difficult time."

As of Wednesday morning, work on the site remained halted. Caution tape and plastic tarps surrounded a large side-boom crane.

In a separate statement, Ian Anderson, president and CEO of Trans Mountain Corporation, offered his condolences to the worker's family and colleagues.

"This is a tragic incident and I know that staff and contractors at both SA Energy and Trans Mountain join me in extending our deepest sympathies to the worker's family.

"They remain in our thoughts and prayers at this very difficult time."
ALBERTA GOVERNMENT WAR ON GREENS
Inquiry into Alberta oil and gas critics extended to Jan. 31, with no new 
money

EDMONTON — A public inquiry into who is funding environmental opposition to Alberta's oil and gas industry has been granted an extension until the end of January.
© Provided by The Canadian Press

Alberta's United Conservative government contends foreign interests have long been bankrolling campaigns against fossil fuel development and in 2019 tapped forensic accountant Steve Allan to lead a $2.5-million inquiry.

Allan's report was initially due in July, but he was granted an extension until Oct. 30 and a $1-million budget increase.

Energy Minister Sonya Savage says Alberta's cabinet has agreed to another 90-day extension to Jan. 31, but it comes with no additional funding.

She says it's meant to ensure potential participants have a fair opportunity to provide input and that COVID-19 restrictions have led to procedural delays.

A lawsuit filed by environmental law firm Ecojustice argues the inquiry is politically motivated, biased and outside provincial jurisdiction.

“Our government has been unwavering in our commitment to stand up for our energy sector, including launching a public inquiry into the existence of a foreign-funded anti-Alberta energy campaign," Savage said in a statement Wednesday.

Alberta Premier Jason Kenney said Saturday during the United Conservatives' virtual annual general meeting that his government would be introducing legislation next year to make it illegal for foreign interests to fund political action committees.

It would also pursue "legal avenues'' to push Ottawa into cracking down on charities that improperly engage in political activity, he said.

Kenney added that the $30-million-a-year Canadian Energy Centre, a war room meant to counter what the UCP government considers misinformation about the oil and gas industry, will ramp up again after the pandemic put it on hiatus.

This report by The Canadian Press was first published Oct. 28, 2020.

The Canadian Press


BETA
Don Mazankowski, former Alberta MP and cabinet minister, dies at 85

EDMONTON — Donald Frank Mazankowski, a former Tory deputy prime minister, has died at the age of 85.
© Provided by The Canadian Press

Speaker Anthony Rota announced the news in the House of Commons Wednesday and MPs held a moment of silence in his memory.

Whether working as Brian Mulroney’s right-hand man in Ottawa or selling cars in his hometown of Vegreville, Alta., “Maz” was known as a down-to-earth farm boy who got the job done.

The son of Polish immigrants, Mazankowski served in several top cabinet positions including finance and agriculture under Mulroney and transport under Joe Clark.


In 2003, Mazankowski was involved in behind-the-scenes talks to broker a deal to unite the former Canadian Alliance and Progressive Conservative parties.

During his 25 years in Parliament, Mazankowski also served as president of Treasury Board, government House leader, minister responsible for the Canadian Wheat Board and privatization minister.

Mulroney once called the tall, burly man who could play a mean fiddle and liked to croon old cowboy songs his “minister of everything.”

First elected to the Commons in 1968, Mazankowski strived to keep in touch with constituents in his sprawling rural riding east of Edmonton.

He was so popular that thankful citizens commissioned a statue of Maz in Vegreville before he retired from elected office in 1993.

“For 25 years Don Mazankowski has served his constituency, his party and his country,” reads the dedication for the one-tonne bronze depiction of Maz giving a speech.

“Even though he has risen to great prominence nationally and internationally, he has maintained a humbleness and genuine friendliness.”

Following his retirement from the Commons, Mazankowski remained active in politics and continued to draw the public spotlight.

Former Alberta premier Ralph Klein appointed him to lead a controversial commission to review Alberta’s health-care system.

The commission’s report in 2001 recommended dropping coverage for some medical services and drugs, increasing health-care premiums and expanding the use of private health clinics.

Prime Minister Justin Trudeau said Mazankowski was a champion for his community and the country.

"Don Mazankowski dedicated his life to serving others. As Minister of Transport, of Agriculture, and of Finance, and as Deputy Prime Minister, he contributed a lot to Canada. My deepest condolences to all who are mourning his passing," Trudeau said in a statement.

"Don and his wife Lorraine stayed true to their rural roots, continuing to live in Vegreville, and more recently Sherwood Park," said a statement from Alberta Premier Jason Kenney

Mazankowski "personified the virtues of humility and servant leadership," he said.

“At the heart of his public service was a belief that Western Canada needed strong voices to defend its economic and political interests in the Canadian federation. Maz was such a voice for decades. For that and for all that he did, Albertans are deeply grateful."

Mazankowski was named as a companion of the Order of Canada — the highest civilian honour — in 2013. He had been an officer of the Order of Canada since 2000.

This report by The Canadian Press was first published Oct. 28, 2020.

John Cotter, The Canadian Press




Greta Thunberg reflects on living through multiple crises in a 'post-truth society'

Oliver Whang 

Since her first sit-in outside the Swedish parliament building more than two years ago, Greta Thunberg’s fundamental message has been clear and unchanging: The climate crisis is humanity’s greatest existential threat and we need to treat it as such. That message inspired millions of young activists to protest for change and led to a series of viral speeches that have defined Thunberg’s global fame. She was Time’s 2019 Person of the Year and was nominated for the Nobel Peace Prize two years in a row.
© Photograph by Shane Balkowitsch, Nostalgic Glass Wet Plate Studio
This portrait is titled “Greta.”

Now, though, in the midst of the COVID-19 pandemic—a global crisis of a much different nature—and the looming threat of the U.S. backing out of the Paris Agreement, the 17-year-old activist is back at school in Sweden. National Geographic spoke with Thunberg via Zoom about how her activism has changed over the past year, and how her message might survive an increasingly complex world. (This interview has been lightly edited for length and clarity).

Oliver Whang: A lot has happened in the past half year or so. How has your work changed since the coronavirus hit?

Greta Thunberg: Well, we have moved from lots of physical things, meetings and strikes and so on, to doing it digitally. But, I mean, since we are a movement of people who don't fly because of the environmental impact, we haven't had to change that much in the way we work. And then every country, every local group, differs. Because we are a very decentralized movement. We are not run top-down, but every local group decides on their own what they're going to do. So it's been different from city to city, from country to country
.
© Photograph by Shane Balkowitsch, Nostalgic Glass Wet Plate Studio
Thunberg poses for a photo, “Standing For Us All.”


Oliver Whang: Have any of those countries or cities adapted in a way that's been really successful?

Greta Thunberg: Yeah. Some do weekly digital strikes, which have been successful. And many have done symbolic actions. Some have put up signs or shoes outside the parliament buildings to symbolize that we should be here, but we are home. So there are lots of creative ways people have adapted.

Oliver Whang: Do you feel like the climate change crisis has been kind of forgotten in the middle of all this other stuff?

Greta Thunberg: Well, that's a very poignant narrative because, yes, of course, as have all other issues. In an emergency like this, you have to expect that other things are going to be put on hold, as they have been.

Oliver Whang: One thing that's been striking to me about the worldwide response to the coronavirus pandemic is that a lot of countries and companies have made really big moves. Stimulus bills were passed and companies are developing vaccines quickly. Do you see this kind of response as inspiring some kind of action towards addressing the climate crisis?

Greta Thunberg: Well, we shouldn't be comparing different crises, but it does show that we can treat a crisis like a crisis. And that it will probably change the way we perceive crises and crisis response. And it really proves that the climate crisis has never once been treated as a crisis. It's just being treated as a public and important question, like a political topic. Which it is not, because it's an existential crisis.

Oliver Whang: But has the response to the coronavirus given you more hope? As in, we can have a similar response to the climate crisis?

Greta Thunberg: It confirmed what I already knew. That once we treat the climate crisis like a crisis, we can change things and we can achieve things.

Oliver Whang: Here in the U.S., an election is coming up and our country is scheduled to withdraw from the Paris Agreement on November 4th. Our president has been promising to do this for years—he says that the accord is unfair to America. And there are a lot of people, not most of the people in the U.S., but a lot of them, who agree with the president and agree with that decision to withdraw from the accord. What would you say to those people?

Greta Thunberg: Nothing. Just as I always do, refer to the science. Because people have been trying to impact these people for so long, and they haven't succeeded. So why should I? Why should I be any different? If they don't listen to and understand and accept the science, then there's really nothing that I can do. There's something much deeper that needs to change them.

Oliver Whang: What might that deeper thing be?

Greta Thunberg: That we live in a post-truth society today, and that we don't care that we have lost empathy. We have stopped caring for each other in a way. We have stopped thinking long-term and sustainable. And that's something that goes much deeper than just climate crisis deniers.

Oliver Whang: So do you think in order to address the climate crisis, we might need like a cultural shift or a paradigm shift rather than just passing carbon taxes and legislation, influencing leaders and developing technology?

Greta Thunberg: Well if I say that, then people will take that quote out of context and say that I want a revolution or something. But I mean the climate crisis is not the only problem here. It is just a symptom of a larger crisis. Like the loss of biodiversity, acidification of the oceans, and loss of fertile soil, and so on. And these things will not just be solved by stopping our emissions of greenhouse gases. The earth is a very complex system. If you take one thing and put it out of balance then that will have an impact on things beyond our comprehension. And that goes for equality as well. Humans are part of nature, and if we are not doing well, then nature is not doing well, because we are nature.

Oliver Whang: Does it bother you that you might be missing all these people who maybe accept that climate change is a thing and that it's a crisis, but prioritize joblessness or access to food or other domestic issues over the climate crisis? Do you feel like you're missing them?

Greta Thunberg: No, it doesn't bother me. We have not been made aware of the climate crisis—the climate crisis has never been treated as a crisis, so how can we expect people to care about it? Since we are not aware of even the basic facts, how can we expect people to want climate action? And so that is something that needs to change. We need to understand that we are not fighting for separate causes. We are fighting for one and the same cause even though it might not seem like it. It's the fight for climate justice, social justice. Whatever is the issue, it’s the fight for justice.

Oliver Whang: Do you think that we've made any significant progress towards addressing the climate crisis since you started protesting more than two years ago?

Greta Thunberg: It depends on how you see it. In one way, yes. It feels like the debate has shifted and more and more people are starting to slowly understand the climate crisis more and prioritizing it. But on the other hand, it has still never once been treated as a crisis. And the emissions are still rising. So it depends on how you see it.

But I mean we can't expect that this one movement will change the world. If we think that is the case then we have not understood the climate crisis. People are like, ‘Has your movement failed since you have not accomplished your goals?’ But, I mean, what are our goals? We don't have any goals. Our goal is to do as much as we possibly can to be a small part of a very big shift. To be one of countless of activists who push in the same direction from different perspectives. And that is our goal. We can't expect one movement or one initiative, one solution, to change everything, or to put us in the right direction. Because the climate crisis is very complex. It's not just that simple.

Oliver Whang: Was there anything that you did or that other youth climate activists have done that you think has been particularly successful? Or any sort of manifestation of what you've done in policy or in the economy that you think is an example of your success?

Greta Thunberg: Yes, we have many. Especially local examples. But I think the biggest thing that we have accomplished is to put the focus on the science. We just say, ‘We don't want you to listen to us, we want you to listen to the science.’ This not a question about politics, this is not our opinion. We don't want the emissions to reduce, it's what the science says is needed if we are to stay in line with our commitments. We don't want things to be like this. But unfortunately, that's where we are. And we will continue to push for people to listen to the science.

Oliver Whang: Do you ever have any doubts about your work? Do you ever doubt yourself or what you've been doing?

Greta Thunberg: No, because I know it's the right thing to do. We are at a time now where we must step out of our comfort zones. I feel like I have a moral duty to do what I can, since I'm a citizen. And that makes me part of something and it is my duty, my moral duty, my moral responsibility, to do everything I can.

Oliver Whang: And that's never been in question for you?

Greta Thunberg: No. I mean, I don't want to be an activist. I don't think any climate activist does it because they want to. We do this just because no one else is doing anything, and because we need to do something. Someone needs to do something, and we are somebodies.

Oliver Whang: I'm curious if you feel like your moral duties or your responsibility has changed as you’ve become this more recognized name.

Greta Thunberg: Well, yes. Of course everyone has a responsibility, but the bigger your platform, the bigger your responsibility. And the bigger your power, the bigger your responsibility. The bigger your carbon footprint, the bigger your moral duty. So of course, as I've gotten a bigger platform that also comes with a bigger responsibility. I must use these channels, or whatever you would call them, to educate, to spread awareness.

And the things, all the resources I have, they will disappear one day. I mean, I won't be this person for a long time. Soon people will lose interest in me and I won't be so-called “famous” anymore. And then I will have to do something else. So I'm trying to, as long as I have this platform, use it.

Oliver Whang: How do you see yourself proceeding from here? Do you want to go to university? Do you have any plans?

Greta Thunberg: Well, I don't really know. I just do what I want to do at the moment. And right now, I just started gymnasium (Editor’s note: “gymnasium” is the Swedish equivalent of high school). And there I will be for the following three years. And unless I want to do something else, I mean, we will see. The world changes from day to day. So you just have to adapt, I guess.

Oliver Whang: How do you plan on sustaining this movement? Are there specific things we need to do that are different from what needed to be done two years ago or one year ago or eight months ago?

Greta Thunberg: I mean, it's very complex. But right now we have kind of hit the wall. There are no arguments left. There are no excuses left. Now, it's just, either you try to minimize the crisis or just completely deny it, or you try to distract. We just need to start treating the crisis like a crisis and continue to lift up the science, but now everyone's blaming each other and we are stuck in a loop. We won't get anywhere unless someone breaks that chain, so to speak. Someone needs to do something. I mean, of course, many people have to do lots of things, but unless someone with a big platform or big responsibility does something to start treating the crisis like a crisis—for instance, the media—then we won't be able to move from here.

I am Greta, a documentary about Thunberg’s rise to prominence, begins streaming on Hulu on November 13. The Walt Disney Company is majority owner of National Geographic Partners and Hulu.

Photographer Shane Balkowitsch, based in Bismarck North Dakota, used the wet plate collodion process, invented in 1848, to create these images. More of his work can be found on Instagram @balkowitsch.